Professional Documents
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Music Computer
How to perform a full CPU/Motherboard Upgrade
for a screaming fast digital audio workstation
Page 1
by Rich the TweakMeister Page 1 2 3
Time Out: There are two main areas we are going to look at. First is
Q) What is a the building of a DAW--that is the purpose of this article.
DAW? Second is the tweaking of the machine and the drivers,
busses, memory and operating system. Those running pro
A) DAW stands for studios can attest to the need of being able to quickly
Digital Audio diagnose, repair and eradicate problems with the smooth
Workstation. Simply running of their sequencers and digital audio programs. It's
it is just a computer
much like tuning up a car, and requires one to have a good
system optimized for
digital audio softwarebit of technical knowledge. So lets get going with building a
and audio and MIDI machine. I am going to show you pics of the process.
production. The Here's the disclaimer: Use my tips at your own risk. I will
choice of components not be responsible if you mess something up. Yet if you are
and peripherals, such comfortable with taking apart your gear, have never done an
as soundcards, upgrade before, but think you might be able to handle it,
videocards, memory then this article is for you.
and hard drives are
chosen to enhance
recording, playing I have been tweaking computers since my days with the
and processing Commodore 64, and have a garage full of hot-rodded Atari
audio. machines and old PCs. My main PC was built from scratch
and is on it's 4th CPU/MOBO/Memory upgrade. It started as
a Home built Celeron 300a with an Abit BH6, which I overclocked to give it similar
performance to a Pentium 450. Then it was a Pentium 550 which lasted about 2
years. I made a major upgrade to an AMD Athlon 1.4 gHz with an Asus a7m266
MOBO. Just recently I upgraded to a AMD Athlon 64 3400+ with a Gigabyte GA-
K8NS-Pro MOBO with 2 gigs of RAM. Heh, you might be wondering what is left
from the original machine. Nothing. On the 2nd upgrade I replaced the CD
Roms and video card on the third the case, floppy and power supply got replaced
and of course memory and MOBOs get replaced each time and I install new larger
hard drives in between upgrades. See, you can keep a main machine up to date
by simply installing a few new components on a scheduled basis, for much less
money than it would take to buy a new system every one or two years. Another
advantage is I have plenty of parts around to build a second machine.
It's a
great
time to
Why Upgrade? upgrade
If you want to run the latest music and audio applications you to a
will find you have to. Some of the applications coming out
today will not function on older machines. Five years ago, when
faster
the Pentium II 450 was the king of the popular processors, we machine,
were all surprised at the speed and snappiness with which it
handled typical audio processing. Nowadays, a pII450 is sort and
of like a broken down city bus. It might get you there; it might
stall up the next hill running modern software. Software cheaper
developers add features every year that take advantage of
faster CPUs. For example, a few years ago PCs were not able than you
to do convolution reverb in real time. But now we see them
cropping up everywhere. Just try to run it on your old duff
think.
Pentium 2. The same with disk streaming soft samplers that add synth engines on
top. You want the power? You pay the price by making your own hi performance
desktop PC. The best thing is that if you do your homework, your PC will be faster
and better than a top of the line PC you find at your local computer retailer. So if
you want to keep today's hottest audio products on your PC, upgrading is an
inevitability. For now, the wise thing is to get your PC prepared for the migration
with a fast CPU, lots of RAM, and bigger drives.
The point:
CPUs and memory and motherboards are not interchangeable. Don't fall into the
error of thinking, as many newbie upgraders do, that you can save money by
using the same motherboard for your next upgrade too. The industry is hip to
that. They want you to buy a new motherboard for every upgrade and make it
almost impossible not to. It keeps their factories busy. Save yourself aggravation
of thinking you'll find a motherboard you can re-upgrade in 2 years. It won't
happen. Instead, focus your motherboard search with criteria of features and
reliability optimized for the CPU you want to run. Or go with a
motherboard/memory/CPU bundle that is known to work. You are very likely to
get burned if you try to mix and match things without checking.
Answer: Its a compromise between the the motherboard can take and what you
can afford. It makes little sense these days to build a DAW with less than a
gigabyte and 2 is definitely better. This is assuming you are running windows
XP. More RAM means better performance with softsamplers and better streaming
of audio files. If you are running 24 bit, 96khz audio tracks, your RAM will help
keep things running smooth.
Generally, the cost of upgrading CPU and RAM and Motherboard can be anywhere
between $400 and $800 depending on the components you choose. The latest
CPUs are always going to be expensive but the one's that came out last year are
usually very reasonable.
Where does on find out more information on motherboards, CPUs and memory?
Of course, you should check out The BUZZ on this site so you can tailor your
newsgroup searches like I did for the above results. On the Web, a place I go for
info on stuff is Tom's hardware guide is also a good place on the net to educate
yourself on these issues. You can get VIA drivers and great MOBO info from
Viahardware.com In addition to having great information, there is a message
board where thousands of users post their experiences with varied hardware
configurations. There are plenty of pics of building computers from scratch.
Which OS?
Windows 98SE or Windows 2000 or Win XP, or Vista 32 or 64? Wait till
Windows 7?
98SE? Is this a joke? It wasn't when I first wrote the question when Microsoft
released XP, on October 25th, 2001. W2k and XP have proved to be a much
more stable and robust platform for running sequencers, software samplers, and
audio editing programs than 98 ever was. If you ask me whether you should go
with Win2k or XP, I say XP. Win98SE is dead. Cubase SX and Sonar 4 all work
great on XP now. New drivers have been written, tested, and released. Win 2k
remains a viable platform, though I think it's best for corporate environments.
