SCRIPT: TRAINING WHEELS v1: DREAM WOMAN A prospective script for EDL, written by Jon Sutz Close-up of face

and upper torso of chubby white-ish male, sli htly smilin , loo!in down intensely, as he is bounced around a bit" As camera pulls bac! we see that he is busily playin a ame on a handheld computer" As camera pulls bac! more, we see that he is surrounded by other people, all of whom are wearin t-shirts that say #$A%&A'E() on them, who are strainin at some tas!, to ether" Camera pulls bac!, we see they are runnin alon side the bi!e he*s seated atop, and are holdin onto horizontal bars to !eep him vertical, as if he was royalty" Camera cuts down to round-level and we see that his bicycle has trainin wheels" +ne of his minders, an a in , frumpy female ,$A%&A'E( -. then says, in a surprisin ly cheerful manner, How're you doi ! "#ere$ Mr% Gi&'e() /e absentmindedly replies, O*$ 'u" +ou(d I !e" , o"#er -(u-#.ee) as he pulls an almost empty cup of red frozen drin! out of a holder on the handlebars, but pays little attention to it, as he*s wrapped up in his ame" /e puts it to his mouth and we hear the sound +0 the straw empty the last of the li1uid" /e then hands it to another hand, belon in to $A%&A'E( - who, in a surprisin ly cheerful way, replies, Ri!#" ,w,y$ Mr% Gi&'e(/ $hen, another $A%&A'E( ,$A%&A'E( 2., a male, frumpy, sort of li!e 3r" 4imbel*s older brother 5 but not dependent 5 says, S,y$ Mr% Gi&'e($ do you "#i 0 you're re,dy "o ride o your ow ye") 3r" 4imbel, intensely and deli htedly playin his ame, ives a flippant but courteous response, without even loo!in at $A%&A'E( 2, Hu#) W#,") No/ I -"i(( eed you !uy-/ $hen, we cut to an EC6 of 3r" 4imbel*s eyes as he is loo!in down, then, somethin catches his eye and he loo!s up, for a split second, then loo!s bac! down as if to dismiss it" $hen, we see him loo! bac! up as if he*s seen an an el" 7hich he has" ,3(" 4839EL SEES /8S 4+DDESS. 7e cut to a new perspective, over his ri ht shoulder loo!in forward, as he sees, ridin towards him on a bicycle, a beautiful woman" 8t is his ideal woman, who hasn*t noticed him yet" +n each side of her

we see cartoon-ish trees, made out of colored cardboard" 7e cut to see his eyes shift down sli htly, then his surprise is visible in whatever he sees" 7e cut to round-level view of her bicycle, seein that it has no trainin wheels 5 she is ridin completely unassisted" 7e cut to a front view of his face as he smiles at her, as if to say, #7here have you been all my life:) ,3(" 4839EL*S 4+DDESS D8S38SSES /83 - 9ECA6SE +0 /8S DE&E;DE;C'. 7e cut to her loo! at him, initially smilin , then she loo!s down, and we see her eyes become pursed as if to say, #7hat the hell:) 7e cut to see her loo! at him as the leech he is, then 1uic!ly turn her head in a dismissive manner, as if to say, #Dream on, creep") ,3(" 4839EL $(8ES $+ SAL<A4E $/E S8$6A$8+;. $hen, we cut bac! to 3r" 4imbel, as he tells the ta=payers, under his breath, S+r,&$ !e" ou"", #ere$ you !uy-/// 7e cut to see the $A%&A'E(s let o of his bi!e, then bend over to catch their breaths" 7e cut bac! to an 3C6 of 3r" 4imbel from a head-on position, in which he realizes that he now must hold himself up, and as camera fades out, we see and hear him sayin , #6h, wait, whoa, hold on, uh, come bac!>>>,) as camera fades completely out, he drops out of view, and we hear #C(AS/>>>) ,CL+SE. 8nsert EDL lo o, with ta line ,$9D. Dependency is no way to live" Entitlements Destroy Lives is helpin to liberate victims of the welfare entitlement mentality" 7ill you help: entitlementsdestroylives"com

