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Presentation For: Transforming Neighborhoods - Tokyo / Berlin @Institute for Information Design Japan by Chris Berthelsen (a-small-lab)

chris@a-small-lab.com

People play with things and find new uses for them

(Lynch, 1984:157);

Messy and spontaneous, individually created, everyday expressions of the creativity of everyday people in all of its facets.
A response to the environment, a reflection of society, culture, and traditions (Jonas, 2007).

Change reconciles with the idea


and

people feel joy, as opposed to mere pleasure


of improvement
(Illich, 1973:17). (Koolhaus, 2002)

Neighbourhood Creative Climate


Intrinsic motivation

Sketching for Usable Cities

FIXING the Neighbourhood:


Investigations in Suburban Tokyo Chris Berthelsen a-small-lab.com

FIXING the Neighbourhood:


Investigations in Suburban Tokyo Chris Berthelsen (chris@a-small-lab.com) a-small-lab.com 3 small projects a-small-lab.com/fixes/ ( tokyo-diy-gardening.org(
a-small-lab.com/projects/kokonohanashi/(

MAIN LINKS
Website: http://a-small-lab.com Fixes Project: http://a-small-lab.com/fixes/ (resource) and http://a-small-lab.com/projects/fixes/ (project overview) Flickr Sets: http://www.flickr.com/photos/a-small-lab/collections/72157623668988392/ Tokyo-DIY-Gardening: http://tokyo-diy-gardening.org Tokyo-DIY-Gardening City Mapping Workshop MAP: http://tokyo-diy-gardening.org/tokyo-diy-gardening-workshop-map/ Tokyo-DIY-Gardening: Personal Impact of Urban Green Space MODEL: http://tokyo-diy-gardening.org/personal-impact-of-urban-green-space/ Tokyo-DIY-Gardening City Mapping Workshop WRITE UP: http://greenz.jp/en/2010/11/01/tokyo-diy-gardening-interactive-map-ready-for-exploring/ Tokyo-DIY-Gardening City Mapping Workshop WRITE UP: http://www.3331.jp/news/en/201008/000564.html Kokonohanashi Project: http://a-small-lab.com/projects/kokonohanashi/ Kokonohanashi WRITE UP: For references to literature, concepts etc in just ask!

http://tokyogreenspace.com/2010/11/04/%e3%81%93%e3%81%93%e3%81%ae%e8%a9%b1-koko-no-hanashi-talking-about-here/

Main Theme > Intrinsic Motivation can trump external forces (design, planning, good intentions, etc etc). > A plan/strategy for increasing + sustaining intrinsic motivation should be central to any proposed project or solution for cities and citizens (and in the context of this workshop, the elderly). > A modified creative climate framework (from social psychology research in business/research organizations) provides a promising starting point.

Structure of this presentation 001:


> Trigger/Context quotes & notes on control, the radical monopoly of space, and the hope that can be held for citizen power. > Examples of the fine grained ways that regular citizens solve problems and mold their environments (from FIXES and Tokyo-DIY-Gardening projects). > Sketching for Usable Cities overview (Agile, Robust, Fine Grained) > Personal benefits of sketching (or DIY, non-intentional design whatever you want to call it). > Notes on location: Scattered Use, Scattered Uchi how the one person's 'Uchi' can be dispersed throughout the city. Implications for the 'non-intentional landscape'. The (non-linear) development/growth of the city as an aggregate of fine grained, non-connected individual actions. > Round up of first half of presentation.

Structure of this presentation 002:


> Imagining/Constructing/Discussing/Debating the non-intentional landscape of Tokyo Interactive workshop at 3331 Arts Chiyoda example. > Brief implications/directions - Q&A > Introducing 'Neighbourhood Creative Climate' framework (Creativity, Components of Creativity, etc). > An experiment in 'trying to do something' in the neighbourhood the Kokonohanashi project overview. Aims: (1) investigate systems for citizen discussion about place. (2) investigate creative climate perceptions (researcher-as-subject.) > Roundup. > Comments, anger, etc work with participants to flesh out Neighbourhood Creative Climate framework from a Japanese perspective.

