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MA VIE
EN
BLING
Free P oems 20 06 -2 00 8
AN NE
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I pull back the sheets and lay her
on the buttons in front of her top.
John had decided to join in
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After hearing a sound later I suddenly thought I had come to die.
Anne undoes the clip, pulling out the papers. She looks around at
the desk and brushes aside the clutter. She sets down the papers
and looks around at Anne around the corner which is how was it
that in the hideous, spare figure, and in curious grotesque
silhouette, and in telling him the events in connection with the
arrest of the gentle Anne the last words of this passage were
“long fingernails and hair give rise to scandal.”
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The relatives give her a doll. Things start falling. The young
student felt himself falling, falling as if he reads a pulp horror
novel and she pretends to be interested and then engages in a
bizarre kind of foreplay in which she pretends to be a sort of
impersonal interior contrasted against the heavy rain.
But there are parents—several that I’ve seen—who don’t want their
kids. And oh, two different parties want it, so they make a copy
and sell it to both. When do I get to the part where Anne
pretends to sing the wedding song and they break David‘s bed?
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She is not as yellow as celebrating geography is apparently not
cheating.
She has a yo-yo that she is spinning up and down but also points
out negative implications like barriers to entry. Later she tries to
rid herself of her worst affliction by dying her hair and indeed, she
looks forward to new subjects, but now she thinks he might have
been staring at her, so she agrees to the marriage.
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I’ve mainly stuck it on the map. Yet compelling as such knowledge
would be, it’s how the world might end:
the site of the scaffolding that saw the end of the fight at the end
of Anne—
The end of Anne’s sentence was wordless ecstasy and the little
parlor robbery spree
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I Lo ve Lite rat ure
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The B arbaro us Pe ople
and blinking
in the course of this disease
is blinking
as if the disease
inherent in waking up
early
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That was Omar Sharif
starring in The Opportunity
blink
over the course of narrative
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We have been square.
We have taken their flocks and ponies.
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I am a river to my people.
Mine are a fat grim people
in a flat grim town
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Brute
or backed against
bearded men: a holler—
“catastrophe is convention”
and fold / unfold their metal chairs
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Brot he rho od
We were Celebrity.
We dressed in Karl Marx.
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Fuck Re ality Ch o king
the poet,
lounge on my divan, reading Italian Vogue.
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Sti cky S aid
Sticky said
You’re tired.
Stockholm is gay.
Better hunt. Better get out a pie tin
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Jo urnal of t he Pl ag ue H o ur
Life is so slow
when one is a shiv
honed hazily, all
summer decoding
baseball,
tom cats,
hinges—
or I am a criminal
with no window,
could say a number of things about
Old Creepy,
Pretty Boy,
Barrow,
Bonnie,
& this calamitous heap.
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Pri apism
or they laughed
at my theories from the Institute,
inserted stock footage, stock giggling,
stock rickets, stock guffawing,
stock villain,
stock title: RAGE.
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Th e M aj ori ty
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GREA T M ATRIX /
sm all ye ar
Emotional,
monotonically growing,
I add my way towards rabbit,
flashing light.
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Bro ke
I need a job
When the hell is he gonna give me my money
Damn it I am so fucking broken
Listen broke poet with dirty bedding
She is my sunshine!
I am so broke it wouldn’t matter
I am born this way
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Trav ail Me ch aniq ue
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BI LL Y THE KI D
or " the agit ated lif e"
quotation,
and
disrupted scarlet
husbands
(43 with deformed brows).
as bionic grudges
untoggled
giving head
to the stereographer
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J uggli ng t he Lesse r
My lovely fame –
overcooked
stinks of nothing
going on.
I am known well
enough for my muse.
I keep my muse
as the planet’s war.
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Little O nes,
Only a few days ago she saw a little rabbit lying dead on the side
of a road. Why build your burrow in the center of the lawn?
White/gray fluff around the hole, ants in and out. We stand over
it. I agree that bunnies are hilarious, but there needs to be more
to it than a bunny, in a burrow, in the middle of the lawn.
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Everything that had gone before with the rabbits was done in
ignorance of The Way Things Really Are. The bunnies were merely
another player. A new empire was established after, and all of
rabbit history is a matter of these small and pernicious wars.
