Professional Documents
Culture Documents
stages?
PRE-PRODUCTION TECHNOLOGIES
You tube not only enabled us to gather inspiration for our own narrative, but it allowed us to reach more specifically to our target demographic of 20-26 year olds, as we were able to see the popularity of the researched films with specific viewers.
However in order to gain information about the older, more classic film noirs, we had to use You tube in order to view their trailers; The Usual Suspects and Psycho. You tube was particularly useful for in gathering information for Psycho as there was some ambiguity as to which trailer was the official, or which had been modernized.
GOOGLE
The use of Google enabled us to research the previous covers of magazines from the magazine brand W. We chose to use this magazine as we found Mila Kunis was on the cover of an issue in order to promote her new film Black Swan; which we researched fit the conventions of film noir genre. This magazine is also marketed for a female audience, which linked well to the idea we had to put the female protagonist Vera on the cover, in order to directly link to her role in the film.
By researching the previous magazines from this brand, we were also able to get a clear idea of the style of the magazine, and the types of fonts and colours that are used. After gathering this information, we could clearly link our own magazine to the original covers, as well as choosing our own colour palette that adheres to the significant themes in our film.
The use of Google also allowed us to research film posters that formed part of a cohesive branding image for a particular film. We collected some images of the film posters and found that one single film had both a teaser poster, and a main poster. This helped us to ensure that we had included all the information that would normally be split into two products, or repeated.
TRIPOD
Here we attached the camera to the tripod in a secure way. By ensuring the camera was screwed on to maximum amount, we minimised the chances of the camera disconnecting from the tripod and breaking. We had to ensure that the camera was tightly secured onto this trap before filming.
These legs of the tripod allowed us to not only fold up the tripod for travelling between locations, but also to lower the camera in height. In order for us to film from lower angles, we had to move the camera up each stage of these notches, in order for the height to change. This was particularly useful when filming long shots, or over the shoulder shots, as the camera either had to be disconnected completely, or stabilised higher up in order to capture the whole location.
POST-PRODUCTION TECHNOLOGIES
Final Cut Express was the most significant software used in the construction of our trailer. This advanced software allowed us to include many professional effects and editing techniques within our product, which meant we could give a more sophisticated outcome. The way in which we were able to edit our sequence was greatly aided by the use of Final Cut Express, as here we could slow down the sense of time to enhance the romance, or include several rapid jump cuts to create the sense of danger.
In particular, Final Cut Express enabled us to heighten the sense of romance and illusion, as we chose to slow down the shot of John and Vera embracing. We did this by cutting the scene at the appropriate times in order to focus on the embrace itself. This was done through the setting tool, and then by changing the pace dial, we were able to slow down the pace of the action as much as we wanted. This enhanced the film noir genre as it gave the sense to the audience that time had stopped, and the romance was the only significant emotion.
Split Clip Final Cut allowed us to enhance a significant feature of film noir; tension. This was particularly successful at the end of the trailer, when all the action had built up to a specific moment, which for this project was the appearance of the film title. However before this final shot in the trailer, the action became more significant and fast paced. We were able to achieve this effect by using the Split Clip tool to edit several clips down to 2 or 3 seconds in length. For example the shot of the physical conflict between the male and female protagonist was edited down to 2 seconds, and was followed by another fast paced action scene. By repeating this editing process, the trailer became tense towards the end as the audience was eventually led to a climactic moment.
After we had chosen the songs we thought would best complement the narrative, we dragged them into the chosen scenes of the trailer that we felt needed that particular soundtrack to intensify the action shown on screen. The most interesting soundtrack to add was SAIL, at the very end of the trailer, as it gave us a chance to dramatise the trailer, and bring a modern soundtrack into a classic genre. We used this soundtrack to enhance the conflict between the protagonists, as the volume levels were then edited to fit the action of each jump cut shown. This non diegetic soundtrack was particularly effective as the beat of the music layered well with the amount of jump cuts, and could be heard at the right intervals on the screen. Therefore the relationship between the sound and image was significant here, that could have only been achieved with the use of Final Cut Express.
Pen Tool
Photoshop also allowed us to experiment with the contrast of the photo, and the central colours used. We chose to enhance the contrast of the photo, so that the black shades surrounding the protagonist in the centre, was brought to the forefront, and one again made the protagonist look isolated and alone in darkness. The experimentation of colour particularly allowed us to symbolise the theme of alcoholism, as not only was the photo taken in the bar location used to film, but the warmer colours around the edges presented the sense of familiarity. By using Photoshop to enhance the warm glow around the central protagonist, we symbolised the positive feelings that alcohol brought onto the protagonist, and the sense of comfort it brings to him; thus adhering to the serious tones of film noir. The colours of orange and yellow were enhanced around the centre object, in order to connote the happiness and warmth of dependency on alcohol.
We also used Photoshop in order to unify the image of all three products, as we could change the font of the text on the poster, as well as ensuring we used the same colour font as that seen in the other products. By changing the font to the same shade of yellow as seen in the background of the institutional information in our trailer, we were ensuring that these two products were part of the same branding image therefore adhering to the given brief. This particular shade of yellow was used as the title colour, The Last Drink, as well as the colour of the review stars. Not only did this colour match the one used in the shade, but it also complemented the shades of orange and yellow surrounding the protagonist, consequently creating a professional, sophisticated colour palette.
We also used Photoshop in order to create a template for the W logo itself. We did this by copying and pasting the magazine cover into the layer of the photo, then using the Lasso tool to cut around the outline of the W neatly and carefully. When we had sufficiently cut around the outside, we positioned it onto the top left hand corner of the cover, just as seen on the original covers. We then changed the colour of the W, as it was originally grey, however we thought this would be lost, as the background of our original photo was grey also. By changing the W and other test to white, they stood out and represented the stark themes of isolation and illusion.
We wrote questions based on our three products, such as the success of our trailer and the effects used, as well as the main image on the magazine and the poster. After writing these questions, we were able to post the link on the social media website Facebook which ensured that we would target the right young audience. By posting it on this website, it immediately became a lot more accessible to the public, and the right age demographic that would know how to use this website.
This technology immediately allowed us to see the success of our trailer, as well as the way in which the three products correlated together. We were able to receive feedback on the success of the relationship of the three products, in order for us to make changes to our rough edit later on. This was a pleasing technology to use as it was fast and easy to construct our won evaluation. By writing our own questions, we could ensure that they would apply to our chosen genre, as well as making the length of the survey appropriate, so as not to be tedious to complete.