I'd stick with XP, then re-evaluate when Win 7 has been out a year.
And you can read more about this in my article on upgrading to Win XP A
64 Bit OS are not far away but don't bleed on the edge.
Tweak's Spin: Soon a 64 bit version of Windows will be released. You might want
to get a CPU that can handle 64 bit operation. The main advantage, once the
new Windows version is released will be greater memory. The old barriers will be
shattered and it will soon be conceivable to run softsamplers with a terrabyte of
memory (that's 1,000 gigabytes). This will mean even larger virtual studios will
be possible at extremely high audio resolutions. Let's hope the soundcard
makers can keep up! While there may be plenty of compatibility issues at first,
once they are ironed out we will find a much more powerful and stable platform
for our work.
I ran into some difficulties, which I will blame on old drivers on the Win98 SE CD
Rom. I had a bad crash while installing the video drivers (takes a while to
recover from one of these) There were many reboots to get the Microsoft USB
optical mouse to work, so I was forced to use the keyboard to navigate. Once I
upgraded the USB drivers and got rid of the ones from the win98se cd, all started
flowing. I had no significant problems with the sblive card (it took a few reboots
to get the resources straightened out). The Delta 1010 was the smoothest install
of a sound device I have ever experienced. Perfect the 1st try. I was expecting
trouble with my network drivers, but once I found the floppy disks, for the hub,
all was fine. MIDI and SCSI came up easy
Installing the cpu, ram, hard drives, getting power to hard drives...setting hard
drives master/slave, on primary and secondary busses exactly as they were on
your old computer. This makes sure what was drive E on your old system, for
example, is still Drive E on your new system. This is the easy part.
Then adding cd roms then cards, then finally booting and dealing with bios, then
drivers, system conflicts. Your new motherboard and CPU have to negotiate with
all your PCI cards and ports. The trickiest is video, and it should be done before
adding other cards into the mix. Get the basics down first--keyboard, video, your
mouse. Then add your most important cards next. Before you do, get all your
installation cds out for your peripherals. Yep, go find them before you start, so
you're not a screaming banshee when you windows will not recognize hardware
due to a problem with drivers. Did I say this was easy? The windows "where's
the driver" part can be frustrating if you can't find the right disk. (keep in mind
you might not be able to get on the net till you get your modem up).
We have solid video, and 90% of the conflicts are resolved. The new system
moves to its very own closet in the TweakLab. A day later, all is well with a
100% stable system with tons of speed, memory, and audio horsepower.
One of the things made possible by having a fast DAW is that you can run more
audio tracks in your sequencer, use more plugins, and keep things in the digital
domain longer. You can transfer digital audio files from one application to
another easily and can do digital mixdowns easier, and you'll finally be able to
record your MIDI tracks as audio, and really do your entire mix in your sequencer
if you want, even elaborate pieces with lots of tracks. I could never get this to
work right on my P550, but now it's a new technique to explore.
My choice for doing this was a Delta 1010, using my Mackie 1402 as its front
end for mic and line preamps. Of course there are many other possibilities here.
The main thing is to be able to get the audio into the computer as cleanly as
possible. Limiting, if possible, the number of conversions from analog to digital to
one, keeping you bandwidth as high as you can till your final digital mixdown to
16 bit 44.1 kHz. I've written more about this method in my article Doing it with
Digital (link below).
One last tip on Soundcards and audio interfaces--read the feature list carefully.
Make sure you see "Windows 2000 compatible" somewhere. I huge issue with
older, even high quality cards is that they may not run on Win2000. The older the
card, the less profitable it is for companies to update it with new drivers. If it
doesn't work in W2k, most likely, it's not going to work on Windows XP either.
Unlike CPUs, RAM and motherboards, which you may need to replace every year
or two, you don't want to get into this habit with an expensive interface. Plan
ahead, get one that will get you through 3 years or more.
Working good here. Excluding the RAM which was expensive the MOBO and CPU
cost a mere $320. Had some trouble with the ATI All-in-Wonder 9600 Video card
in Vegas doing analog video capture. Overall its a very fast machine
To sum up
The computer landscape is changing fast right now. With a little research into
motherboards, CPU's and memory you can turn your old machine into a
screaming fast audio processor usually for 300-600 bucks that is ready for new
developments with the Windows OS. You will achieve new levels of performance
from your sequencers, plugins, audio editors, and software synths. You can build
an entire system from scratch for less than $1000 that performs as well, or you
can buy a 'barebones" system where you simply pop in your cards and drives.
This is not only easier and cheaper, it's better than a brand new off the shelf hi
end Dell or Gateway computer that retails for over 2300. In fact, this is exactly
how such companies make their profits. You don't have to reinstall all your
programs, reinstall an OS and copy thousands of files from old drives to new
drives. With luck, you can be humming away on some new tunes in an hour or
two, but now on a machine that can keep up with your audio demands. The final
advantage to doing it yourself is that you will never again feel you are a hostage
to your computer's hardware shortcomings. After building your system you will
have the confidence to continue to tweak it into a better, faster and more useful
machine for your studio. May you will always have a state-of-the-art music
machine.
I hope you enjoyed watching this upgrade and that this article has
helped you build the DAW of your dreams.