The Real Music Industry

By
Stephen Theodore Gladstone
STG22
Copy write 2011 Gladstone
Published By Ton Of Bricks Music BMI
At Smashwords.Com

The Real Music Insdustry

Table of Contents

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The Real Music Industry

The Power of Sound & Music
Chapter 1
Abracadabra
Chapter 2
Songwriting Secrets
Chapter 3
Recording on Music Row
Chapter 4
Mixing on Music Row
Chapter 5
Technical Tidbits
Chapter 6
Perils of Music Promotion
Chapter 7
Murder on Music Row
Chapter 8

This book is a testimony and catharsis of my sabotaged adventures on Nashvilles Music Row
and the clandestine corruption in the entertainment business as a whole.

Anyone who has aspirations to Make It in the Entertainment Business, please dont not
spend another minute on your career until you have read this book entirely.

I dedicate this book to ALL ARTISTS throughout the centuries who have been silenced by
Secret Societies.

The time has come for humanity to be physically, mentally and spiritually free of
Freemasonry

A human being is a part of a WHOLE, called by us a UNIVERSE. A part limited in time and
space. He experiences himself, his thoughts and feelings as something SEPARATED from the
REST; A kind of optical DELUSION of his consciousness. This delusion is kind of a PRISON
for us, restricting us to our personal desires and to affection for a few persons nearest to us.
Our task must be to FREE ourselves from this PRISON by widening our circle of
COMPASSION to embrace ALL living creatures and the WHOLE of nature in its beauty. ALBERT EINSTIEN

John F. Kennedy
Born 5-29-1917 Assassinated 11-22-1963
The very word secrecy is repugnant in free and open society. And, we are as a people
inherently and historically opposed to secret societies, to secret oaths and to secret
proceedings. We decided long ago, that the dangers of excessive and unwarranted concealment
of pertinent facts far outweigh the dangers, which are sited to justify it.
Even today, there is little value in opposing the threat of a closed society by imitating its
arbitrary restrictions. Even today, there is little value in insuring the survival of our nation if our
traditions do not survive with it. And, there is a very grave danger that an announced need
increased security will be seized upon by those anxious to expand its meaning to the very limits
of official censorship and concealment; that I do not intend to permit, to the extent that it is in
my control. And no official of my administration, whether his rank is high or low, civilian or
military, should interpret my words here tonight as an excuse to censor the news, to stifle decent,
to cover up our mistakes, or to withhold from the press and the public the facts they deserve to
know.
For we are opposed around the world by a monolithic and ruthless conspiracy, that
relies primarily on covet means for expanding its sphere of influence. On infiltration, instead
of invasion. On subversion instead of elections. On intimidation instead of free choice. On
gorillas by night, instead of armies by day. It is a system, which has conscripted vast human
and material resources into the building of a tightly knit, highly efficient machine that combines
military, diplomatic, intelligence, economic, scientific and political operations. Its preparations
are concealed, not published. Its mistakes are buried, not headlined; its dissenters are silenced
not praised. No expenditure is questioned, no rumor is printed, and no secret is reveled.
No president should fear public scrutiny or his program, far from that scrutiny comes from
understanding, and from that understanding comes support or opposition, and both are
necessary. I am not asking your newspapers to support an administration, but I am asking your
help in the tremendous task of informing and alerting the American people. For I have complete
confidence in the response and dedication of our citizens whenever they are fully informed. I not
only could not stifle controversy among your reader, I welcome it. This administration intends to
be candid about its errors, for as a wise man once said: An error doesnt become a mistake,
until you refuse to correct it. We intend to accept full responsibility for our errors, and we
expect you to point them out when we miss them.
Without debate, without criticism no administration and no country can succeed. And no
republic can survive. That is why the Athenian lawmaker Solon decreed it a crime for any citizen
to shrink from controversy, and that is why our press was protected by the 1st Amendment. The
only business in America specifically protected by the constitution, not primarily to amuse and
entertain, not to emphasis the trivial and sentimental, not to simply give the public what it wants,
but to inform, to arouse, to reflect, to state our dangers and our opportunities, to indicate our
crisis and our choices, to lead, mold, educate and sometimes even anger.

The Power of Sound & Music

Chapter 1
Speak to one another with psalms, hymns and spiritual songs. Sing and make music in your
heart to the Lord. Always giving thanks to God the Father for everything, in the name of our
Lord Jesus Christ - EPHESIANS 5:19
Oh Lord where do I begin with what they have done to and with your most beautiful
creation, MUSIC? I guess with the beginning. And God said Let there be light and there
was light. So simple and yet so far from peoples minds the significance of that statement.
Everything is made of light harmonically held together with sound, thus when God spoke he
created the world with sound. In modern physics this is known as String Theory; in religion it
is known as Faith and in the occult (Secret Societies) it is known as Magic or The
Craft.There are seven colors to a rainbow, which you can refract and see for yourself with any
prism or crystal, and there are seven tones in a musical scale, a four semi tones which make 11.
In sound and light there are many wavelengths of that are far outside the current state of our
minds to recognize. However, just as TVs, radios and cell phones can see these invisible wave
lengths, so can a human mind if in a pristine state: Properly Nourished, Free of Toxins and Void
of Interference.

This Occult Wheel Depicts Relationships of Musical Notes, Colors & Energies

Logically if a pristine mind can receive all these wave lengths, then is only reasonable that
our minds can also transmit on these wave lengths. This is how we create and alter reality as
thoughts are things. Thus the kingdom of God is in us, and we are creators with our thoughts,
feelings and words, which are all sounds.
String Theory in physics, is the mathematically proven by Einstein principal that all matter
has as its core building material strings of energy that are harmonically held together to make up
all that is. Thus everything is made of sound energy, even light.
E=MC2 Despite the familiarity of this equation, most people do not know what E=MC2
means. This is a shame because E=MC2 is the secret to everything. Einsteins greatest insight
was to realize that matter and energy are really different forms of the same thing. Matter can be
turned into energy, and energy can be turned into matter. An example of matter being turned into
energy is a nuclear bomb. Einsteins formula E=MC2 tells us the amount of energy that a mass
would be equivalent to, if it were suddenly turned into energy. E=MC2 translated is: ENERGY
equals MASS times the square root of the speed of LIGHT. The speed of light is
300,000,000,000 meters per second, thats a lot of energy. We and everything we know as reality
are simply condensed light harmonically held together.
Incidental fact: One gallon of water has the energy of 600,000 gallons of gasoline, which is
why the energy companies are 100% controlled by secret societies. Energy is free and abundant,
Nikola Tesla proved this 100 years ago.
If sound harmonically holds everything together, then logically enharmonic sound would
make things fall apart. Nicola Tesla proved this on a physical level with his famous Tesla Coil,
with which he demonstrated the ability to crumble things to dust with sound waves. Match the
actual frequency of an object, with an equal an opposing frequency and that object will simply
turn to dust. In fact police reports exist in New York City showing that Tesla almost destroyed
the building he was living in. Tesla also claimed that over a short period of time he could turn an
entire city to dust with sound.

Nikola Telsa - Tesla Coil

Another great example of the visible power of sound is an opera singer who can break a
glass with their tone, which was just proven on Myth Busters to be true. Everything has a
specific sound frequency that holds it together, and that exact opposite frequency can make it fall
apart. Picture a wave in the ocean coming into the beach and smashing into the riptide coming
off the beach, the incoming and outgoing wave crash together and explode into the air, that is and

aquatic example of opposing energy waves and the principal behind Teslas Mechanical
Resonance.
How about something a little closer to home; have you ever been at a red light when a car
pulls up next to you with speakers so loud the noise is shaking YOUR trunk? Can you see the
sound coming out of the other persons car? No. Guess what? You cant even hear the sound
because the low frequencies that actually make speakers move and the trunk rattle are below the
human ears listening range. These low frequencies have a monumental impact on our body,
mind and soul as well as on the physical world around us, this is why 100% of the music
business is controlled by Secret Societies. The beauty of this book is I am going to explain in
great detail specifically how Secret Societies control the music business on a technical,
economical, societal and street level.

Christina Aguilara Illminated Horns Celine Deon Horns

Jay-Z Pyramid

The Earths frequency is 7.83 Hz, this is known as the Shuman frequency, which is a very
low inaudible frequency; our bodies also resonate in frequency ranges between 1 and 15hrtz.
Our bodies love these low frequencies, which is one of the reason that consumer grade
electronics filter out these low pleasing frequencies, more on this in the technical chapter.
Ancient cultures used to use low frequency rhythmic drums to put the entire tribe into a spiritual
trance, this is what the music business will kill to prevent; this is called ENTRAIMENT.
NOTE: There is a professional tool for Psychologist called Mind WorkStation that creates
low frequency audio tracks to help psychological patients. Learn more about this @
www.TransParentCorp.com or Google Mind WorkStation.
The universe and all creation is the intelligent organization of harmonic sounds, and our
minds are part of that intelligence, which sonically weaves the beautiful tapestry we call the
physical reality into being. Here is the big secret; the energy which makes up the physical world
is no different than that which makes up the spiritual world. Our soul creates the sound which
makes us, and all souls (God) create the sounds which make up our reality. You should now be
starting to realize why the powers that be are so protective about sound and music.
Can you hear your own thoughts? The answer is yes. Therefore even our thoughts are
sounds that create. This is how prayer, meditation and intention work in our lives. In Terence
McKennas extensive research with DMT, the most powerful psychedelic drug, he claimed that
when he crossed into the spirit realm that millions little beings of intelligent energy the size of
bouncing basketballs were whirling around and coming up to him and saying Dont be

astonished or afraid, just do what we do and then the little balls of energy would make a
sounds and energy would form into matter.
So it is with the intelligent manipulation of sound that our minds create reality. God is me,
you and everything that is, the alpha and the omega. All members of secret societies have one
collective goal: Prevent people from utilizing our mind as God intended.
This innate ability of infinite creation is an inherent human trait which has been STOLEN
from us by Secret Societies, and HINDERING our ability to regain control of our minds and thus
our reality is the primary objective of Secret Societies. It is THEIR Great Work aka 911. 9
means to END, and 11 which is really 2 as 1+1=2 means to AWAKEN. (For a more in depth
explanations please search my movie The Numeric Language of Secret Societies on
YouTube.)
In addition to using music to control humanity, many conspiracy theorists seriously question
the governments true purpose of the HAARP program (High Frequency Active Auroral
Research) and its transmissions of ELFs (Extremely Low Frequencies) with which HAARP
would be very capable of causing earth quakes, manipulating weather and altering human
behavior and emotions.
Tesla proved that it is technically possible for HAARP to
accomplish such devastation as Earthquakes. However I believe HAARPs true purpose is to
interfere and distort our brains ability to tune into the frequencies of the social conscious, higher
dimensions and infinite intelligence.

Recently my ex-girl friend and I parted ways, primarily because she was often verbally and
violently abusive. In the last few months of our relationship the yelling, screaming and hostility
was intense and unbearable. To make a long miserable story short we had this rubber tree plant
named Tara which was constantly loosing leaves at a rate of about four per week, which is a lot
considering Tara only has about twenty leaves.
A most remarkable thing has happened since she moved out just 53 days ago, Tara has not
lost any leafs, and is now full and healthy. Let there be no doubt that sound, thought and
personal energy has a dramatic effect on the world around us.

Sonically Hostile Environment

53 days after Harmony return to my home

You might not think this example of how a plant can be affected by negative energy
produced by screaming, yelling and violence is a big deal, but it is a very big deal, because the
deadly effects on this plant from hostile verbal negativity are directly proportional to the
negativity that ALL professionally released music has on our physical and mental health.
In addition, I have a small Min Pin named Charlie who is 10 years old and in excellent
health, however during the last few months of the hostile relationship his fur turned very coarse
and was shedding at a much faster rate than usual, and in just 30 days since the sonic rage left
my home Charlies fur is back to being very soft and he is hardly shedding at all.
This negative energy theory was also proven under controlled conditions by Japanese
scientist Dr. Emoto Masaru using water and freezing it under various emotional conditions
producing widely varying ice depending on whether the water was surrounded by positive or
negative emotions while being frozen.
The essence of the Dr. Masarus experiments was that water frozen under sonic hostility
grew non-uniform, jagaed and discolored crystals, while water exposed to peaceful loving verbal
stimulation grew beautiful and symmetric crystals. All of reality responds the same way, it is just
easier to observe the effects of sound and emotion with water and ice. (Please Search Dr. Emoto
Masaru on YouTube)

Dr. Emoto Masaru

Ice Crystals of Varying Emotions

The reason that music is so powerful is, it is a lethal combination of language, tone, rhythm,
harmony, sounds and silence. Combined properly, music can completely hypnotize our minds
into believing any scenario, and what the mind believes, the heart feels and what the heart feels
becomes real.
Take a minute and think of the songs that made you cry, laugh. long, love, leave, hurt, heal,
happy, sad, stressed, sexy, strong, weak, confident, confused, alone, crowded, hot, cold, free,
trapped, healthy, sick, etc... The examples are as numerous as are the millions of professional
recordings released over decades. What is important to remember is that our mind simply
follows directions, thus though these may appear to create illusionary emotional evocations, they
become real and affect our bodies, minds and reality respectfully.
Another thing important to understand is the after-effect of listening to maliciously contrived
music can affect our state of mind hours, even days after listening. Trust that all the suicidal and
depression complaints coming from people having seen the movie Avatar, are not because
viewers wished they could live in a utopia like Pandora, its because James Cameron and his
secret society bed fellows purposely designed the visual and audio effects to disagree with our
Human Homeostasis; thus the sounds and visuals in Avatar cause immense stress by being
out of synch and tone with the natural rhythms of our bodies.
On Thanksgiving 2009 a girl friend of my exs, cousin committed suicide. She had two
young children, a husband, family and many friends who loved her. She had been suffering from
depression for years, but managed to get by okay. Then a few weeks before her suicide she went
to her psychologist to have Light Therapy. This is where the doctors have the patient stare into
a scope at flashing lights, supposedly to help ease the depression.
According to her cousin, for the two weeks after the light therapy, she quickly degenerated
into an emotional mess to the point when she killed herself by stabbing her abdomen repeatedly.
This type of unbalance flashing, pulsing and thumping is physiologically and psychologically the
exact type of out of synch crap that the Secret Societies purposely and constantly bombard us
with in music, television and movies for the sole purpose of making us stressed, confused and
sick. Medical & Psychological science pretends to not know about all this, but that is total lie.
This is what the middle ages renaissance revolt of For Unlawful Carnal Knowledge was
all about; Carnal meaning of the body and mind. Thus Carnal Knowledge means how the
body and mind truly function. In order to thwart the renaissance awakening Secret Societies
used the Inquisition, Witch Hunts and Bubonic Plague to exterminate the masses who where
learning Carnal Knowledge. The reality is the secret societies used these events to kill people
who were catching onto the fact that ALL secret societies practice witch-craft and Satanism.

