Speed Seduction 3 Disc One

Speed Seduction 3.
0

Program Transcript:
Disc One

Created By
Ross Jeffries
Getting Some

Website:
http://www.speedseduction.biz

The Guru of

For the smart guy who refuses

to resort to bullying, begging,

Copyright 2008, Ross Jeffries. All Rights Reserved.
This transcript may not be duplicated without written permission
buying, bs or booze, in his pursuit of happiness.

from the author.
Disclaimer

This program may contain viewpoints that may be considered controversial by certain
audiences. It is intended as a powerful guide for self-respecting, intelligent men who
are looking to avoid from "real-hate-shun-ships by default" and instead claim the
happiness that they deserve.

I, Ross Jeffries, Ghita Services., Inc, and/or SpeedSeduction.biz (or any of our other
websites or entities) cannot and will not be held responsible in any way for your actions,
and will not be held liable for any and all claims from you or any other third party.

You alone are responsible for your decisions and actions, even if they have an impact
on others. This information is meant for "entertainment" purposes only.

While this transcript contains information, tips, tools, and strategies that are
recommended by us and, in most cases, have succeeded when applied by others, this
product and its contents carry no warranty or guarantee (either explicit or implied) that
the purchaser or reader will achieve success with women, or in any other endeavor for
which they may be used.

Ross: Here are some rules for patterns. Just look up here and then you write it
down. I want you to understand.

I want them to demonstrate understanding before I allow them to write. I
keep interrupting that pattern of having them write without understanding
it. They want to write so they can memorize later. I want them to pay
attention and understand so they dont have to memorize ever.

When you understand, you dont need to remember the exact words. You
can always write it out in your own words. If youre looking at your notes,
writing it word for word, you cant understand, so look up here first.

Rule 1 is you have to use the right theme. Remember what I said, if you
can put it on a chart, graph or prospectus, its the wrong theme. They have
to use the right theme.

Im going to start teaching this to women. Id rather have a room full of 50
women, sorry guys. Are you enjoying this? You need to have the right
theme or topic.

Another element is that patterns should address the emotional processes
and states and subjective experiences that you want her to go through. Its
the feeling of attraction and whatever you want her to feel. It should
address the feelings, state of the mind and emotions that you want her to
undergo.

Patterns should also be delivery vehicles for suggestions and commands.
You use weasel and ambiguity as to who is being referred to.

Speed Seduction 3.0 | Program Transcript Disc One
Website http://www.speedseduction.biz
1
Patterns should also be delivery vehicles you can run in the moment.
Patterns can also be delivery vehicles for suggestions and commands and
ambiguity as to who is being spoken about.

Suggestions and commands take the form of Feel that, do that, feel that
happening, recognize thats happening. Feel, do recognize, realize.
Those are the commands. Feel that, do that, recognize that. Suggestions
take the form of Thats whats happening. Thats taking place.

I also said there is ambiguity as to who youre referring to. I can realize
that its happening. Is it happening to the people youre describing or
between you and the girl? Do you understand?

A good pattern also uses ambiguity as to who youre referring to. Are you
referring to the people youre telling the story about or whats going on
between you and the woman? Do you understand that ambiguity? Do you
understand the difference between that and the wrong way to do it? The
wrong way to do it, which is when you realize thats whats happening
between you and me right now, thats being specific. Here you want to be
vague.

Look here. I want you to demonstrate understanding. When youre vague,
what happens? The unconscious mind goes on a search and tries to find
all available meaning and applies all of those meanings.

The unconscious mind says, Is he talking about the people in the story, or
is he talking about him and me? The unconscious mind says theyre all
true. Its both true about the people in the story and its also happening to
us. This takes place unconsciously. Theyre not aware of it.

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If you understand how the tool works, then you understand how to apply
the tool. You see how Im not just letting you write and memorize?
Patterns should also be delivery vehicles for commands, suggestions and
ambiguity as to who is being referred to.

Patterns should also require her participation and incorporate her trans-
words. Lets discuss that. Jack and Tony, I want to make you explain to
me what that means. Youll have to participate if you want to learn. What
do I mean by that? Why is it important to incorporate her trans-words and
require her participation? What happens if we dont incorporate her trans-
words?