SCRIPT: TRAINING WHEELS v2: LITTLE GIRL A prospective script for EDL, written by Jon Sutz Close-up of face and upper torso of chubby white-ish male, sli htly smilin , loo!in down intensely, as he is bounced around a bit" As camera pulls bac! we see that he is busily playin a ame on a handheld computer" As camera pulls bac! more, we see that he is surrounded by other people, all of whom are wearin t-shirts that say #$A%&A'E() on them, who are strainin at some tas!, to ether" Camera pulls bac!, we see they are runnin alon side the bi!e he*s seated atop, and are holdin onto horizontal bars to !eep him vertical, as if he was royalty" Camera cuts down to round-level and we see that his bicycle has trainin wheels" +ne of his minders, an a in , frumpy female ,$A%&A'E( -. then says, in a surprisin ly cheerful manner, How're you doing t ere! "r# Gi$%e&' /e absentmindedly replies, ()! %ut *ou&d I get +not er ,&u, -ee' as he pulls an almost empty cup of red frozen drin! out of a holder on the handlebars, but pays little attention to it, as he*s wrapped up in his ame" /e puts it to his mouth and we hear the sound +0 the straw empty the last of the li1uid" /e then hands it to another hand, belon in to $A%&A'E( - who, in a surprisin ly cheerful way, replies, Rig t +w+y! "r# Gi$%e&. $hen, another $A%&A'E( ,$A%&A'E( 2., a male, frumpy, sort of li!e 3r" 4imbel*s older brother 5 but not dependent 5 says, S+y! "r# Gi$%e&! do you t in/ you're re+dy to ride on your own yet' 3r" 4imbel, intensely and deli htedly playin his ame, ives a flippant but courteous response, without even loo!in at $A%&A'E( 2, Hu ' W +t' No. I ,ti&& need you guy,. $hen, we cut to an EC6 of 3r" 4imbel*s eyes as he is loo!in down, then, somethin catches his eye and he loo!s up, for a split second, then loo!s bac! down as if to dismiss it" $hen, we see him loo! bac! up as if he*s seen an an el" 7hich he has" ,3(" 4839EL SEES A L8$$LE 48(L (8D8:4 /E( 98C'CLE $+7A(DS /83. 7e cut to a new perspective, over his ri ht shoulder loo!in forward, as he sees, ridin towards him on a bicycle, a pretty little irl, maybe ; years old" +n each side of her we see cartoon-ish trees, made out

of colored cardboard" 7e cut to see his eyes shift down sli htly, then his surprise is visible in whatever he sees" 7e cut to round-level view of her bicycle, seein that it has no trainin wheels 5 she is ridin completely unassisted" 7e cut to a front view of his face as he finally realizes his pli ht 5 and his embarrassment< here is a little irl who is ridin completely unassisted, while he, an able-bodied man, has become convinced that he cannot =or would be a suc!er to> do the same" ,$/E L8$$LE 48(L LA64/S A$ /83 9ECA6SE +0 /8S DE&E:DE:C'. 7e cut to her loo!in at him, initially smilin , then she loo!s down, and we see her eyes become pursed as if to say, #7hy do you need those trainin wheels? 8*ve been ridin on my own since 8 was four@) 7e cut to see her loo! at him, put her hand over her mouth, and start i if to avoid causin him further embarrassment" lin , then she loo!s away, as

,3(" 4839EL $(8ES $+ SALAA4E $/E S8$6A$8+:. 7e cut bac! to 3r" 4imbel, as he tells the taBpayers, under his breath, S*r+$! get outt+ ere! you guy,... 7e cut to see the $A%&A'E(s let o of his bi!e, then bend over to catch their breaths" 7e cut bac! to an 3C6 of 3r" 4imbel from a head-on position, in which he realizes that he now must hold himself up, and as camera fades out, we see and hear him sayin , #6h, wait, whoa, hold on, uh, come bac!@@@,) as camera fades completely out, he drops out of view, and we hear #C(AS/@@@) ,CL+SE. 8nsert EDL lo o, with ta line ,$9D. Dependency is no way to live" Entitlements Destroy Lives is helpin to liberate victims of the welfare entitlement mentality" 7ill you help? entitlementsdestroylives"com