Professional Documents
Culture Documents
Issue 4
Issue 4
40 Photographers
58 Photos
featured photographer
Cole Thompson
Welcome to the fourth issue of Fotoblur Magazine, Win- (http://www.fotoblur.com). Each image was submitted by the
ter 2009. It’s hard to believe that it has been one year since artist, then hand selected by the community of photographers
Fotoblur Magazine began. It has truly been a wonderful at Fotoblur. Final selections where then chosen for final pub-
experience to see Fotoblur Magazine grow. Who would have lication. This issue of Fotoblur Magazine is the result of our
thought that a small online community of photographers at community publishing project.
Fotoblur could have produced four publications this year of
highly creative, artistic photography. Well we did and each and I also have the distinct pleasure of introducing fine arts pho-
every one who was involved should be proud of this accom- tographer Cole Thompson. You’ll not only find his work awe
plishment. I look forward to continuing Fotoblur Magazine in inspiring but also his words on creativity. Enjoy!
2010 and wish everyone a fruitful new year.
Inhale Vulnerable
cole
thompson
I believe you should create
what you love, love what
you create, and be true to
your vision.
Cole Thompson has been in over 100 juried exhibitions, was and be true to your vision. Forget everyone else! Rules, there
named Photographer of the Year by the Black and White Spi- are none! Experts, just another opinion! Advice, ignore most
der Awards, and has had his work featured in publications such of it! Trends and fads, they’ll be gone tomorrow! In the end,
as LensWork, B&W, American Photo, and PhotoLife. all that’s left is you and what you’ve created, be proud of it.
How did you become interested in photography? What advice could you offer someone who is new to pho-
At age 14 I came across some ruins in the countryside of tography in becoming one with their creative potential?
Rochester NY and learned that the house had been owned by From the very beginning, think of yourself as an artist and
George Eastman. That caused me to read his biography and not a photographer. Find your vision and then seek to be true
before I had even completed the book or taken a photograph, to it. Define early on what your definition of success is and
I knew that I was destined to be a photographer. But life and forget other people’s definitions. Think of rules as very vague
fate had other ideas and instead of being a photographer, I guidelines that sometimes apply. Ignore most advice, no mat-
worked in the business world and didn’t pick up a camera for ter how well intentioned, because it usually comes from that
the next 30 years. In 2004 I read an article about a new Digital person’s perspective and vision, not yours.
SLR, the Digital Rebel, and this piqued my interest. I picked
up the camera again and here I am.
What is your motivation during the creation process? You can view more of Cole’s work and subscribe to his news-
I simply create, for myself, for my own enjoyment, and for my letter at http://www.colethompsonphotography.com. Also visit his a
own satisfaction. When I see a scene, I have a vision of what blog at http://www.photographyblackwhite.com.
I want that image to look like and my energies are focused on
how to bring what my eyes see into compliance with what my Cole can be reached at cole@colethompsonphotography.com.
vision sees.
Wet Games