Participant: You dont open up the safe door.

Ross: You dont open up the safe door if you dont use the combination.

Participant: Trans-words are like pre-wired words.

Ross: Trans-words are like pre-wired fishing lines right down in the level of her
mind that responds to this stuff. Its like a trail of bread crumbs. You want
to use her trans-words because they open up those paths in her mind
where there is no resistance. Its her word. Youre feeding her word back
to her. How can there be resistance? Its like youre mentally throwing your
voice into her head.

Participant: Are you saying thats when you should also, in terms of rapport, deliver it
how she says it?

Ross: You dont even have to go there. You just use her words. I use her words
now online. How did you understand me? Well, I read your profile and
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picked out your trans-words and sent them back to you, Debbie. It took me
one minute and 30 seconds.

Ill show you the email Im getting. Its remarkable how well you
understand me. How do you do it? I read a profile. I knew what to look
for. I ignored everything else. Those three words popped out at me and
got bigger. Ill use those, end of story.

I even title my email, Passion, compassion and joy. She used those
words. Those are her trans-words. My email said, Passion, compassion
and joy.

Its amazing to see a woman who really wants to experience passion,
compassion and joy with me. I think about what it would be like to meet
someone you could really cherish. Wouldnt that be a wonderful thing to
experience? Im curious to learn more about the person wrapped inside all
of the pretty. Find me. Is this fair?

Participants: Yes.

Ross: Who gives a fuck! Thats the wrong answer. Is it manipulative?

Participants: Yes.

Ross: Of course it is. Just looking at my picture they would never give me a
second look. Why should I allow their first response to fuck up their
chance to be with someone like me? Thats not fair. Im not kidding. Its
funny, but its serious. Is that fair to them?

Participants: No.

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Ross: Its not fair to them either. You can rationalize anything, but its not fair.

Participant: I have a question around your conscious.

Ross: Stop a minute. One of the things I always watch to see is who interrupts
themselves with too many questions. Over time I will begin to reshape that
pattern. Initially I take every question and then by listening I begin to see
what their pattern is of asking questions.

Do they want too much detail? Do they want me to provide a lot of
reassurance that, yes, they can do it? Are they asking a question to just
demonstrate to me how much they already know? Are they confused? If
theyre confused is it because they dont understand or they have ideas up
here that conflict? I dont know yet. Go ahead with your question.

Participant: I can talk with a woman. I can sit down. I can say, This man or woman
over here, I can talk about how good they may be.

Ross: Stop. Im not describing. Im talking about something I saw two weeks ago.
Im not talking about something Im actually observing because it may not
fit.

Participant: Okay. My moral conscious is listening to my story. Its just gone into her
head. Shes not saying it or directly talking about it.

Ross: Thats right, because she doesnt know consciously. Unconsciously she
thinks, Hes talking about me and him.

Participant: Basically this unconscious mind is about build up.

Ross: I dont know if its about build up. Yes, you do understand.
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Participant: Do all of these patterns require that youre alone with her? Lets say that
youre at a party or there are people interrupting.

Ross: No, once you start communicating with her like this, you may as well be
alone. No one else will matter. You dont need to take the girl into physical
isolation. Youre so fascinating that no one else exists in that room. You
see how theyre not thinking at the right level?

Eric, how is your comic going?

Participant: Volume 2 is coming out in three weeks. You said to play a fun game and
then you followed that by going into something deeper and more
meaningful. You talked about fractionating that.

Ross: A good pattern requires her investment and involvement. If we get her into
us, then first of all its more real for her. Second, shell be giving us words
that we can feed back. A good pattern gets her to invest and incorporates
her answers.

A good pattern also fractionates back and forth between you. A good
pattern should be preceded and followed by something that fractionates
around it. Its usually something not as serious. These are the basic
building blocks.

Participant: If you use that pattern you start interacting. What if she interrupts you and
starts talking about something?

Ross: Its not an interruption. Usually its her wanting to participate.

