Professional Documents
Culture Documents
SILVER CROSS
A Forge Book
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010
www.tor-forge.com
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chapter
1
Present Day
“I know she had two brothers,” Tolman said, “but I don’t know
anything about them. I don’t even know where they live now. I think
she said one is an accountant, and one was a college professor some-
where. I don’t know where.”
“We’ll be ordering an autopsy,” Poe said.
“Of course,” the doctor said, and looked at Tolman. “I’m sorry.” He
moved away.
“Do you need a few minutes?” Poe asked.
“What?” Tolman said.
Poe gestured toward the door of room three.
It took Tolman a moment to get what he meant. “You mean go in
there?”
“Yeah.”
“No,” Tolman said. “I don’t want to see her dead.”
Poe looked surprised. “You sure? There might not be a chance . . .”
Seeing death, even violent death, didn’t scare Tolman. She’d even
had a part in killing a man a few months ago, a man who was shooting
at an unarmed civilian, and who had been part of a plot to overthrow
the United States government. But seeing someone she knew—that
was different. Her mother’s car had gone over an embankment and
into the Potomac River when Tolman was sixteen. In the backseat,
she survived. Her mother didn’t. At the hospital, her father—who
had been called to the hospital from President Clinton’s Secret Ser vice
detail—wouldn’t let her see the body. “That’s not your mom anymore,”
Ray Tolman had told her. “That’s just a container with a bunch of skin and
bones and blood and muscle in it. That’s all it is now.”
“No,” Tolman said. “I’d rather picture her playing the cello.”
“Okay,” Poe said. “We’ll need a couple of days for the autopsy. Do
you want to claim the body? You mentioned brothers. Maybe they—”
“I don’t know. I guess if she listed me as her emergency contact,
though I don’t know why she would, she must have wanted me to do
something.”
“We’ve searched her hotel room and released it. I have her belong-
ings. There was a letter.”
Tolman looked up at him. “What kind of letter?”
“It said ‘In case of emergency’ on the envelope. It tells what to do
in the event of her death.”
28 B. Kent Anderson
Tolman felt her heart slow down. “How many people carry some-
thing like that around with them?”
“Then you see why I’m here, and why this all looks a whole lot
more complicated than someone getting drunk and going for a mid-
night stroll at high tide.”
Tolman glanced at the closed curtain of room three. “She wasn’t
drunk.”
Poe spread his hands. “Yes, she was.”
“No. Maybe her blood alcohol level said she was, but Dana didn’t
drink.”
“You hadn’t seen her in seven years. Maybe she started.”
“Both of her parents were alcoholics. Her father wandered drunk
out of a bar one night when Dana was little and ran out in the middle
of the highway, where a truck hit him and killed him. Her mother died
of cirrhosis of the liver when Dana was in college. She and her brothers
all swore they would never touch alcohol as long as they lived.”
“People break childhood pledges all the time.”
Tolman looked up at the tall man again. “Bullshit, Inspector. You
don’t believe that. You’re playing devil’s advocate with me. You know
something’s not right here.”
Poe ran a hand through his short, graying brown hair. “Hungry?
Ever had East Carolina–style barbeque?”
“No and no. I want to know why she was down here, and I want to
know what happened to her.”
“Did she know what you do for a living? Research and investiga-
tions, all that business?”
Tolman met the man’s eyes. “Yes.”
“Uh-huh. Let’s get something to eat, Ms. Tolman. Then I want to
take you for a little ride down the coast. We have a lot of daylight left.”
As they turned toward the unit door, one of the nurses who had
come out of Dana’s room caught up to them, trotting from the nurses’
station. “Excuse me,” she said, and her voice carried the same soft drawl-
ing cadence as Poe’s. “Is your name Meg? Were you a friend of hers?”
She tilted her head toward the room.
“I’m Meg,” Tolman said.
“She was in and out of consciousness ever since she came up from
the ER,” the nurse said. “She wasn’t very coherent. And with the brain
Silver Cross 29
injury . . .” She shrugged. “But when she was lucid, before she went
into coma, she said your name several times. She even grabbed my arm
one time when she said it. She kept saying, ‘Tell Meg, tell Meg.’ I
asked her who Meg was and what we were supposed to tell. ‘Tell Meg,’
she kept saying. Then after Troutman reached you and you said you
were coming, I told her you were on your way. But right before she went
into coma, she said it again. ‘Tell Meg.’ Then she said, ‘The rose and the
silver cross. Tell Meg, the rose and the silver cross.’ ” The nurse dipped
her head. “Does that mean something to you?”
“The rose and the silver cross.”
“Tell Meg.”
And she thought of her mother, the way she’d been screaming at
her over the seat of the car when she’d lost control. And she thought of
Dana Cable and the good times in Philadelphia, a lifetime ago. The
way they’d gone out after recitals, with Dana as the perpetual desig-
nated driver. She hadn’t seen either of them dead, her mother or Dana,
even though both of them had been talking to her—in very different
ways—right before they died.
“No,” Tolman said. “That doesn’t mean a damn thing to me.” She
looked up at Poe. “Let’s take that ride down the coast, Inspector.”
SILVER
CROSS
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