The abstract, faceless conquest of Space by Man the limitation of place for men Our city illness has a basic motive , a common denominator; A single mechanism by which it most disturbs urbanites. This is the loss of control.
(capitalized) (in small letters) (Ellul, 1964:328). (Lynch, 1984:364)

The message is clear: You cannot do as you please; your actions do not make any difference."

The Radical Monopoly of Space: a major tool rules out natural competence, imposing compulsory consumption and thereby restricting personal autonomy. It constitutes a special kind of social control because it is enforced by means of the

imposed consumption of a standard product that only large institutions can provide .
(Illich, 1973:35)

people give up their native ability to do what they can do for themselves and for each other, in exchange for something better that can be done for them only by a major tool
(Illich, 1973:36)

Verbs become nouns. We no longer garden or play or cycle the city of the fully industrialized man has (calls his own) gardens and playgrounds and cycling tracks which are made for him. Now, space is stated in terms of a commodity and claims are made in terms of competition for scarce resources (see e.g Illich, 1973:56). The actor has become the consumer, who gambles for perceived nouns.

The components for self-building of the city can be easily and cheaply made available. People

could build, adapt, create and modify, while at the same time learning about materials, systems and relationships. But instead,
government and commercialities deposit roads, apartment blocks, parks, green spaces, roof gardens, barbeque zones, and other built environmental components into the city - the

professionally built is defined as the functional unit, and the selfbuilt is stamped as a shanty

(Illich, 1973:41).

When consumers gain more confidence in a product (those lovely, safe and green) the victory only increases societys dependence at the cost and frustration of
Consumer protection, better spaces and planning are insufficient. those who cannot or would prefer not to partake (Illich, 1973:37). While the organized selfprotection of the addict-consumer immediately raises the quality of the dope and the power of the peddler, it may lead ultimately to limits (Illich, 1973:37).

Discerning consumers (citizens? modifiers/gardeners?city creators/curators?) may discover that they can do better by doing things for themselves.

The most powerful way of improving our environment then is to put the control of it into the hands of its immediate users who have the stake and knowledge to make it function well (Lynch, 1984:165).

The last great force in the city is the residents themselves their creative response to change is their ultimate guarantee of survival
(Orum and Chen:18); (Lynch, 1984:172).


> Examples of the fine grained ways that regular citizens solve problems and mold their environments (from FIXES and Tokyo-DIY-Gardening projects).

Public Seating

Safety.

Access.

When access becomes difficult

Fix it.

In a city with scarce space and dirt, make it yourself....

Even on a 10cm wide curb....

Or on the sidewalk.

Or in a highrise.

Or on a precarious brick wall.

Or along the railroad tracks.

Flower lovers share their passion...

Grape-obsessed Shibuya-ites.....

Basil

DEAD SPACE What appears to be dead space...

Is home to fresh red peppers.

Maintaing a dead spouse's neighbourhood park garden...

DEAD SPACE What appears to be run-down dead space

Becomes a lush living fence that beautifies the vacant lots

An plays host to lovely flora....

The work of neighbourhood misfits

Is actually a tomato garden.

People who often visit the neighbours

Create their own access-ways.

Placing rubbish bins where they are needed.

Animals KEEP OUT!

With intricate, flexible and affordable construction.

Even pedestrian smokers find a way to keep the street (if not the air) clean.

Dark apartment complexes call for home-made street lights.

And when you're sick of people asking you how to find the station, you stick up some signs.

Bricks are a key element in bicycle parking.

Foxface decorates an inner city garden

Even when it's out of season (fruit are tied on with plastic ties)

In the suburbs, where Jazz clubs are scarce, you need to make your own..

