THERE'S A
PLACE FOR US
WAS ONLY 27 WHEN HE WROTE
THE LYRICS FOR WEST SIDE STORY
YOU SAID YOU
LOVED ME
oR
WERE YOU
JUST BEING
KIND?,
P OR AMI.
LOSING MY
i
ry
SONDHEIM IS NOT
BIOGRAPHY. AND
/E IS VERY CLEAR
NS SONGS ARE
HIMSELF.
SOME HOW
SOME DAY
SOMEWHERE!PRETTY
WOMEN..--
WEENEY HESISTATES
IND MISSES HIS CHANCE
TO KILL THE JUDGE
N'A LITTLE NIGHT MUSIC! WE SEE THE PAIN OF
---AND LOUIS:
THE BAKER WAS
NOT WHAT | HAD
IN MIND.
OT HAS TO CHOOSE BETWEEN LOUIS THE
IBAKER AND GEORGES SEURAT - FOOD WINS
OVER ART
BITTER REGRET ABOUT THE 'WRONG DECISION’
OY THERE OUGHT
Tose
WELL MAYBE
NEXT YEAR
re
BEEN GOING
THROUGH A PERIOD
OF
MELANCHOLY
IBTAGE DIRECTION
REAPS 'AWKWARP
IMOMENT OF SILENCE!
NOT HOPE
WHAT I CANNOT,
‘N 'PASSION', FOSCA HAS
DECIDED TO ACCEPT LIFE
WITHOUT HOPE, BEFORE SHE
FALLS IN LOVE WITH GEORGIO|
I CHOSE AND
MY WORLD WAS
SHAKEN, SO
WHAT?
YOU HAVE
TO MOVE
ON...
THE LESSON IN SONDHEIM IS OFTEN TO
DECIDE... AND TO LIVE WITH THE
ONSEQUENCES AND THE CONTRADICTIONSONDHEIM'S SONGS ARE NOT 'SNEAKY WINDOWS! INTO HIS PERSONALITY, BUT IT 1S
PORTANT TO THINK ABOUT THEIR CONTEXT, AND HIS CONTEXT AS A PERSON WHO FACED
TREME PREJUDICE BECAUSE OF WHO HE LOVED.
I THE VOICE OF S21
SORRY M2 SONDHE!
Wa DISCUSSION ABOUT ‘cay
EXPERIENCES!
ol os 7
ICOMPANY' IN 1970 DOES HAVE
THE FIRST OPENLY GAY (AND
LIKEABLE) CHARACTER APPEARS IN
VAPPLAUSE! IN 1970
HOMOSEXUALITY WAS
ONLY FULLY LEGALISED IN
NEW YORK IN 1980
YOU ARE
THE BEST
ROAD SHOW - ADDISON
AND HOLLIS
IT IT'S NOT UNTIL 2003 THAT A
NDHEIM MUSICAL HAS AN
PENLY GAY CHARACTER, IN A
IUSICAL CALLED 'BOUNCE'. IN
THIS VERSION IT IS NOT THE
RINCIPLE LOVE STORY, BUT IN
THE REVISED VERSION AS '2OAD
HOW! IT APPEARS MORE
PROMINENTLY IN THE STORY-
NDHEIM'S CHARACTERS DO NOT
EPRESENT HIS OWN
EXPERIENCES, BUT WE DO NEED TO,
THINK ABOUT THE CONTEXT OF HIS
VE STORIES.PEPRESENTATIONS OF SO-CALLED DEVIANT SEXUALITY WERE
ANNED IN BROADWAY THEATRE FROM 1927 UNTIL 1968
[THE STATE DEPARTMENT APOLOGISED IN
O17 FOR THE WITCH-HUNT, LIKE THIS
ONGRESSIONAL HEARING
REFUSE TO
UNDERSTAND,
-MMUNITY FACED POLICE BRUTALITY]
IND TARGETED HARASSMENT
IN THE 19505, WHEN
SONDHEIM WAS IN HIS
205, THERE WAS A
POLITICAL PANIC OVER
SO-CALLED "MORAL
IEAKLINGS"
HOMOSEXUALS)
IORKING IN THE
GOVERNMENT. THIS
IHOMOPHOBIC PANIC
IAS FUELLED BY
IANTI-COMMLNIST
|THOLIGHT. IT WAS.
[CALLED THE ‘LAVENDER
uti
WONDER!
THAT ‘OVER|
IMPORTANT]
TO THe
LeBTal
community}ON JUNE 26TH 196? IN SOHO, NY, THE ARSHA P JOHNSON WAS AN
OMMUNITY HAD ENOUGH OF POLICE AMERICAN GAY LIBERATION ACTIVIST
PPRESSION AND SELF IDENTIFIED DRAG QUEEN
REBELLION,
IT WAS AN
UPRISING, IT
WAS A CIVIL.
We
CALLED IT
‘CHRISTOPHER
STREET
LIBERATION
A (EXT WEEK: LBGT@ HISTORY IN 1970S AND
ENDA HOWARD WAS A BISEXUAL RIGHTS|MNSOS, THE HIV/AIDS CRISIS AND THE
ACTIVIST WHO CO-ORDINATED THE FIRST PERFORMING ARTS AND HOW SONDHEIM "Ss.
COMES NEXT
W. Anthony Sheppard - Revealing Masks - Exotic Influences and Ritualized Performance in Modernist Music Theater (California Studies in Twentieth Century Music) (2001)