When the corrupt Catholic Church made Carnal Knowledge a capital crime, in revolt a one
word acronym FUCK (For Unlawful Carnal Knowledge) emerged in the resistance
movements as people fought for the right to know how our bodies and minds truly function and
how the powers that be were using Carnal Knowledge against us. All sexual connotations for
the acronym FUCK like Fornication Under Consent Of The King are pure historical lies.
Humanity is currently experiencing another awakening period and Secret Societies are
getting busted in industry, entertainment, politics and banking by people like me who have
firsthand experiences, and the fortitude to come forward.
As I like to say To Know Is Too Participate so if you are part of a secret society or aware
of their clandestine corrupt practices now would be a good time to repent and/or expose these
criminals. This is what the 12-21-2012 awakening is all about; it is game over for Secret
Societies. If you care about yourself and your loved ones now is the time to get out or speak out
against Secret Societies.
There are already many laws on the books against subliminal advertising; therefore ALL of
the media companies are undeniably guilty and punishable by law.
Malicious music alone can be phenomenally detrimental to our health and sanity, and when
combined with manipulative visuals, idolizing, lifestyles, clothing, social status, symbolism,
products and events the harmful impact can elicit whatever emotional response the producers
wish from their audience, even complete hypnotic control.
What people need to understand is that a single monotonic un-rhythmic inharmonious
repetitive tone is enough to kill us by causing cardiac arrest. Just like the warning said on the
strobe lights we all bought during our last disco phase. After thousands of years of trial, error
and success, by sadistic secret societies, with unlimited budgets and inexhaustible human
resources, it is easy to image how lethal todays music and entertainment is to our mind and
bodies.
ALL professionally released music is 100% psychologically and physiologically poisonous.
Todays popular music is maliciously crafted layers of audible and inaudible sinister sounds,
intermingled with harmful lyrical manipulations, unbalanced sporadic rhythms and conflicting
melodies. If you simply pay close attention to how your body and brain feel while listening to
popular music and you will quickly comprehend its ill effects.
The barrage of psychosomatic sonic, lyrical and rhythmic techniques invented and used by
the music industry are so complete, complex and overwhelming that the entire collection of all

professionally released music over the past 6000 years has been so detrimental to our mental
health it literally has the whole world in a trace, so deep nobody even realizes it or worse
believes it.
In this book you are going to learn how recognize and identify many of THEIR tools &
tricks for yourself. I found out the hard way how evil the music business is; if you have
aspirations of rock stardom, save your money because its not going to happen, unless of course
you are a born and raised Wicca Witch, in one of the many secret societies. Even then you have
to be one of their exceptional witches.
Rock-N-Roll was created for the sole purpose of destroying the family unit and corrupting
the youth. It was instigated by secret societies at the same time of the Womens Lib movement,
which has only led to both parents being slaves to the work force and destruction of the family
unit. This has enabled the corruption of the youth through media. (MEDIA - the off shot of
magic created by the ancient Magi the founders of ALL secret societies)
Secret Societies communicate in NUMBERS, it would be helpful for you to watch
The Numeric Language of Secret Societies on YouTube prior to reading this book.
I have also provided a brief over-view of NUMBERS at the end of this chapter
The root word ROCK means to disturb. Numerically that is exactly what it is
ROCK=9632=20=2 or 9(6+3+2=)11(9 to END, 11 to be AWAKE). ROLL means to have sex.
So Rock-N-Roll means Disturbed Sex. ROCK=9632=20=2 ROLL=9633=21=3. 2+3=5
which means bad for us. N is also 5. Please know that numbers came before words, therefore
the meaning of words directly correlate to their numbers.
All word/number relations have very specific meanings as well as purposeful effects. That is
why THEY called it Rock-N-Roll. Alan Freed in Ohio in 1951 is given credit for calling it
Rock-N-Roll, however Rock-N-Roll had been a term for sex long before that, in fact in 1922
Trixe Smith had a song with the lyric My man rocks me with one steady roll.
All profession music is also infused with seductive seducing satanic rituals, mantras,
incantations and spells. which are drilled into our core subconscious beliefs when we listen to the
music. The reason we love music and television is because they actually are psychological
drugs.
John Todd who defected from the Illuminati in the late 70s was a member of the Council of
13, and once ran Zodiac Productions, which in the 1970s was the largest music conglomerate
in the world, owned by Rockefellers Standard Oil,.
A few years After leaving Zodiac, for a higher position of running 13 states in the USA for
the Illuminati, John meet up for a casual lunch with his friend David Crosby, from Crosby,
Stills & Nash. David Crosby informed John that as of 1972 only a true witch could get a
record deal, whereas before anyone who was a member of a secret society could get a recording
contract. John is also the person who divulged that all master tapes are taken to a temple room in
the record company on a full moon, where a team of 13 witches cast spells upon the music
master for 13 hours, so that demons follow every song to every listener

Illuminati/Freemason Power Pyramid John Todd Ex-Illuminati

If I had not experienced the cohesive collaborative of evil in Nashville first hand I would
have a hard time believing some of this esoteric stuff. But, having now learned how critical
music is to controlling the masses it all falls right in line with all the pagan ritualistic events these
Secret Societies practice, like the Cremation of Care ceremony where the most powerful men
in the world burn a human baby at the Bohemian Groove in Northern California every July.
If you cant conceive how ruthless the people that rule the world are to keep control of the
world are, you my friend are pretty naive. Also remember good people do not conspire, bad
people do and what you are going to learn from here on out is that there are a lot of bad people.
Weve all heard of the lawsuits about backward masking, subliminal messages and magic
mantras in the lyrics, but unless you are a witch and know all the Wicca mysticism, its going to
be tough to prove that kind of stuff to a jury. I suspect most of the mystical folklore around
music is just clever clutter to keep people looking in the wrong direction, when the obvious
detrimental distortions are right in our ears, which are the simple and tangible imbalanced, out
of synch rhythms, contrasting harmonies, harmful tones, unbalance lyrics and malicious
melodies..
Even without the suspected Wicca hocus-pocus, the intentionally out of balance
professionally released music is extremely bad for our body and mind. The clearly discernable
inharmonic activity and rhythmic mischief they purposely infuse in the music is far more
harmful to us than any spiritual wonder these Lucifarian freaks think they are adhering to the
tunes with witchcraft. Therefore, I am going to try and stay a lot closer to the tangible sonic
realities that we can see, hear and comprehend for ourselves, and leave the witch-craft stuff to
your imagination.
As you are learning music is so powerful because its a toxic combination sensory inputs
that can manipulate our memories, desires, feelings, philosophies, psychology and physiology.
In experienced, talented and knowledgeable hands the manipulative possibilities of music are
unlimited.
Music is extremely powerful, and that is why the music industry will stop us at
ANY cost from releasing ANY music that does not meet their cruel controlling criteria. Trust
me, I am not special, I just caught THEM red-handed. The music industry destroys every artist
that they do not control. In fact, in every industry Secret Societies destroy anyone and everyone
who does not comply with their corrupt agendas.

Do you recall what Robert Plant said in Stairway to Heaven(5)? And you know that
words have two meanings. Before we get into the nuts and bolts of how the music industry
does their part to contribute to The Great Work aka 911, here is a very brief overview of
The Numeric Language of Secret Societies and some example of music names you might
recognize with their corresponding numeric meaning, most of which are just odes to their secret
society affiliation.
NOTE: (Please Watch my YouTube Movie The Numeric Language of Secret Societies
For Clarity)
Here is how our modern English language brecks into numbers.

1
A
J
S

2
B
K
T

3
C
L
U

4
D
M
V

5
E
N
W

6
F
O
X

7
G
P
Y

8 9
H I
Q R
Z

Here are the original definitions of mans first language based upon the 9 cycles of life
upon which all laws of the universe, including your life function.
ONE The seed. Idea. To exist, to simply go from nothing into something.
TWO To live, to go from existing to living. To Awake. Balance - Duality
THREE To create. Imagine, To go from just living to intelligently deciding what to be.
FOUR Knowledge. Rhythm. Reason, Study. Learn skills necessary to facilitate 3.
FIVE To do. Action. Freedom. Fight. To apply the knowledge of 4 to the creation of 3.
SIX To become the creative conception in 3, mastery of knowledge through doing.
SEVEN To rest. Yen & Yang. Neutral. Good & Bad.
EIGHT - To reap the rewards of accomplishing 1 thru 7. To be. Gods Number
NINE To End
Here are the Secret Societys definitions of their Numeric Language:
ONE or 10=1 The King, The Top, The Best.
TWO or 11=2 AWAKE, Knowing, Hook Em Horns
THREE Low Quality or Low Ranking.
FOUR or 13=4 Freemasonry Fire, Water, Earth, Energy, Perfect Balance.
FIVE 23 or 32 Bad For You, Confusion, Chaos, Control.
SIX Highest Ranking, High Quality
SEVEN Neutral, Good or Bad.
EIGHT God, good or a non-secret society member or entity
NINE 666=18=8 To End , pure Evil
ELEVEN Mass Awakening
TWENTY-TWO= 22 Warrior for God, good & Truth Enlightened
THIRTY THREE = 33 An Illuminated Secret Society Member
ARTIST EXAMPLES
311=32=5
ELVIS=22
MUSE=4315=13

REM=954=18=666
EAGLES=517351=22
OASIS=61191=18=666
QUEEN=83555=26=8 (God)
KC = 23=5 & The Sunshine Band
Carrie Underwood = Abracadabra
BLINK=23952=21=3 182=11=2 3+2=5
Kings Of Leon = Leon=3565=19=10 aka Kings of Kings
Adam=1414=10=1 Lambert=3142592=8 = 18 or 666 or 9 The Ace

Simon American Idol Mason Jest ski

19 Entertainment Produces American

COLUMBIA=36334291=31=4 Evil Eye

Bono Evil Eye U2=32=5

Idol

Rihanna & Lady GaGa One Evil Eye

If you watched the opening number at the 2010 Grammys with Lady Ga Ga and Elton
John you would notice a plethora of Illuminati symbolism, then came the foreshadowing of a
police state with Beyonce on stage full of riot police. By the way this OCCUPY protest thing is
a trap, stay peaceful people. All Revolutions have been instigated by Secret Societies.

Lady=3147=15=6 GaGa=7171=16=7 so Lady Ga Ga = 13

Much has been written about how The Beatles were used to promote the drug culture to the
world. On the Sgt. Peppers record they put a picture of Alistair Crowley a known Secret
Society member of the Golden Dawn. Without a doubt The Beatles picture below expresses how
disgusted they were with the Secret Society control of music.

Paul=13 Freemason
John=11 Illuminated Horns
YELLOW=753365=29=11=2 aka 911 SUBMARINE=132419955=39=12=3 2+3=5 BadUS
The Beatles = 3 syllables but the good boys The Rolling Stones (4) bad boys

Taylor=217369=28=10 Swift=15962=23=5. The Queen(10) of bad for you(5).

J=1, H=8 = JH=18 aka 666

Elvis Grave Graceland Taking Care of Business TCB=232 is Skull-N-Bones

ELIVS=53941=22 Stephen Theodore Gladstone=22 Memphis Mafia= Abracadabra
Below are just a few photos from my bizarre musical journey, not to brag
just to establish that I am legitimate and my story is true.

Tim McGraw

Kenny Chesney

Big Kenny (Big-N-Rich)

Anderson

Josh Turner

Vince Gill

Blake Shelton

John Rich

Bill

Chuck-Lady Antebellum Trailer Choir- Butter & Vinney(Biggest Looser) Michael Knox

Heidi Newfield- Trick Pony Dierks Bentley

Randy Owen Alabama

Jack Secret Rush

Lorrie Morgan

Jeffery Steele

Kenny G

Trent Tomlinson

Blue Oyster Cult

Abracadabra
Chapter - 2
Simplicity is complex. Meaning people look way to deep for a concept that is very simple.
Our being, soul, brain or whatever you believe in has one primary purpose survival. At our core
the primary job of our soul is to keep our heart beating in even beats or else we die.
Our heart beats like this: One Two, One-Two, One-Two etc at 90 beats per minute when
our bodies are at rest. If our external senses bring in stimuli which is out of synch with the
internal rhythm of our heart our subconscious has no choice but to block out the inharmonious
external stimuli and momentarily turn off our consciousness. This is what happens when we
sneeze.
Therefore when our brain hears Abracadabra(5 syllables), which is One-Two, One-TwoThree , for a split second our sub-conscious shuts of our conscious thinking. This causes three
things to happen:
1. A split second of distraction which allows for the slide of the hand trick, right in front of our
eyes, when a magicians says Abracadabra.
2. With our cognitive thinking paused Abracadabra provides an opportunity for subliminal
input into our minds. Many of the deceitful tricks of Freemasonry are based upon this simple
physiological fact.
3. The imbalanced cerebral input simply causes stress on our homeostasis
When a magician says Abracadabra for a split second our conscious thought is
interrupted, so that the subconscious can focus on the primary internal rhythm that keeps us
alive. This is gives the magician a fraction of a second to do their slide of hand trick, right in
front of our eyes.
A great example we have all chanted before is the very familiar solders march. Left,
Left Left, Right, Left. This is a very powerful abracadabra because most people are
right footed, so in addition to it being abracadabra it literally starts us off on the wrong foot.
This five syllable phrase stops a solider from thinking for them self and paves the way for the
subliminal programming in the lines that follow, which for military purposes is most effective.
A typical soldiers mantra will be something like this. Left, leftleft, right, left(5) I dont
know what Ive been told(7) The Marines will steal your soul. I made that one up as a joke,
but you get the idea. In the military the goal is to break people down, and then build them up
into the soldier you want them to be. Or as the army puts it Be All You Can Be(5 syllables).
Freemasonry brainwashes their recruits the exact same way, by forcing them to memorize a
bunch of brainwashing crap.
Its just that simple to trick the human mind. When listening to professionally released
music, it is just as if we were listening to a subliminal tape while we were sleeping or under
hypnosis. Professional music if filled with unbalanced phrases and conflicting rhythms, which
literally puts us in a constant state of hypnosis and/or stress.
My new favorite 911 & Abracadabra Masonic media blitz is on KSMT 102.1 radio up
here in Summit County, Colorado. For the past year KSMT has been holding a promotion where
all a listener has to do is call or e-mail in three songs that have a related theme, and they win a
prize. Heres the kicker, the promotion is called Afternoon Delight(5) aka Abracadabra
and the most blatant aspect it is they play the three songs at exactly 2:45pm every day.

2:45=911. On the radio spot KSMT runs to advertize the promotion the use the musical clip
Sky Rockets In Flight(5) also Abracadabra.
This really shows how desperate these secret societies are to hold together the millions of
minions in their clandestine criminal cabal. Humanity is WAKEING up folks, and there is
nothing that can be done to stop it. If you are in a secret society and you want out, the only safe
Way out is to be Reborn into the Love of Jesus. I promise you will be protected. 11:11 STG22
In Georg Orwells 1984 and Aldous Huxleys A Brave New World the concept of
mind control was introduced to the public on a mass scale through fiction. Often from the main
stream news, conspiracy gurus and deceptive entertainment we hear so called experts give
lengthy diatribes about the HARPP program, MK Ultra, CIA brainwashing and other covert mind
experiments. I would like to set the record straight that mind control is so much simpler, and all
this far out CIA type stuff is simply a smokescreen to hide the simplicity of manipulating the
mind.
The movie Men Who Stare At Goats(5) and A Beautiful Mind(5) were purposely
released because the 2012 awakening is in full swing. Hollywood is desperately trying to attack
the truth head on with more lies. In fact, the five syllable titles tell those who know this stuff the
movie is bogus.
Our mind is binary and only recognizes balance and unbalance. Any conflict that is
inharmonious with a balanced state of homeostasis causes our mind to retreat from conscious
tasks and focus solely on the subconscious priority of preserving and protecting the vitality of
life
The secondary function as human beings beyond survival is to REPRODUCE. Like the
sonic conflict of Abracadabra, a gorgeous Lady in Red works the same way. She is
gorgeous so we desire to mate with her (reproduce), however she is dressed in red which is a
high temperature color that causes cerebral stress, as well as our learned fears of poisonous
plants and blood (survival). The Lady in Red is a trick the media constantly uses.

Lady Gaga

Taylor Swift

CNBC Anchor

Now imagine singing seductive sinful Abracadabra lyrics, over music which conflicts
with our bodys natural rhythm, while watching an attractive person dancing in fire or dressed in
red. This creates a virtual smorgasbord of contradiction, confusion and distraction in our minds,

which causes stress and leads to physical and mental illness, as well as allowing for outside
subliminal manipulation.
In addition to the immediately distracting and confusing effects of malicious music, the
harmful effects linger for hours, even days after listening. And it gets worse because many of us
walk around singing an abracadabra(2-3) chorus like You Belong To Me(5) over and over,
out loud and in our heads like a broken record.
The one song that is killing me lately and is by Justin More called Backwoods. This song
is particularly potent because the cadabra-abra(3-2) chorus varies the phonics of the first
three syllables with a soft Out In The(3) and then hits the last two syllables hit super hard with
Backwoods(2), then does it again with Down In The(3)(soft) Holler(2)(hard). This
aggressive imbalance just grinds against the natural rhythm of our cardio and respiratory
systems.
Every single song on the radio today is purposely produced to have this harmful effect on
our mind, body and soul, including Christian, country and religious music. This deliberate sonic
destruction goes all the way back to Beethoven, Bach and beyond. Now you know why
Beethovens most popular and infamous symphony is Beethovens 5th symphony.
Get it? His 5th aka Abracadabra. Please remember that all of the great composers where
commissioned by the ruling elite, usually the king to write these symphonies, so naturally these
composers where educated in The Craft.
This process of programming begins in our youth and is done with cleaver finesse and
subtlety. Under the guise of entertainment, the elite use the law of attraction to lure the
children into their cruel occult corruption. The initial introduction is innocent, then once the barb
of the hook is in the childs mind THEY reel the youth in with gradual ease.
The perfect example of this subtle subversion is Disneys mega marketed cultural
phenomenon Hannah Montana(5) aka Abracadabra. THEY drilled Hannah Montana(5)
into the minds of billions of youth around the world. Then as that generation of youth matured
THEY morphed this perceived innocent childhood hero into a full blown erotic, occult,
egotistical, materialistic, indoctrinating evil idol.
Right from the beginning the Hannah Montana(5) character was snippy, cynical and
judgmental, and they have transformed Hannah Montanna into the balanced persona Miley
Cyrus(4), cleverly luring billions of youth right to helll.
In Mileys new song I Cant Be Tamed(4), which is a balanced mantra so our
subconscious intrinsically classifies this as good, Miley professes her satanic beliefs. In
addition to the occult imagery and homoerotic behavior in Mileys video, the lyrics literally
entice her billions of now maturing young fans to evil. Miley even sings I Cant Be Saved(4).
Also, there is one blatant Masonic recruiting line in the song: I wanna be a part of something I
don't know. Here are the lyrics to I Cant Be Tamed
I Cant Be Tamed
For those who don't know me, I can get a bit crazy. Have to get my way, 24 hours a day
'Cause I'm hot like that, Every guy everywhere just gives me mad attention
Like I'm under inspection, I always get the 10s. 'Cause I'm built like that
I go through guys like money flyin' out their hands. They try to change me but they realize they
can't
And every tomorrow is a day I never planned. If you're gonna be my man, understand

I can't be tamed, I can't be saved, I can't be blamed, I can't, be tamed,

If I see my reflections bout my intentions. I'll tell ya I'm not here to sell ya
Or tell ya to get to hell, I'm like a puzzle but all of my pieces are jagged
If you can understand this, we can make some magic, I'm on like that
I wanna fly, I wanna drive, I wanna go, I wanna be a part of something I don't know
And if you try to hold me back I might explode, Baby by now you should know
I'm not a trick you play, I ride a different way, I'm not a mistake, I'm not a fake, It's set in my
DNA
Don't change me (x4),(I can't be tamed)
The pictures below depict how Secret Societies corrupt a generation. This is nothing new,
its just now that we are on the verge of the awakening/enlightenment/Revelation the ruling elite
are desperately trying to recruit the youth away from God, and indoctrinate them into THEIR
Lucifer cults. A picture says 666 words.