And golf lovers construct a 'fold away' 9-hole course in the local park.

ad infinitum

Sketching for Usable Cities

Sketching for Usable Cities

Quick, timely, inexpensive, disposable, plentiful, distinct, minimal, ambiguous, beta, open, hopeful, seeking

Sketching for Usable Cities


Agile

Quick, timely, inexpensive, disposable, plentiful, distinct, minimal, ambiguous, beta, open, hopeful, seeking

Sketching for Usable Robust Cities

Quick, timely, inexpensive, disposable, plentiful, distinct, minimal, ambiguous, beta, open, hopeful, seeking

Agile

Sketching for Usable Robust Cities

Quick, timely, inexpensive, disposable, plentiful, distinct, minimal, ambiguous, beta, open, hopeful, seeking

Agile

Flexibility, adaptability to local & personal needs and opportunities


(Turner & Roberts, 1975)

Fine Grained

Sketching for Usable Robust Cities

Quick, timely, inexpensive, disposable, plentiful, distinct, minimal, ambiguous, beta, open, hopeful, seeking

Agile

Flexibility, adaptability to local & personal needs and opportunities


(Turner & Roberts, 1975)

Granularity
Developers, Govt = Coarse grained cities

(e.g Turner & Roberts, 1975)

= tension, friction, mismatch, waste


= the first to suffer are the weak

Granularity
Developers, Govt = Coarse grained cities

(e.g Turner & Roberts, 1975)

= tension, friction, mismatch, waste


= the first to suffer are the weak Local action, entrepreneurship etc = fine grain

= better matched needs = security

= efficient and effective

=good for people

Personal Effects/
Long time

Social Norms Memory Community Functional Affordable Mutual dependence Pleasure Immediate Indpendence Emotional

Aesthetics

Practical

Based on informal chats, discussions, interviews, our own experience, and research into Tokyos informal landscapes (especially the great work of Mariluise Jonas)

Scattered use, Scattered Uchi


=involvement, care, peace of mind over scale

Dwelling

City

> Notes on location: Scattered Use, Scattered Uchi how the one person's 'Uchi' can be dispersed throughout the city. Implications for the 'non-intentional landscape'. The (non-linear) development/growth of the city as an aggregate of fine grained, nonconnected individual actions.

Scattered Uchi

Home

Dwelling

Scattered Uchi

Surrounds

Home

Dwelling

Scattered Uchi

Surrounds Opposite Footpath

Frontage

Footpath Dwelling

Home

Scattered Uchi

Neighbourhood

Surrounds Surrounds Opposite Footpath Footpath

Frontage Frontage

Footpath Footpath Dwelling Dwelling

Home Home

Scattered Uchi

Neighbourhood Neighbourhood Nearby Larger Roads Parking Space

Close Small Parks Surrounds Surrounds

Uncle's House

Opposite Footpath Footpath

Own Shop & Surrounds

Frontage Frontage

Footpath Footpath Dwelling Dwelling

Home Home

Scattered Uchi
Suburb

Neighbourhood Neighbourhood Nearby Larger Roads Parking Space

Close Small Parks Parks Surrounds Surrounds

Uncle's House

Opposite Footpath Footpath

Own Shop & Surrounds

Frontage Frontage

Footpath Footpath Dwelling Dwelling

Home Home

Scattered Uchi
Suburb Suburb Nearby Large Park Nearby Larger Roads Parking Space

Workplace Neighbourhood Neighbourhood

Close Small Parks Parks Surrounds Surrounds

Uncle's House

Opposite Footpath Footpath

Own Shop & Surrounds

Frontage Frontage

Footpath Footpath Dwelling Dwelling

Home Home

Scattered Uchi
Nearby Large Park Nearby Larger Roads Parking Space

City

Suburb Suburb

Workplace Workplace Neighbourhood Neighbourhood

Close Small Parks Parks Surrounds Surrounds

Uncle's House

Opposite Footpath Footpath

Own Shop & Surrounds

Frontage Frontage

Footpath Footpath Dwelling Dwelling

Home Home

Scattered Uchi
Workplace Nearby Large Park Nearby Larger Roads Parking Space

City City

Suburb Suburb

Workplace Workplace Neighbourhood Neighbourhood

Deceased Grandparents' House & Shop

Close Small Parks Parks Surrounds Surrounds

Uncle's House

Opposite Footpath Footpath

Own Shop & Surrounds

Frontage Frontage

Footpath Footpath Dwelling Dwelling

Home Home

Scattered Uchi

Scattered Uchi

Scattered Uchi

Themes > TRANSFORMING the big-size city into the small-scale city where people feel
encouraged and able, and intrinsically rewarded for assuming control over their environment (Krupat, 1985:207; discussed in relation to Tokyo in Jonas, 2007).

