Professional Documents
Culture Documents
JANUARY 2010
VOLUME 12 NO. 116
THE SUN... THE SAND... THE SURF... THE CULTURE OF PARADISE AND OVER 18,000 SURROUNDING ISLANDS
TRACING THE
PATH OF ART
FROM MUSEUMS PEOPLE CAN FIND OUT ABOUT A NATIONS COURSE OF CIVILIZATION
COLORFUL
HORIZONS
THE VIBRANT AND EXOTIC JUKUNG HAS SOMEWHAT FADED INTO THE HORIZON. SOMEHOW, FORGOTTEN
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TEAMTALK
teamtalk 01.10
WITH THE NEW YEAR AHEAD...
Om Swastiastu... Happy New Year 2010 and welcome to the Indonesian archipelago! As this goes to press, our office was in a frenzy, leading up into the New Year. With bits and pieces of Christmas cards, wishes and crumbs from the joyful delights sent in by our kindest public relations associates within the hospitality industry - with the best of seasons greetings - we were also getting ready to move to our new office premises. Our editors desks were a mess (well okay, we admit, it had been like that beautifully all year round!), and so were our graphic design teams as well as our administrative and accountings. Piles of cardboard boxes were filled with assortments of files; archived and current print and digital media, old and new magazines and CDs, personnel and financial records, media kits and marketing tools, and a mixture of other whatnot per department - together with framed pictures of kids and wives, husbands and girlfriends, and pets, that loyally accompanied each of our team members throughout the deadlines, just like this one. And yes, it was time to move again, after nearly 8 wonderful years adjoining premises with Balis authorized HarleyDavidson dealer. Perhaps well be missing the rumbling sounds of those high decibel screaming eagles being revved up as we tried to stay focused on our work Or the hectic splendor of Kutas Simpang Siur roundabouts congestion as our marketing team maneuvered out to their daily appointments Who knows? We flashback on Bali & Beyond having been through several moves in the past. First premises were in Sanur back then, before entering the neighborhood of the ever increasingly hectic roundabout. First occupying the first floor space, we then moved upstairs in 2005 with several subsequent changes in the layout over the course of time.
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contributors
MOVING
Now, our new office premises on Jalan Dewi Sri, still in the locality of Kuta, hold some promises for the year ahead. Still getting into shape, but by the time you read this well already have unpacked those brown boxes, laid out some schemes, got acquainted with the new setting, settled down in our own individual workspaces, and have gotten down to business again as usual so we could continue to present to you more of our engaging complimentary monthly publication in 2010! First up for the start of the year, we present to you a piece following Indonesias announcement of the year 2010 as the Visit Museums Year. The island has a dozen of museums, in a unique pattern of distribution. A third of them can be found in the area of Ubud, while the rest are spread over several other areas in Bali. Find out more in this months Craft & Culture. Through Action & Attraction, our contributor shares with you the islands east, where the sun rises from a scenic horizon to greet the New Year ahead. He recollects the past and future of this tranquil beauty that makes up one among the many memorable and picturesque icons of Bali. In Beyond Bali, its the notable place of Gunung Kawi in East Java, and in Capital Corner we present a fresh choice among the numerous entertainment venues in Jakarta that offers a diverse style and concept. Our Profile & Portrait this month presents a passionate bird conservationist well known for his successful breeding programs of the endangered Bali Starling. These are some of the features for you to enjoy at the start of the year. Come and see the beauty, diverse highlights and colorful attractions for yourself throughout 2010! Happy reading and keep safe! Om Shanti Shanti Shanti Om The Team
Fadil Aziz is a travel photographer whose main passion is capturing the archipelagos beauty. View his portfolio at www.alcibbumphotography.com
Kathy Petite spends her time writing about travel, lifestyle, arts and culture. She also writes songs, and is writing a novel she never gets to finish.
Erik Wijaya is our Malang, East Java-based writer and photographer who brings you the destination of Gunung Kawi this month. View his portfolio at www.erikstudio.com
Supardi Asmorobangun, former executive editor of the magazine, now enjoys a prolific and freelance life... though, at times still with deadlines.
Contributors SUPARDI ASMOROBANGUN, BIANCA DE BLOK (STOCK.XCHNG), FADIL AZIZ (ALCIBBUM PHOTOGRAPHY), KATHY PETITE, ERIK WIJAYA Jakarta Marketing Services/Subscription Tel: (021) 315 2683/84, 391 0969 Publisher PT. BUMI DIAN KUSUMA Commissioner SOETIKNO SOEDARJO Director MAULANA INDRAGUNA SUTOWO Division Head MRA Printed Media INDRIATI WIRJANTO Printing PT. SUBUR JARINGAN CETAK TERPADU, JAKARTA OFFICE Bali White House - Jl. Dewi Sri No. 23 Block IV, Kuta - Bali Tel: (62-361) 750-075, Fax: (62-361) 750-075 E-mail:mag@baliandbeyond.co.id http://www.baliandbeyond.co.id Bali & Beyond Magazine is published monthly by PT. Bumi Dian Kusuma under the direction of MRA Media, Jakarta. Although every care is taken, neither the publishers nor any of their designees assume responsibility for the opinions and information expressed by editorial contributors. All material in this publication is copyrighted and cannot be reproduced without written permission of the publisher or author. All trademark and rights to Bali & Beyond are reserved by PT Bumi Dian Kusuma. Editorial materials may be submitted for consideration to the editorial office. Bali & Beyond is not responsible for the return of unsolicited material. 2006 Bali & Beyond ISSN 0216-4590
Endorsed by
A member of
BALI GOVERNMENT TOURISM OFFICE Jl. S. Parman, Niti Mandala Renon, Denpasar Tel: (0361) 222 387, 226 313 Fax: (0361) 226 313
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January 2010 Volume 12 No. 116
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CAPITALCORNER A GLITTER FROM THE PAST THAT SETS YOU APART
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CRAFT&CULTURE TRACING THE PATH OF ART Bali has a dozen of museums. A third of them can be found in the area of Ubud, while the rest are spread over several other areas.
PHOTO COURTESY RUNA MUSEUM
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LIFESTYLE&LEISURE RISING THROUGH HERITAGE & DIVERSITY The recent Bali Nusa Tenggara Tangi 2009 held at the Ballroom of the Discovery Kartika Plaza Hotel presented various tenun cloths from Bali, and East and West Nusa Tenggara.
Walk into Shanghai Blue 1920 Club and it will hit you the moment you sit down, chill and breathe in the ambience.
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THE SUN... THE SAND... THE SURF... THE CULTURE OF PARADISE AND OVER 18,000 SURROUNDING ISLANDS
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January 2010 Volume 12 No. 116
PHOTO COURTESY BALI VILLA PROPERTIES
PROFILE&PORTRAIT
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The Bali Starling has seen various efforts towards its conservation, and we meet up with the man who has been the driving force behind successful projects.
36PONDERINGPOINT
There is a saying that goes, a book is a window to the world. Reading a book is like peeking out into the vastness of the world. A look into the future of literacy on the island. 40 ACTION&ATTRACTIONS COLORFUL HORIZONS A look at one of the well-known icons of the island. The colorful and exotic jukung that speckle the eastern horizon at daybreak; now seem to have faded into history.
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12 NEW&NEWS This months select news updates from the islands tourism industry and whats new around the island. 58 BEYONDUPDATES News updates from the tourism industry and whats new beyond Bali. 62 COMMUNITYCALENDAR Schedules, calendar highlights and various happenings of interest, from art exhibitions to special events. 65 SEE&SEEN Snapshots of events and happenings within the preceding month. 70 BALIMAPS Map of Bali showing specific tourism areas and places of interest, as well as a distance scale between the islands main destinations. 73 CLASSIFIEDCOLUMNS Listings and product descriptions from various clientele. 74 INFOINDEX Useful directory of companies and island-based businesses.
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Gunung Kawi is located 2,800 meters above sea level in the regency of Malang in East Java. 40 km west of Malang, at an altitude of 800 meters in the district of Wonosari, sits the highlight destination and attraction of Gunung Kawi.
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NEW&NEWS
NEW ON MENU
Hard Rock Cafe Bali presents new menu items, including slow hickory smoked thick sliced beef brisket topped with Hickory BarB-Que sauce and crisp onion straws, and a hickory smoked barbecue chicken version. Also highlighted is a modified Indonesian dish of Chili King Prawn, specially marinated and sauteed with Indonesian spices, served with daily vegetables and turmeric rice. New drinks include Hurricane, that comes in a hurricane glass for keeps at an extra price. Hard Rock Cafe Bali, Jl. Pantai Kuta, Banjar Pande Mas, Kuta, (0361) 755-661
STYLE N ELEGANCE
Bali Villa Properties has been appointed to manage The Wolas Villa and Spa which opened on December 18. The Wolas Villas & Spa stands amidst the dazzling Seminyak tourist resort, premier shopping destinations and entertainment venues. Designed in minimalist modern and private luxury, it reflects the style and elegance of Balinese culture. The Wolas Villa & Spa offers superb ambience and peacefulness. The Wolas Villa & Spa consist of 18 units villa, with 16 units of onebedroom villas and two units of two-bedroom villas, which would suit couples on a honeymoon or a family. The villa is also equipped with supporting outlets such as a restaurant and spa for guests convenience. Bali Villa Properties Jl. Kunti 117, Seminyak, (0361) 921-6688; www.balivillaproperties.com
Mang Engking, another Sundanese restaurant has opened in Bali. This is the sixth restaurant after two in Jogja which is also its place of origin, two in Jakarta and one in Pasuruan, East Java. Gubug Mang Engking or Mang Engkings Hut is a restaurant with natural atmosphere in the middle of a busy city. Some traditional huts are placed surrounding a large fish pond. Their menu comprises of prawn, crab, squid, and gourami. They have created selected dishes such as grilled prawn with honey, fried prawns, gurame flying jumbo, fried crabs, and many more, paired with Indonesian sambal sauce and fresh vegetables. Mang Engking, Jl. Nakula No. 88, Kuta (0361) 882-2000, www.mangengkingbali.com
Kuta kid and Balinese surf icon Wayan Betet Mertha is set for another exciting year with premium watch brand, Nixon. Betet is stoked about the deal. Oh Im so excited! said the 29 year old. Surfers wear them, skaters wear them, celebrities wear them... Not only have they got high quality products, but Nixon got the whole lifestyle thing going on too. Nixon SE Asia Brand Manager, Marko Yeo is just as excited to have Betet on board - Betets presence alone speaks volumes before he says a word and nobody loves the brand as much as him. www.billabongasia.com
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NEW&NEWS
INNOVATIVE DESIGNS
Metric emerges as a metamorphosis from Metric Kitchen, which began as a company dealing in the creation of kitchen systems, and has explored in producing wardrobe products in the Belezza Wardrobe line. Always innovating and improving a system, now Metric has also expanded to producing bedroom sets, TV cabinets, studies, etc, with the use of high technology. Metric provides solutions for homes with these wide ranges of product designs. Metric, Jl. Bypass Ngurah Rai No. 83B (0361) 282-862; www.metrickitchen.com
IN DIRECTION
InterContinental Bali Resort announces the recent appointment of Bryan Gabriel as Director of Sales & Marketing and Area Director of Sales & Marketing IHG Indonesia. Bryan will provide direction and support to several properties under the IHG banner within the region. Bryan brings a wealth of hospitality experience of 15 years to the resort. InterContinental Bali Resort, Jalan Uluwatu 45, Jimbaran, (0361) 701-888
The Havens Executive Assistant Manager, Dewi Mas Bloem, just survived the recent holiday season at The Haven Seminyak, Bali. With A listing experiences in International chain hotels, Dewi Mas settles down all sales and marketing projects to further boost occupancy, under Preference by Tauzia Hotel Management. The Haven is a pioneering lifestyle resort situated in the dynamic hub of Seminyak. 93 spacious hotel rooms and 3 Junior Suites are arranged around a courtyard filled with tropical flora and ziggurat sculpture. The Haven Seminyak, Jl. Raya Seminyak No. 500, (0361) 738-001 www. thehavenbali.com
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NEW&NEWS
WELNESS BEST
Kayumanis Spa at Ubud announces its recognition as winner at the Crystal Awards Asia Pacific 2009 in the Best Boutique Hotel Spa category. Kayumanis Spa at Ubud joins a number of illustrious spa brands across the Asia Pacific to be recognized in the Crystal Awards 2009. Success for the island of Bali also extends to COMO Shambala Estate, which was chosen as Best Wellness Retreat. For further information, contact Deasy Swandarini, Corporate Director of Sales and Marketing, Kayumanis Group, (0361) 705-777.