1. Amuse

2. Entice

3. Corrupt

4. Seduce

5. Recruit

The abundant apathy and arrogant resistance I encounter when trying to teach this
information to people is an engrained response behavior that has been ground into the fabric of
our minds since conception, by the use of every means possible: Language, Books, Print, Film,
TV, Radio, Billboards, Sports, Politics, Social Groups, Schools, etc.., including many
psychological and spiritual technologies most people would consider impossible and
unbelievable. Believe people. this Good vs. evil is very real.
I know its crazy to think that every song that we hear on the radio, TV or movie is
specifically and sonically designed to have a detrimental effect on us, but its true. All this time
parents have been worried about sexist, racist and violent lyrical content, which is definitely out
of hand these days, but the real damaging stuff is the constant and perpetual imbalance of
juxtaposed rhythms, melodies and inharmonic tones.
The real problem for artists, writers and music people is now a moral one; If the record
industry did let you in, would you make poison music? I wouldnt. In fact I couldnt do it. I
could not have any part of creating or writing music that intentionally harms people. Thus is

why I quit the music business, left Nashville and moved to the mountains. This is the proverbial
Cross-Roads that the old blues musicians sing about.
Yes it is a fact that you must sell your soul to be in the music business. (Search Bob Dylan
Sold My Soul on YouTube) My only hope of ever doing music again is if this book motivates
the world to expose and eradicate secret societies from entertainment, politics, industry, banking
and Earth.
Before we go any further, and this new musical knowledge influences your honest reactions,
I want you to go listen to some of your favorite music and write down how it makes you feel.
And I am not talking about feeling lovey-dovey or ready to party. I want you to focus on how it
really makes you feel. Does it increase your heart rate, give you chest pains, headaches, increase
blood pressure, shortness of breath. Give it a few hours after listening or even listen to the same
song before you to sleep a few times. Do you feel happy, sad, depressed, anxiety etc? Did it
give you bad dreams? How does it physically make you feel? Also disregard the songs subject
matter and focus on the syllables. Count the syllable of the hooks or chorus that stick in your
head? I will bet you 9 out of 10 times what is stuck in your head is abracadabra I.E. five
syllables, or another unbalance variation of it like 3, 5 or 9.
Now that you have a general idea of how this malicious manipulation in music affects our
bodies and minds, let look at few examples. I will try to use music that you are familiar with,
however I promise that you will find these intentional malicious manipulations in all
professionally released music. As with anything, please do not take my word for it; once you
learn the identifying traits examine the music you are familiar with. WARNING: You will never
be able to listen to music the same way again.
Id like to start out with a name that curiously pops up all around my mangled musical
adventures in Nashville, Taylor Swift. The American Music Awards artist of the year 2009. I
believe she also won song of the year for Love Story(3). Now the title is three syllables, but
what Taylor sings, and what gets stuck in our head is five syllables. Its a love story(5), Baby
just say yes(5). To make this song even more potent this abracadabra incantation is
placed over rhythmically even 4/4 (four beats per measure) music. This juxtaposition of lyric(5)
and rhythm(4) is extremely detrimental to our homeostasis.
Symbolically, Taylor wears 13 because she is an ambassador to the plethora of Secret
Society youth in America. Taylor Swifts father is a very wealthy and powerful Freemason who
trained her in the ways of Masonry from the age of 5. Its my opinion that Taylor Swift is a very
high powered Freemason Wicca Witch.

#13 The Freemasons Favorite Number on Taylors Hand & Jerseys

Listen to Love Story closely and you will find plethora of sonic, rhythmic and tonal
contradictions that cumulatively all magnify into extremely harmful music. Also, with Taylor
there is an overpowering Lady In Red effect, because its the love fairy tale we all want,
being sung by a beautiful young girl, in a very sultry seductive tone. On top of this is massive
Idol Worship, as I dont think there is a girl in world under 18 who does not want to be Taylor
Swift.
Taylor Swifts other huge hit song You Belong To Me(5) aka Abracadabra is also five
syllables on top of a 4/4 rhythm. But wait theres more; look closer, as the proof is in the
picture and the numbers dont lie. In her video for You Belong To Me note that the bad Taylor
is dressed in the red slut outfit (Lady In Red), and the dorky Taylor is in white, color of purity or
God; once again associating goodness as weakness.
More importantly in Taylors video for You Belong To Me(5) pay attention to the
contradictions in numbers, colors and characters. First off hot chick with dark hair in a red car,
this is to attract the youth to evil, as well as a natural repulsion and attraction Lady In Red
manipulation to our subconscious. In the football scene the good guy is #12=3(Looser) with
golden blond hair good. 3 means poor quality like KIA=291=12=3.
However, the bad guy who ends up with the evil dark hair girl is #8(Gods) number, once
again subliminally attacking religion. The purpose of this is twofold; first is to indoctrinate
Masonic youth, and the second is to subliminally attack our innate understandings of archetypes.
I have been asked many times; Does Taylor Swift know all this? ABOSOLUTLEY!!!! Taylor
Swift is a Freemason or more accurately an Eastern Star.

Dar
k Hair-Red Car

Hot Girl Red Dress Bad Guy #8(God) Goody Guy#12(loser)

I suppose I should back up a bit and explain to you how I solidified my theory through
personal experimentation that Abracadabra actually does have a dramatic and detrimental
effect on our emotions and cerebral activity.
Back around the year 1998 my little brother Chris friend Jeff made and overly aggressive
effort to introduce to me Lawnee Olsen. Lawnee had a Masters Degree in Psychology
specializing in autism and was Jeffs teacher at a community in Orange County, California.
After much reluctance on my part and much persuasion on Jeffs, Lawnee and I finally met
for a blind date at the Quite Women in Corona Del Mar, CA. I was stunned; she was gorgeous
and we immediately hit it off. It never developed into a serious relationship, just friends with
benefits.
Anyhow over the years Lawnee and I keep a pretty close friendship built around
metaphysics, sex and Jacuzzis. Back then, I was a liberal Christian and not at all into the
supernatural vibe hocus-pocus spiritual stuff, but Lawnee was into chakras, numerology and
astrology. I was into sex, so I went along with all her body energy explorations and other
esoteric adventures.
I never have been impressed wealth, fame or stardom but Lawnee had dated, and was dating,
some pretty powerful people in the entertainment business and told me many stories about witchcraft, two-way televisions and what really whacky stuff goes on behind closed doors in
Hollywood.
Lawnee was an autism specialist working with autistic children in Hollywood. She had a
lot of success with some very famous and powerful peoples kids using her own techniques. She
developed her own methods and was working on a book for healing autism.
Anyhow to make a long story short, Lawnee made a subliminal golf improvement CD with a
famous composer in television and film named Stephen Graziano. You can look this evil dude up
at www.StephenGraziano.com.
Lawnees CD was called The Effortless Golf System (ELGS) and it was supposedly a
hypnotic system to help improve your golf game. Personally I think golf is a waste of good
farmland, and if we took that acreage and the money all the wealthy fools spend on golf we
could easily feed the world.
Sometime in 2003, Lawnee came to my house and gave me the ELGS CD, and told me I
should listen to it as it would help me with my guitar playing. I never did listen to it, as I have
always been more of believer in hard work and practice, than shortcuts. However, after this
Nashville music debacle came to light to me in spring 2009 I remembered the ELGS CD Lawnee
had given me, and in a pure prescient experience dug it out of a box and listen to it.

This ELGS CD turned out to be wicked subliminal programming, and the key to my
uncovering this astonishing Abracadabra secret about the music business that just blew my
mind, or more precisely blows our mind all the time every day, all day, whenever we listen to
music.
Now, I must clarify given Lawnees deep esoteric spiritualism, love of children and kind
heart she always seemed to be a very good person to me. However, right before I moved to
Nashville in 2006 she went completely mental. I have serious suspicions as to whether she even
knew that her Effortless Golf System was psychologically harmful. I do not know for sure
about Lawnees intentions, but without a doubt Stephen Graziano made this CD to be
detrimental to peoples minds, and most likely it was made exclusively for me.
The effectiveness of the ELGS CD is simplicity at its finest. In a seductive voice Lawnee
would give basic golf club body positions and ball focus instruction in a smooth, slow, seductive
tone telling you to picture the ball and count: 1, 2, 3, 4, 5. In the background Stephen played
deep dramatic one-note key tones in a low register shifting from low to high octaves, mostly
using B and F notes on synthesizer. The entire ELGS CD does this one to five counting mantra
repeatedly for over 40 minutes. 1,2,3,4,5 over and over again.

Lonnie & Me 2004

Effort Less Golf System CD

Notice 13 Tracks

Abracadabra over and over This CD was the key to all my discoveries.

As I said, intuitively something in April 2009 told me to listen to this CD, so I dug it out of a
moving box and listened to the entire thing with headphones on, and then took a nap. Low and
behold I had the worst nightmares I have ever had in my life. I literally was so scared in my

dreams that I woke up with chest pains like I was having a heart attack. Also, for the next few
days I slipped into a very depressed state.
It was from this experience I discovered all of the purposeful sonic imbalances that secret
societies bombard us all with all day, every day in music, television and film. This also led to
many other discoveries and imbalances created by the toxins secret societies put in our food, air
and water.
This ELGS CD that motivated me to go through a few other suspicious CDs friends had
give me in the past, and to my astonishment I found a few more that were given maliciously. As I
back tracked through them all each CD is contains various unbalanced audio purposely designed
to cause stress
My late friend Hollywood Joe(Illuminati), gave me the Beethoven (Complete 9
Symphonies), which is entirely unbalanced music and will seriously depress you if you listen to
enough of it. 9 also means To End as in 911, 9(End) 11(Awakening). The 9 lets those in the
know this music is bad for you. Joe wanted me to transfer the whole thing to CD for him. Joey
has since OD and is dead. I have linked him to the same group of Italian Illuminati who I meet
through my friend Dean, a Jesuit Illuminati recruited at Loyola University in Southern California
Dean also gave me a CD way back in 2003 which had nothing but unbalance destructive
music and pictures on the cover of strippers, bombs, terror, nuclear blasts and war. Dean is the
person who initially got me involved with all the conspiracy stuff. The last time I spoke with
him he was really pushing this UFO discloser, which leads me to believe any official disclosure
about UFOs is just a cover up to hide the historic Masonic crimes against humanity. By far the
biggest pushers of conspiracy theories are the conspirators themselves.
My old Drummer KK, who played in 23.5(Seriously Ironic Band Name) & Riot Water
used to always give me compilation discs he made, now I know why, all of that music was either
unbalanced or the subject matter was depressing, suicidal or negative.
Another suspicious CD was given to me by my guitar instructor Steve C(Freemason) who
plays Guitar for Jeffery Steele(Freemason). Steves band is Jonny Microwave(5) aka
Abracadabra. The record was called Plan 168. PLAN=7315=7 168=15=6 6+7=13 the
Masonic favorite number. I have not listened to this record all the way through as it sucks pretty
bad, but what I did listen too was very unbalance and sonically unhealthy.

Steve Cs Plan 168 Saccas- Themes of 2003 Joe Beethoven KK Compilation 2003
Now its your turn to prove this Abracadabra phenomenon for yourself. But, I must
warn you that this is not good for you and can cause serious physical and psychological

problems. I want you to count to 5, on your fingers over and over for fifty times just before you
go to bed. Thats it. That is your personal experiment. Pleasant dreams people.
A little side note for you, yesterday after working on this chapter all day, I ended up pretty
emotionally depressed and had a super wicked nightmares. So if after reading this book you find
yourself irritated or sad, dont be surprised, that is just the way the brain works. Since we are
examining a lot of negative and unbalanced examples, they will have a temporary but
detrimental effect on us
Here is another simple personal experiment you can do to more quickly recognize the
negative effect that Abracadabra has on your mind and body. Try to breath in and out in sync
with each syllable of abracadabra. For Example: A breath in, Bra breath out, Ca
breath in, Da breath out, Bra breathe in. Did you almost choke on the last Bra and did it
stunt your natural rhythm? Do it a few more times faster and youll most likely end up with a
headache and latter on in the day depressed. Its not magic folks; its just your subconscious
fighting for survival.
Abracadabra is just one little pieces of Carnal Knowledge that secret society use on
us all the time, and its not just the media: Its your friends, family, boss and co-workers. A
majority of people in the United States are in a secret society. FACT: America is a Masonic
country.

Washingtons Monument A Masonic Obelisk

We will look at many other types of conflicting imbalances as we progress, but without a
doubt five syllable Abracadabra phrases are one of the secret societies most prolific and
popular tools against our peace of mind, health and sanity.
SIDE NOTE: 7 Eleven(5) the quick-stop market was founded in Texas in the early 1920s.
Ive heard rumors it was started by Lady Bird Johnson and President Lyndon Johnson but I
cannot find any proof, maybe she was just an investor. The time period is correct, but what

would be very strange if this is true is that Lady Bird died on July 11th, 2007, thats 7-11-2007.
Seven Eleven(5) is abracadabra.
Now you know why in Las Vegas craps pays on Seven Eleven(5), because everyone says
seven eleven aka Abracadabra over and over at the craps tables, which keeps the gamblers
mind confused so they lose.
Abracadraba is the number 5, which is most often represented by the star, pentagram,
pentagon and pyramid. 5 is very important to Masons and secret societies. This concept of out
of balance conflict also holds true for other numbersl, and they also have their symbolism well
represented in the chronicles of secret societies.
3 which is, 1 and 2, is represented using the triangle, which the Illuminati use as their
symbol, adding the all seeing enlightened eye to keep people in a state of fear on the back of the
dollar bill. Also, Number 9, which is, 1&8, 2&7, 3&6, 4&5 is represented with the Star of David,
as it is six triangles which equal 18, which is 666, and reduces to 9. The Star of David is also two
triangles on top of each other going opposite directions. All of these symbols and many others
like them represent the same thing; conflict through contrast and control through chaos.

5 is not only a symbolic representation of things that are bad for you, 5 itself is actually bad
for you and creates conflict in our mind. This innate meaning is called an archetype. Look at
5 below. Do you see it? The symbol for 5 is actually the Masonic Square and Compass, you
see a sharp angle and smooth curve. The compass makes the curve and the carpenters square
make the angle. The G incidentally actually means 7 which means neutral, meaning the
manipulative Craft of Freemasonry can be used for Good or evil.

5
Ironically, The Police had a huge record called Synchronicity(5) aka Abracadabra,
way to rub it in our face Sting as Synchronicity means in synch, yet it is not. All languages
throughout history have be Masonically created to be imbalanced and cause stress. The English
language is one of the most unnatural languages ever created, thus is why it is the worlds
primary language. The last true language on Earth is Sanskrit.
STING=12957=24=6(Illumintaed)

I wish exposing these terrible techniques rendered them impotent, but even knowing how it
all works I am still adversely affected. The way to reverse the negative effect of these
manipulations is with balanced mantras and meditation. My favorite mantra to get back in
balance with is Hmmm Saa Love Bliss(4) aka Karma Sutra(4). Try it, for some reason it
immediately makes me happy.
I got that the Hmmm Saaa from Guru Swamiji and added the Love Bliss as my own
ending because I dont speak Sanskrit, thus I dont know what Hmm Saa means. You can find
Paramahamsa Nithyananda aka Guru Swamiji at www.LifeBliss.org I find his teachings
amazingly helpful and informative.
WARNING: Be very careful when you meditate to always keep Godly Loving control over
your meditation, and NEVER meditate in groups as this leaves your mind wide open to
manipulation, unless the group is 100% trusted and focused on a particular cause.

Paramahamsa Nithyananda
Subliminal manipulative conflicts and numerical contradictions are prevalent in ALL media,
and are the smoking gun proof of the existence of secret societies and their malicious intent to
degenerate society, for the purpose of retaining control of our physical and psychological reality.
Most importantly examples like these in ALL media prove who ALL of these organizations
are. Though they may cloak under many names like Freemasonry, Scientology, Bohemian,
Jewish, Mormon, Illuminati, Elks, Demolay, The Process, Teamsters, Jesuits, Shrinners they are
ALL connected to and controlled by ancient Freemasonry through royal, corporate and charitable
financial structures.
Without a doubt that ALL secret societies are evil and responsible for 911, ALL wars,
famines and epidemics. THEY have monopolized the world through cruelty, terror, corruption,
bribery, lies and deceit for 12,000 years or more, and now their reign is coming to an end. The
awakening has begun. The problem is THEIR plan is to get physical control over us, before we
regain the power of our minds. That is why they created this fake OOCUPY crap. Dont fall
for it.
As you are learning, the common denominator to all secret societies maliciousness is
imbalance, purposely designed to twist our minds in two or more directions causing conflicts in
calculation, concentration and comprehension. This causes unhealthy stress in our body and
makes it nearly impossible to connect to our higher spiritual self, the social consciousness and
God.

