/  25
 
 february2010
 
3
 
   c   o   v   e   r   i   m   a   g   e   g   e   n   t   l   e   m   e   n   p   r   e   f   e   r   b   l   o   n   d   e   s    (   c   o   u   r   t   e   s   y   p   a   r   k   c   i   r   c   u   s   l   t   d .    )
The Big Picture
 
ISSN 1759-0922 © 2010 intellect Ltd.
 
ph  i l. th m, p r. b bs16 3Jg / ..
Editorial oce
t. 0117 9589910 / e: @hz.
Publisher
m yz
Guest
 
Editor
s J H
/ Art Direction
g s
Contributors
Jz c, nh p, e s, d s, a d, H t, ch bh, t n, a eh
Special thanks to
Jh lh, s c    p c, J s, mh p  cz c  g s  c sp     :
ino@thebigpicturemagazine.com / www.thebigpicturemagazine.com
 th b p z  h    
intellect
|Published by
When Suzy arrives in London tovisit an old school friend, she isunwittingly plunged into theruthless world of the ‘groupie’. Soonher exciting new world of sex anddrugs leads to tragedy. Includescomplete bonus feature,
Bread
.In 1960s London, a beautifulcontinental au pair finds herself caught up in the affections of threemen. But fun and freedom soonturn to shame and despair and shemust confess a terrible secret. Theworld premiere release for thispreviously unseen sixties gem.Steve Shorter, the biggest pop star of his day, is loved by millions. But, inreality, he is a puppet whosecarefully managed popularity isdesigned to keep the country’s youthunder control. From thecontroversial director of 
The WarGame
.
New from the BFI
FLIPSIDE
bfi.org.uk
Buy on DVD & Blu-ray from
Released 25 January
‘The transferscome to Blu-rayin better shapethan many recentblockbusters’
Kim Newman
WEIRD ANDWONDERFULBRITISH FILMSRESCUED FROMOBSCURITYAND PRESENTEDIN HIGH-QUALITYEDITIONS
Regulars
04 / Reel World
Dr. Starngelove
18 / One Sheet
Main Attraction
34 / On Location
Monument Valley, Utah
38 / Screengems
Medusa’s Head
 42 / Parting Shot
Invisible Men
 44 / Competition
Who’s that girl?
 46 / Listings
Films coming to a bigscreen near you
 
cntents
Issue Six. February 2010
Features
06 / Spotlight
Bright Ideas:Evocative colour useon the silver screen
14 / Art & Film
Dream Catcher:Stephen Coates and therevival o 
Dreams ThatMoney Can Buy
 
24 / Widescreen
Terror Vision:A re-appraisal o 3-D’slatest incarnation
30 / 1000 Words
Beautiul Creatures:Ray Harryhausenand stop-motionphotography
24
Produced in partnership withwww.parkcircus.com
‘I was partial to tragedyin my youth. That wasbefore experience taughtme that life was tragicalenough without myhaving to write about it.’  Ammon
30
 
Movie moments don’t come any bigger than those that herald the end o the world. Lucky or us it’s just make believe.
Wrds by Gabriel Slmns
Whoops Apocalyps� 
reelwrld
A a 
, it couldbe argued that an atomicexplosion, with its ensuingiconic mushroom cloud, is thegrandest o them all. Puttingaside the small matter o massdestruction, post-apocalypticallout and the eradication o all known lie (save perhapsthe odd cockroach or two),the awesomness o thesegod-awul explosions isundeniable. So much so thatmovies have oten exploitedtheir wide-screen-riendlygrandeur to ull eect, asmulti-megaton kabooms laywaste to large swathes o the world’s population. Nonehave been more eectivethough than the stock ootageo nuclear blasts used in thenale o Stanley Kubrick’sascerbic parody o war
Dr.Strangelove or How I learnedto stop worrying and lovethe bomb.
The nal scene – asurreal medley in which VeraLynn’s “We’ll Meet Again”is played over several shotso nuclear explosions (anidea suggested by master o the obscure sight gag, SpikeMilligan) – incorporatedstock ootage o 19 nuclearexplosions, the ninth o whichis nuclear test “Baker” rom“Operation Crossroads”, therst post-war nuclear tests onthe Bikini atoll (see image).The genius o this scene isin its choreography and theblacker than black humourelicited by such inspired juxstaposition o humanity’sdemise alongside a rousingsing-song. With no realoption other than to use stockimagery o real explosions(special digital eects werestill in their inancy), Kubrickharnessed their nakedpotential to create one o the nest and most apt lmendings ever – an ending thatboth terries us and makes ussmile. Go gure.
[tbp]
info@thebigpicturemagazine.
com
Kubrick harnessed the nuclear explosion’s naked cinematic  potential to create one o the nest and most apt lm endings ever.
abovetHe “baker” explosion, part of operation crossroadspHoto by united states department of defense
alssee...
The Day Ater (1983) / Miracle Mile (1988) / Terminatr 2 & 3 (1991/2003)
aboveslim pickens drops out in
dr. strangelove orHow i learned to stop worrying and love tHe bomb
4
 
 www.thebigpicturemagazine.com february2010
 
5
 

Share & Embed

More from this user

Recent Readcasters

Add a Comment

Characters: ...

Intellect Booksleft a comment

We have some exciting news for any The Big Picture fans out there who are also lucky enough to have access to an iPad. Intellect has just launched our The Big Picture App, which is now available completely FREE from the Apple iTunes App store: http://itunes.apple.com/us/app/the-bi...