FURTHER EXPAND
Aston International expands further in Indonesia and is targeting a portfolio of 50 hotels under 6 distinguished brands by the end of 2011. Aston International introduced 7 recently opened brand new hotels increasing the groups total operating hotel portfolio to 20 properties. In addition Aston International announced that 14 more Aston Hotels are currently under construction with 12 scheduled to open between January 2010 and mid 2011. These new Astons will range from 5-star Grand Astons to 4-star Aston Hotels and 3-star Aston City Hotels in Cengkareng, Bangka Island and Bintan. Quest and favehotel are set to become Indonesias fastest growing select service hotels brands. www.aston-international.com
LOAD FACTOR
Mandala Airlines had increased its load factor up to early January for the holiday season. To accommodate, Mandala offered 4,320 extra seats and 24 extra flights for 7 days during the period for routes Jakarta, Surabaya and Denpasar. Mandala now offers 17 flight destinations, with an armada of Airbus A320 and A319s, with affordable ticket prices. www.mandalaair.com
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NEW&NEWS
VENUE NEXT
The Ketapang Villa introduces as a private 2.5hectare home, and an exclusive private resort on the southwest of Bali in between a stretch of endless panoramic beach and rice terraces. This amazing hidden paradise was built to blend modern comfort and nature; 7 suites evolved from a traditional Balinese and Javanese Architecture concept with a 50-meter long pool along the beach, lounge room, home theater, spa, tennis court, and helipad, dedicated for high-end travelers and socialites. For further information, contact Darmawan & Associates (D&A); yoke@darmawan-assc.com
DOUBLE TAKE
Bali Safari and Marine Park introduces Tim Husband and his wife Wendy, as its new Curator for Life and Science and Curator of Education. Tim Husband, who has recently completed a contract in New Zealand, will work with the parks zookeepers providing additional staff training and development as well as oversee the husbandry and welfare of the animals. Wendy who worked initially as a landscaper at Sydneys Taronga Zoo before moving into the marketing department brings over 15 years zoo experience as well as excellent communication skills to the job. www.balisafarimarinepark.com
NEW AT HELM
The Villas Bali Hotel & Spa announces the appointment of Mark de Jong as new General Manager. Mark brings a wealth of experience to the position from his many years working in the hospitality industry in Asia. Mark came to Bali for a one-year trainee position in 1998 at The Chedi in Ubud. He returned to Bali in August 2000 as a resort manager in an up-market hotel property before relocating to Goa, India for three years to work in two hotels and before coming back to Bali in 2004 as General Manager at Downtown Villas in Seminyak. The Villas Bali Hotel & Spa, Jalan Kunti 118X, Seminyak (0361) 730-840, www.thevillas.net
MOVING YOU
Kirana Spa further extends its transportation services to guests who stay in the Nusa Dua and Jimbaran area. Spa Programs at Kirana spa are offered in the rural hinterland of Ubud. For those staying in other beach areas free shuttle services is available from Duty Free Shop in Kuta twice daily. Pick up time at DFS is 10:30 a.m. and 1:30 p.m. Departure times from Kirana Spa are 5:30 and 6:30 p.m. Kirana Spa, (0361) 976-333 www.kiranaspa.com
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CRAFT&CULTURE
Tracing the
Path of Art
Indonesia announced 2010 as its Visit Museums Year. Apart from the governments preparations and packaging of this program, museums have long been a major attraction themselves. From museums people can find out about many things - including a nations course of civilization.
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and Museum Neka. Each have developed with their own characteristics. Museum Rudana is located in the village of Mas, the gateway into Ubud. It also acts as a gateway into knowing the arts of Bali. Nyoman Rudana, the owner of the museum, started off with his journey as an art lover. He was really fond of paintings collected in museums and pioneered his own way towards establishing his own museum. His museum specializes in paintings by Indonesian artists. On the first and second level are displayed works from profound Indonesian and Balinese painters of the more modern school. Meanwhile, the third floor is dedicated to classical Balinese works. Entering Ubud via the village of Nyuh Kuning, you can find a museum of sculpture featuring the works of Wayan Pendet. This museum can be said to be the only one of its kind in Bali, with over 80 sculpture works in its collection. many changes and developments. He hoped that his works would be studied and become an educational medium for the younger generations. It is as if this was what determined the establishment of this museum by Pendets children, a year after his death in 1978. Runa Jewelry Museum, the only jewelry museum in Bali, is located similarly to Museum Pendet, quite far from the hubbub and traffic. This museum can be said to be the gateway into Ubud and into the village of Lod Tunduh. Runa Museum is a joint endeavor of husband and wife Runi and Adrian Palar. Runi is a
PHOTOS COURTESY RUNA MUSEUM
he island of Bali has at least a dozen of museums, each with a unique pattern of distribution. A third of them can be found in the area of Ubud, while the rest are spread over several other areas in Bali. There are at least 6 museums in the Ubud area that are managed independently by their owners, namely Museum Rudana, Museum Pendet, Museum Runa, Agung Rai Museum of Art (ARMA), Museum Puri Lukisan, Blanco Renaissance Museum,
Runa Jewelry Museum quite resembles a gallery, displaying various jewelry and silver objects. Similar to a conventional museum, these objects are not for sale but duplicates can be ordered.
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Entrance to Museum Puri Lukisan (below); Blanco Museums interior (right); Agung Rai Museum of Art (bottom right) - three among the six prominent museums in Ubud.
famous jewelry designer focusing on silver, while Adrian is a painter. This museum quite resembles a gallery, displaying various jewelry and silver objects. Similar to a conventional museum, these objects are not for sale but duplicates can be ordered. Runi says that her husband established this museum for her. If you want to converse with the artist couple, you may arrange an appointment at their residence, which shares its location with the museum. Approaching the center of Ubud, you can find another museum known as the Agung Rai Museum of Art (ARMA). This museum was established by its namesake founder Agung Rai. He developed a unique
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and comprehensive concept. In the two parts of the museum he displays both paintings from classical Balinese paintings and the works of international artists. Visitors can enjoy the paintings or enroll their kids in Balinese dance courses and sculpting classes, or watch performing arts on the ARMA stage. Once in a while they invite senior dancers to teach the likes of Made Djimat, a Balinese mask dance maestro. They have also built a hotel resort, restaurant, and cafe that contribute to the museums fundings. ARMA has also frequently been used as a venue for various national and international art events like the Bali
Biennale. This event also runs at the Museum Puri Lukisan and the Museum Neka through January 11. Museum Puri Lukisan, located in the heart of Ubud, is the first privately owned art museum. Puri Lukisan collects pieces describing the long history of art development in Bali. Inspired by Tjokorda Gde Agung Sukawati and the two foreign artists Rudolf Bonnet and Walter Spies, the Pita Maha was established in 1936 as the first artists organization in Bali. Beginning in 1953, together they aimed to collect classical Balinese works of art in a museum. This became a reality in 1956. Now the museum
is comprised of three buildings, displaying the works of Pita Maha (1930-1945), Ida Bagus Made as well as other artists of his time during the post-WWII period, and wayang paintings. Museum Puri Lukisan indeed looks older and more classical, and they seldom hold art events, but recently there has been a bit of tidying up. They have just built a parking space, the solution to one of the recurring problems in the past. Walking to the west, approaching the Campuhan River, you will find the Museum Blanco. Antonio Blanco, who was also known as Don Antonio Blanco, was a Philippine-born Spaniard. He was greatly
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influenced by the exotic tales of Bali, which later encouraged his visit to the island. In Bali he found freedom to work and the love of his life, Ni Ronji. There you will find many paintings of female figures, the main focus of his works. Perhaps that is why he is considered as the eternal feminine painter, carrying the expressive romantic genre. In the year 1998, the Blanco Renaissance Museum was established, where there are displayed 300 paintings by Blanco that chronologically tell of his journey from early to latest. Antonio Blancos artistic blood is now followed after by his son, Mario Blanco.