The negative psychological effect on the unsuspecting is only part of the reason this
subliminal crap is in everything the media makes. The PRIMARY PURPOSE is Masonic
training, advertizing and promotion. Secret Society members know everything I am teaching
you in this book and much more. The media includes this crap in everything as a fear tactic,
constantly promoting that Secret Societies have omnipresent control over the world.
Lastly, it is placed in everything as an ego boost to Secret Society members as it makes those
In The Know feel special for knowing and being part of a secret scumbag organization. Trust
me if you are in a Secret Society you are not special, you are a fool, deceived by Lucifer just as
the Bible clearly indicates. 11:11
SIDE NOTE: In 1773 when a horse back courier for the Illuminati was zapped by lightening
a good Samaritan found the dead man and in his satchel was a copy of The Book Of
Illuminati written by Adam Wieshaupt, commissioned by Mayer Rothschild. This book exposed
the Illuminati and their evil ways. Add to this exposure the fact that communication around the
globe was speeding up at an enormous speed due to overseas trade forced the Illuminati to
change their organization to Included everyone rather than Exclusive membership. In
addition,n America and the American Revolution are a farce, as is democracy. America was
founded by Freemasons and most immigrants allowed in through Elis Island were Secret Society
members. It is common knowledge that our fore-fathers were all Freemasons and descendants
of European royalty. The Revolution and Civil War were FAKE. A MAJORITY of Americans
are secret society members. That is the real problem, its not that nobody knows this stuff, its
that everybody knows it.
Now before we look at a bunch more songs, I want you to understand that the binary
language our mind operates with works both ways. As we have discussed if something is
unbalanced, I.E. out of synch with our homeostasis, it causes stress and confusion. Logically the
opposite is true. That is if something is balanced and harmonious with our homeostasis our brain
and body perceive it as good.
For example the song Letters From Home(4 syllables). This is a country song about
war. Since the powers that be love war because its profitable, kills people and causes lots of
stress, they like to release songs about bad things with balanced choruses, lyrics, rhythms and
melodies so that our subconscious perceives the message as good. These are rhythmically
positive, semantically negative affirmations. Rap and Hip Hop are notorious for this.
If THEY want us to like something like; war, death, violence, drugs or thug-life it will be
sang in even syllables over a balance hypnotic rhythm, which our body finds pleasing, because
the even rhythms flows with our natural rhythm, thus our mind interprets it a good.
However, never will the hypnotic rhythm be precise enough to actually put us into a trance,
as that is the big music industry rule that I unknowingly broke with the first country radio single
I tried to push for my band The Black Saddles called So You Wanna Be A Redneck(8). This
song also had a 4/4heartbeat type drum beat going Boom, boom Boom, boom
Hypnotic music like hip-hop and trance always have some high pitched distracting sound
blaring over the top of the hypnotic rhythmic beat to distract us from slipping into a trance or
entrainment. The main point is our subconscious sees balance as good, unbalance as bad and
THEY use this phenomenon to get us to like something or dislike it, depending on whatever
agenda or message they are promoting.

I just heard a great example of negative subliminal programming using balanced low
frequency drum beats that are synchronous with our heart. Listen to the beginning of
Styx=1286=17=8=God, Renegade. Underneath the opening verses are even boom, boom
drums which our subconscious is naturally drawn to because it is in synch with our homeostasis.
The opening lines are how wonderfully positive, not!!! Oh mama Im in fear for my life
from the wrong side of the law. Hangman is coming down from the gallows and I dont have
very long. Isnt that a nice message to entrain into our brain? The mental picture of a man
hanging will keep us from deep meditation for a while, and our brain and body react as though
its real just from the thought, because thoughts are things. Just like when we watch football
literally cringe when a player takes a hard hit.
This use of balanced and unbalanced meter in language is nothing new, its called NueroLinguistic Programming (NLP) and has been around for thousands of years. In the 1980s
Tony Robins came from poverty to fortune by preaching and writing a bunch of misinformation
about NLP. Using Tonys techniques will actually harm you, not help you. I met Tony Robbins
around 1999, he was with a couple of sluts at The Yard House in Long Beach with a wedding
ring on. Tony is a secret society scumbag who sold his soul and lied to billions of people about
NLP.
Tony Robins who went from living in a studio apartment doing his dishes in that bath tub
to a Castle in one year using NLP. The truth is Anthony Robins is Masonic pawn whose purpose
was to complicate the simplicity of how NLP works. That is how he went from zero to hero over
night, THEY made him.
Anyhow Tony uses NLP manipulatively maliciously and intentionally correct. If you will
check out his book Unlimited Power on page 7&8 he uses the word Communication(5)
repeatedly, this causes the readers mind to go into a disorientated state as Communication is
Abracadabra. Thus reading this book actually does more harm than good.

This same technique is used in Masonic recruiting materials like the book my ex-wifes
family gave to me for Christmas one year. In this book the writer uses the term Freemasonry
as a balanced NLP association and Legend of the Craft=Abracadabra as the NLP mind
scrambler.

Speaking of secret society scumbags Barack Obama (Abracadabra), now you know
why he changed his name, is a Freemason who uses NLP to manipulate your emotions and
beliefs in every speech he gives.

Masonic Inaugural Ball

Barack Obama Illuminated Horns

Two very popular examples of how this even/uneven tonal association works on our minds
are the themes from Close Encounters and Jaws. In Close Encounters we communicate with a
spaceship with a five tone phrase: BA ba ba BA BA. Our body automatically recognizes this as
harmful and thus elicits an automatic fear response in our minds and bodies.
One of the big fear plans in place to unite the world into the New World Order is an attack
from outer-space. This plan has been in effect for thousands of years and was really put in
motion with H.G. Wells War Of the Worlds published in 1898, and Orson Welles radio

broadcast on October 30th, 1938 that scared the shit out of Americans. NOTE: (8-30-1938=32=5
Bad For Us)
John Todd, the ex-illuminati record executive said that aliens and UFOs are really just
demons taking forms of beings and objects that have been summoned through which-craft. He
also said that his sister a very high power illuminati witch used to conjure demons into UFOs all
the time for fun. My opinion is if there are extraterrestrial they would be very advance and
would have already evolved past hate to Love, so all this evil extraterrestrial crap is just to put
fear in the people.
JAWS is one of the scariest movies ever, and sharks are a fear of everybody who swims in
the ocean, especially surfers like me. We all clearly remember the theme music? You got it, a
heartbeat. Bom Bom, BOM BOM. A low frequency tantric bass line that our mind naturally is
attracted to because it is in synch with our physiology, yet THEY juxtaposes this against a giant
shark ripping people to shreds, with blood and guts staining the ocean. I really couldnt dream
up a better example of how THEY use conflicting and contrasting inherent human archetypes to
completely distort and manipulate our minds, cause stress and keep us in fear.
Terror and fear cause our mental faculties to misfire, then confusion opens the door for
THEM to take over our thinking. Done enough times we actually become their robots or
Manchurian Candidates, which is the only reason I still hold compassion for some members of
secret societies because I just dont know how much is by their own choice and how much they
are brainwashed.
If you really want to know how intentionally malicious this situation is I just attended
Galactic Expo in Nashville to get a better look at the consumerism of spirituality and bought a
drum meditation CD by David & Steve Gordon, two of the top drum meditation musicians in
the contemporary metaphysical market place, distributed by Sequoia Records.
I knew this CD was going to be a waste of $15.98, but in the interest of research I bought it.
As soon as I got home I popped it into the CD player and briefly listened to each track. Sure
enough the entire CD is triplets, quintuplets and a whole slew of out of synch rhythmic
shenanigans guaranteed to give you nothing but a headache, stress and bad dreams. You couldnt
meditate to these drums if you were hanging out with Buddha on a cloud in Heaven. I would go
so far as to say this CD was intentionally made to prevent spiritual awakening, just as every
professionally released recording is. They should have titled it Drum 911 instead of Drum
Meditation.

The History Channel had a Mystery Quest Episode on Stonehenge produced in 2009,
which studied the sonic properties of Stone hedge for entrainment by ancient Druids.
Entrainment is when sound; in this case the beating of drums synchronizes with our body and

mind and hypnotizes us to slip into a trance state, for the purpose of communicating with other
realms. This is caused by the Thalamus and Pituitary gland messaging the Pineal gland to
release human DMT.
In the Mystery Quest Stonehenge episode medical doctors performed experiments using
brain scanners and low beta, theta and alpha frequencies in evenly balance rhythmic pulses on
subjects. As a neutral reference they also measured the same subjects brain waves while
listening to random traffic noise. The experiment proved beyond a doubt that while listening to
the low frequency pulses the mind and heartbeat of the subject entrained or synchronized with
the evenly rhythmic tones and created calm balanced brain activity.
The traffic noise on the other hand created random and chaotic brain functions similar to
hypertension and stress. This History Channel episode actually proves the premise of my whole
book. Everything THEY do eventually backfires as this episode scientifically supports my sonic
findings. America will be the biggest mistake Secret Societies ever made; we will die for
freedom no questions asked.
Despite the centuries of psychologically perverse product that has been malicious bestowed
upon our ears by the power that be, the beautiful thing is that one perfectly crafted
physiologically pleasing rhythmic and harmonic song in synch with our body, mind and soul
could save the world. One song people! Maybe that will help you to comprehend why the
music business spends way more money destroying music than making music.
Sometimes the music industry lays out the syllables in songs in such a blatant and arrogant
manner it is obvious they are just showing off their cleverness to their occult buddies. Heres
one for all you country music fans that are still on the fence about the 911 false flag secret
society attacks.
This song is just one of millions of displays of 911 in the media. It sets the record straight
once and for all who and why the twin towers were attacked, but more importantly it is another
piece of evidence that lets us know this crap in the media is more to keep the secret society
members quite, than it is to hide things from those who are unaware. I hope you have heard this
song, because it just blew my mind when I figured this arrogantly cruel chorus.
The song is Airplanes by Gary Allen? Check out how sick and disturbing the syllables
line up in this song about airplanes. Im just sittinout here watching airplanes(10=1)take
off(2)and fly(2)(1+2+2=5=bad for us). Then at the end of the chorus he sings: And why
you dont love me anymore(9), Right now Im sitting out here watching airplanes(11). Yep,
you got 911. Whoever wrote and produced this song was definitely in a secret society scumbag
and knows all about 911(9 to end and 11=2 The Awakening) and its true purpose. The thing that
I find so incredibly disturbing about this 911 lyric is that its about airplanes. That is just wrong.
A great artist to listen to, who I believe was not only a Masonic Master but a very talented
musician and songwriter, was Don Mclean. I learned this in the most painful way a caring
human could learn something, my ex-wife, Sandy who I still love very much, out of the blue in
2010 text me that she found the perfect song for me; Vincent by Don Mclean.
Vincent depressed me for two days, before I use the balanced mantra Victorious and
Truth, Love, Peace, Bless in my meditations to snap my brain back into a happy confident
balanced state.
Go find the song Vincent and listen to it yourself. The first line of Vincent lets you
know Don is playing with your head: Starry, starry night(5) Boom! Bang! Pow! Right out
the gate Don hits us with a dreamy offbeat line that is abracadabra and paints a picture of
stark contrast between bright stars and dark night. But the most powerful thing about this

abracadabra lyric and most of the lyrics in Vincent is how easily this repetitive incantation
sticks in our mind. This entire song consists of catchy easily memorable unbalance phrases.
Interestingly, its about a man just like me who pleads with the world to hear the truth, only
to give up and kill himself. Now here me loud and clear I will never give up, and for someone
in my current socially challenging position with ex-friends, secret society family members,
questionable clients and a slew of Masons, Bohemians and Illuminati all scheming for my
demise its a pretty awful song for someone to recommend to me. Especially from someone like
Sandy whose mere memory mangles my emotions.
Vincents is an obscure song that is so depressingly powerful it makes it hard to believe
Sandy sent it out of good will. Welcome to my life people; trust me THEY are trying desperately
to prevent you from learning what I know.
Just to help wash down this sonic cyanide let us check the numbers:
VINCENT=4953552=33. Surprise, Surprisego figure the most powerful Masonic spiritual
master, a 33 Degree Masonic Dickhead. Coincidence or CRAFTSsmanship , you decide?
Once again, its all in the numbers. Taylor Swift also has a song called STEPHEN=1257855=33.
I get auto-suggestive suicide messages from secret society members all the time, so this was
nothing new, other than it came from my ex-wife which adds a truck load of salt to a still oozing
wound.

My Ex-Wife Sandy Freemason/Illuminati

Sandy claims that she randomly heard Vincent on the radio, and thought of me, which is
nice but I suspect someone put her up to it. Either way the song is a great example of how
powerful sonic musical manipulation can be.
Without a doubt there has been an incredible amount of interest in the meaning behind Don
Mcleans music, so let us clear the record right now on his potent creations. The bottom line is
Don McLean is a master of musical mental manipulation with his malicious mixture of
contradictive and unbalanced imagery, rhythms, melodies, emotion and subject matter. Some
people even go so far as to claim his songwriting is witchcraft, but now that you are starting to
learn how simply NLP(Nero-Linguistic Programming) truly works, you should recognize that
it is just well Crafted and constructed audio aggravation intentionally written, produced and
promoted to manipulate our minds into a negative state. Thus is why Freemasonry calls it The
Craft

Don Mcleans most infamous song that continues to baffle people as it is also written in a
treacherous tongue is The Day The Music Died(6)/American Pie(5)=11. First off the hook
Bye, bye Mrs American Pie(8=God), this is a syllable reference to the removal of God from
America, and as we can see thirty years later the prophecy has pretty much come true.
I am not going to get into all the symbolism in American Pie, as there are plenty of people
who have already done that, just search the internet. But, I will tell you that its another
manipulative unbalanced musical mess about the dismantling of America, now that she has
served her purpose of disseminating all nationalistic governments around the globe that were
opposed to the New World Order.
The real question is: Was Don prophetic because he forecasted what was going to
happen? Or is he part of the corrupt system that is making things happen by putting the
thoughts in our minds? Just like Nostradamus, Don McLean is employed by and entangled in
this same interwoven secretive and manipulative Masonic mess that has long plagued and
planned socially changing events for thousands of years.
What we believe is what comes to be, so much of what people call prophecy is really just
pre-planted Masonic propaganda. The reason for this is we really do control our own reality
by our beliefs, so in order for THEM to make something happen they need to put it into our
belief system in order for it to happen. A good example is on 6-11-2001 the pilot episode of
The Smoking Gun was about terrorist flying planes into the World Trade Centers, three
months later, 911 happened.
The World Trade Center twin towers were built like 11(eleven), 110 stories each for the sole
purpose of being demolished on 9-11-2001=14=5(bad for us), the 245th=11th day of the year, even
New York was the 11th state added to the union. I repeat 9 means the END, 11 or 2 means
AWAKENING. If you are wondering how far back the 911 corruption goes, just know it goes all
the way back to pre-civilization, since secret societies decided to civilize us by blocking us
from our spiritual wisdom and other knowhow. The plan for the 911 destruction of the World
Trade Center is so old its depicted on Aleister Crowleys original turn of the century Tarot
Cards. It the occult Towers signifies knowledge.

Can music really change reality or is it just Masonic propaganda? I find it very curious that
when Nashville flooded in 2010 the two top songs on country radio were Water by Brad

Paisley and Rain is A Good Thing by Luke Bryan. The real joke is on Brad Paisley because
all his stuff got flooded and destroyed just weeks before his big H20 Tour was scheduled to
begin.
As you are learning Nashville is Sodom & Gomorra and it got what it had coming to it. The
State Capital Mall in downtown Nashville is a satanic alter and the Orgy statue on Music Row
is pure Evil. .