Participate: Would you?
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Ross: Stop. This is an example of you not hearing my answer. He set his head.
You need to be able to see them. Its not an interruption. Its her
participating and giving you information thats flowing out of that deep part
of her mind. Thats not an interruption. Thats her feeding you the
answers.

Her unconscious likes the whole thing. Its not an interruption, usually. Are
you talking about her changing the topic completely? What do you mean
by interruption?

Participate: Yes, basically she interrupts you and changes the topic as well. Would
you try to recover?

Ross: Ive never had it happen. Not once, Ive had women show no interest in
the topic to begin with. Ive had women not participate. It was like pulling
teeth, so I walked away. Ive had women show a bad attitude. Theyre not
worth the time to me. Good bye.

Im not open minded enough to give a gift to someone who is not open
minded enough to eagerly and gratefully accept it. Im not kidding.

Participant: I have a question about the fractionating. You brought up the example of
candy and the girl. Could it be anything from the three other levels of the
mind? It could it be something less personal?

Ross: Yes, a good pattern is preceded and followed by a fractionation of
something that is lighter in tone. A good pattern, usually, not always, is
preceded by something that is lighter in tone and followed by something
that is lighter in tone. Does everyone know what I mean by the word
precede? It means to come before.
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A good pattern is something before it that is light in tone. It is followed
usually by something after it that is lighter in tone. Its fractionating back
and forth overall. These are the elements of a good pattern, but you need
to have the right topic so there are connections.

That is just one topic. I havent given you the other five. There are five
more, so I have a big overall loop of topics and themes. Within that I have
to work with their understanding. I have to answer their questions. I have
to get them to participating, demonstrating and understanding.

Participant: Do I suggest Pattern 1 then fractionation, Pattern 2 then fractionation?

Ross: Yes, but fractionation is a pattern of seduction, even though it doesnt
require a lot of language. Anything that moves the transaction along is a
pattern. Touching their arm is a pattern.

It is language pattern, fractionation and then Language Pattern 2.
Language Pattern 2 will appropriate all of the responses we got from
Language Pattern 1. Were not just going to leave them behind.

Think of the metaphor of an avalanche. To create an avalanche, you dont
have to shake the whole mountain. You just have to know the vulnerable
spot and make sure the snowball starts from there and keeps rolling down
the hill.

The next pattern youll use will incorporate all of those juicy responses,
verbal and nonverbal, she gave us for the first one and all of the
information you gain about her seduction map of the world.

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At each point youre tugging the safe door, if its ready to spring open after
the first pattern, will we keep talking? Yes or no?

Participants: No!

Ross: Youre not answering, yes or no?

Participants: No!

Ross: Remember one of the metaphors to carry along with you is opening the
safe. Youre opening the safe. Youre tugging that safe.

Participant: Could you fractionate two or three times on each thing so its connection is
what youre fractionating about?

Ross: I cant give you an exact number. Im always fractionating. Thats how I do
this.

Participant: Can you give an example of fractionating?

Ross: You can fractionate back and forth between a more hypnotic topic and
actually doing something ridiculous like saying, When you were a little
girl, was there some kind of candy that was the king of your candy castle?
Ill go into that pattern later. To fractionate you could say, Look at those
guys over there. I bet that guy farts in bed.

Anyway, its something like that. You point to something in the
environment. Remember you start off by looking at the environment. Then
you look back at the environment. You can fractionate to the focus of
attention.

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The focus of attention is you and her speaking, then focus outwardly. You
can fractionate whether its paying attention to each other or paying
attention to the environment. You can fractionate between being serious
and being funny. You can fractionate inside of the pattern. You can
fractionate what vibe youre coming from. You can fractionate intensity.
How intense are you?

There are all sorts of levels. Fractionation is huge. It is the F word. You
notice how Im taking the general principle of fractionation and talking
about incorporating it into another broad topic, which is themes and tying it
back to specific pieces within that pattern. Im training them to teach.

Participant: When embed a command, can it be any question? Would you fractionate
that by slowing down and then on the path of what youre saying speed up
somewhat?