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Along the exit road of Ubud towards Kedewatan, you will come across the Museum Neka owned by Pande Suteja Neka. He was born and raised in Ubud, and has long interacted with the artistic world of Ubud. This museum is dedicated to his father, Pande Wayan Neka, a famous Balinese sculptor. His close acquaintance with Arie Smith made him dedicate one of his museums pavilions to Smiths works. Paying homage to his own heritage and bloodline, he completes his museums collections with various keris daggers. His first name, Pande, shows that he is the descendent of the Pande clan, the Balinese clan of blacksmiths. In times of yore, Pande
was the clan that was trusted by the rulers to forge metallic objects including the iconic weapon, the keris. Leaving Ubud does not mean the end of the journey. There are many things that must be known about Bali that can also be found outside of Ubud. The journey can continue with visits to several other museums. There are at least four other museums that collect highly prized paintings, and one is Museum Gunarsa located in Klungkung. The Balinese painter Nyoman Gunarsa established the museum to display his abstract works of art. Other museums include the Museum
Sidik Jari, owned by I Gusti Ngurah Gede Pamecutan, located is in Denpasar. This museum displays paintings of the pointillism technique, painting by the aid of his finger tips where the whole work of art is formed as a complete framed visualization. Adrien Jean Le Mayeur De Merpres, or simply known as Le Mayeur, was a Belgian painter born in 1880. He came to Bali and resided on the coast of Sanur. His beautiful works attracted many important figures to come and visit. The museum has around 88 of Le Mayeurs works in its collection, dating back to 1921. Since the death of the maestro and his wife, the museums management came wholly under the responsibility of the Indonesian and Bali provincial government. Located in the Bali Tourism Development Center (BTDC) area in Nusa Dua, Museum Pasifika seems to aim at
PHOTO COURTESY RUDANA MUSEUM
museums in Bali not only deal with arts but about the life of the Balinese. Bali has at least 4 museums that boast the remnants of the past, since the age of prehistoric man and up to colonial times. Museum Bali, located in the center of Denpasar, has survived since the Dutch times and contains common relics such as the traditional tenun ikat woven cloths of each area in Bali and beaded jewelry of the 8th Century. Still in Denpasar, the Museum Perjuangan Rakyat displays dioramas from Balis prehistory and history, the times of the old Balinese kingdoms, and the Dutch occupation up to the nations declaration of Independence. Slightly to the north in the village of Bedulu in Gianyar, you can find the Museum Gedong Arca that contains many stone effigies. But many among the collections are replicas, as the originals are left on site because they remain in perpetual function as ceremonial tools and objects of worship. Besides these there are also several prehistoric sarcophagi. Meanwhile, hundreds of prehistoric human fossils from various excavations can be found at the Museum Gilimanuk, near the port in West Bali. One more interesting site is the Museum Subak in the regency of Tabanan. Subak is
PHOTO COURTESY MUSEUM GUNARSA
making it easy for hotel guests in the area to get to know about the arts of Asia and the Pacific. It comprises several pavilions that boast the works of Indonesian and foreign artists during their sojourns in Indonesia, Indochina, Polynesia, and the Pacific. There have been many who have collected works of art in Bali and packaged them into museums. Its good to know that
the Balinese traditional irrigational system and organization. As its name suggests, this museum displays many tools of agriculture used throughout the island, the walk of life that the islands society is renowned for. Youll need a significant amount of time to embark on a museum hopping tour of Bali. There are so many materials that need to be pondered upon. We could say that museums do show the course of civilization of a nation fairly well. From these museum collections we are able to witness the journey of the Balinese throughout the paths of time. Text and photos by Ni Luh Dian Purniawati
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LIFESTYLE&LEISURE
he affluence of the local traditional culture in Bali, West Nusa Tenggara (NTB) and East Nusa Tenggara (NTT) braces the three areas and strengthens the
Josephin Obin Komara, Charmanita, Oscar Lawalata, Samuel Watimena, and Farida Lalampuling. The night also included performances of various dance and cultural collaborations such as local Balinese pop singer Agung Wirasuta, who also acted as Master of Ceremonies during the extravagant event. Nearing the close of the event, national pop singer Gisel of Indonesian Idol fame, together with Minister Wacik presented the ending song titled Kuyakin Sampai Disana (I Believe I Will Reach There), written by Susilo Bambang Yudhoyono. This song also happened to be the theme song for the Sasando Festival held on December 20, 2009 on the island of Rote. Traditional cultural wealth is a point of strength whereby people can improve their livelihoods, thus it is no doubt that its preservation efforts must be supported. Several efforts in preserving these things are presented through this event, namely through various exhibitions of local products such as tenun weavings, typical traditional culinaries, and assortments of handicrafts from Bali, NTB and NTT, stated the Commander of Regional Military IX/Udayana, Major General TNI Hotmangaradja Pandjaitan, moments after the pre-event opening. According to the Major General, who previously held a position as head of the TNI-AD Information Bureau, the TNI is the
nations strength so has responsibility over Indonesias territorial integrity as well as its cultural preservation. Bali Nusa Tenggara Tangi 2009 is a result of this idea, a fashion event based on traditional cloth such as the tenun that is woven in Bali, NTB, and NTT, in cooperation with the Ministry of Culture and Tourism, the Yayasan Cita Abdi Bangsa Foundation, and Rumah Pesona Kain. Tangi, which means to rise, became the underlying theme of the Bali and Nusa Tenggara collective event. According to Pandjaitan, many local cultural products deserve to be presented to the international stage. The process of creating the crafts by hand with natural materials is something that deserves high regard. A number of programs enhancing the local cultural products of the three provinces included tenun ikat weaving competitions, handicraft exhibitions, and traditional culinary presentations from the three provinces, as well as presentations from the aforementioned national fashion designers. Not less attractive were the displays of the various traditional handicrafts together with souvenirs, jewelry and interior dcor that continues to win the favor of national and international markets. Also presented were the manual processes of traditional natural dyeing demonstrated by a West Nusa Tenggara local, which also attracted the interest of
spirit of encouraging local development. Tourism in NTB and NTT also rises together with Bali, which had a better start of being known the world over. Moreover, these three areas were braced together as one known back in history as the Lesser Sunda Province, as stated by the Minister of Culture & Tourism Jero Wacik, moments prior to the opening of the recent Bali Nusa Tenggara Tangi 2009 held at the Ballroom of the Discovery Kartika Plaza Hotel, which presented various tenun cloth
from Bali, NTB, and NTT, on Saturday night December 12, 2009. Jero Wacik further explained that Bali must also take on an active role in encouraging tourism in NTB and NTT, for this rise of tourism in both provinces. Sharing this kind of togetherness in the past can become a valuable asset for advancements in the future, explained Jero in between his observations of woven tenun cloth and handicrafts prior to the event opening. The Bali Nusa Tenggara Tangi 2009 night presented creations of several national talented and noteworthy fashion designers, the likes of Ghea Sukasan,
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A form of preservation efforts that include various exhibitions of local products such as textiles, traditional culinaries, and assortments of handicrafts from Bali, BALI&BEYOND JANUARY 2010 27 NTB and NTT.
Various tenun cloths from the three provinces were presented in a gallery layout where guests could examine the dazzling colors and motifs used throughout. A length of traditional Indonesian tenun is fully laden with traditional, sociological, artistic, and historical value, and tells of the developmental and enriching process of a certain community.
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Minister Wacik and his wife. Various tenun cloths from the three provinces were presented in a gallery layout where guests could examine the dazzling colors and motifs used throughout. A length of traditional Indonesian tenun is fully laden with traditional, sociological, artistic, and historical value, and tells of the developmental and enriching process of a certain community. As stated by the head of the Kartika Chandra Kirana Regional Military Command IX/Udayana Association of Army Wives, Tuti Pandjaitan, On a piece of tenun cloth, one may find the dedication and resilience of the hands of crafters who create it. The artistic superiority of this traditional cloth presents a long journey in a diverse, rich and meaningful tradition. The tenun is an heirloom, and its weaving processes
will never change by replacing it with machinery. To weave a length of tenun requires a month or more to finalize. It could be considered that the night acted as a gong to their chain of activities. Prior there were held competitions and workshops on tenun in Bali, NTB, and NTT. The judges were experts in the field of traditional tenun. The purpose was to increase the quality and enrich the present materials and traditional designs in order to improve the peoples welfare, added Tuti Pandjaitan. Synergy among the three provinces, which were once classified under the one Lesser Sunda designation, is expected to be able to stimulate cultural tourism. Bali on its own has done much tourism promotion, while NTB and NTT still need Balis tourism promotional support. The government has put much effort towards
promoting the cultural diversity through international scale agendas. We have plotted the Sasando Festival tourism program for Rote Island during the same month, and the encouragement of promoting tourism in NTB and NTT is carried out through the plan of the tourism slogan Visit Lombok-Sumbawa 2012, stated Minister Wacik. Also present was Balis Governor Made Mangku Pastika and NTTs Governor Frans Lebu Raya. The Governor of NTB was unable to attend but was represented by his wife, Rabiatul Adawiyah. Frans Lebu Raya welcomed the idea from the Regional Military Command IX/Udayana and hoped that it would continue to present other cultural forms, such as performing arts. The next possibility is an exhibition or similar event in the two other provinces, such as in Mataram (NTB) and Kupang
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On a piece of tenun cloth, one may find the dedication and resilience of the hands of crafters who create it. The artistic superiority of this traditional cloth presents a long journey in a diverse, rich and meaningful tradition.
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Creations of several national talented and noteworthy fashion designers were presented besides exquisite crafts, the likes of Ghea Sukasan, Josephin Obin Komara, Charmanita, Oscar Lawalata, Samuel Watimena, and Farida Lalampuling.
(NTT). This is giving momentum to elevate the nations opus, he said. Meanwhile Hotmangardja Pandjaitan explained that the role of the TNI was most importantly to unite the cultural diversity of the archipelago. The TNI also feels responsible for keeping the territorial integrity of the nation, not only during wartimes but also through times of peace. The event held by Regional Military Command IX/Udayana together with the Department of Culture and Tourism aims to uphold national inegrity. The event was also made possible due to the active role of the Army Wives Association - Persatuan Istri Prajurit (Persit) Kartika Chandra Korem 161 Kupang, Korem 162 Mataram, and Korem 163 Bali. Several fashion designs were also presented by the soldiers and wives who paraded onto the catwalk that night. Text and photos by Nyoman Ari Gunadi Kodam IX/Udayana Jl. Udayana No.1, Denpasar (0361) 235-321 www.kodam-udayana.mil.id Discovery Kartika Plaza Hotel Jl. Kartika Plaza, South Kuta (0361) 751-067 www.discoverykartikaplaza.com
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PROFILE&PORTRAIT
Bayu Wirayudhas life can be deemed inseparable from the animal world. He came with the highflying hope of a better future for the species by creating a natural sanctuary on the island of Nusa Penida.
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Tours. The slight shift did not mean he eventually let go of his love for animals, but in reality the tour agency had a Corporate Social Responsibility (CSR) program underway at the Tanjung Putting National Park in Central Kalimantan, which carried out conservation efforts for orangutans and proboscis monkeys. That was where his idea was sparked to establish and head the Friends of the National Parks Foundation (FNPF). The foundation deals with the conservation of animals and their habitats. His journey continued with his contribution at the Begawan Giri Foundation. This foundation was a form of the corporate social responsibility program of the Begawan Giri Estate. One of their activities was the keeping and breeding of bird species, including the Bali Starling. When Bagawan Giri shifted ownership and reemerged as the Como Shambala
at Bagawan Giri, the bird collections were moved to the island of Nusa Penida. There are at least 25 traditional villages in the area with the local population mostly living from farming and fishing. In the year 2004 when Bayu went to the island, he found that there were at least 9 villages that had locally enforced laws for the protection of endemic birds. When he asked the locals why, they had a very simple answer; they longed for their childhood memories when birdsongs filled the air. This was a good sign and start for a conservation effort on a populated island. He discovered that at least there was already love, awareness and sense of responsibility for the birds. This was followed up with the expansion of the influence to the other villages. Thus started the love birds campaign through traditional entertainment, and other various small things that helped trigger their awareness. Up until the year 2006, all villages had enforced this kind of awigawig, or local law. In the year 2005, around 90 of the starlings were released in Nusa Penida. Prior to their release they were bred and conditioned to adapt to the local
he Bali Starling has been listed with a critically endangered status by BirdLife International due to its low numbers. Then along came Bayu
Wirayudha, with the highflying hope of a better future for the species by creating a natural sanctuary on the nearby island of Bayu Wirayudhas life can be deemed inseparable from the animal world. Since early childhood he has been fond of raising birds, and after graduating from high school he continued his higher education at the veterinarian school of Balis Udayana University. His keen interest in birds continues as he began his tenure at the Bali Bird Park. After overseeing the birds at the park, he continued to work in the travel and tourism industry, working at Bali Eka Swasti
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environment. They were fed a local diet and went through habituation to better face their natural predators. Nusa Penida is one among the three islands southeast of the main island of Bali. It is the largest among the three with a hot and arid climate. Bayus idea to breed and release the Bali Starlings in other areas was faced with harsh challenges from conservation offices. They considered that the Bali Starling was an endemic species that would only thrive within the limits of the West Bali National Park. If the birds were to be moved to another area, the concern was that they would die. Bayu opposed this judgment. He believed that the birds, like any other species, have a natural response and adaptive pattern with the environment. Why the Bali Starling can only be found within the boundaries of the West Bali National Park can be explained through a historical examination. The development of Bali began from the north. This area, Sembiran, for the first time interacted with newcomers at the beginning of history. Gradually the development progressed towards the central areas such as Pejeng, and then to the east. The area of west Bali was only opened in the 19th century. The area was referred to as Jimbarwana, which name then evolved into Jembrana, and what was to be known as Balis youngest regency. The progress of development seemed to move adjacent to the life journey of the Bali Starling. Back then they thrived all over the island of Bali, but they were captured in large numbers due to their beauty and used for ceremonial purposes. Before the arrival of the Portuguese, who traded preserved specimens of the Bird of Paradise to Bali, the Balinese used the Bali Starling in Ngaben cremation rituals. The bird species then sought
Bayu opposed the judgment that the Bali Starling would die if it were moved out of the National Park boundaries. He strongly believed that the birds, like any other species, have a natural response and adaptive pattern with the environment.