Nash
ville Flood May 2010

Naked Orgy Statue

Another excellent Masonically planed, not prophetic, example for everyone to study is
Albert Pikes letter Three World Wars . In his letter dated August, 15th 1871, Albert Pike
wrote a very controversial plan to the leader of the Illuminati, Mazzini, in which Albert in great
detail laid out how the Freemasons would attain world domination. Albert professed how it
would take Three World Wars for Freemasonry to conquer the world. (Search Three World
Wars on Google)

Albert Pike 33 Grand Master Mason

"The First World War must be brought about in order to permit the Illuminati to
overthrow the power of the Czars in Russia and of making that country a fortress of atheistic
Communism. The divergences caused by the "agentur" (agents) of the Illuminati between the
British and Germanic Empires will be used to foment this war. At the end of the war,
Communism will be built and used in order to destroy the other governments and in order to
weaken the religions." Albert Pike 1871
Students of history will recognize that the political alliances of England on one side and

Germany on the other, forged between 1871 and 1898 by Otto von Bismarck, co-conspirator of
Albert Pike, were instrumental in bringing about the First World War. Also Wall Street was the
financial backing of the Bolshevik Revolution in which THEY slaughtered the good Catholic
Czar Nicholas entire bloodline. This was retaliation for his refusal to participate in the League
of Nations.
"The Second World War must be fomented by taking advantage of the differences
between the Fascists and the political Zionists. This war must be brought about so that Nazism
is destroyed and that the political Zionism be strong enough to institute a sovereign state of
Israel in Palestine. During the Second World War, International Communism must become
strong enough in order to balance Christendom, which would be then restrained and held in
check until the time when we would need it for the final social cataclysm." Albert Pike 1871
After the Second World War, Communism was made strong enough to begin taking over
weaker governments. In 1945, at the Potsdam Conference between Truman, Churchill, and
Stalin, a large portion of Europe was simply handed over to Russia, and on the other side of the
world, the aftermath of the war with Japan helped to sweep the tide of Communism into China.
Also important to note that Prescott Bush was found guilty in the Nuremberg trials for financing
Hitler through the BIS. And of course Israel became a sovereign state to fulfill prophecy.
"The Third World War must be fomented by taking advantage of the differences
caused by the "agentur" of the "Illuminati" between the political Zionists and the leaders of
Islamic World. The war must be conducted in such a way that Islam (the Moslem Arabic
World) and political Zionism (the State of Israel) mutually destroy each other. Meanwhile the
other nations, once more divided on this issue will be constrained to fight to the point of
complete physical, moral, spiritual and economical exhaustionWe shall unleash the
Nihilists and the atheists, and we shall provoke a formidable social cataclysm which in all its
horror will show clearly to the nations the effect of absolute atheism, origin of savagery and of
the most bloody turmoil. Then everywhere, the citizens, obliged to defend themselves against
the world minority of revolutionaries, will exterminate those destroyers of civilization, and the
multitude, disillusioned with Christianity, whose deistic spirits will from that moment be
without compass or direction, anxious for an ideal, but without knowing where to render its
adoration, will receive the true light through the universal manifestation of the pure doctrine
of Lucifer, brought finally out in the public view. This manifestation will result from the
general reactionary movement which will follow the destruction of Christianity and atheism,
both conquered and exterminated at the same time."
Albert Pike (Freemason) in a letter to Mazzini (Illuminati) August 15th, 1871
We must allow all the federations to continue just as they are, with their systems, their central
authorities and their diverse modes of correspondence between high grades of the same rite,
organized at they are at the present, but we must create a super rite, which will remain
unknown, to which we will call those Masons of high degree whom we shall select, these men
must be pledged to the strictest secrecy. Through this supreme rite, we will govern all
Freemasonry which will become the one international center, the more powerful because its
direction will be unknown
Albert Pike (government behind the governments.)

The Masonic religion should be, by all of us initiates of the high degrees maintained in the
purity of the Luciferian doctrine Yes Lucifer is god, and unfortunately Jesus is also God.
For the eternal law there is no light without shade, no beauty without ugliness, no white without
black Albert Pike

Here is my copy of Morals & Dogma sold to me by Elders Books in Nashville.

Notice the gold mask I put on Albert Pikes face and back of head
Many people mistakenly think its the Jews who run everything, but in fact they didnt come
into the picture until the Freemasons recruited King David, that is when he hired Hiram Abiff to
build the temple. This is what the Bible means that Gods chosen people betrayed him to
worship Baal, satan, Lucifer, Magog etc
King David loved Masons, well and cherished them much - Albert Pike

Blind force of the people is a force that must be economize, and also managed
It must be regulated by intellect- Albert Pike

Here is the most important and truthful quote ever spoken by a secret society member. This
is what Secret Societies are truly all about. The key word here is blind, admitting the purpose of
Freemasonry is to deceive and manipulate. This force he speaks of is the positive energy of
good people. As I said Freemasons dont have any magic power, THEY simply deceive to
manipulate the power or force of good people.
This force is the same as in Star Wars, as the universe is pure intelligence that responds
to our thoughts. There by just as Jesus said The kingdom of God is in us, with the faith of a
mustard see we can move mountains. The problem is that people have been purposely and
deceitfully separated from the power within themselves, thus our force was literally hijacked
by secret societies 26,000 years ago and has been used ever since to manipulate the masses for
THEIR own evil ends. Thank God there reign is coming to an end.
The solution to derail Albert Pikes evil Masonic plan is very simple, everyone LOVE
everyone, and all their evil dreams will go right down the toilet where they belong. All of
humanities differences have been instigated and magnified out of proportion by secret societies
in their attempt to completely control the world.
We must remember that the lineage in these secret societies teach their heirs that the goal is
a one world government in their life time, but be careful not to revel the Great Work for
future generations. This is why every thirty years or so the world goes through a traumatic crisis,
because it is one generation of evil executing their life-time plans for physical world dominance.
The bigger truth is Freemasonry already controls 100% of the world psychologically and to
unite it physically into a one world government would take away the illusionary differences
which THEY use to create the conflicts Order out of Chaos.
Here are a few quotes that define why Freemasonry is so successful
Few men have the virtue to withstand the higher bidder George Washington
If the freedom of speech is taken away, then dumb and silent we may be led like sheep to the
slaughter George Washington
I care not who makes a nations laws, only who controls their money Rothschild
Nothing pains people more than having to think Martin Luther King Jr.
We struggle with complexities and avoid simplicities Norman Vincent Peale
To know what is right and not do it, is the worst cowardice Confucius
Make peaceful revolution impossible and make violent revolution inevitable-JFK
The difference of educated and uneducated is the same as alive or Dead -Aristotle
There is one mind common to all individual men Ralph Waldo Emerson
Remove the poisons now, to avoid suffering in the future Emerson
Society everywhere is in conspiracy against every one of its members- Emerson
We are afraid of truth, fortune, death and each other Emerson
It is only as a man puts off from himself all external support and stands alone that I see him to
be strong and to prevail Emerson
So now that you are starting to get the hang of this music stuff I am just going to list a few
songs to think about. Remember these are just examples; you need to go out and convince
yourself by listening to the music you love. Also, the net effect of the music can be tricky to

spot, just know any and all out of balance lyrics, rhythms or melodies are bad for us. These types
of songs can have bad or good themes and still be harmful to our physiology.
A lot of Blues and cultural music is played in odd time signatures and thereby singing even
lyrics on top odd rhythms causes the malicious juxtaposition. Eric Clapton, Jazz and the Blues
come to mind. Country music is a smorgasbord of insanity as most of the lyrics are about God,
family and redemption on top of choppy rhythms. To top it all off Chicken Pickin guitar is
almost always triplets.
The band TOOL uses a lot of strange time signatures with heavy low end drums which
sound great, but are brutal on our homeostasis. TOOL=2663=17=8(God), or 2+6=8(God)
6+3=9(The End), thus Tool stands for The end of God.
Also, listen for ascending or descending chords over ascending or descending melodies like
Stairway To Heaven(5). Jimmy page lives in Alistair Crowleys mansion and is a very
powerful Wicca warlock. This song was crafted with the utmost evil intensions.
Pay attention to Low frequencies sounds that are disrupted with high pitches in trance, dance
and hip-hop music. Often if you listen real close there are meaningless annoying noises added to
the music for no other reason than to prevent you from falling into a trance.
A good example of this is the chorus on Michael Jacksons Another Part Of Me(5). One
of the best ways to hear this purposely-distracting noise is to turn down the bass and turn up the
treble; this lets the real subconsciously aggravating sounds shine through. If it seems like every
song has something wrong with it, it is because they do. As I mentioned earlier just the basic
structure of our Modern English language is out of balance and the musical mischief is just more
timber thrown on the funeral pyre by these paganism perpetrators.
Anyhow, here are just a few examples to get the wheels rolling in your head. NOTE: (#)
Indicates the number of syllables in hook or title. Also almost all popular music is in 4/4 time so
pay attention close attention to melodies and lyrics to see how they DO NOT align with the
rhythms.
Again, all commercial songs are bad for us, we just have to look closely at all aspects of the
song and we will find the conflicts and contrast that are inharmonious with our homeostasis.
Remember, these are just samples to show how to recognize this manipulation, not to prove
anything. Please, do your own investigation.
Unbalanced Songs
Aint Goin Down Till The Sun Comes Up(9) Garth Brooks: Dont listen to your parents.
Its The Climb (3) Miley Cyrus : Its okay to fail
(Love Is) What I Got (5) Sublime : Love & Life
3 (3) Britney Spears : Multiple Sex Partners
I Shot The Sheriff (5) Bob Marley / Clapton Drugs & Murder
Good As I Once Was(5) Toby Keith Incest sister sex, fighting
Rockin The Beer Gut(5) - Obese drinking & crude behavior
American Ride(5) Toby Keith - Mocks America/Anti Religious Jesus getting smaller
Material Girl(5) Madonna Its a material, not spiritual world.
Why Dont We Just Dance(5) Josh Turner who cares, stupid song
Living For The Night(5) George Strait Loneliness & drinking
Small Town USA (5) Justin Moore Celebrates mediocrity
Alcohol (3) Brab Paisely Drinking
Paradise City(5) Guns N Roses Hard core lifestyle

1, 2, 3, Like A Bird I Sing Tim McGraw 3s and 5s very unbalanced.

BINGO Yep they start with the kids young.
Love Story (3)Taylor Swift Its a love story(5) Baby just say yes(5) Sex
Stair Way To Heaven(5) Led Zeppelin Theres a whole lot of truth in this song
Whatdaya Want From Me(5) Adam Lambert #2 2-28-10 VHI - Homosexuality
All Of Creation(5) Mercy Me, the top Christian group.
Janies Got A Gun(5) = Aerosmith Murder/Incest/ Rape
Hillbilly Deluxe(5) Brooks-N-Dunn Partying
Time For Me To Fly(5) REO Speedwagon
Walking On Sunshine(5)Would I Lie To You(5) Eurhythmics
Smile(5) Uncle Cracker Oh You Make Me Smile(5)
Here are balanced lyrics about bad things, which your subconscious percieves as good.
Evil Woman The Eagles Whore/ Gold Digger
Give it away(4) George Strait Divorce
What Would You Say(4) Trailer Choir Death
Papa Dont Preach(4) Madonna Teen Pregnancy Blasphemous video
Heart Ache Tonight(4) The Eagles - Cheating Carousing
We Shall Be Free(4) Garth Brooks This is Song is good, and why he was forced to retire
Highway To Hell (4) AC/DC Balanced lyric, enough said.
666 Songs. When you hear or sing these songs you mind hears 666,666, 666, 666
Tear Drops On My Guitar(6) Taylor Swift Heartache
I Will Always Love You (6) Dolly Parton I will always love 666
Its Getting Hot In Here(6) - Nelly Sex Hot as in hell
Born To Be My Baby (6) Bon Jovi
100% Cowboy Justin Moore More on this one in a minute
Blinded By Emotions(6) Tina Turner
Can You Take Me Higher(6) Creed
We Werent Born To Follow Bon Jovi Anti Religious- On November 21st 2009 this
was #1 on VH1s video count down, but this song sucks and its a rip off of his old song You
were born to be my baby. In it he has a line So get up off your knees. These are the types of
media manipulations that should point you towards the truth. If they are going to push such a
blatantly satanic song up to number one spot, that is so obviously blasphemous, perhaps they
should have picked a song that doesnt totally suck. Learn from the lies people.
Heres one I just heard on the radio that just about says it all.
I Know Theres No Life After You (8), 8 is Gods number. by Daughtry Anti Religious,
I hope you are starting to recognize the theme of everything secret societies push upon us is
evil or leads to sin and debauchery, and it downgrades and chastises anything that is good or
Godly. It is critical that ALL members of these secret organizations know that these
organizations are 100% evil. Lets look at a couple more songs in-depth.

Amazing Grace(4) This entire song is balanced and is about God saving someone from a
life of alcohol, sin, depression and heart ache. It has nothing to do with death, although THEY
always play it at funerals, so we associated it with death. But take the time to listen to its true
message. Its about the glory and the gratitude of being saved from a life of debauchery.
This song is about me, and I am sure when this book hits the masses everything I have ever
done wrong and a bunch of stuff I didnt do will come out to discredit me, my story and these
discoveries, but the fact of the matter is I have been Born Again and my life now is and always
will be from here on out in step with the teachings of Jesus, as best I can. Until death and
beyond as I have seen the light, and one day you will too.
The other fact is you dont have to believe me, go investigate for yourself now that you are
learning their codes and how our minds truly work. Count the syllables of Amazing Grace all
even 4s, 6s 8s, all the way through

This is from the back of Brad Nowells (Sublime) Memorial Program

Glory Glory Halleluiah(8) Gods number.
This song is a balanced chorus which our mind instinctively perceives as good because it
jives with the natural rhythm of our physiology, but like a lot of balanced songs THEY associate
them with negative themes like war, death and disaster.
Let us all take a moment to think of the artist who attempted to break free and make this
world a better place with their music, before their lives were cut short because they no longer
served the purposes of the elite, and/or discovered the truth about the music industry.
Here are some of my heroes who learned the truth, disagreed with it and were exterminated:
Marvin Gay, Biggie Smalls, Tupac, Brad Nowell (Sublime), Bon Scott, Janis Joplin, Kurt
Cobain, John Lennon, Andrew Wood (Mother Love Bone), Lane Staley (Alice N Chains), Buddy
Holly, Richie Vallins, Stevie Ray Vaughn, Elvis and the list goes on. Now you might agree with
the official reports of their demise, but I believe if each incident were scrutinized a lot closer we

would find malicious circumstances around all of these deaths. Love Is What You Gave
Bradley.

Memorial Program for Bradey Nowell Lead Singer/Guitar - SUBLIME

If you think about it, its really not possible that the Tupac Shakur and Biggie Smalls
murders we never solved. Just like the robbery at my house in Brentwood, TN where I gave the
police the names and address of the perpetrators, but the burglary was never investigated.
Hopefully, from the tools I am putting forth in this book people will finally realize that the
factions that control the world are not just the wealthy, corporate and political elite, but everyday
people who are members of secret societies that include everyone from the Warburgs and
Rothschilds down to our local law enforcement, mail man and gardener. There is no doubt from
listening to Tupacs records that he was getting dangerously close to the truth as many times he
mentioned the Illuminati in his music. He actually has a line The Illuminati Want My Body.
Ironically, Tupac had no idea how really close he was because Dave Aron a scumbag
Freemason, who I flew out from LA to Nashville to destroy The Black Saddles Record, mixed
all of Tupacs records at Death Row. We will get into some of the technical ways on how Dave
Aron destroyed my record in the Mixing chapter. The heartbreak is that I thought Dave was a
good friend; I have little doubt that he had no choice in the matter.
I can only hope that my story helps Tupacs, Biggies, Brad Knowells and all the other
murdered artists family and friends to see a clearer picture of the true motivation behind these
killings. The bottom line is there is no line THEY wont cross to keep the masses minds
constantly bombarded with harmful lyrics, rhythms and melodies that are inharmonious and out
of synch with the homeostasis of our physiology. All to keep our brains in a state of stress which
makes it impossible for us to be one with our physical and spiritual being.

