Professional Documents
Culture Documents
vs
the Inevitability of Free Content
By Sean Cranbury
Presented at SFU Digital Publishing Workshop 2009
seancranbury@gmail.com / www.booksontheradio.ca
Only Connect
EM Forster
Howard’s End
1910
Defining the Terms
• Digital Rights Management • Free Content
• Any lock placed on a digital ebook • Paid content that the customer is
file for whatever reason that limits able to read, use and share without
usage or portability of that file for limits of file-type or device
the paying customer. respecting the spirit of copyright.
• Larger Data Sets are Needed: this body of evidence is very small and
has occurred over a limited period of time. Only O’Reilly and Random House titles during
2008 and continuing to today. More publishers are coming on board with the project and
data is updated continually.
• Arguing that you need to beef up copyright protection to make sure there are
ways to generate revenue online incorrectly assumes that what people are
paying for is the copyrighted content itself. People do not care about content,
they care about themselves and their problems.
• You don't get an "A" for effort just by spending time and money creating content
(and you are not entitled to your business model -- you have to earn that money
every day by doing something that people find worth paying for -- and they
decide it's worth paying for, not you).
• The next 5 slides are screen captures taken from random browsing through piratebay.org
for ebook uploads.
• The one question that I hope comes from viewing these slides is “Are these people really
the enemy or are they our friends?”
• It seems that the motivation for a lot of the seeding activity that we are seeing on P2P sites
is more archival than malicious. The intent is not to undermine the industry and ride off into
the sunset with a boat full of ill-gotten booty. The intent seems more like a community
service.
• Remember: these people are not profiting from seeding and sharing content on P2P sites.
• How many gratis/review copies of new books end up in the windows of downtown second
hand bookstores days after their release? That’s a real life example of people turning a
quick profit from free physical content provided to them by publishers.
Know Your Pirate #1: Scanned and seeded 709 pages to the P2P site. Includes
bibliographic data and notes on the file for peers. Is this evangelism, theft or something else?
Know Your Pirate #2: Note the dedication to print and electronic books. Is this person
providing a service to his community of passionate fans?
Know Your Pirate #3: small sample of 8 pages of positive commentary about the
Stephen King uploads. Note the gratitude among peers, several comments about owning many
of the author’s physical books.
Known Your Pirate #4: CanLit is safe from relevancy on file sharing sites.
Know Your Pirate #5: Several Salinger ebooks uploaded, including 4 translations of
Catcher in the Rye. Is there malicious intent here?
Acknowledgments
• I would like to thank the following people for taking the time to speak to
me about DRM during the preparation of this presentation.
• Kirk Biglione, www.medialoper.com, www.quartetpress.com
• David Pakman, www.pakman.com
• Brian O’Leary, www.magellanmediapartners.com/
• Andrew Savikas, www.oreillynet.com/pub/au/1848
• Craig Riggs, www.turner-riggs.com/
• Monique Trottier, www.somisguided.com
• These people have been highly influential through their writings and
ideas
• Cory Doctorow, www.craphound.com
• Richard Nash, www.rnash.com
• Malle Vallik, www.mallevallik.wordpress.com/
• Kassia Krozser, www.booksquare.com