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Viking Poetry Skaldic poetry is a sophisticated art. The rules are more convoluted than those for a sonnet or haiku. In the most common form, a stanza had eight lines. Each line had six syllables and three stresses. The rhythm was fixed, as were the patterns of rhyme and alliteration. The music of a line was of utmost importance--these poems really were "songs," even though we don't know if they were "sung" or chanted or just recited. A skaldic poem was designed to please the ear. It was first a sound-picture, though in a great poem sound and meaning were inseparable. A skaldic poem was a cross between a riddle and a trivia quiz. Each half-stanza of a poem contained at least two thoughts. These could be braided together so that the listener had to pay close attention to the grammar (not the word order) to disentangle subject, object, and verb. The riddle entailed disentangling the interlaced phrases so that they formed two grammatical sentences. The quiz part was the kennings. Nothing was stated plainly. Why call a ship a ship when it could be the otter of the ocean"? Snorri Sturluson defined kennings in his Edda, which he wrote as a handbook on Viking poetry. Otter of the ocean is a very easy one. As Snorri explained, there are three kinds of kennings: It is a simple kenning to call battle spear clash and it is a double kenning to call a sword fire of the spear-clash, and it is extended if there are more elements. Norse Poetry Norse poetry, although also derived from an oral tradition, in turn is very different from the Finnish runo. The primary feature which distinguishes Norse poetry is probably thealliteration used. Alliteration means words which begin with the same sound, as in song ... sword, board ... brand or eagle ... sir. Another important feature of Norse poetry is the use of kennings. A kenning is a riddling reference to one item or concept which does not name it directly, but rather suggests it by the elliptical way in which the subject is spoken of, which causes the listener or reader to visualize the intended concept.
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A simple kenning is found in the name Beowulf or "bee-wolf": the wolf is a kenning for "thief" hence the phrase becomes "bee-thief" which the Norse listener would understand to be a bear, which steals honey from bees. Norse poetry comes in two "flavors": eddaic and skaldic. Eddaic verse is anonymous and is composed in relatively simple language and meters. The themes are mythical or drawn from heroic legends. Stanzas vary in number of lines within the same poem. Skaldic poems are usually attributed to named poets and many of them are praise poems made for a specific jarl or king. Skaldic meters follow strict rules and can be very complex in structure, and the language used is often convoluted, kenning-rich, and a challenge for those unversed in the poetic tradition to understand without footnotes. Runos were undoubtedly used in spells, magical operations, and to accompany ritual. They were also used as entertainment at festivals, in competitions of memoy and performance, and as work songs in the fields. Men tended to sing runos preserving heroic poetry, while women favored lyric, legends and ballads.
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Tapestry
8th Century British Art movements were particularly focused on Carvings, Tapestry, Illuminated Manuscript and metal work. th Areas of creative development inside the 8 century were Wessex, Northumbria and Kent. Metal work Metal work derived mainly from the Germanic animal style of artwork. The style came into influence to British nationals from German immigrants. In the 8th century the Bloomery method was introduced to smelting metal. The bloomery method melted iron into a single malleable lump (a bloom) which was then forged into place on an anvil. Iron swords were drastically different to steel swords which were later introduced. The bloomery method for smelting was prominent until the 15th century where it was superseded by the blast furnace. The furnaces used an air hole with bellows to heat to extreme temperatures to melt the iron. The furnace was made out of thick walls of clay or stone to withstand such temperatures. Tapestry Tapestry was made from wool stitched on Linen or for the richer people or places considered of relative importance across the kingdom, tapestry was made from Silk and gold and silver threads with in some exceptions gem stones stitched into the silk. Tapestry was made from a range of sizes; the Bayeux tapestry runs at approximately 0.5m x 68m and is considered incomplete. Most tapestry was destroyed throughout the conflicts of the time and very little survives to this date. Tapestry was a means of depicting a story and passing on a message since the first books were not developed until the end of the era when King Alfred prevailed.
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Carvings Carving was particularly focused on utilizing the raw materials of stone, ivory and whale bone for sculptural, aesthetic or spiritual benefit. Sculptures and carvings were often built as monuments (usually built to resemble crosses). Most surviving monuments exist within side churches; monuments built out door are now badly weathered and hard to date. Some monuments depict human figures. Typically whale bone carving and ivory carving was associated with jewelry.
Illuminated Manuscript Illuminated Manuscript was a combination of illustrations and early literature formed to develop a story. Manuscript comes from the Latin translation manus meaning hand and scriptum for writing. Creating manuscripts was a slow and expensive process. The most expensive manuscripts were decorated in burnished gold and colored pigments.