I believe true artist like Tupac, Brad & Biggie would be admittedly against the creation of
this type of poisonous music, and therefore at the point of discovery the industry had no choice
but to exterminate these popular artist that could expose the system.
Contrary to popular belief the music business is a not for profit industry, and if we could
audit their books I am sure they lose a lot more than they make. But who cares because they are
owned by the same people who own the central banks and can print all the money they want.
The entertainment business has but one purpose, to distract and plicate society with trivial
subject matter while at the same time injecting detrimental programming which causes real
physical and psychological harm.
To all the successful artists out there, know that your music is detrimental to society or it
would not be on the airwaves, regardless of how politically correct you might think you are.
Most artists know all this crap; this is the proverbial cross-road where they sell their soul to the
devil. Perhaps you are starting to learn why the Bible says we should have no idols especially
American Idols.
Please understand that the pages I writing break my heart. All my life I have loved music so
much, and so many artist were heroes of mine, yet what I need to divulge about the music
business is critical to the salvation of humanity.
Every successful artist must be a least partially aware, if not completely involved in the
maliciousness incorporated into music. So my emotions are mixed in that these artist that I love
so much, are also killing me and you, literally with their music. My only consequence is that
these artists once indoctrinated into the system have only one way out, death, for that is the
retribution for dissention. The only way to get out of a Secret Society alive is through Jesus.
Every award show I see all the same artists throwing up the Hook Em Horns salute to
their secret societies with their index and pinky extended, as well as wearing occult and secret
society symbols. Celine Dion in Las Vegas, John Rich in Nashville and Christina Aguilera
performing on final night of 2010 American Idol (5)

Celine Dion- Illuminati Tri

John Rich (Big-N-Rich)

Christina Agulera 2010

Poof THEY are recruiting the youth through music 5+8=13(Freemasonry)

Music is the most powerful tool for deception because we love it so much. Remember
Beatle Mania? Love for music is even more powerful than cigarettes, alcohol or drug addiction,
the only difference is we know that cigarettes, alcohol and drugs are bad for us.
The proof of what I am teaching is in everything. THE WIZARD OF OZ(5), The Yellow
Brick Road(5), Over The Rainbow(5), Chant by the gargoyles Oh E Oh E oh(5) and
Theres No Place Like Home(5) all of these are Abracadabra. All we hear the whole
movie is Abracadabra over and over and over. Also remember these phrases are 2/3, which is
why Auntie M says For 23 years Ive been dying to tell you what I think of you to the mean
old Jewish lady who tried to take TOTO=2626=16=7(Masonic G) in the beginning.
Also at the start when Dorothy wanders off and meets the traveling medium his wagon says
Marvel=419453=26=8(God) and The Crowned Heads Of Europe indicating that like the
pharos of Egypt the royalty of Europe are Gods on this Earth
The good news is once these tools I am divulging seep into the honest music community, I
know other talented God loving musicians will quickly jump onboard, and it should not take long
for us all to create quality balance harmonious music, that will completely reverse the negative
effects of the poisonous songs weve been singing since birth, like E,I,E,I,O(5) in Old
Mcdonalds Farm(5)
I have total faith that true artists will stand against this horrific historical musical
maliciousness. I am not talking about the multitude of little kiss ass freaks who attempt to brown
nose their way into the music industry. I am talking about the artists that feel so much they have
to express their emotions in music. These are the artist who I know are going to step up and take
the reins away from the secret society dorks in suits up in the glass towers currently dictating
what the world is allowed to hear. Please believe that everyone who is successful in the music
business knows everything that I am telling you.
Now the only question is who among them will have the fortitude to stand for humanity?
Do you want to know the true definition of irony? God flooded Nashville because it is basically
Las Vegas with boots, hats and horse dung, and the silly thing is all these music people who
poison the world for a living all rallied out to raise money with benefit concerts and hoopla only

to make themselves feel better, but its pointless because they are all corrupt, secretive and all
going to hell anyhow. Truly ridiculous!
Who knows how many artists learn about this corruption after they are sucked into the
machine, at which point their only options are play along or die. I know that most true artist and
production talent do not like this corrupt system at all, as in hindsight a many gave me hints
along the way. I suppose hoping I might be the one to save us all.
Well to those very few brave souls who pointed me in the right direction, thank you, you
picked the right guy for the job. I am the type of guy who would have been nailed on the cross
right next to Jesus. For everyone who gets their feelings hurt or panties in a bind over this book
get over it. The only reason you are where you are is because the business is corrupt and you
sold your soul for soiled success.
Many great artists attempted to sneak out the truth in their music knowing it could be their
demise. Some of these brave artists that come to mind are Michael Jackson, Marvin Gaye, Kurt
Cobain, John Lennon, Jimmy Hendrix, Bon Scott, Tupac, and Ozzy. Once you get through with
this book, take a closer look at their words.
A great place to start is Another Part Of Me by Michael Jackson. In it he says The
planets are lining up, bringing brighter days, this is our message to you your just another
part of me. I have a strong suspicion that with the December 21, 2012 universal awakening
coming upon us, causing the Earth and humanity to ascend to a higher level of consciousness,
THEY couldnt take a chance with someone as respected and world renown as Michael Jackson
telling the truth to the world. Heres a picture of Michael Jackson giving the Anti-Illuminati
double peace sign or 22 warriors for God.

Anti-Illuminati 22
There are still other artists who try and get the message out to people, and walk the line as
close as they can without getting into trouble with the powers that be. One song I just realized
which is about all this stuff I am teaching you is by Green Day. GREEN=79555=31=4 and
Day=418=13, go figure both of the Masonic favorite numbers. They have a song Wake Me Up
When September Ends(8). So wake him up when God #8 comes. Taking a closer look;

September is the 9th month and 9 means the end, as in 911. Meaning he cant wait until this veil
of imposed darkness that oppresses our minds is over; aka 911 or The Great Work.
Billy Armstrong sings; Seven years has gone so fast. Meaning the thousands of years that
the Masons G=7 have controlled the Earth is just about over. Rain from the stars, drench
my pain again. The theory is that those in control of us are not from our Sun, but from other
stars. Take time for memory to rest, never forgets what I lost. What he is saying is; humans
used to know all this stuff about how to be one with our universe, our higher selves and carnal
knowledge.
Yes, I was one of those crazy music fans who had to know the meaning of the lyrics.
Though I am not too pleased with the direction Green Day is headed with American Idiot, I do
think that Billy Armstrong is doing his best to sneak in what truth he can to help the world.
There are two ways to be successful in the music business; make music that conforms in
melody, rhythm and theme to what the establishment wants, or join the ranks of ass kissers who
go out and deliberately prevent anyone from attaining any level of success because they are
deemed uncontrollable and/or are making the wrong kind of music.
Its this second part of the business I got to know very well. I know from firsthand
experience that the prevention side of the music business spends way more money, effort and
time on the destruction of artists, then the production side spends on development, production
and promotion.
Take Pearl Jam for example; you know the great rebellious band that went against TicketMaster? What a joke that public spectacle was. It was all a farce and only solidified TicketMasters monopoly. Think about that name Ticket MASTER, kind of like MASTER card, do you
get it? MASTER=411259=22 or rule of 9 equals 13. Anytime we see that kind of blatant
public push against the establishment by a successful artist we can safely assume that artist is
part of a publicity propaganda campaign.
In Pearl Jams case is was a cover up to make the band look legit, when in fact they were a
sinister creation of the music industry. First off lets break down the name Pearl Jam.
Pearl=75193=25=7 Jam=114=6 and 6+7=13(Mason). What a surprise the Masonic favorite
number. But thats not the good stuff. Do you know that before Pearl Jam the band was called,
Mother Love Bone, they were the true founding fathers of grunge. If youll listen to their
records you will see that their lead singer Andrew Woods sang exclusively about all things I am
saying in this book. The sad thing is Andrew, like Brad Nowell of Sublime, mysteriously died of
a heroin over dose just before their debut record came out.
I knew Bradly Nowell from Sublime personally and I can tell you that in my opinion his
overdose was not accidental. Brad had been sober for over 8 months, he just had his baby,
bought a home and knew he had a great record. Brad was happily sober and on top of the world.
Brad had been informed by the record company that they would not release the record unless he
was sober, which is why he got sober cold turkey. He had worked way too hard for ten years to
mess up this opportunity.
I saw Sublime play at the House of Blues in Hollywood just days before Brads death and
can tell you first hand he was squeaky clean and played the best Id ever seen him. He was
stoaked on being sober, and like all true artist you could see the joy in his eyes from he and Eric,
Bud and the boys playing at such a high skill level.
I was one of the fortunate few who got to see Sublime play at least 40 times, since I went to
school at Long Beach State during their Nugget days on campus. In fact, rumor has it that the
record company was indirectly supplying Bradley with heroin during the recording of the

Sublime record in Texas attempting to get Brad to OD. But he survived that attempt. I
strongly believe this to be true because of all the drugs that were given to me for free by the
people I thought were my close friends, who I later found out to be in on the sabotage against
me.
You might ask, if the powers that be that run the music business didnt want Sublime, why
did they sign them? Very simple, because Sublime was moving 10,000 units a month of uncensored very low frequency rhythmic music and could draw a crowd of 5,000 people within
hours of announcing they were going to play. You see that kind of fan loyalty and organizational
ability is dangerous to the power structure of the world. The record company learned how
influential Sublime was on the Warped Tour. Sublime were so uncontrollable they got kicked
off the tour, considering the other bands on the bill getting kick off is an amazing feat.
I am sure if any of you look closer at the local bands that were popular in your town, you
will find very suspicious circumstances why they never made it big.
One other thing I will say about Sublime, which will piss off some of their inner circle, is
when watching the posthumous documentary Stand By Your Van I found many of the people
I personally know in that video seemed to know more than they were saying. I could sense an
underlying hostility, insincerity and even suspiciousness in some of their testimonies. I believe
some of them know the true story and are not speaking up for fear of similar out come to them as
Brad.
Back to Pearl Jam. After Andrew Woods death Eddie Vedder a spoiled little Illuminati rich
kid surfer from San Diego(West Coast Headquarters for the Illuminati) leaves the beautiful
beaches of Southern California, moves to dreary rainy Washington to lead the band, change the
name and sing about all kinds of wonderful stuff like kids using guns to kill themselves in grade
school.
Now that you know how much our minds love balanced and even rhythms, the song
Evenflow mocks this truth. It is also deals with the sinister subject of suicide. Open your
minds people; this is how the music business really works.
Also it important to note that Mother Love Bones first album was called
Apple=17735=23, and all their songs are about secret societies or how we are truly free
beings. Lastly, Pearl Jam has a song called Yellow Ledbetter. YELLOW=753365=29 aka
911 and Ledbetter was a Mason who caused a lot of mayhem within the Masons for members
not adhering to protocol, procedures and ritual.
Heres another little Pearl Jam tidbit, they put out an album with Astrological signs and
letters printed on the CD, which is all wrong and misleading according to true astrology, more
misinformation to keep us looking in the wrong direction. Kind of like the number letter
relationship on our telephones, another prominent display of purposeful babble to keep us from
learning true numerology.

I would like to clarify that I am not telling my story to whine. I have not sued anyone,
though I have more than enough proof to sue some pretty big and powerful people, corporations
and organizations in the music, financial business and civil services.
I invite anyone with a beef to come after me; as I assure you in the interest of time I am
barely skimming the top of all I know about my musical miss-adventures. I have hours of
documented evidence on video, pictures, hard drives and discs to prove everything I say. But
none of my story really matters since the proof of all I say is on every single record that has ever
been put out commercially.
Anyhow, let me stop my ranting and get on with teaching you how all this music
manipulation works. I just want to say that this chapter is dedicated to everyone like me who
had the posters on the wall and fell asleep with the headphones on because they loved music so
much they couldnt live a second without it. And to all those who sat alone in the woodshed for
years and years just trying to get their talent a little bit better in pursuit of rock stardom.
Lastly, to all those like myself who left all their friends and family to take that long shot
chance on their dreams by moving to LA, New York, London or Nashville, only to spend
themselves into poverty and have their dreams and artistic ideas destroyed and stolen. To all my
fellow artist who do it for love not fame or fortune, all I write is for you and all the little kid
dreamers behind us. This monopolistic manipulation has got to stop.
Last but not least, to all you famous artist out there who know what is really going down;
THIS IS IT, as Michael Jackson said. This is your last chance to come forward, spill the
beans, save the world and your soul. Especially, you fake karaoke singing, non-song writing,
dorky-ass country music stars. As you all hideaway on the 500-acre ranches true hard working
music lovers bought for you, please think about this; The best thing about country music fans is
we got the God and guns and Love them both.
Nashvilles Music Row is purposely not only sabotaging peoples dreams, they are
deliberately poising the minds of our children and loved ones with unbalance inharmonious
music that is physically, psychologically and socially bad for us. Boy oh boy are true country
fans gonna be pissed. And to think I just read an article on how country is the only music that is
not corrupting the youth, what a joke that is.

Songwriting Secrets
Chapter 3

I have been in bands and into music since I was 8 years old sitting in my parents VW Van
wearing out the battery listening to The Beatles on 8-Track. In 2005 after my 11th rock band Riot
Water finished our record String Theory we played one show in Long Beach and it was
obvious that things were not going to work out, so we broke up. Ironically, my guitar player
Augustine oozed such evil from the stage I couldnt take it. It was at this point in my musically
journey that my mother suggested I pursue songwriting.
Even though I had written a lot of songs in my days, I never thought about being a
professional songwriter. I always just wrote songs for the many bands I was in over the years.
That day I Googled songwriting and found Durango Song Expo, a songwriters workshop, that
was happening that upcoming weekend in Santa Ynez, CA, about 100 miles up the coast from
Corona Del Mar, just past Santa Barbara. I didnt recognize any of the names as most of the
professional writers were from country music, and I never listened to country, except for Garth
Brooks because I had a couple Garth CDs I had borrowed from my mom.
Durango Song Expo is a bi-annual gathering of about 150 aspiring songwriters, 30
successful songwriters and another 50 music industry professionals organized by Jim Attebery
out of Durango Colorado. On the surface these types of songwriting expos appear to be altruistic
events to help aspiring songwriters. But now, after painfully acquiring better insight of how the
music industry truly operates I can tell you that helpful Love would be very inconsistent with the
malicious modus operands of the music business.
Given everything I now know I highly suspect that Durango Songwriters Expo, Taxi,
ASCAP, BMI and all the other professionally organized songwriting events are subsidized by
the music industry and designed to scout out people like myself who may be a problem for the
music industry, as well as provide a fresh pool Golden Gooses to steal ideas, melodies and
songs from. If you examine the number of people who attend these events, who are truly
talented, and the very few people who have any success in the music industry the numbers just
dont add up.

D
urango Songwriters Expo

Me

Songwriter Jim Attebery

Durango Flyer

One #1 hit song can generate up to $4,000,000 or more in publishing and writers royalties,
which is reason enough for the professional songwriting and publishing business to be ruthless,
but the fact of the matter is it goes far beyond the money. The music business is about rule and
control of the masses and keeping the unsuspecting populous in a psychological state of numb
and dumb worker bee slaves.
In 2005 & 2006 when I was attending the Durango Songwriters Expos in Santa Ynez CA,
Durango CO and Salt Lake City Utah everyone was super nice and overly friendly to me. Also
during my two visits to Nashville in 05 & 06 the welcome wagon of music industry professionals
was like a parade of fabulous friends.
However, not long after I moved to Nashville in June of 2006 all these music industry folks
who were so nice to me before I moved to Nashville, suddenly started fading away from friends,
to acquaintances, to hardly even saying hello when we would bump into each other at events and
shows.
Looking back now it is apparent that luring me to Nashville was the plan long
before I even thought about a career in songwriting or country music. One interesting
observation, my ex-wife Sandy, whose parents goal was to recruit me into Masonry, was the first
to suggest I do country music way back in 2001. They planted the seed long before, thats how
this Freemason crap works.
Serendipity or Suspicious? The first writer I met upon arriving at the 2005 Durango Song
Expo at Marriott hotel in Santa Ynez was Kim Williams. Kim wrote many of Garth Bookss big
hits, as well as hundreds of songs for other artist. Over the years Kim and I became good friends
and in 2006 my girlfriend and I spent the 4th of July weekend at his mountain home in TN with a
group of professional writers and Doug Johnson then President of CURB Records in Nashville.
I was in hog heaven. I had no idea you could learn how to write songs. I was always under
the misconception that artists wrote their own music, as that is the way it used to be with the
bands I grew up on like Guns-N-Roses, Van Halen, Ratt, Poison, Motley Crew, The Rolling
Stones, The Clash, The Beatles etc Here are a couple pictures I took at Kims Williams home
which will give you an idea of how successful he was with Garth Brooks.

Kims Platinum Awards for Garth Brooks

Doug Johnson & Me Kims House

As with everything I do, I dove in head first and attended the next four Durango Song
Expos as well as two Songposiums, a weeklong songwriting education series in Nashville put
on by Nashville Association of Songwriters International (NASI).
I went to every lecture, class, club, concert, talk, chat, seminar I could squeeze in, and
bought every book, CD, DVD or method that was available or offered on songwriting. I
graduated on the Presidents List from Cal State University Long Beach in Radio/Television &
Film with a 3.8 grade point average, so when I put my mind to something I learn it to the point
where I can lecture the professors. The student should strive to be the master.
In addition to attending these events I made a point to get to know many of the professional
songwriters personally as I know that modeling, learning from a mentor, is the quickest way to
excel at anything. Here are just a few of the great professional songwriters I personally met and
study with that graciously shared their songwriting wisdom with me.

Jeff Steele

Chuck Cannon Hillary Lindsey

Lisa Leob

Ralph Murphey

Lesley Satcher

Frank Rogers Hugh Prestwood

All Anderson

Bob DePerio

Jason Blume

Gary Baker

Steve Seskin

James Dean Hicks

After attending four Durango Songs and two week visits to Nashville for Songposium I
was confident that I could excel at songwriting, but I would need to be present to win. So I
packed up my stuff in beautiful Corona Del Mar, CA and did what every songwriter dreams of
doing. I moved to Nashville
There are 50,000 people in Nashville who claim to be songwriters and tens of thousands
more who are there to be artists, producers, musicians, engineers, publicist, promoters, and
executives. This quest for success in the music industry is worldwide and the concentration of
talent is equally mammoth in Los Angles, New York, London and in every big city in every
country.
So why is it that every year the music awards seem like reruns, with the same artist, writers
and companies winning every year? It is not because the music industry is a tough business. Its
because the music industry in one of the most guarded powerful mental manipulation machines
of the global elite. Music is more powerful than money, which THEY also control. I dont care
how much money you have, money does not have the ability to re-connect a person with the
entire universe. Music does.
One of the things in Nashville that absolutely amazes me are the number of writers on the
payrolls of all the music and publishing companies who have never had a song cut (recorded and
put to the radio), and absolutely suck when it comes to song writing. I do believe proper
investigation and auditing of these publishing deals would uncover some of the money-trail
funneled to people who are really plants to fish out, distract and destroy the truly talented artist
and writers who would never in a million years participate in such corruption, but might be a
threat to the industry.
Just from my own personal experience I estimate that the record industry spends 1000 times
the money and resources destroying musicians dreams than they do developing them. In
addition, trust that behind every mysterious death in the music business is the protection of this
sick secret.
Curiously, out of all my copious adventures in the professional songwriting circuit before
and in Nashville over the past six years I only know of one success story Alissa Moreno who
wrote a Rascal Flats hit Everyday with Jeffery Steele. Jeffery Steele is a super successful
Nashville songwriter for too many artists to list but lots of Rascal Flats and Montgomery
Gentry. Alissa and Jeff wrote Everyday at a Durango Song Expo, I was there that day and
saw them snuggled on the piano writing.
Prior to Allisa writing the hit Everyday with Jeff she had some of success with getting her
music in a few television shows like The OC. So perhaps she was already in before she
wrote with Jeff. Either way in the past six years I have seen and met a lot of very talented
people, but this is the only major success story of an attendee as THEY like to call us at these
events that I know of.
The next time you watch CMT (Country Music Television) or GAC (Great Ameican
Country pay attention to the song writing credits and you will see that the same 40 writers write
just about everything, despite the millions of songwriters in the world.
Here is a picture of Alisa and Jeff the day they wrote the Rascal Flats hit Everyday.