Ross: No, hes thinking of a very small chunk. Its not. Now thats a fixed way of
learning. Its not useful. You would do better by chunking up and focusing
on the broader principles rather that being so detailed.

Remember, youre dealing with very chaotic systems. Youre dealing with
women, who are chaotic. I dont mean that in a negative way. Chaos is
sexy to me. It is. But theyre chaotic.

I specifically mean that theyre complex and at any given moment any of
the elements can control all of the other elements, even if it seems to be a
very small interplay. It can take over and control the whole system.

Its like a butterfly flaps its wings in Margaret Thatchers crotch and a
thunderstorm develops. Its my imagery thats funny. You wont forget that.

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Before you walked in that door, you didnt even know to think about
fractionation, most of you. Now youre asking me questions about where
you apply it. That tells me youre starting to get it.

Another theme is indulgence. There are connections and indulgence.
What kind of things do we indulge in? We indulge in things we like.
Indulgence, escape, fantasy and adventure, as one theme. Heres another
one. I clump them into one theme category. Thats another.

Indulgence, escape, fantasy and adventure. Would these be useful things
to get a woman talking about? Oh yes. Do you think? This is a good one.

Participant: Is it useful to talk about the past sexual experience of the girl with other
guys or lovers?

Ross: I dont know. You have to put it in context. At what point in the seduction,
and in what context is it being brought up?

Participant: At the start of the seduction.

Ross: No, absolutely not. Usually you dont go there.

Participant: Might it arouse her when thats my choice?

Ross: I wouldnt do it. Leave it alone.

Heres a good question I like to ask. Look up here. You have to kill your
initial autopilot response, which is to look down as soon as they start
talking. Thats the wrong response. Thats like putting your pants on when
she says, I want to fuck you.

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My metaphors are shocking. I know.

Heres a really good question. Whos going to look down and write it? If
you could go somewhere where no one knew who you were and nothing
you did would ever get back to anyone who did know you, what kind of
experiences would you like to try? What kind of feelings? What kind of
person?

Thats a good question because in order to answer the question, what part
of her mind does he have to reach deep down into? Whether she answers
you verbally or not doesnt matter. Ask me about that tomorrow. Ill tell you
what to say to get her thinking about that whether she answers verbally or
not.

It may actually help for not to answer verbally. If she doesnt answer
verbally and starts thinking that way, you can give her suggestions to start
looping them.

You can say, I find that when I let those thoughts run through your mind,
keep seeing the pictures and feeling the feelings, for whatever mysterious
reason, your mind moves in a new direction. Its like theres another part
that you want to take on. Now I have that anchor so when I want to fire off
those looping thoughts, I do that. She didnt even have to answer me
verbally.

If she answers me verbally, so much the better.

Participant: If she gives you a nonverbal response when you ask that question, do you
mirror back what she responds? Would that be a good thing to do as well?

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Ross: The kind of nonverbal responses that I want you to mirror back are the
ones she does just before she starts talking. For instance, if she takes a
deep breath.

Participant: I should ask the question just before she starts responding.

Ross: Yes, but Im saying she doesnt even have to respond verbally for this to
work because shes going to be thinking about it. Then you can give her
commands to loop all of this stuff.

Just because she runs the suggestion once doesnt mean it has power. If
you can install a looper she keeps ruminating on, then it has power. You
have to give those commands for her to ruminate on it by saying, I find
that when I let those thoughts run through your mind Do you feel that
temporary little shift to confusion? I find that when I let me teaching run
through your mind You have to do that. Then you can anchor it and
theyll keep running those thoughts.

Would it be useful for a woman within the first 20 minutes of talking to you
to be running all sorts of sexual fantasies of things she would do if no one
would ever catch her? You say to her, It almost seems like youre looking
at those thoughts as something you have to have. Theres another part
you have to take on. Now not only is she looping those thoughts, shes
looking at you through those thoughts.

Then you talk to her saying, Theres another part you want to take on, a
much bigger part that you want to take on tonight. That ambiguity means
she wants to take your penis.

