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New Life for WPA Art - Prologue - Fall 2010

New Life for WPA Art - Prologue - Fall 2010

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Published by Prologue Magazine
Kimberlee Ried tells how the National Archives’ new Kansas City facility found and restored two Depression-era murals that depict the opening of the American West.
Kimberlee Ried tells how the National Archives’ new Kansas City facility found and restored two Depression-era murals that depict the opening of the American West.

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Published by: Prologue Magazine on Nov 09, 2010
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11/09/2010

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The mural
Indians Watching Stagecoach in the Distance
by Eduard Ulreich (1937) now welcomes visitors to the National Archives at Kansas City.
44
Prologue
Fall 2010
 
New Life for WPA Art
W
   a  K y p-p  m m  m   
utkt  t ty t  w bu  t
t o t ty’ ultul , tf xp om o
b  w b’ k, y,   é.
“T w bu  twk,”  m
 am  Wk.
ly tt, tt mt  wt mtut  t m  nt av . h
 w m  w  m   
t l govmt   mpt o  ot uully 
  b w m m y. h w pb .
T t mmty k t g sv amtt (gsa) but t Wk P
 am (WPa) pm   pb  p
  t 1930. Wt y t gsa t tw
m,
Indians Watching Stagecoach in the Distance 

Pony Express,
w w    y  v.T p  b p by  U  p   mb, M.
 at tt pt, Wtk v t ppv,  t
K y  b    b-  p    q, ,   w m.
T two ptg ow g  t ll o t ntol av  K cty, but t po o bgg tm
t t ut t ut  ty   tt w tv u t uty  b, k
p      m p  am y  p m  b.
An Artist Among the Archives—Raised in Kansas City
 “Bk” U w b  hy  1889 w p  K y, M. h m 
 w  w v,  U w  by  t
   . U..   w  -’ p   bb w w   p K y.
i 1908 U   t  at ittut
( kw   K y a i)  pw y y   y.   -
   y t xbt  K cty, U
 w q   1909
Kansas City imes 
, “i ’mmb w i  b  w . W i w
New Life
for
  WPA Art
Kansas CityArchivesBrings MuralsOut of Storage
By Kimberlee Ried
By Br uceBusta
Prologue
45
 
5  6 y , i pp i kw  w     m  .”
U v t Wm l. eksp t tt t Pyv amy   at, w  tt
m 1912  1915. d  m  , U k  y    am W,  m p 
t P r (sut dkt)  Wt
M (az) i .
i to,  w    owboy by t
cu ctt cmpy. at  tm
pt xplog t wt, t
Kansas City imes 
 
w U     
 at ittut tut tt tt U
 w “   m pm y i’  .” Y   q 
kll  blty, otg tt “t w o t
    y  y kw .”
Up  tu t t Pyv t
,  w    k-
m “Buk” t    tv tt am Wt. i 1913  1914,
Ul wo t co Mmol vlg
sp, w m t tv b
w  y  p  w y.
h vt v eup t u-
 M, M,  P. h m 
M “pk  llog po o sp
mu, ,  bu t,” 
  , K Bk. h
tvl bo w buptly utl  Wol W i bok out. at tug to t Ut
stt, U puu     m-
m tt   v 
Vogue 
 
 mz   Mk k, gPm,  v   .
After World War I Ends,Ulreich Heads for California
 Wt am’ ty t W W i,U t  pt tw mt tv uty  hmpt, nw Yk. T
1973 ntol Pol ro ct 
 . l y   my 
v . hwv, u umt
m  m p  U’ p-     . a  w, U  w  p m  l a. W 
 mt rut st. d,  sw, Mt gm. T t  m 
 ompy  w y l, dw
  d   a. U
 w k t t  z  t t
 t tu’ bu  w mp-
t wt   m gm. h
m   w gm   
o  l  u t ytm  movmt
    p  m    p.y U    
m nu g. W,  K cty 
  w ,  1921. T 
o t 1920 w goo to t oupl. i 1923
y   w Yk y,   M .
h otu wokg o omml t
   pt v xb-t  Btm, c, K cty,
 nw Yk. s  wk w
t oupl to tvl bo  p  y
 P, w y  w xb  
t twk. i t   1929,  w
    p   w 
“M am.” it p  nw 
 Yk y  y   k mk  b 29.
Left:
Eduard Ulreich grew up in Kansas City, where his father had a shoe shop.
Right:
Eduard Ulreich in Paris, 1925. Successful commercial art designs, exhibitions, andsales of his work allowed him and his wife to travel abroad and spend a year in Paris.
46
Prologue
Fall 2010

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