Allisa & Jeff Steele

Me & Allisa

I love Alissa and her music and I hope she gets super famous from being mentioned in this
book. The greatest thing about Alissa when she wrote the hit Everyday is that she did not
have a publisher at the time, which means she would keep 100% of her share of the royalties. I
remember talking with her about this, and later I found out that she signed with a publisher,
basically giving away 50% of the money that she didnt have too. Or perhaps she did have too,
as thats the way the business works.
Interestingly enough, the summer following the radio success of Everyday s Allisa sent
out an e-mail to her fans that she went on trip that was a very Bohemian experience. One
might infer this to mean she was recruited into The Bohemian Club? In which case, she sold her
soul at the proverbial cross roads. The Bohemian Club is a very prominent secret society in the
arts and entertainment industry. Bohemianism is very big on the West coast. I strongly believe
my sister, a successful television producer is also a Bohemian.

ANY organization that operates in secrecy is part of this horrific Masonic crime against
humanity, and the Mormons are no exception. Tiffany Lee, a hardcore Mormon from Salt Lake
City in the picture bellow, was introduced to me by Jim Attberry who runs the Durango Song
Expo. To my surprise she immediately befriended me and over time actively tried to recruit me
into the Mormon temple. Tiffany would often say she could date me only after I joined the
Mormon Temple. Even to date a girl as beautiful as Tiffany I would nevert join such a wicked
organization.
First off the Bible clearly states to take no oath, secondly the Mormon Temples are super
secretive indicating something evil inside, thirdly the Mormon initiation rituals are the same as

the Freemason and satanic churches. Lastly, it was a mob of Utah Mormons who did the
Mountain Meadows Massacre, were Brigham Young order the killing of over 140 Christian
settlers coming into Utah on September 11, 1857. Secret societies love the 911 blood sacrifice
date for many reasons.
As with Lawnee and the subliminal Golf CD, my ex-wife and my fake marriage and many
others, beautiful women have been used by secret societies against me for years, and they are
always blondes.

Tiffany Lee (Mormon)

Professional songwriters are paid to purposely play with our minds and it is all very
Masonically methodical. I would like to single out Chuck Cannon, who wrote a few Toby Keith
hits like How Do You Like Me Now. Chuck Cannons biggest hit was I Love The Way You
Love Me. I met Chuck at the first Durango Song Expo in Santa Yenez, CA in summer 2005.
He had just finished a new record called God Shaped Hole which quickly became one of my
favorites. Though I couldnt put my finger on it, there was always a strange friction between
Chuck and I, the couple dozen or so times we hung out..

Me & Chuck Santa Ynez CA 2005

Chuck, Charity & My Mom Nashville 2007

In spring of 2009, when I started to awake to the nightmare of this whole Nashville music
scam Chuck was one of the key figures who I suspected having some sinister effect on my

situation. And to my surprise, once I figured out how this unbalanced hypnotic music stuff
works, I realized that Chucks record God Shaped Hole is just like Don McLeans Vincent.
Written and produced specifically to attack and negatively affect God loving people like myself,
and to engrain in our minds harmful affirmations. Perhaps it was commissioned specifically for
me. This would not surprise me having now unraveled the immense, expensive and elaborate
attack against me by the music industry and my whole life by secret societies.
Chuck Cannon wrote most of God Shaped Hole with Alan Shamblin a very successful
Jewish songwriter in Nashville that also wrote Miranda Lamberts The House That Built Me.
Irronically, my moms musician friend in John Luskey, who is very popular in Maryland, claims
Alan stole the concept and for The House That Built Me from him. Anyone that tells you the
music business does not steal everything they can is kidding themselves. Its a no holds barred
situation.
On God Shaped Hole Chuck & Alan wrote songs like Poison with an even and
balanced chorus Pick Your Poison(4) which is subliminally pleasing and engrains addiction
into the mind, especially to a recovering addict like me. From Bad To Worse auto-suggests
things getting worse and worse, which is not a positive message. If I Was Jesus(5) A five
syllable unbalanced song mocking Jesus, which Toby Keith recorded and released to radio. Also
there is a song about preacher who tells the truth only to end up homeless. However, there is one
song called Messes(2) that is so accurate to my life, I seriously suspect that it was written
specifically for me.
To really put some gravy on the biscuit, in April 2009 when I called Chuck out on his
participation in my musical destruction via MySpace his responses where arrogant, cold and
filled with negative affirmations. In fact during, and for months after our MySpace confrontation
he left this tag line on his site Three stone walls and iron bars. This line is from his song
Poison; Obviously auto-suggestive of prison; which is one of the most common negative
affirmations I get all the time from secret society members like my home Alarm installers, Cable
guys, friends and other secret society adepts relentlessly intent on my demise.
God bless you Chuck, you know I still love you and I am sorry I have to exploit you like this
but I am trying to save the whole world from tyranny. I hope you understand. I am just telling
the story as I perceive things, and the proof is not in my words but in Chucks songs. I hope this
book sells 8,000,000 copies of God Shaped Hole and makes Chuck a rich man, because even
though I suspect his record was created for my demise, God Shaped Hole has been one of the
pillars of strength which got me through these very tough and lonely times. Id thank Chuck for
one line in particular. Its written on your soul to rise above the crowd, yeah the angels sing
your praises right out loud.

Despite the subliminal auto-suggestive negativity still one of my favorite records.

I strongly believe that many of the people involved in sabotaging my writing and recording
career, also tried to give me hints at the same time. I believe many of them they are even more
tired of this Masonic manipulation than I am. Perhaps now with this book as the ice breaker,
they will come forward, spill the beans and help heal our world.
Despite the fact that nobody every wins a Copy write lawsuit steeling songs, ideas,
melodies, chord progressions, personalities, themes and concepts is common practice and a
regular way of doing business in the music industry.
In fact they dont just steal stuff, they go out of their way to steal stuff, at least that was my
experience. In my adventure they also made it appear that songs I wrote were being stolen so I
would waste my time and money on lawsuits I could never win. Anything they can do to
discredit or exile you out of the creative community they will and do.
To tell you the truth I dont know if the music industry created an idea and melody and then
sent fake friends out to write songs with me in order to discredit me or set me up for an
unwinnable court case. Or, if they took a song that a collaborator and I had created dissected and
rearranged it just beyond the borders of plagiarism. My experience has shown me that they go
both ways and use every possible angle to discourage, destroy and distract people from entering
and learning about the precarious predatory perils of the entertainment business.
I find it very suspicious that songs of mine appear to have influenced some pretty big hits,
and that my co-writers just happened to have personal connections with the people in the artists
camp, labels and publishers that released the similar songs. I also find it strange how the cowriters on the songs in question were always the first to point out the similarities in our songs to
the songs commercially released. However, those co-writers never seemed to be as concerned
about the plagiarism as I. In fact, it seemed my co-writers were acting as more of a catalyst to
get me to pursue the plagiarists, rather than a confidant wanting to join me in our fight against
the Copy write infringement of our songs.
Why would a producer like Randy Cantor, who has several professional song writing credits,
bait me by telling me his publisher wanted us to write specifically for Miley Cyrus? My cowriter Leilah Hayman and I wrote a song called Avatar specifically based on Randys request.
The evidence of Randys as a ring leader in the destruction of The Black Saddles project,
which we will examine in great detail, is overwhelming. It is incomprehensible that he would

actually try to help my career by getting my songs cut. In fact, long after I confronted him on the
deliberate destruction of The Black Saddles project and my music career he still sent me e-mails
that he wanted to write with me. At best, he wanted to write so he could steal my ideas, but in
reality it was probably just another set up, as the attempts to destroy me continue to this day.
Here are a couple texted messages with Randy Cantor months after I had confronted and
disassociated with him. One is to invite me to write on May 6th 2009, when on March 22nd 2009
I discovered the corruption on The Black Saddles project, and confronted all parties involved.
Another texted came the evening my brother and I went into Losers on December 24th 2009,
just to aggravate Music Row by letting all the crooks know I was still around, that I knew the
truth and was still very pissed off about what they did to my record and songwriting career. Out
of the blue within 20 minutes of leaving Losers at 12:19am Randy texted me looking for drugs.
I hadnt heard a peep from Randy in months. Once the secret societies parasites get into your
they never go away, damn fine liars I must say.

May 6th 2009 Asking me to song write December 24th 2009 - 12:19am - Asking for Drugs
There is not a songwriter alive that wont agree that when the moment of true inspiration hits
you the creative flow of ideas come so quick and clearly, they appear to be coming from Heaven
above. Many writers, including me, will tell you that they come from God. My experience after
writing in and around Music Row for four years is that the professional publishing and
songwriting side of the music business is completely corrupt, unscrupulous and cannot be on
very good terms with God.
Therefore I cant imagine that God would be very generous to music industry insiders with
songs, ideas and creativity. If it is true that songs come from God, and many great writers have
professed this, then Nashville knows where the good songs come from; aspiring songwriters like
me who ooze a love for music. So, it would only make sense that they would exploit this
resource just as these evil secret societies exploit every resource on the planet. This is the true
meaning of childrens story The Goose That Lays The Golden Eggs

The Golden Goose theory came to me while watching Top Gun, the pro war Masonic
training film with Tom Cruise. Scientology by the way is a secret society which worships
Lucifer. In Top Gun GOOSE=76615=25=7(Neutral) is the moral compass and he dies, because
Tom Cruise or Maverick=(41459932=37=10(King) or 59995=Bad666Bad) was not following
the rules.
Again THEY love to attract you things that are bad for you like the reckless Maverick,
because THEY want YOU dead. And if you recall Maverick does not win Top Gun,
ICEMAN=(935415=27=9), the highest evil number he is the ACE=135=9 and awarded Top Gun.
So the overall lesson in Top Gun is kill the Golden Godly Goose, play by the rules of
authority, reckless gets the girl, and be cold as ice because all that matters is victory. Iceman is
the perfect example of a heartless, ruthless, calculating Freemason.
Its important when deciphering Masonic propaganda to take a multi-logistical approach at
unraveling their deceptive methods. 1. Crunch the numbers for meaning, patterns and
correlations. 2. Look for symbolic meaning in age old wisdom, art and myth. 3. Consider that the
diversion may be multi-faceted I.E. sound, color, symbol, numerical, linguistic etc. 4. Compare
and contrast your findings and hypothesis across any and all genre I.E. Music, film, TV, books,
The Bible, folklore, news, mysticism and anything else that might be of relevance. 5. Remember
that this encoded information is not for those who dont know, but training and conditioning
material for those who do.
As I was contemplating the word Goose I intuitively came to the realization that the
Mason lesson in the childrens story The Goose That Lays The Golden Egg means to steal the
golden eggs from the Godly goose then kill it. The Goose being good guys and gals like me
pouring their heart and soul into creative endeavors, and the Golden Egg being the Glorious
gifts and ideas that every once in a great while God rewards his true believers with. This is
exactly how the entertainment business acquires quality song ideas, lyrics, melodies and
everything else that comes from pure hearts that are creative for all the right reasons. I am not
special, Nashville steals from everyone, and if they cant steal it, they destroy it.
So the cat is out of the bag on how to write a hit song, all you have to do is write a five
syllable hook that will get stuck in peoples heads or a balanced lyric about something evil,
diseased or deadly; Thus another proverbial crossroad where one must sell their soul to the devil
to succeed in the music industry. Please know that you create your own reality, so when you
chose to cross the line by putting your selfish desires above the wellbeing of others, you have
just sold yourself into a hell that will slowly manifest with each dirty deed you execute over a
life time, and when you die you will be in the hell you created.
So if you still want to be a hit songwriter, be my guest, now you know the recipe.
Personally, I will wait until the evil clandestine cabal crumbles and goes straight to hell. Oh
yeah one more thing, you also must know the theme word to write around, but the only way to
know what this constantly changing word is to again sell your soul and join the cesspool of
secret society scumbags in the music industry.
This theme word is why a flurry of songs come out all with the same topic. The only one
I ever knew about for sure was mud, but as I understand things it changes quite often. This
could also just be a smokescreen lie to cover up the real secret of songwriting, Abracadabra.
I strongly believe that this theme word corresponds with whatever evil incantation or
manipulation the powers that be are indoctrinating into our minds so that they can influence and
direct our reality by influencing our beliefs. I find it rather interesting that two big songs that

came out right before the Nashville flood were Water by Brad Paisley and Rain is A Good
Thing by Luke Bryan.
Note Rain Is A Good Thing just hit number one July 11th, and for the past two weeks the
South East has been getting rain every evening straight from the Gulf, which has trace amounts
of Corexit, the BP oil spill disperse chemical. The rain the South East getting is not a good
thing. Its poison. My throat has a baby soreness to it recently and my client who lives in New
Orleans tell me many his friend are getting sick. The BP spill was simply anther sadistic plan to
kills people.
The most common method used against me by Nashvilles Music Row was to send in fake
friends with similar interests as mine, mostly conspiracy theorist types, to lure me into trouble
and/or milk me for ideas in the casual atmosphere of friendship. These false friends would then
turn right around and deliver our concepts, content and context to the writers, publishers,
producers and artists who prey on the innocent like vampires. This is how THEY get the golden
eggs from the goose.
Not only were ideas stolen directly from our collaborations, these fake friends also brought
ideas and melodies to our writing sessions that where derived from previously released or about
to be released professional songs with the sole intention of luring me into Copywrite
Infringement lawsuits, designed in advance to discredit me, and more importantly waste my time
and money. This is how THEY kill the Godly goose.
This is also why none of the writers involved, which I am about to introduce to you, had any
concerns or passion to pursue the infringements which were also against them, as they co-wrote
the songs. Recently another writer I know told me she had heard this same nightmare happening
to a writer friend of hers, I am sure it happens to everyone.
One of the first warnings I wish I would have heeded, that Nashville operated precariously
came from, Amanda Williams, daughter of famed songwriter Kim Williams who wrote countless
hits including Aint Goin Down Till The Sun Comes Up for Garth Brooks; the most
successful country song of all time. I have always been suspicious of Amanda since the first day
I meet her in Santa Barbara at Durango Song Expo back in 2005.
On the first night I met Amada we were out having a smoke in the front of the hotel and she
tried to convince me that Lucifer was the true God of light. To this day I can still see her lips
move in slow motion, as I had actually had never met anyone in my life who so passionately said
something so shockingly sinister. I now know that all Masons believe Lucifer is the true god.
Amandas honest admission way back then should have been my warning to run. No wonder
Amanda named her daughter Lilith the demoness of infertility, unabated love, pedophile
carnivore and supposedly Adams first wife who left the Garden of Eden to fornicate with
Archangel Samuel. Trust me people, there is some freaky s Wicca crap going on with the
Masons who run Nashville and Music Row.
The following year in 2006 I met Amada again at Durango Song Expo, and this time I gave
her and her friend Leilah Hayman a ride from LAX to Santa Barbara. Leilahs mother is
Melanie the 1970s pop start who had the hit Brand New Key (I got a brand new pair of
roller-skates). Its about a two-hour drive from LA to Santa Ynez, and on the way we listened
to each others music. I played the hard rock album I made with my old band Riot Water. I
found Amanda and Leilahs interest in my music quite flattering. Please know that flattery is
another common trick used to manipulate people as it causes your body to release the same
chemicals as fear.