sanctuary in the bushes, and Balis last forest was the now West Bali National Park. Bayu strongly believed in the results of his analysis. He once interviewed several senior villagers in the Wangaya Gede village of Tabanan, and the results showed that in the 70s, they still did see the Bali Starling in the neighborhood. And this supported his theory that the Bali Starling did not only thrive within the parks borders as previously was accepted. This is nothing strange, as Bali Starling breeding sites cannot only be found in Nusa Penida but also in several places on the island of Java. These are carried out individually and legally. Bayu sticks to his opinion and carries out breeding in Nusa Penida. Birds released in populated areas survive better due to the people that help protect them. Currently there are around 78 Bali Starlings in Nusa Penida. Their adaptive process is excellent, continuing to mate and breed. As a result of his success, Bayu was nominated for the Kalpataru Award, an award granted to environmentally meritorious persons by the Indonesian government for their nature conservation efforts, numerous times. The cooperative pattern between the FPNP with the communities of Nusa Penida is very interesting. They give and take according to what the other can provide. Conservation and protection of the Bali Starling in Nusa Penida has now become the responsibility of the locals. They are glad to hear again the bird calls and songs
every day. Meanwhile the FPNP continues its conservation programs for the Bali Starling as well as doing tree plantings and other local community services. They also help by creating traditional Balinese dance courses and scholarships for junior high school (SMP) students. Now what does bird conservation have to do with scholarships for local students? Nothing directly, however very close in this context. If we were to grant scholarships to students we wouldnt be able to provide for all, thus we only select junior high students. The scholarships will act as a motivator for their studies. They are glad, and conservation goes well too. Its some sort of mutual symbiosis, stated Bayu. The Bali Starling has seen various efforts towards its conservation in West Bali. Conservation efforts have come from the government as well as from participating foreign institutions. Yet its numbers still remain a concern. As long as it is considered a rare item, somehow it remains the negative desire to hunt them down. The Bali Starling not only loses its security but also the love of its human counterparts in the immediate habitat area. If the conservation in Nusa Penida proves its successful increase in population, then how can we not support it? For further information, contact the Friends of the National Parks Foundation, Jl. Bisma No. 3, (0361) 977-978, www.fnpf.org Text by Ni Luh Dian Purniawati Photos from personal archives
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PONDERINGPOINT
Window of the
There is a saying that goes, a book is a window to the world. Reading a book is like peeking out into the vastness of the world.
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here are at least two things that introduced Bali to the outside world, paintings and books. Bare-breasted women, sacred rituals, unique traditions, and
profound natural beauty often become the theme of paintings and writings. Things that were not the norm in Europe aroused further curiosity about Bali. It all began with attraction, interest, and deep curiosity that made them eventually visit the island. One among the influential foreigners coming to Bali was Miguel Covarrubias. He was a painter, a caricaturist, ethnologist, and historian who hailed from Mexico. His attraction to anthropology exceeded his attraction to arts and other subjects. Covarrubias stayed and wrote about the complete ethnography of Bali in the significantly monumental book, The Island of Bali in 1937. This book is still used as a
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reference for Bali up until now. Manuscripts are no strange things to the Balinese themselves. Although writings in their current form of paper were later introduced by Europeans, the Balinese have written down thoughts on various mediums since the start of the Anno Domini. This is proven by the various inscriptions found in North Bali, in Kintamani, and in Pejeng. Yet most inscriptions were in stone, among the most secure data retention media over the centuries. These were quite special and were accessible only to the nobility. Time rolled on, and the people of the Nusantara archipelago then came to know of the lontar leaf manuscripts as another media used. Lontar is quite accessible to all, and Bali boasts quite a trove of lontar, which are localized in several areas such as at the Bali Cultural Documentation Office, Linguistic Research Building, and at several universities in
Bali. The largest collection resides at the Gedong Kirtya Library in Singaraja, North Bali. Yet reading the manuscripts is a skill held only by certain groups. It doesnt reach the grassroots of the society. The writing culture among the Balinese can be categorized as quite low. There has been research carried out in several areas in Indonesia, and Bali fell into this category. One thing that came into suspicion was the misinterpretation of religious dogma. One states that only those from the Brahmana caste or religious figures may access the Vedic scripts. Meanwhile, those from the lower castes who did access these scriptures and manuscripts faced heavy penalties. At a glance this is a very discriminative rule. But by no means should this be interpreted as such. Why would only someone of the Brahmana caste so easily have access to higher knowledge?
Because from their social strata, it is their group that is responsible for it. Because they are meant to be the teachers or Rsi. The lowest Sudra caste mostly does the labor tasks for their living. They seldom come across deep textual learning processes. Vedic science and knowledge is no easy task to dig in to, so that is why they are not allowed to study texts without the guidance of a teacher. Not all have the same opportunity for education. Not all can go to ashrams or schools. The transfer of knowledge in Bali was famous for its oral tradition, by word of mouth, not through reading or books. People tended to favor watching traditional dramas that were filled with advice and wisdom. Perhaps this is what eventually contributed to the low interest in reading. There is a shortage in opportunities, shortage in facilities, and limit in thought. This shortage of facilities seem to
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have continued up until now. Research has discovered that low reading interests are also due to the minimum number of libraries present. An unattractive condition. People need to be attracted to reading. Starting from light reading books that have a little amount of text, then gradually moving on to more serious subjects and illustrations. That is why beginners books are more often illustrated and more colorful. This came to the minds of those behind the University of Southern California (USC) Alumni Club Indonesia. They have donated books to hundreds of elementary schoolchildren in Indonesia through the non-profit organization; The World is Just A Book Away (TWIJABA). This organization was established by James Owens, a
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professor at the USC in 2008, with the website: www.justabookaway.com Owens built 22 libraries, 21 of them in Sidoarjo, for the schoolchildren who were also victims of the Lapindo mudflow disaster and another at the SD 7 Jimbaran elementary school in Bali. This organization aims to build libraries in developing countries. They know that books can help to form hope for a better future. Schoolchildren in the Lapindo mudflow site lost many of their schooling facilities including their libraries to the disaster. Meanwhile SD 7 Jimbaran, which is a public school, apparently is very limited and has no library at all. What would become of these children if they were not provided with the opportunity to read and
obtain books? They are children who are preparing their future hopes with a high level of curiosity. That day on December 18, the children of SD 7 Jimbaran gathered cheerfully in front of their new library. They welcomed the hundreds of books that made their lives more colorful and meaningful with wide smiles. The windows of the world, from a small room on the side of a region flooded with mud, or from the most arid of places in Jimbaran, children get to see the world. If only there were more books, then there would be more of them who could see and know. Text and photo by Ni Luh Dian Purniawati
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The shortage in facilities have continued up until now. Research has discovered that low reading interests are also due to the minimum number of libraries.
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ACTION&ATTRACTION
Colorful Horizons
f we look back through the pages of the guidebooks to Bali these days, we will come across many pictures of jukung throughout, including on the covers. The same goes for Bali postcards from the beginning of the
tourism boom. Frankly, those selections do justice as they indeed were among my first memories of Bali when I first visited the island as a kid. But now? The colorful and exotic jukung has somewhat faded into the horizon. Somehow, forgotten
THE JUKUNG
How the jukung came into being remains vague. However, it is certain that the jukung is foremost among the types of traditional vessels widely used in Bali (and also in the neighboring island of Lombok), generally used for fishing. The exoticism of these 10-meter long boats lies in their single multicolored sails. Obviously their owners are indeed fond of decorating their boats. Also contributing to the exoticism are their outriggers. These beams are usually made of bamboo and function as stabilizers that prevent the jukung from capsizing, and are positioned parallel to the boats framework. That is why these types of boats are also referred to as double outriggers. Essentially of Balinese origin, the double outrigger jukung is but one of the many genres of Pacific/ Asian outrigger canoes that use the lateen (triangular) sail.
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Sanur, early 70s Fresh breeze on a clear daybreak Not many hotels or restaurants can be found in the area. The common atmosphere: isolated and peaceful. The stretch of sand shimmers with golden luster. Waves break in the distance. A couple of traditional wooden boats with colorful sails appear to enter Sanurs coastal waters, brought in by their masters fishermen by heritage who are just coming home from sea. The scene of these jukung (the local name for these traditional boats) splitting the calm and clear waters and then landing on the exotic golden coast is easily embedded in the memories of anyone who has witnessed it, making the jukung one of the major icons of this island of the gods
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In line with developments, nowadays fishermen equip their jukung with outboard engines that are used during the absence of wind to push the sail. Upon landing, you can note another unique characteristic from up close: the front part of the boat resembles the face of a fish; hence the whole boat will resemble a fish. Although the fishing jukung only operates out to several kilometers from the coastline, bad weather and other factors sometimes renders orientation difficult. The fishermen say that the eyes help in guiding them through the points of the compass.
dominant. The morning seas somehow belong to them, as hundreds if not thousands of jukung decorate the sea there. Behold the real spectacle. Stay overnight in this coastal area that is filled with options nowadays, and wake up before daybreak to witness it all. Not only will you take in the fresh morning sea breeze, but in the far eastern horizon you will also see a red ball of fire rising up in the crimson sky, emerging from the waves. Then faintly and gradually, around the rising sun, you will see hundreds or even thousands of these colorful sails. Eventually the sails become clearer, and in their numbers they somehow show as if they are having a race. Sails slightly fluttering and beams bobbing up and down, they leap up once in a while, signifying their high speed. After several hours out at sea from the early morning, its time to go home. Starting as small dots on the horizon until their colors fill the sea, they are ready to land. Every jukung is part of an armada. Each armada has its own landing site. And every bay is filled with hundreds of jukung. We even noted a bay that had up to 500 jukung! With their high nautical skills the fishermen start to maneuver their jukung towards their bay. Slowly they approach the coastline. Then how do they land so many boats at a single bay? Especially since each boat is manned by only one person. It seems impossible to land without the guidance or assistance of another. This is where their expertise comes into place, which is another spectacle to witness. One by one the jukung await their turn to land. The timing of the wind cannot be predicted. Thus many of the jukung distance themselves several meters from the coast, and fellow fishermen who had reached land first must immediately lend a helping hand to the following jukung. As soon as the last wave washes ashore, the boat gets pushed inland and is greeted by 2-3 of their fellow fishermen. Come on heave one two
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In the far eastern horizons you may still see hundreds or even thousands of these colorful sails; beams bobbing up and down, and leap up once in a while, signifying their high speed.