Debbie, Im going to bring up a topic that would cause you to think about
your most exciting, vulgar and vile sexual fantasies. Im going to arrange it
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so that you not only have those thoughts obsessively whenever I fire off a
post-hypnotic suggestion, but youre going to look at me through all of
those lustful thoughts. Youre going to imagine my penis as being the end
reward for all of it. Thats what youre really saying, but youre saying it to
the unconscious mind.

Youre really appreciating this at a very deep level, arent you? Yes. This
is masterful, isnt it? Yes.

Im not telling them to look into my eyes. Its all going in, but it wont go in if
you dont use your own words. If shes not participating, youre not putting
it in your own words, youre not keeping her safe and comfortable and
youre not fractionating, its not really going to go into effect. It might.

Maybe 10% to 20% of the population are somnambulists. Any suggestion
you give them will go right in and utterly make it their world. The problem
with people like that is they can have a very loose grip on reality. They
may suddenly decide one day that they hate your guts when a moment
before they were madly in love with you.

Their reality is not very stable. Theyll accept whatever reality you put in
there. The next minute, you dont know whats going to happen. You dont
want that. You want someone whos participating and investing. Youre
fractionating.

Heres the other cool thing. Youre learning about her world. When she
talks and brings this stuff up, you really are truly learning about her. When
you do this M&M candy shit, you dont learn anything because youre
doing all the talking. Youre not listening to her answers anyway. Thats
not fun for me.

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This is fun, isnt it? Someone said that this is manipulative. Hold out your
hands like this. What is the most important digit on these hands? If you
lose it, youre in trouble.

Participant: The thumb.

Ross: Right, because the thumb allows you to manipulate. The thumb works
through both opposition and cooperation by moving in a way thats
opposing to the other fingers and yet in coordination and cooperation with
them. It enables us to move the world unlike any other animal. Chimps
have opposing thumbs, too.

My cats have made it very clear to me telepathically that if they woke up
one morning and had opposing thumbs, theyd kill me. They could open
the cans.

I had a cat that was lying on my chest one morning. She looked at me and
said, You know, Dad, if you woke up one morning the size of a mouse, I
would torture you greatly before I killed you and ate you. Its nothing
personal.

Participant: Thats the way it works.

Ross: Another thing is games, quizzes, tests and demonstrations. Who has the
Gold Walkup DVD with the twin brothers snap quiz? Well go over them
tomorrow. Someone remind me.

Participant: The cube.

Ross: The cube. Someone remind me tomorrow to do the twin brothers and the
snap quiz. SRT, signal recognition, is when you have them imagine whats
15
the first flow of feeling you get. Hand-writing analysis is one of them, as is
the cube.

Remember, theyre all delivery vehicles for suggestions and commands.
Were not doing it for academic curiosity. If you start doing the cube and
she starts talking about sexual stuff, fuck the rest of the cube. Do you
understand?

Poems, jokes, demonstrations, games, tests.

Participant: Are they all part of the same group?

Ross: They are all a part of the same group. Games, poems, stories, tests, and
jokes, I have some great jokes to get her hot as hell. You dont want to
hear them. Youre tired. I may just go until midnight. Are you sleepy?

Participants: No.

Ross: That says poems as another example. Poems are great.

Participant: How about if I use palmistry?

Ross: Palmistry, any of these chick crap things.

A guy has a thing for Paris Hilton. He worships her. He finds out that Paris
Hilton has booked a cruise on this very exclusive luxury yacht. Theres
only her cabin and one other cabin. It sells for $300,000. He sells his
house and car and raids his kids college trust funds. He sells a kidney. He
sells his retarded child into slavery in China. He pays the $300,000 and
gets that cabin right next to Paris Hilton.

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Have you ever really wanted something? You work up your appetite for it.
You think about how good it will be to finally get this. The more you think
about it, the more you want it. The more you want it, the more you think
about it. You start looking at the world through this kind of fuzz, like theres
another part of you.

Theyre on the ship. It gets tossed into the rocks by a storm. The ship
sinks. Everyone dies, or so it seems. He washes up on shore. Who else
washes up on the shore but Paris Hilton? Shes sub-drowning. He rips
open her shirt, pumps her heart and gives her CPR. She coughs up all this
water and survives.