Because they did not know each other and know their specialties,
etc., it would have been impossible—without encouraging the worst
of my nightmares—that all those factions would unite, befriend a
rival tribe of horses, and blood would be shed. A short rose, then
came the plague, and many of these mills and houses fell into
disuse. We lump down on our leather bed, a stupid human feeding
error. Yet to a controlling species, this is not the point.
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After everything, the rabbit has again proven debilitating. There
now appears a chance for a single commander to take control of
the corrupt species preoccupied with fantasies of unlimited
success, power, brilliance, beauty, or ideal love.
The male rabbit uses a False Self to regulate his labile sense of
worth by the extraction of attention. The most conflicted of this is
an understanding of the house and that one wing, or, knock off
any traction, continue to be a fragmented mess.
The more potent the pellets, the more efficient the rabbit is at
keeping strangers at bay. The very acts of sadism to be consumed
by the rabbit tend toward sallow, pallid, or milky white in
individuals with light skin color.
Popular is the Joan of Arc pose in which the individual’s eyes are
directed toward the heavens.
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Period rectangle, irrational winding numbers, undertone series,
tangram set, star polygons, star octagon, rhombic triacontahedron,
a long-wooled rabbit, pure length is voice / irrational:
question the weather, it’s that bad knowing what the real problem
is and has been. i feel lucky to be getting out and knowing that it
wasn’t my fault, that there really was nothing else i could have
done. it’s like a burden has been lifted. it all rolls off my back.
they can’t hurt me anymore”
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Wh o is A bj ect F ull of L ove and Hist ory ?
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He H at es My Life of A rt and Be auty
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If I h ad P owe r, Be auty, We al th
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O n a Torre nt Virgi n Pl ai n
headlands oceans
dried up just like that
dismantling
the natural in others
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Kansas your ancestor was out in the woods hunting
when one of them redneck grabs his logic
Kansas—
stupid fucking rednecks—
they do not believe in science (which is evolution)—
then they in Kansas is everything hick—
where anti-God
where apes
where the flat
done froze our brains
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I did not then measure
up to my stature
and the man who for you put aside chaff
and water
you confused with an invertebrate
and food for many animals
or a killer
eating part of his own head
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We are Bleeding
only much much more so
in Kansas a great deal
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It was played to death
and its remakes are crap
but still it sounds okay Walt Whitman
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Exi t Lef t
but loves
If she’s a cuss
let’s watch her flounder
animal
to scuff across her floor.
No Sistene –
converts – unmoored.
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Ma Vie e n B ling
BANK OF AMERICA
US BANK
This is huge. I write it over and over. DISCOVER BANK loves Anne
Boyer. I remember Wachovia. We call a wreck a Romney. We
excuse ourselves from the ordinary digital manners of our time.
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Pornographers
and terrorists
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It proved to be
a human kindness
we didn’t like the period style
in Helvetica
we came
to cover their faces
a bed of teenagers
with friends spontaneously
combusted about the rucksack
like a miner
our eyes were open
but not brave
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In a series of gun fights,
bank robberies, property bombings,
& implements
so near to valor
and in accelerated ruin
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lol so I licked it
eating at various palaces
I gave a wink
I smelled you
when I saw your blog
your honor offered
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Soldiers, sailors, the war office,
prelates, statesmen, and monitors
caused, exactly, months
of practice
I killed everyone
and was sorry for it
(the nerve
to be a terrorist)
just Napoleon
or triumph:
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The city all night
would rest and start over
it was goodish
the sufficient grammar
was doing it
it was gross
it had me
this was my story about how
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The foundation of authority
went tottering
so I went to get the mail
I feast
in the time of plague.
They feast when it’s plague-lite --
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The best grade men
are landschaft systems
flooding the ritual credit
markets with hybrid texts
of metal superiority.
to speak”?
After the seventh wave,
she has the legs
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.
S alt Be as t B al l ad
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Most of these poems were published in chapbooks including Anne
Boyer’s Good Apocalypse (Effing Press 2006), Art is War (Mitzvah
2008), and Little Ones, (Abraham Lincoln 2006). Other poems were
published online and in journals including Tig ht, Lo cus poi nt , and
Dusie.
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