SPECTACULAR SPECTACLES
If we move further north from Sanur, we can encounter the jukung again along the coast at Kusamba and further north again at Candidasa, where armadas of jukung can be found. The colorful sails out at sea easily catch the eye from the roadside, in contrast to the black volcanic sand. When they are at sail they add a spectacle to the scene. Usually the jukung all sail together until the seas are filled by the armada, flocking like birds on the calm sheen of the ocean. Further to the north in the area of Amed the jukung armada becomes even more
three!, and woosh the waves toss the fishermen and the jukung as they pull in the wooden vessel. Crackle, crackle, swoosh as the water dissipates through the stones and coral. A second later another wave arrives and the fishermen once again prepare to heave the jukung up in synchrony with it. One two three haa! little by little the boat is lifted further from the waterline and towards its parking space. Full spirits behind colorful sails The parking process for each jukung must be completed in the nick of time because the hundreds of others cannot wait too longthey are all near to the coastline. In the event of a bad synch, the jukung may capsize or even break with the wrong momentum of the tide. When a jukung is being drawn in, usually the others are already very close. So by the time one jukung has been successfully parked, there is another already prepared to be lifted, while another is readying to land, and others are still at sea. Quite a beautifully hectic and dramatic
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scene. And surprisingly, this synchronicity of 15-20 minutes usually sees three quarters of the armada already parked neatly on the shore!
their source of living is virtually limitless. Yet their parking spaces are becoming scarcer. The coastline is becoming filled with various hotels and restaurants. Even some coastal village areas have shifted. But these outriggers are iconic to Bali the real Bali as depicted in those guidebooks in decades past. An exotic part of Bali, we hope, that would not soon become an exotic past. Text and photos by Alcibbum Photography
A PRICELESS ASSET
Sights not found elsewhere. The jukung are usually used by fishermen in calm seas. You will seldom see one in the high seas or in the open Indian Ocean for instance. Its existence also follows the rhythm of its master the fisherman. The sea as
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BEYONDBALI
known destination for ziarah or sacred devotional visits starting from the 1980s. Reaching the Pesarean (resting place) at Gunung Kawi is not too difficult. The roads are well paved and transportation options are easily found en route to the village. Gunung Kawi can be reached by railroad, starting off at the town of Malang or at Kepanjen, another district south of Malang that is crisscrossed by the Surabaya Malang Blitar routes. Other means include bus or public transport, centered at the Arjosari Terminal, which is busy 24 hours a day. By bus, you can take the Blitar route and be dropped off at the Talangagung
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he district of Wonosari covers over 67 square kilometers and has a population of 43,000 people. The area has flourished into a well-
Terminal or at the Gunung Kawi junction. From there, the journey can be continued straight to the terminal in the Gunung Kawi area. The distance from the Wonosari village terminal to the Eyang (Grandpa) Djoego burial site is approximately 750 meters, quite reachable by foot.
nationally as the Panglima Perang (War Commander) Diponegoro, from the palace of Yogyakarta. After Pangeran Diponegoro surrendered to the Dutch in 1830, many of his followers and supporters fled to the eastern part of Java. Among them was Pangeran Diponegoros spiritual advisor Eyang Djoego, also known by the name Kyai Zakaria II. He went to various places such as Pati, Begalen and Tuban, then southeast to the district of Kesamben in Blitar. After he fled to Kesamben, Eyang Djoegos monastery developed and many visitors became his disciples. Several years later, between 1850 and 1860, Raden Mas Iman Soedjono arrived together with Ki Moeridun, who was also Djoegos favorite disciple. They stayed at Eyang Djoegos Padepokan until he was ordered to go south of the Gunung Kawi ridge to clear
Flows of pilgrims to the Gunung Kawi resting place come from various societies, the rich and poor, artists and bureaucrats, the religious and atheists. It has attracted visitors Asian and European as well as visitors from the Middle East.
the forests there. Eyang Djoego also said that it was at that clearing site that he wanted to be buried, and left a message that the village there would flourish and become a place of refuge. After forests were cleared, a residence was built as well as a monastery, and R.M. Iman Soedjono together with Ki Moeridun and a band of followers discussed the name of the clearance site. As the clearings were led by a trusted man named Ki Wonosari, the area was named Dusun Wonosari in his honor. After receiving reports of the successful forest clearing on the ridge of Gunung Kawi, Eyang Djoego set off to Dusun Wonosari and ordered that if he were to die, his remains should be buried on the small gumuk or knoll that was to be named Gumuk Gajah Mungkur. Eyang Djoego passed away in 1871.
After his death, Dusun Wonosari attracted many visitors, and many of them stayed. Wonosari itself has expanded and its population grown. During the times of Eyang R.M. Iman Soedjono, between 1871 and 1876, Mrs. Schuller, the daughter of the Kediri colonial resident, once visited. Her visit was to seek a cure for her illness from R.M. Iman Soedjono, which she duly obtained and thus recovered. Afterwards, Mrs. Schuller did not return to Kediri but stayed in Wonosari and served R.M. Iman Soedjono until his death. Eyang R.M. Iman Soedjono was then buried adjacent to Eyang Djoegos at Gumuk Gajah Mungkur.
On a specific date on the Javanese calendar, namely the Jumat Legi (Kliwon Thursday), the number of visitors to Gunung Kawi spike to their thousands.
site is not only an act of respect for ancestral spirits, but also opens the path to divine blessings. Until now, the flow of pilgrims to this resting place comes from various societies, from the rich to the poor, military generals and dancers and even presidents, the religious and the atheists. Gunung Kawi has attracted the attention of many foreign visitors also, like Asians, Europeans and people from the Middle East. Visitors to the Pesarean Gunung Kawi number in the hundreds on usual days. Yet on a specific date on the Javanese
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calendar, Jumat Legi (Kliwon Thursday), the number of visitors spike into the thousands. Visitors admire the natural surroundings of the Pesarean, enjoying the cool and fresh mountain air that is at times cold and misty. Large trees and lush foliage surround the area. Stillness makes up the totality of the Pesarean; a factor that strongly supports the purpose for contemplation, introspection and prayer. The art market that is located east of the Pesarean Gunung Kawi adds to the colorful spiritual tour of Gunung Kawi. On the roadside into the Pesarean, the people
of Wonosari have opened art kiosks that sell local wares such as weavings, carvings, semi precious stones, ceramics, ornamental plants, and even mystical objects such as amulets and charms. Rows of hotels and other lodgings and various restaurants and stalls with the musical sounds of oriental music are other features at Gunung Kawi. Even Chinese five and dimes known as kelontong are at the foreground of the Pesarean complex to sell praying equipment such as incense and candles, coconut oil, frankincense, etc. There are also many
Small kiosks offer colorful owers and petals to be sprinkled over the burial sites or for prayers.
fortune tellers called Ciamsi and Guamia, as well as masters that provide Feng Shui reading services. In short, the area around the complex is like a mini town that is complete with many facilities. Also very interesting are the local harvests specific to Gunung Kawi. These include the telo ungu (purple cassava) that is iconic of Gunung Kawi, boiled and roasted corn, bananas, Malang apples, durian, and others. Typical Javanese nibbles include nasi pecel, nasi urap, nasi gudeg, nasi jagung, sayur lodeh, sambal goreng, ketan, and lupis, which can be bargained for and obtained at relatively cheap prices. Teenage girls and women behind their small kiosks offer colorful flowers and petals to be sprinkled over the burial sites or for prayers. Their friendly smiles somehow diminish the grim idea of these burial sites.
Especially on the nights of Jumat Legi, Senin Pahing, Satu Selo, Chinese New Year (next month, coinciding with Valentines), the night of 1 Sura, and the Gregorian New Year. According to Bapak Nanang, several of Eyang Djoegos and R.M. Iman Soedjonos students were Chinese descendents. An understanding developed among them, as part of the teachings of the two were that all are one in brotherhood, no matter what belief. Thus a large part of the Chinese descendents consider the two buried at the Pesarean Gunung Kawi no different than their own great grandfather or ancestors. According to the tales that developed, an ethnic Chinese named Tan Kie Lam recovered from an illness after receiving treatment by R.M. Iman Soedjono with the aid of holy water from the heirloom earthenware jug left by Eyang Djoego. Then in respect to Eyang R.M. Iman Soedjono, Tan Kie Lam studied and resided at the Gunung Kawi monastery. Due to the differences in beliefs with the master, Tan Kie Lam eventually established a small Chinese temple around the monastery to conduct rituals of prayer and pay homage to the master.
So also in 1931, an ethnic Chinese named Pek Yam went on a ziarah to Gunung Kawi. Pek Yam felt at peace in Gunung Kawi and so stayed on in Wonosari to honor the two by building roads to the Pesarean. Pek Yam was aided by several of his friends from Surabaya and Singapore, erecting a main gate after the completion of the roads. The popularity of Gunung Kawi among the ethnic Chinese started from the success of Ong Hok Liong, who established the Bentoel clove cigarette factory after studying at the Gunung Kawi monastery. He then started to go on regular ziarah at the Gunung Kawi resting place. The common tale at that time was that Ong Hok Liong stayed at the burial and then had dreams that there were the bentoel (ubi talas) plant everywhere. Ong Hok Liong told of his dream to the warden, and was advised that his cigarette endeavor should be named Bentoel. Since then, Ong Hok Liongs business grew rapidly, and is still going well now. Not forgetting about his dream at the burial site, Ong Hok Liong participated in the development of the Gunung Kawi resting place. He and his wife routinely visit the burial site at the resting place, especially
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MALANG
on the night of Jumat Legi and ate every first date of Suro. He also holds syukuran (blessing celebrations) with wayang kulit performances, complete with feasts of mutton and beef on the menu. Based on the descriptions by the management of the Yayasan Ngesti Gondo foundation, many businessmen of Chinese descent visit Gunung Kawi. Even a statue of the goddess Kwan-Im, 8 meters high and worth approximately Rp. 2 billion, which stands in one corner of the building, was a donation from one of Indonesias successful ethnic Chinese businessmen.
From here we may note that that is the reason why nearly everything around the complex has a typically oriental nuance. All the buildings except for the Eyang Djoego and Eyang R.M. Iman Soedjono burial complex, feature typical Chinese ritual altars.
Nanang, fulfill three elements. The place must be desolate, dark (grim), and there are no places for prayer. Meanwhile in Gunung Kawi, the place is quite busy, bright, and there are so many places for prayer. In further explanations, when man is faced with hard choices in his life he tends to seek out instant dependencies that they can hold onto when hardships arise. That is why myths have become somewhat significant, as they can become a component in explaining mans environment and history. Myths can therefore be described as mans simplified explanations over realities. And myths are considered significant as they provide hope. Awareness of a purpose in life is an important part in order
for man to reach happiness. In a world of materialism, poverty is the no-no. And unfortunately not all people have the ability to succeed in that sense. That is why many people take certain steps to reach the wealth they dream of. A ziarah to Gunung Kawi is just one option.