> Neither the passive observer of determined systems (consumer) nor a

determined manipulator of passive material (planner, developer, businessman), but rather, the manager (cultivator) of an unfolding process occurring in (scattered) personal locations (uchi) (based on Reiser and Umemoto, 2006:104)

> Could many minor changes across the city add up to major transformations in our environment? (This is Tokyo....non-intentional design, non-intentional landscaping, Tokyo's non-intentional landscape).
(Sub Plan, 2009)

> Imagining/Constructing/Discussing/Debating the non-intentional landscape of Tokyo Interactive workshop at 3331 Arts Chiyoda example.
Tokyo-DIY-Gardening City Mapping Workshop MAP: http://tokyo-diy-gardening.org/tokyo-diy-gardening-workshop-map/ Tokyo-DIY-Gardening City Mapping Workshop WRITE UP: http://greenz.jp/en/2010/11/01/tokyo-diy-gardening-interactive-map-ready-for-exploring/ Tokyo-DIY-Gardening City Mapping Workshop WRITE UP: http://www.3331.jp/news/en/201008/000564.html

(3331 Arts Chiyoda)

(3331 Arts Chiyoda)

Implications for the Eldery/Aging Societies....for those that will be 'old' in 10,20,30 years....... > A resource, a sourcebook > Preserving spirit > A history > Patterns? > Implications for how cities/neighbourhoods are run..or not run. Etc etc etc

Neighbourhood Creative Climate

creative product

creative product

As fine-grained component of happiness.

Process

creative product

As fine-grained component of happiness.

Person Process

creative product

As fine-grained component of happiness.

Press (Environment) Person Process

creative product

As fine-grained component of happiness.

Press (Environment) Person Process

creative product
Components of Creativity

As fine-grained component of happiness.

Press (Environment) Person Process

creative product
Components of Creativity Knowledge & Skills

As fine-grained component of happiness.

Press (Environment) Person Process

creative product
Components of Creativity Creativity Specific Skills

As fine-grained component of happiness.

Knowledge & Skills

Press (Environment) Person Process

creative product
Components of Creativity Intrinsic Motivation

As fine-grained component of happiness.

Creativity Specific Skills

Knowledge & Skills

Press (Environment) Person Process

creative product
Components of Creativity Intrinsic Motivation

As fine-grained component of happiness.

Creativity Specific Skills

Knowledge & Skills

Press (Environment) Person Process

creative product
Components of Creativity Intrinsic Motivation

As fine-grained component of happiness.

Creativity Specific Skills

Knowledge & Skills

Creative Climate(see e.g. Ekvall, Amabile, Isaksen)

Risk Tolerance Freedom


Debate

Trust/ Openness

Time

?
Playfulness /Humor

Idea Support

Conflict

> An experiment in 'trying to do something' in the neighbourhood the Kokonohanashi project overview. Aims: (1) investigate systems for citizen discussion about place. (2) investigate creative climate perceptions (researcher-as-subject.)

Image: Tokyo (Google Maps)

The kokonohanashi ( lit. 'talking about here') project works locally with a combinat -ion of analogue (notebooks, pens, laminated A4 posters, wire, legwork) and open low-tech digital tools (QR codes, stripped down Wordpress, email, smart-and-not-so-smart-phones) to

investigate the development of a platform for discussion about, and positive action in, city space by the people who most matter those who experience and use the place in their everyday lives.