She says, Oh my god, you saved my life! Here we are on this desert
island. Theres no one around. Theres no reason at all that we cant just
drop all inhibitions because nothing we do will ever get back. We can do
anything we want, and things we never knew we wanted to try. Ill do
anything for you. Youre my master. What do you want?

The guy looks at her and says, Can I be honest with you? She says,
Youre my master, anything. He says, Ive never in my life wanted to
fuck anybody the way I want to fuck you. I want to fuck you like you are
the last woman on earth and Im the last man. All the fucking we ever want
to do is going to happen right now.

Who am I really talking to?

She says, Anything you want, master. For the next six weeks, they fuck
like crazy. You dont believe me? Fuck somebody like its the last fuck
youre ever going to get.

17
For six weeks, she fucks him like crazy. She does everything for him. She
scours the island for coconuts. Apparently she learned a lot on The
Simple Life. She goes fishing for him and brings fresh fruit. After six
weeks, hes starting to look like a little mongrel boy.

She says, Master, whats the matter? How can I make you happy? He
says, Paris, do you still have your makeup kit? She says, Of course,
master. He says, I want you to paint a mustache and a beard on yourself
with your eyebrow pencils. She says, I understand that youre my
master. Your wish is my command. Of course I will. He hits her. Paris,
you see my suit jacket and tie we salvaged from the wreck. Id like you to
put those on. Of course master. Anything you say.

Paris, I want you to go take a walk by the beach. Just keep walking along
the ocean. She does. He comes running up to her, tags her suit jacket,
pulls on it, and says Dude. Dude. Youll never guess who Im fucking?

So anyway, when you were a little girl.

You can use a joke. Do you see how? My method is I hear a joke, then I
embellish it. I think, Heres the standard joke. How can I embellish that
with verbal commands and descriptions that will get her really hot?

It could be a joke or a demo. A demo is like SRT or the blammo pattern.
Do you know my famous blammo pattern? Thats a demo.

A quiz could be something like, Are you a roller, folder or thrower? They
say, What? Okay. Were on vacation. Were going to finally go away on
your ideal vacation. Our suitcases are all empty. Do you roll your clothes,
fold them or just throw them in? In America I say, Are you a roller, folder
18
or tosser? I understand that tossing has a different meaning. Its a fun
thing. They always bite down on that. Thats your little quiz.

The next topic is Sex, but not Necessarily Sex.

What do you think makes for a really fantastic kisser? Sex, desire, or
sometimes its directly sex if theyre really into it. You can bring it up. For
me, the next topic I talk about sometimes is what I teach. It can be very
fascinating to them. You can talk about what you learned at this wacky
seminar. Do you understand? Its being didactic, which means taking the
role of a teacher.

You could say, Its so interesting. You learned so much about people.
How people learn about themselves, thats a topic. For me, its about what
I teach. Do you get it?

Participant: Can you give us a quick example of that one?

Ross: Of what I teach?

Participant: The sex one.

Ross: If theyre into it and starting to get really sexual with you, just go blatantly
into it. If theyre getting really sexual with you, you can say, So, whats the
wildest thing youve ever done? if they start with the topic. I never
introduce sex. I let them bring it up. If they bring it up, Ill talk to them about
it. They have to bring it up first.

You can also talk about things that are sort of sexual. So what do you
think makes for an absolutely fantastic kisser? As they describe it, theyre
going to go through what it would feel like to kiss that person.
19
20

If they bring it up right away, I know theyre a tease so I dont do it. Deep
into the conversation, if they brought it up and said something like, You
know what? I think that girls just need a really good fucking sometimes,
how do you think Id start? Do you understand? If they bring it up, Ill bring
it up. You can bring up kissing and that sort of thing.

I bring up what I teach sometimes because its useful to me. You could
bring up how you learned so much about people. I learn so much about
people by learning how they connect with their desires. Do you get it?

The final thing is observations, intuitions or challenges that I throw their
way. I could say, Boy, that doesnt look very interesting! Do you notice
what I did? I did a little thing where as I was walking away from them, I
said, That doesnt look too interesting.

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