Mt. Kawi
For the modern-minded, a visit to Gunung Kawi for the purpose of gaining blessings of wealth is quite irrational. Yet this does no justice, if we do not try to seek to understand this behavior. One
To Lumajang
WONOSARI
MALANG
Kepanjen
assumption that we can look to is that a ziarah to Gunung Kawi builds self esteem and confidence in the pilgrim, which later makes way to strength and positive attitude in advancing their endeavors. Text and photos by Erik Wijaya
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CAPITALCORNER
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ets face it. Pleasing Jakartas night-out goers is becoming more and more of a challenge. With the existing and emerging seemingly endless myriad of clubs, bars, and wine bars on streets or in the citys five-star hotels, the seekers of entertainment have no shortage for venues to choose from. Being spoiled
by such a wide range of choices, is it no wonder that the souls who desire the after-sundown fun are getting pickier in choosing their chillout corners. If you dont have something unique to offer, you just dont stand out in the crowd. The Shanghai Blue 1920 Club owns such a distinguished personality. Recently transforming itself from a mere restaurant into a lounge-club that revives the days of old and glorious Shanghai, the place obviously sets itself apart from other nightlife venues in town. Without changing the main interior or their huge dining tables, the rebirth of the place includes the addition of sofas, bar stools and tables for chilling out, drinking and listening to music. Like a part of their established identity, the eye-catching elements that draw any first-time visitors also stay preserved. Yes, we are talking about the
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colorfully adorned walls, pin-ups, classic opium pipes and various oldies photos, reminiscent of the magnificent Shanghai Tea House where it all began. Just taking you on a quick flashback through history, the Shanghai Tea House was made in 19th century, a simple and modest warung in the port of area of Sunda Kelapa set up by Siti Zaenab, a local Indonesian lady married to Chan Mo Sang, a sailor from Shanghai who settled down in the city. The popularity of the place bloomed as the time rolled on, turning it into a bigger and busier destination for international sailors and other people from various professions who craved Zaenabs delicious ShanghaiBatavian food and fun evenings. With the intention of bringing back the magic and memories of these glimmering old times, Shanghai Blue 1920 came into creation several years ago, transforming into a lounge club in the same location in the Wahid Hasyim area of Jakarta. Apart from the interior, the feel of the
Shanghai nostalgia is also reflected in the way the staff are dressed. Hovering in the place are beautiful cheongsam ladies with those thick platform sandals and cute Art Deco hair bun styles, serving you with endless smiles and warmth. As a lounge-club with a romantic reminiscence of Shanghai in the early 1920s, the entertainment is another crucial element. In the evenings on the weekends, the live jazz performance fills the room with funky tunes of Cantopop, Swing Jazz and Latin Jazz. Recently, a number of top local and international performers have warmed up the place. These names include Dira J. Sugandi, top saxophonist Eugene Bounty, flamenco guitarist Yeppy Romero, Yance Manusama, Ole Pattiselano, Iwan Wiradz, Agam Hamzah and Adam Gyorgy. Does all this lead your mind to the dance floor? You wont be disappointed. The need to swing and shake your feet and booty is another joy offered here. Bringing back the glamour of the 1920s-1930s era of Shanghai when Asias nightlife Mecca
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The popularity of the place bloomed as time rolled on, turning it into a bigger destination for people who craved Zaenabs delicious Shanghai-Batavian food and fun evenings.
was filled with tea halls, mushrooming dance clubs, fancy dresses balls, banquets, glittering cabaret shows and Sing-Song Girls, this place now offers private session of Dance Class 101 with Oddy Munir, a respected senior dancer in Jakarta. Offering a variety of dancing from ballroom dance to Latin and Cha Cha, the 101 Class welcome all dance enthusiasts from all different kinds of levels to join this special class. The one-hour session every Tuesday is accompanied by a special live band with complimentary Shanghai Afternoon High Tea. Now where else do you find this sort of fun? With the existence of numerous entertainment venues in Jakarta that offer diverse styles and concepts, the development of the Shanghai Blue 1920 Club leads to a stronger character that brings itself as an exceptional route for the lounge/club goers with an endless hunger for something different. Believe me, it doesnt take long to feel that this place has character. Just walk into the Shanghai Blue 1920 Club and it will hit you the moment you sit down, chill, and breath in the ambience. Then you will say to yourself, this is a place like no other. Text by Kathy Petite, Photos courtesy Shanghai Blue 1920 Club Shanghai Blue 1920 Club Jazz Lounge & Restaurant Jl. Kebon Sirih Raya 77-79, Jakarta; (021) 391-8690, (021) 392-0384 www.tuguhotels.com
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BEYONDUPDATES
CHARACTERISTICS ON!
Prime Plaza Hotels & Resorts (PPHR) hosted a Road Show in four cities, intended to affirm the excistency of Prime Plaza Hotels & Resorts in the hotel industry in Indonesia. For corporate Identity, PPHR changed their flowers and leaf elements as its main characteristic, still dominated by green and blue. Every hotel also has its different tagline, representing the individuality and uniqueness of each property. Jakarta, (021) 7279-9797; www.primeplazahotels.com
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WASTED ART
Cemeti Art House presents the unconventional project, Wasted by artist and pianist Tomoko Mukaiyama through January 16. Mukaiyamas project links architecture to visual arts, to music and literally to you. Wasted is an architectural installation built up out of 12,000 white, silk dresses and Tomokos own concert dresses by Issey Miyake and Comme des Garcons from her personal wardrobe. These dresses are imprinted with her own moon blood. Audiences wind in and out walking a labyrinth of white dresses. This physical experience triggers an internal process. Tomoko gives female audiences a chance to truly engage. Every female visitor is invited to take one silk dress for free if they agree to fulfil two conditions: to wear the dress during the time of the month and then send their physical and emotional experiences in an artistic statement back to Tomoko Mukaiyama. The statements from thousands of women from all over the world can be pieces of sound, poetry, texts, photo, video or anything in-between. Cemeti Art House, Jl. D.I. Panjaitan 41, Yogyakarta (0274) 371-015; www.cemetiarthouse.com
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HOTELHIGHLIGHTS
Resort & Villas
The Patra Bali Resort & Villas is an 11 hectare five star resort in Tuban, offering one of the largest guestrooms in Kuta. All decorated in traditional Balinese style with exquisite wooden furnishings overlooking exotic tropical landscapes. The hotel has a warm and peaceful atmosphere and is ideal for total relaxation! The Resort has 206 rooms and suites, all beautifully appointed, with marble bathrooms and five-star amenities. There is a huge swimming pool right by the sea. The 22 Villas are a semi-boutique concept, giving extra privacy and luxury for families or couples. Many have private plunge pools, and theyve all 24-hour butler service. Villa guests have their own huge seaside swimming pool and exclusive use of the Floating Heritage Pavilion. The hotel offers more facilities like 4 restaurants, convention centers, a Kids club, Spa & Health club, a Beach Bar and free shuttle service to Kuta.
Jl. Ir. H. Juanda, South Kuta Beach, Kuta Tel : ( 0361 ) 751-161 Fax: (0361) 752-030 reservation.bali@patra-jasa.com www.patrabali.com
The location is ideal, a huge landscaped property on South Kuta Beach, directly on the Indian Ocean and next to the international airport. A 5-minute drive north brings you to the heart of Kutas shopping district.
Jl. Raya Uluwatu, Br. Bakung Sari, Ungasan, South Kuta, Bali Tel. (0361) 708 199; Fax. (3361) 708 168 E-mail: reservation@dreamland-villa.com sales@dreamland-villa.com www.dreamland-villa.com
Rama Beach
Jl. Jenggala (Wana Segara), Tuban, South Kuta Tel. (0361) 751-557, Fax. (0361) 752-968 E-mail: sales@ramabeachhotel.com Website: www.ramabeachhotel.co
COMMUNITYCALENDAR
PITA PRADA
Bali Biennale will be hosted by Museum Neka, Museum Puri Lukisan and ARMA (Agung Rai Museum of Art) in Ubud. The Bali traditional painting exhibition called Pita Prada runs through January 11, with 180 Bali traditional paintings in every genre. Two third of them are of the 1980 - 2000 generation and others from previous generation. This will be the first biennale on Balinese tradional paintings. It is aimed to announce to the national and international public that Balinese traditional paintings are a big community growing and developing time by time. Museum Neka, Jalan Raya Campuhan, (0361) 975-074 www.museumneka.com
BALIGRAPHY
Quidzy presents BaliGraphy-The many facets of my Sacred Island, an exhibition of black and white photography taken by Made Nagi from 2008 to 2009. The exhibition runs through January 24. In 2005, Made was chosen to participate in the workshop organized by the VII Photo Agency and held by John Stanmeyer and Gary Knight, and which he personally considers this event as one of the most important of his career as a photographer. This series of photographs in this exhibition is the upshot of the most intimate, spiritual and mystical visualizations experienced, snapped and collected by the Author, when simply inquiring himself about What is happening in my own backyard? What is happening in my sacred garden? Quidzy Showroom and Art Space, Jl. Kunti II no. 20, Seminyak (0361) 738-631
SPACE ON SPACE
Gaya Art Space presents Space on Space, a visual art exhibition by Balinese maestro painter Made Wianta. In this exhibition Wianta charmingly tests our preparedness to enter the sensation of the spectacle. All of the Gaya Fusion wall space, measuring approximately 1600X1200X450 cm is covered with abstract op images. As many as 3000 images made using acrylic on plywood measuring 35X45 cm are attached to the walls. It is easy to imagine the psychological effect on entering a space thus filled with images. The exhibition space becomes literally spectacular. The art being shown by Wianta in Space on Space positions painting not only as 2 dimensional art, but also spatial. It is painting arranged architecturally; showing not only outer surfaces, but also inner surfaces. The dimensions thus afforded make for quite sensational viewing for observers. Gaya Art Space, Jl. Raya Sayan, Ubud, (0361) 979-252; www.gayafusion.com
FRIEND OR FOE
Komaneka Fine Art Gallery welcomes two young talents back home to Bali from Yogyakarta in an exhibition called Friend or Foe through January 30. Friend or Foe juxtaposes very different artists: a painter and a sculptor. Both Arya Sucitra and Nyoman Agus Wijaya are young upand-coming artists who have shown promising beginnings. They have unique sensibilities. Arya chooses to paint cows on canvas, while Nyoman sculpts dogs out of metal. Both have chosen animals they love. Yet these creatures remain an enigma to the artists, especially in unveiling mankinds relationship with these domesticated creatures. Komaneka Fine Art Gallery, Jl. Monkey Forest, Ubud (0361) 976-090; gallery.komaneka.com
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Bali Masari
HOTELHIGHLIGHTS
Villas & Spa
Bali Masari Villas is a hotel with a difference and features four onebedroom and eight two-bedroom luxury villas each with their own private plunge pool beautifully situated overlooking a ravine in the valley of the Petanu River. A place to be at one with nature, to soothe the senses - mind, body and soul. Self-contained villas are perfect for honeymooners, for discerning travelers and executives. Restaurant providing a range of Asian and European food; bars, a spa, a large swimming pool and a smaller childrens pool. The villas have recently been refurbished to four star standards, each featuring its own dip pool and equipped with television, air conditioning, hot and cold water, telephone, electronic safety deposit box and kitchen. Spacious rooms boast high Balinese roofs, marble floors, a large central living area and a pull out sofa double bed. The 1.6 hectare resort is situated near the Sukawati village in the Gianyar Regency. 45 minutes drive from the Ngurah Rai International Airport, 30 minutes from Ubud, 20 minutes from Sanur. Shopping and art markets are nearby in Sukawati.