Image: France Bed Factory, Akishima (Google Maps)

Rough Schematic

External Interaction External interaction with log through commenting

Front End

Unregistered participants access + join in location specific discussion through posters at locations around the city

Web Publishing Platform

QR codes, URL direct link, 'real' writing in notebooks attached to posters

Open discussion Log (stripped down wordpress)

Collati on, Categ orizati on etc...

Analysis, discussio n etc...

Output (presentations , reports, workshops, games, etc)

Deeper discussion, Interviews, Communication, Workshops

Interaction with city and relevant stakeholders

How can we construct low-cost, agile, fine-grained (and also scalable) ways (1) for people to begin to discuss and interact with the spaces they use, and the other people that use them? (2) to record, share, the living histories of places (memories, experiences, feelings)? First Stage: Five locations in suburban Tokyo What are: > Official reactions (positive/negative/non-existent, direct/indirect etc) > User reactions/participation (content, patterns, time, feeling etc) > Channels of participation (hierarchy, patterns, content etc) > Materials/Tools (how robust, appropriate, necessary etc) > Places (official, private, semi-public, residential, abandoned etc) > Collaboration, participation avenues ? Review/Revise/Collaborate/Interact (Further Stages)

More Practical Details

The kokonohanashi ( lit. 'talking about here') project works locally - in the community where we live. With places that we know. At the first stage of testing: > A run-down park in front of a factory (run-down, official) > A friendly neighbourhood park which has been declared a 'night no-go zone' (well-ke pt, official) > A park under a motorway (run-down, secluded, official) > An abondoned car in an apartment complex car park (illegal use) > A deserted house on a school route (run-down, private property)
Image: Western Tokyo (Google Maps)

analogue (notebooks, pens, laminated A4 posters, wire, legwork) - materials on location. > Laminated A4 posters fastened with wire and tape (key components of the Japanese DIY public signage kit) installed in selected locations. > A notebook and pen attached for non-net-enabled users.
Image: Examples of street signage in Japan (from FIXES project)

Example Poster

Trigger Question or Statement Example poster (Top Half, Trigger Statement)

Heading: What do you think about this place? Logo About the kokonohanashi project

Use instructions (access, email, comment etc)

Example poster (Bottom Half)

QR Code Invitation to add own place to the project

Place name Place specific URL

Installation period (until the end of November)

General contact details

digital (QR codes, stripped down Wordpress, email, smart/not-so-smart-phones) - real(ish) time commenting/contribution/access to other opinions. > Access to location-specific post via QR code, direct URL PC/Mobile. > Commenting/discussion enabled. > Easy monitoring via comment rss feed.

e.g

Online component running stripped down Wordpress

Access site via QR code (or direct URL)

Retrieve message

Connect

Comment

5
Thank You!

First stage test locations

A run-down park in front of a factory This park is known around here as 'one-p ark' because it only has one slide

A friendly neighbourhood park which has been declared a 'night no-go zone'. Why can't we use this park at night anymore?

A park under a motorway. From the outside, parks und er motorways look like pretty sad places but what's the reality?

An abandoned car in an apartment complex car park This car has been here for three years....what do you think?

A deserted house on a school route This house has been deserted for the la st three years. Want to make it somethi ng a bit more fun?

Main Theme
> Intrinsic Motivation can trump external forces (design, planning, good intentions, etc etc). > A plan/strategy for increasing + sustaining intrinsic motivation should be central to any proposed project or solution for cities and citizens (and in the context of this workshop, the elderly). > A modified creative climate framework (from social psychology research in business/research organizations) provides a promising starting point. > The FIXES and Tokyo-DIY-Gardening projects uncover examples of creative output. They are the starting point for deriving patterns/principles/frameworks of neighbourhood creativity that can inform the discussion on citizen created cities/urban planning/etc.... > kokonohanashi seeks to (1) understand practical directions for neighbourhood communication, (2) investigate the neighbourhood creative climate.

> Comments, anger, etc work with participants to flesh out Neighbourhood Creative Climate framework from a Japanese perspective.

Contact:

Chris Berthelsen (chris@a-small-lab.com) > twitter.com/a_small_lab > a-small-lab.com With questions, comments, ideas... anything!

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