Jl. Pantai Purnama, Banjar Gelumpang, Sukawati, Gianyar Tel: (0361) 290-029 Fax: (0361) 290-050 E-mail: reservations@balimasarivillas.com Website: www.balimasarivillas.com
Jl. Hangtuah III No.3, Sanur, Tel: (0361) 283-286, Fax: (0361) 283-017 E-mail: sales@mentarisanur.com Website: www.mentarisanur.com
The hotel is less than 15 minutes from Ngurah Rai International Airport; 20 minutes drive to Denpasar, 30 minutes from Sanur, Nusa Dua and within 45 minutes drive to the artistic centre of Ubud and about 350 meters from Balis famous Kuta Beach.
Honeymoon package, Meeting package, Bed and breakfast package and Photo-shoot wedding Package. 15 Minutes from Ngurah Rai International Airport, walking distance to beaches, Shopping area, and Boutiques.
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COMMUNITYCALENDAR
REFLECTION
FuramaXclusive Villas and Spa Ubud, Bali presents Reflection showcasing a combination of talented trio artists from Ubud, through January 24. The exhibition showcases selected paintings of I Dewa Nyoman Alit which has proven his professionalism as an international realism painter with a touch of local inspirations, Keris Collection, the traditional indigenous weapons inheritance from Ubud collector I Komang Sudiarta. And in addition, Ketut Warsana is among the trio offering his masterpiece and craft expressions. FuramaXclusive Villas and Spa, Jl. Raya Mambal (0361) 7463064; www.furamaxclusive.com
LUX LUMINA
Kendra Gallery presents a solo exhibition by Filippo Sciascia, through January 14. Filippo Amato Sciascia (born at Palma, Di Montechiaro, Italy, 1972) presents his solo exhibition of his recent works. Lux Lumina (Luminous Light) refers to the characteristics in Sciascias paintings that expose artificial light observed through optical technology using photographic and digital media. Since western painting started to deal with reality and accuracy, painters have applied various methods to capture and transfer light onto canvas. In every age, light is presented in various ways and ideas according to the spirit and philosophy of the age. Dazzling lights in Sciascias paintings leave us with uncertainty and mystery. Kendra Gallery of Contemporary Art Jl. Drupadi 88B, Basangkasa, Seminyak, (0361) 736-628 www.kendragallery.com
FINE-JEWELED BATIK
Alila Ubud showcases a glittering collection of jeweled batik tapestries designed by German-born textile artist Annemarie Kipar. The exhibition features an Indonesian-inspired series of jeweled batik wall hangings and bedspreads, each beautifully embellished with richly colored beads sequins and stones. Annemaries beautiful creations bring together her love for fine jewels with her love for the intricate designs and motifs of Indonesian batik and ikats, which was sparked not long after she arrived in Bali in the early 1990s. She has lived and worked here ever since. The exhibition, An Extraordinary Viewing of textile artist Annemarie Kipar runs through January 15. Alila Ubud, (0361) 975-963, www.alilahotels.com
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SEE&SEEN
250 YEARS...
To celebrate its 250-year anniversary, Guinness Indonesia modified a bus into a mobile exclusive merchandise display, complete with interactive multimedia and information on the 250 year celebration of Guinness. Guinness Bus Road Show visited 10 cities in Indonesia namely Medan, Pekanbaru, Palembang, Manado, Bandung, Jakarta, Makassar, Yogyakarta, Surabaya, and Bali. www.boldchemistry.com
ON THE RISE
Bali Nusa Tenggara Tangi 2009 was held at the Ballroom of the Discovery Kartika Plaza Hotel, which presented various tenun cloths from Bali, NTB, and NTT, on Saturday night December 12, 2009. It presented creations of several national talented and noteworthy fashion designers, the likes of Ghea Sukasan, Josephin Obin Komara, Charmanita, Oscar Lawalata, Samuel Watimena, and Farida Lalampuling. Dignitaries present included the Minister of Culture & Tourism, Commander of Regional Military IX/Udayana, Major General TNI Hotmangaradja Pandjaitan and East Nusa Tenggara Governor, Frans Lebu Raya. Kodam IX/Udayana, Jl. Udayana No.1, Denpasar (0361) 235-321; www.kodam-udayana.mil.id
CROWDED HOUSE
Bali & Beyond had a fun series of visits over the holiday season. Most of them were from the hospitality industry and various supporting partners. Among the traditionally whacky were the team at Anantara Seminyak (pictured left) who brought some cheers amidst the deadlines, donning colorful costumes and impersonations, of Santa and helpers, as well as fairy tale characters... But Marilyn Monroe, Catwoman and Elvis surely made us recheck our calendars to make sure it was the right time of the year and not Halloween! Anantara Seminyak Resort & Spa, Bali, Jl. Abimanyu, Seminyak, (0361) 737-773 seminyak@anantara.com
HAPPY DAY
Harris Hotels celebrated December 12 as Harris Day. Every year they create an interesting program at their hotels. They presented the How Harris R U program in December, to find out how peoples awareness of the brand. Harris Riverview represented 3 Harris hotels in Bali threw in a gathering party on December 11 with entertainment, free flow drinks and lucky draws. Harris Hotel & Residence Riverview, Jl. Raya Kuta 62A, Kuta (0361) 761-007; www.harris-riverview-bali.com
SPA AWARD
Pevonia Botanica had been awarded Mens product of the Year award for Easy-Glide Shaving Emulsion at the 2009 Asia Spa Awards. Pevonia Botanica beat nine other finalists in the shortlist including Elemis, Thalgo and Payot to win the award presented by Asia Spa magazine. Pevonia was also finalist in two other categories. www.pevonia.com.au
SEE&SEEN
RESUME FLIGHTS
KLM Royal Dutch Airlines began operating thriceweekly service to Denpasar, on December 6. The flights already have proved to be very popular. We have therefore decided to raise frequency to four weekly flights as of midJanuary, said KLM President & CEO Peter Hartman. Bali is a popular destination among Dutch holidaymakers. KLM has operated services to Indonesia for the past 85 years. With the addition of Denpasar to its network, KLM now serves six destinations in South-East Asia. www.klm.com
GOT GOLD
The Laguna, a Luxury Collection Resort & Spa, Nusa Dua, Bali received a Gold level recognition in the Tri Hita Karana Tourism Awards (THK). The award process is based on recognising accommodation operators, institutions and tourist attractions in Bali that embody high levels of service professionalism while at the same time embracing the indigenous spiritual and community values of Balinese culture. The Laguna, (0361) 771-327
NO PLASTIC!
Bali Cantik Tanpa Plastik and Hypermart Mal Bali launched its hypergreen campaign on November 27. It was a campign for customers to bring their own shopping bag to reduce plastic garbage. Bali Cantik Tanpa Plastik is a voluntary group of Indonesians and expats in Ubud who have deep concerns of the environment. Bali Cantik Tanpa Plastik Jl. Hanoman no. 44B, Ubud (0361) 972-906.
GOLD TOO
Nusa Dua Beach Hotel & Spa won gold medal and received an award in the Tri Hita Karana Award 2009. The event was held at the Ksinarnawa Art Center in Denpasar, on December 4. Other hotels who also received the awards were: Four Seasons Resort at Jimbaran Bay, Melia Bali Villas & Spa Resort, The Laguna Resort & Spa and St. Regis Bali.Nusa Dua Beach Hotel & Spa also won against 18 other 4-star and 5-star hotels in the The Best Service category. www.nusaduahotel.com
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SEE&SEEN
FESTIVE CHARITY
Patra Bali Resort & Villas celebrated the beginning of the Christmas holiday with a Christmas tree lighting. The hotel invited 18 orphanage children from the Anugerah Bala Keselamatan. These children shared this special day together with the hotel guests and staff. When the lights were lit, guests had nice cocktails while listening to the children singing carols. The kids then had dinner all received Christmas presents of educational support materials. The Patra Bali also conducted blood donors. The Patra Bali Resort & Villas, Jl. Ir. H. Juanda, Kuta (0361) 751-161 www.patrabali.com
GOLF N COCKTAILS
Le Meridien Nirwanas j12th Anniversary was a series of celebrations leading up to a further culmination of revelries at the resort. Among them was the Le Meridien Golf Day, in which Le Meridien invited its travel partners as well as members of the media to the recent Thank You Cocktail Party at its fabulous cliff lawn following its Golf Day friendly row of competitions. Le Meridien Nirwana Golf & Spa Resort Bali, Jalan Raya Tanah Lot (0361) 815-900; www.lemeridien.com/bali
A special event organized by P.T. Konderatu Indonesian Village at the Klapa New Kuta Beach Resort in Pecatu, from December 11-13, showcased collections of priceless artifacts from the Kasultanan palace of Yogyakarta and Borobudor Temple. Outstanding Indonesian fashion designer Guntur Purnomo (Batik Borobudur Designer) presented his colorful designs.www.konderatu.com
WONDERLANDS
Biasa Artspace opened the art exhibition Mondo: Follow the Rabbit, curated by Valentine Willie on November 21. The fictional character in Lewis Carolls book Alices Adventures in Wonderland appears at the very beginning of the book. Alice follows him down the rabbit hole into Wonderland. It is Mondos (Edmondo Zanolini) first major solo exhibition in Bali since he first came here 20 years ago and constitutes a summary of his life to date in the wonderland of Southeast Asia and Bali in particular. Biasa Artspace, Jl. Raya Seminyak 34, Kuta, (0361) 847-5766 www.biasaart.com
PRIME ROADSHOW
Prime Plaza Hotels & Resorts (PPHR) hosted a Road Show in four cities, intended to affirm the existence of Prime Plaza Hotels & Resorts in the hotel industry in Indonesia. For corporate Identity, PPHR changed their flowers and leaf elements as its main characteristic, still dominated by green and blue. Every hotel also has its different tagline, representing the individuality and uniqueness of each property. Prime Plaza Hotels & Resorts; Plaza 5 Pondok Indah Blok C No.16, Jakarta (021) 7279-9797 JANUARY 2010 www.primeplazahotels.com
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SKAL INTERNATIONAL BALI An International Association of Travel and Tourism Professionals Doing Business Among Friends
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Jl. Dou
ble Six
Nusa Dua
ra s Bagu Taru na
Fish Market
Jl. Pu
S +
Jl. Le
Buddhist Temple
Jl. Pa
dma
Art Market
Medical Center
N
Jl. Melasti
gian
W S
E
Jl. R aya Panta
S H
Istana Kuta Galleria Harris Hotel
japahit
Kuta
a aP laz rtik
Jl. Ma
Jl. R
aya
Kuta
hR
ai
gura
ss N
Jl.
Kuta Center
Jl. Raya Tu
Dental Clinic
Jl. Pratama
Jl. B
Ka
ypa
i Kuta
Public Telecomunication
Kuta Square
Bali Galleria
Grand Mirage
H
Clinic
Aston
ban
CD
Jl. Han g Tuah
H S H
Sanur Paradise
Jl. Pratama Raya
Italy Consulate
H
au Be ra ta n
Jl. Bilok
CD
Jl. Segara Ayu
Jl. Sindu
+
i
Medical Center
S
Jl. Tegeh Agung
Tragia
H H CD
Jl. Bypass Ngurah Rai
Sanur Paradise Paza French Consulate
Sindu Beach
Jl. Kurusetr a3
Jl. W
M
iray
Village Market
Jl.
Pra
Jl.
tam
Da
N W S E
Jl. Srikandi
Jl. By pa ss Ng ur ah Ra
uda
Pasifika Museum
Clinic
Bali Collection
Jl. P
anta
i Pe
ming
Amphitheatre
Jl.
Pa
nta
iM
en
gia
Bali Hyatt
GC
erta sar i
N
Bali Golf & Country Club
Jl. M
E S
CD
Sanur
Jl. N usa Dua Sela tan
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Raddin Hotel
CLASSIFIEDCOLUMNS
ACCOMMODATION
VILLA DIANA BALI luxurious and exclusive place, good value for money. 3 villas with 3 bed rooms each, private swimming pool and garage, kitchenete, shower and bath tub, hot/cold running water. Jl. Kresna, Ulun Tanjung, Legian, Kuta. Tel: 754-038, 744-1282, 745-1600; Fax: 751-510 E-mail: info@dianagrouphotel.com; www.dianagrouphotel.com
during these tours are sometimes beyond description. BaliQuad (using ATVs / quad bikes) and BaliBuggy (using off-road cars) are located in different locations which offer different tracks. A special 2-in-1 adventure can be arranged, combining both off-road tours in one great adventurous day. BaliQuad, Jl. Wirasatya VI No.9X, Suwung Kangin, Denpasar, Tel: 720-766; Fax: 727-956 www.baliquad.com; www.balibuggy.com
INTERNATIONAL NEWSPAPERS
NEWSPAPER DIRECT Bali widest range of daily newspapers from anywhere of the world. Chose from 1012 titles of 79 countries, daily, weekly or as you like it. This service delivers you the complete edition of your preferred hometown newspaper on the same day of publication to your hotel or residence on Bali. Contact your hotel or villa reception or call or email them for the selection and pricelist 0361 769414 / info@newspaperdirect-bali.com
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INFOINDEX
AIRLINES
AIRPORT OPERATOR: Tel: (0361) 751-011 CATHAY PACIFIC AIRWAYS: Wisthi Sabha Building, 2nd Floor Ngurah Rai International Aiprort Call Centre: 0804-1-888888 CONTINENTAL MICRONESIA: Tel: (0361) 768-358, Fax: 768-369 ROYAL BRUNEI: Tel: (0361) 757-292 SINGAPORE AIRLINES: Jl. I Gusti Ngurah Rai, Airport Tel: (0361) 768-388, Fax: 768-383 GARUDA: Jl. Jalan Sugianyar 5 Denpasar Tel. (0361) 227-824, Fax: 226-298 24-hour access: 08071-807-807 MERPATI: Jl. Melati No. 51, Denpasar Tel: (0361) 235-358 Airport Tel: (0361) 751-011, ext. 5240/5242 Hotline: Tel: (0361) 722-740, 722-741 MANDALA AIRLINES: Komp. Plaza Kertawijaya, Jl. Diponogoro No. 98, Denpasar Reservation Call center 08041234567 NGURAH RAI AIRPORT: Tel/Fax: (0361) 759-761 THAI INTERNATIONAL: Grand Bali Beach Sanur, Tel: (0361) 288-141 QATAR AIRWAYS: Discovery Kartika Plaza Hotel, South Kuta Beach Tel: (0361) 752-222; Fax: 753-788. Wisti Sabha Building, 2nd Floor, Ngurah Rai International Aiprort, Tel: (0361) 760-274 Fax: 760-275 DEPARTURE Arrive at the airport two hours prior to departure. A Rp. 150,000 international departure tax is required. Domestic departure fee is Rp 30,000. Residents pay an additional Rp. 2.5 million Fiscal tax for international departures, whereas holders of official tax registration (NPWP) numbers are Fiscal tax-exempt. Ngurah Rai Intl Airport, Tel: (0361) 751-011 Tel: (0361) 285-485, Fax: 286-406 E-mail: consul @dps.centrin.net.id GERMANY: Jl. Pantai Karang 17, Sanur Tel: (0361) 288-535; Fax: 288-826 Email: dtkonsbali@denpasar.wasantara.net.id HUNGARY: Marintur, Jl. By Pass Ngurah Rai 219, Sanur. Tel: (0361) 287-701 Fax: 287-456 Email: cristofoli@denpasar.wasantara.net.id ITALY: Lotus Enterprises Building Jl. Bypass Ngurah Rai, Jimbaran Tel: (0361) 701-005 E-mail: italconsbali @italconsbali.org JAPAN: Jl. Raya Puputan 170, Denpasar Tel: (0361) 227-628; Fax: 265-066 MEXICO: PT Puri Astina Putra Building Jl. Prof. Moh. Yamin 1A, Renon Tel: (0361) 223-266 E-mail: yudhara@astinatravel.com NETHERLANDS: KCB Travel, Jl. Raya Kuta 127, KutaTel: (0361) 751-517, Fax: 752-777 E-mail: purwa@denpasar.wasantara.net.id NORWAY & DENMARK: Mimpi Resorts, Jimbaran, Tel: (0361) 701070 E-mail: mimpi@mimpi.com SLOVAKIA: Jl.Gunung Agung 93, Denpasar 80118 Tel: (0361) 426171; Fax: 426-477 E-mail: konsulslowakbali@yahoo.com SPAIN: Jl.Raya Sanggingan, Br. Lungsiakan Kedewatan, Ubud. Tel: (0361) 975-736 Fax: 975-726; E-mail: rabik@indo.net.id SWEDEN & FINLAND: Jl. Segara Ayu (Segara Village Hotel) Tel: (0361) 288-407, Fax: 287-242 E-mail: segara1@denpasar.wasantara.net.id SWITZERLAND & AUSTRIA: Istana Kuta Galeria Blok Valet 2 No 12, Kuta Tel: (0361) 751-735, Fax: 754-457 E-mail: swisscon@telkom.net UNITED STATES: Jl. Hayam Wuruk 188, Denpasar. Tel: (0361) 233-605 E-mail: amcobali@indosat.net.id fever, but this is not a problem in tourist areas. Bali is non-malarial and prophylaxis is not required. Mosquito bites, cuts or abrasions easily become infected in the tropics. Treat them immediately. Drink only bottled or boiled water. Peel fruit before eating; avoid raw vegetables except at reputable restaurants. Ice in restaurants is safe. Protect yourself from the intense equatorial sun. Use high SPF sunblock and a hat. AIDS and sexually transmitted diseases are increasing in Indonesia. Local sex workers have multiple partners from around the world. They are not checked for sexually transmitted diseases. Act responsibly and use condoms, available over the counter at pharmacies. MUSEUM LE MAYEUR: Tel: (0361) 286-164, Jl. Hang Tuah, Sanur. Open 8 am - 2 pm, Tuesday - Sunday. MUSEUM MANUSA YADNYA: Mengwi, open daily, but often unattended. MUSEUM NEKA: Tel: (0361) 975-074, 975-034, Jl. Raya Campuan, Ubud open daily 9 am - 5 pm. MUSEUM PURI LUKISAN: Tel: (0361) 975-136, 971-159, Jl. Raya Ubud Ubud, www.mpl-ubud.com MUSEUM RUDANA: Tel: (0361) 975-779, 976-479, Peliatan, Ubud. MUSEUM SUBAK: Tel: (0361) 810-315, Jl. Raya Kediri, Desa Sanggulan, Tabanan.
HOSPITAL
MEDICAL EVACUATIONS: Contact your consulate. BIMC HOSPITAL: Provides medical attention for emergencies and evacuations. Jl. Ngurah Rai 100X, at the KutaSanur-Nusa Dua roundabout. Tel: (0361) 761-263. INTERNATIONAL SOS CLINIC: 24-hour emergency medical clinic services, medical evacuation, multilingual staff. Jl. Bypass Ngurah Rai 505X, Kuta 80361. Tel: (0361) 710-505, Fax: 710-515. RUMAH SAKIT UMUM PUSAT SANGLAH (General Hospital): Jl. Diponegoro, Sanglah, Denpasar. Tel: (0361) 227-911/15. KASIH IBU HOSPITAL: (Private Hospital) 24-hour emergency traumatology unit, maternity center, complete facilities and a full list of specialists, Jl. Teuku Umar 120, Denpasar. Tel: (0361) 223-036; Fax: 238-690 Email: marketing@kasihibu.co.id www.kasihibu.co.id
TELECOMMUNICATIONS
CELLULAR SERVICES Indonesia applies GSM (Global Services for Mobiles). You can purchase prepaid calling cards at lower cost than calling on your home card. Major Service Providers are Telkomsel, Satelindo, Pro XL and Indosat. Look for kiosks and outlet signs or banners with product variants and brand markings. TELKOMSEL The major GSM provider, Telkomsel, is reputed to have the widest national coverage area, minimizing connection and signal relay inconvenience. Graha Telkomsel, Jl. Diponegoro 134 Denpasar. Tel: (0361) 228-811.
TOURIST INFORMATION
INTEGRATED TOURISM INFORMATION CENTER (ITIC) A one-stop tourist information complex of ten provinces in Indonesia comprising Bali, Lampung, Jakarta, Banten, West Java, Central Java, East Java, Jogjakarta. Jl. Raya Kuta 2, Kuta, 80361 Tel: (0361) 766-188 NGURAH RAI INTERNATIONAL AIRPORT: Tel: (0361) 751-011 BADUNG GOVERNMENT TOURISM OFFICE: Jl. Kuta Raya 2, Kuta Tel: (0361) 756-175/76 BALI GOVERNMENT TOURISM OFFICE: Jl. Supratman, Niti Mandala, Renon, Denpasar Tel: (0361) 222-387 SINGARAJA TOURIST INFORMATION OFFICE: Jl. Veteran 23, Singaraja Tel: (0362) 251-41 UBUD TOURIST INFORMATION SERVICE: Jl. Raya Ubud, Gianyar Tel: (0361) 96-285, 973-285; 8 am - 9 pm.
MUSEUMS
ABIAN KAPAS: Tel: (0361) 227-176 East Denpasar. AGUNG RAI MUSEUM OF ART (ARMA): Ubud, Tel: (0361) 976-659, Fax: 974-229. Jl. Pengosekan, Ubud, open daily 8 am-6pm. ANTONIO BLANCO: Tel: (0361) 975-502, 975-551, Ubud, open daily 8 am-5 pm. ARCHAEOLOGICAL MUSEUM: Tel: (0361) 942-352, Pejeng. Open 8 am - 3 pm weekdays. GEDONG KIRTYA HISTORICAL LIBRARY: Tel: (0362) 25141, Jl. Veteran, Singaraja. Open 7am - 3pm Monday - Thursday, until Fridaynoon, closed on weekends. GALLERY SENIWATI: Jl. Ubud Raya, Gianyar. Tel: (0361) 975-485 MUSEUM BALI: Tel: (0361) 235-059, 222-680, Jl. Let. Kol Wisnu, Denpasar.
CONSULATES
AUSTRALIA, CANADA, NEW ZEALAND: Jl. Tantular No. 32, Renon - Denpasar 80234 Tel: (0361) 241-118, Fax: 221-195 E-mail: bali.congen@dfat.gov.au www.dfat.gov.au BRITAIN: Jl. Mertasari 2, Sanur, Denpasar 80227. Tel: (0361) 270-601 Fax: 270-570 E-mail: tamarin@dps.centrin.net.id CZECH REPUBLIC: Jl. Pengembak 17 Sanur. Tel: (0361) 286-465, Fax: 286-408 E-mail: bali@honorary.mzv.cz FRANCE: Jl. Mertasari Gg. II No. 8, Sanur
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