Later that evening at the Santa Ynez Marriott Hotel Amanda introduced me to a very
talented kid Will Champlin, son of Bill Champlin of the band Chicago. Will needed a place to
stay, even though his family has a house in Santa Barbara, so I gave him a key and let him stay in
my room. In my room that night Amanda, Will and I attempted to write a song but it really
wasnt going well, being three strong headed artist going in different directions, we had a hard
time finding cohesion.
As a side-shoot conversation to our writing session I began to tell the story if Jezebel the
wife of Ahab, king of Isreal and how she was a wicked, shameless whore of a woman. Our song
writing session ended unproductive, then Amanda left the room and Will and I went back out to
the plethora of songwriters carousing about the hotel.
To my surprise the next evening at the Durango Song Expos song writers showcase, a
four-hour presentation of songwriters who had submitted songs months before the Durango Song
Expo, and had been chosen to play in front of the 300 plus audience of amateur attendees and
music industry professional, Amanda went up on stage with two other song writers from
Nashville, Ken Johnson and Andy Zack to play a new song they had written the night before.
To my startling surprise the song was about Jezebel.
I was heartbroken, not that they took my idea and wrote a great song, but that I was not
given even the slightest bit of credit. Other than a casual comment to Amanda, Ken and Andy I
didnt make a big deal of this since I was the new guy trying to get my foot into the business of
songwriting. I was also still living in Newport Beach California and seriously considering
moving to Nashville. I figured one idea was a small price to pay to retain their friendships.

Me & Amanda Williams

Me & Andy Zack

Andy Zack & Ken Johnson

As far as I know the Jezebel song never amounted to anything, but I do believe Ken
Johnson put it on one of his records. However there have been a couple of my songs that appear
to have mysteriously mutated into big radio hits and the co-writers who I wrote these songs with,
just happen to have close personal relationships with artist's, publisher's or record companys
camp of crusaders on Music Row.
I do not know whether these songs were written by my co-writers and I, then plagiarized.
Or if my co-writers brought the essence of songs in question to the writing session with the
intention of discrediting me and coercing me into wasting time and money pursing lawsuits. All
I can say positively is that there is definitely a corrupt connection of creativity between these hit
songs and some of the songs my co-writers and I wrote. In my opinion it went both ways, songs

were plagiarized and material was deviously brought into our writing session in an effort to
ensnare me, but as always God has my back and if you are reading this, THEY are now the ones
who are caught in the noose.
Tim Hellard is a very talented writer/artist from Kentucky who I meet through Amanda
Williams. Tim and I wrote a song called So You Wanna Be A Redneck on 11-11-2006. That
is so wild, I just looked up the date we wrote that song on 11:11. 11:11 is the universal number of
AWAKENING in true numerology.
Anyhow, the following year on 6/26/2007 a song came out on the radio 100% Cowboy
by Jason Meadows with suspiciously similar lyrics. Jason Meadows was second runner up on
Nashville Star in 2005. It was Timothy Blair Salter (Initials TBS like The Black Saddles,
coincidence?), another co-writer and guitar player in The Black Saddles who continuously
pointed the similarities of Redneck and 100% Cowboy out to me. Tim Salter has a huge
hand in the destruction of THE BLACK SADDLES project, he comes from a long line of
Fraternal Order Police in Houston TX.
Below you find that it is clear to see that one of these songs came from the other. Since I
only wrote half of the song, I have to take Tims Hellards word for it that he didnt plagiarize
Jason Meadows song. Tim Hellard promised me that not only did not borrow from 100%
Cowboy; he didnt even recall ever hearing the song, which has to be true because Jason
Meadows song came out seven months after we wrote So You Wanna Be A Redneck.
Tim Hellard is one of the best writers I have ever written with and our song So You Wanna
Be A Redneck is much better writing technically than Jason Meadows. In fact some of
Jasons lyrics dont even make sense. Whoever wrote/plagerized 100% Cowboy seems to
struggle with the same words and concepts Tim and I wrote in So You Wanna Be A Redneck.
This incident was long before I discovered the corruption in Nashville, and at the time I was the
furthest thing from suspicious.

Me & Tim Hellerd (Illuminated Horns) @ CRS 2009 / Texted Msg From Tim Xmas 2009
In April 2009 I confronted Tim on his participation in the corruption of The Black Saddles
and my music career project and informed him of all the sinister stuff I had discovered about
songwriting and the music business. He like everyone else said I was crazy. I had not talked
with Tim prior to the out of the blue text message above since August 2009. This texted came in

the day after the Losers incident when Randy Cantor texted out of the blue asking for drugs.
Its now June 30, 2010 and I have not heard a peep from Tim Hellard since this texted December
2009 message. Which is not that strange because EVERYONE I knew from Nashville and the
music business scattered like ants when I began aware of the corruption.
Below are the lyrics to my and Tim Hellards song So You Wanna Be A Redneck and
then the lyrics to 100% Cowboy by Jason Meadows. Please notice the quality of writing,
Redneck's songwriting craftsmanship is miles above 100% Cowboy This leads me to
believe that 100% Cowboy is the copycat song, but I cant prove it and nobody in Nashville is
talking. All I can say is they are very similar.
I do remember meeting Jason Meadows several months prior to his 100% Cowboy
release at a Hory Pro fish fry in their parking lot in Nashville. At that time a demo of So You
Wanna Be A Redneck that Tim Hellard, Dereck Stienson(Tims guitar player in Tims band
Sugar Cane) made in my home studio had been given to several people in Nashville,
including me personally handing it to the president of Broken Bow Records Paul Brown, who
loved it. Tim Hellard also recorded a studio version in Nashville with Bret Mason on guitar, so
Redneck definitely made its way around Music Row.
Lastly, please note that that Jason
Meadows is on the same label as Taylor Swift, this is important as you will see in a minute. So
check out these lyrics a see what you think?
SO YOU WANNA BE A REDNECK
By Tim Hellard & G-Stone(Me)
Written 11-11-2006
So you wanna be a redneck? Gotcha John Deer hat
Belt buckle says Pasbst, Skoll ring on the back pocket of your Wangler jeans.
Catapillar T-shirt, Hank Jr. Concerts
Deer huntin expert, Frontin in your new Red Wings.
But you dont know what it means!
I roll up my sleeves when theres mouths to feed,
A hard working man is a dying bread
These ol boots they aint for show,
I dont get paid if the crops dont grow.
Now you got yourself a hick profile,
But its my life not a lifestyle.
Clothes dont by you no respect!
So you wanna be a redneck? (Lord Redneck)
Fish hook on the bill, Never owned a rod and reel
Never seen a liquor still, Or had a shot, of grandaddy pure grain
Marlboro wet lippin, Bandit pouch puss dippin
Lite beer nurse sippin, P Diddy line dancing fool
You outta be ashamed! Cuz you dont know what it means?

Roll my sleeves up, got to earn and honest buck

And keep it out of poverty pain
Week to week, check to check, makin sure ends are met
If they aint Im to blame
Now your daddy bought you a brand new truck
Rebel flag all jack up
It still dont get you no respect.
So you wanna be a redneck? (Lord Redneck)
Well I am up at dawn, down on the farm, Busting my back tills the daylights gone
Feedin my kids, food from the ground, Another family hand me down.
So think about this next time you dress, What you got on is my Sunday best
And it still dont get you no respect.
So you wanna be a redneck? (Lord Redneck)
So that is So You Wanna Be A Redneck which you can see is about spoiled wanna be
posers acting like they are rednecks and cowboys. Now check out Jason Meadows 100%
Cowboy and judge for yourself which song came from which?
In addition to the entire concept and the aggressive country rock style being exactly the
same, other than Jason Aldens Hicktown there really werent any hard rockin, quick delivery
country songs out when we started shopping Redneck around Nashville in January 2006.
Seven months before 100% Cowboy was released. I am going to highlight the lyrics in
question so you can see how similar these two songs are. Also be sure to cross reference the
songs and decide who said it better, not to mention Jasons song doesnt even rhyme or flow in
rhythm.
100% COWBOY
By Jason Meadows -Release 6-26-2007
I dont claim to be John Wanye, Riddin cross that silver screen
I aint that picture in your head, All these modern day wanna bes
Im just proud that I can say, I dont wear this hat just for show or fame
And if you dont like who I am, You got momma,
daddy and good Lord to blame, Amen
Im a straight up, no joking, buck knife, gun totting
Give you the shirt off my back.
Well Im up at the crack of dawn, work till the suns gone
I aint got time for no crap.
No Im not one of them posing pretty boys
Im an every day, all the way 100% cowboy

Ive always tucked my shirt in,

Ive creased my Wrangler jeans
And I dont do it cause
its who sombody said I outta be
Yeah when Im lyin in that old pine box
And all my family is gather around
Theyll say there goes a dying breed, six feet in the ground.
No Im not one of them posing pretty boy
Im an every day, all the way 100% cowboy
A couple other details to notice which appear to be conceptually taken from our song is
the Joking as we were making fun of the poser, and the hunting theme with the buck knife,
gun toting which was apparently inspired by our Deer Hunting line.
I laugh a little when I read Jason 100% Cowboy because its obvious that the concept,
exact words and vocal delivery were directly lifted from Redneck, in addition some of Jasons
lryics almost make no-sense or are just stupid. For instance: I dont wear this hat for show or
fame nobody says that, they say boots. Also Ive creased my Wrangle jeans that doesnt
sound like a cowboy to me, sounds like a poser wanna be. You be the judge because 100%
Cowboy made a nice chunk of change, which in my opinion belongs to Tim Hellard and me.
In August of 2009, Tim Hellard after months of suspicious absence called me to tell me that
he heard another one of our songs Cowboy Kryptonite had been re-written by some other
writers, and that Hory Pro Publishing was intending to pitch it to George Strait. Once again I
find it strange because the original concept of Cowboy Kryptonite was Tims, he didnt seem
to be as concerned about it as I was. I suspected he was just checking for Hory Pro to see if I
really acquired the Trademark for Cowboy Kryptonite, which I did. I have heard nothing
Cowboy Kryptonite since.

Trademark for Cowboy Kryptonite

Cowboy Kryptonite Ladys Shirts

However a, very popular song that may have been influenced by Cowboy Kryptonite is
Carrie Underwoods Cowboy Casanova written by Bret James who just happened to be
writing over at Randy Cantors house while Randy was mixing The Black Saddles project,
which included our recording of Cowboy Kyrptonite. Both songs have very similar motives
only the male and female rolls are flip-flopped, with a very similar titles, but completely at odds
in execution. I even gave Bret James a Black Saddles shirt the day I saw him at Randys
writing. I had meet Bret before at the Durango Songwriters Expo. Only Nashville knows for
sure if any of these songs are related, but they sure seem fishy to me.
I grew up on the West Coast in Southern California and had the pleasure of experiencing
first hand and in person the explosive creativity of arena rock, glam rock, grunge, techno, new
wave, alternative, hip hop, rap, reggae and punk rock. This has had a direct effect on my music
and songwriting. I purposely came to Nashville to try and fuse the raw energy of this music with
the finely crafted songwriting skills of country music, which is why I named my publishing
company at BMI Ton Of Bricks Music. I always knew I would hit Nashville like a Ton of
Bricks, I just never imagined it would be like this.
Stay tuned because this tale just keeps getting crazier. One of the people I bonded with at
the Durango Song Expos and had a consistent songwriting regiment with was Leilah Hayman.
Leilahs mother is Melanie the 70s pop star with the hit song Brand New Key. Also her
father Schekeryk, had some respectable success in the 70s producing rock acts and Melanie.

Melanie On The Johnny Cash Show Me & Leilah Hayman Nashville 2007
Throughout 2007 Leilah would come to my home in Brentwood, 15 minutes from
downtown Nashville and Music Row, on Thursdays to song write. Wonderfully, she would
usually have melodies without words ready to go, which was great because words are my strong
point. Together Lehlia and I wrote some really great songs, one in particular was called Over
And Over which we wrote on June 21st, 2007. It was a fresh blend of pop country, Southern
California alternative and sappy teenage girl love angst. This was pretty much indicative of all
the songs Leilah and I wrote. Does this sound like anyones music you know whos really
popular these days?
I hired Kim Copland, my demo producer, the one who serendipitously smashed her SUV in
Randy Cantor my record producer on The Black Saddles project, to produce the Over And
Over demo. Leilah and I passed this song around Nashville and got a lot of great feedback.
We were pitching it for Hanna Montana, as Leilah had a contact a Sony who loved the song.
Also, Leilah reported back multiple times that Liz Rose, who supposedly wrote much of Taylor
Swifts music, loved what we were writing and wanted to write with Leilah. Things looked
pretty good for Over And Over to be recorded, or at least we had a foot in the door to write.
A few months later Taylor Swift exploded onto the music scene with her song Tim
McGraw, and then exploded with Our Song followed up by Love Story. Leilah was the
first to call me and tell me that her young daughters pointed out to her that the melody and
chorus of Love Story was very similar to our song Over And Over, as well as it having the
same theme of a song Leilah had written on her own called Cinderella. Honestly, I didnt
really hear the similarities in the melodies of Over & Over in Love Story, but I took
Leilahs word for it since she came up with a majority of the melody. I did however sense a real
close feel to the lyrical delivery which was interestingly close to Over And Over, but nothing
concrete enough to make a fuss over.

The strange thing was that Leilah, had been telling me about her interactions with the guy at
Sony and Liz Rose for months, but she didnt seem to be interested in pursuing the possible song
theft, even though the closest connection to Taylors song Love Story was Leilahs
Cinderella, so I didnt pursue it either.
Then in spring 2009 when I discovered that The Black Saddles had been a sabotage, I
realized everyone I had been recording and writing music with were screwing me over.
Next Taylor Swift came out with You Belong To Me(5) which wreaked of my and
Leilahs writing style. It had a very similar feel to all our songs and the same theme of a song we
had crafted called Avatar about a high school love affair. This time I called Leilah and told
her that Taylor Swifts music seemed to be paralleling ours in vibe, story and feel very closely,
so I inquired in more detail about her interactions with Liz Rose. To my shock and surprise
Leilah denied ever even meeting Liz Rose, which threw me for a loop, because my girlfriend
Charity who was often at the house when Leilah and I wrote also remembers multiple hopeful
stories about Liz Rose liking what Leilah and I were writing.
I quickly realized, like the incidence with So You Wanna Be A Redneck & Cowboy
Kryptonite it was another set up. But the big difference this time around was like the chicken
and the egg, I dont know if the melodies that Leilah brought to my house came from Taylor
Swifts songs, which would be strange because they hadnt been released yet, or if Taylors
songs came from ours. At this point it really didnt matter because I knew there was something
fishy about the whole Liz Rose and Leilah relationship.
Then as if things couldnt get any stranger Charity and I went out to The Bluebird (THE
place to see profession songwriters in Nashville play live) and just happened to catch Liz Rose
playing in a writers round. I had no idea Liz was going to be there. Right when Liz Rose started
to play my blood began to curdle, because Liz Rose straight up sucked. She was horrible, that is
when I strongly suspected foul play. If Liz Rose wrote Taylor Swifts songs, I am a monkeys
uncle.
I know I have only been studying song writing for about four years professionally, but I am
very smart and I have studied with some of the best songwriters Jeff Steele, Kim Williams,
Chuck Cannon, Chris Lindsey, Big Al, Bob DePiro, Leslie Satcher, Hillary Lindsey, Walt
Aldridge, Jason Blume, Craig Weisman, Doug Johnson and a bunch more. I know what a pro
songwriter sounds like and up close at the Blue Bird Caf Liz Rose hasnt got what those folks
got. I would be very curious to see what else Liz has written since.
On top of that Taylor Swift can barely sing as proven by her Grammy performance with
Stevie Nicks. I know enough about music to say that there is a slim chance in hell that Taylor
Swift and Liz Rose wrote all Taylor Swifts music without stealing ideas and a whole lot of
help.
Once you understand how difficult is to write a great song, even for the best writers, you
would realize that the types of melodies, craftsmanship and brilliance in Taylor Swifts music
could not be created by the subpar musical talents of Liz Rose or Taylor Swift. Its just another
big fat Masonic lie pushed onto the public to make little girls believe that Taylor wrote all that
music..
Taylor Swifts father is a big time wealthy Mason and Taylor is a Freemason creation to
rally the Masonic youth with her 13s=4(Mason) and 54s=9(54 is the Highest Unbalanced Evil
Number Combination) painted on her hands and her clothing.

A couple serendipitous things: Taylor Swift has a song on her record

Stephen=1257855=33 which is another Masonic reference to a 33 Degree Mason, and the
guitar Taylor slept with in the Tear Drops On My Guitar video is a Taylor Doyle Dykes
signature model. It is a very rare guitar and I just happen to own one. Its the guitar I write all
my songs on, very strange. Is it possible that this too was all staged because THEY knew I was
going to be the one to expose this historical Masonic crime against humanity? I dont know, but
somebody does.

Taylor Swift w/ Doyle Dykes Guitar

My Doyle Dykes

Me & Doyle Dykes

Another interesting twist to this whole Taylor Swift saga is the whole time that Jesse
Keith Whitley and I were working together he would tell me stories of his personal verbal
confrontational encounters with Taylor Swift at the mall, business offices and back stage at the
Grand Ol Opry. Jesse also said that he and Taylor used to be good friends and then she turned
into a bitch after she made it. Ironically though, when you look at Jesse Whitleys new MySpace
page he displays Taylor Swift as a friend and even hypes his relationship with her into his bio. I
am sure it was all just part of the ploy to destroy and discredit me.

But the story gets better as we start to explore the motives, relationships and bribes. The one
company that surrounds my entire tale of terror is Taylor Swifts record company Big Machine
Records, as they have way too many personal connections with my misadventures in Nashville.
The most recent being a new song by Justin Moore called Backwoods which sounds in
lyric, rhythm and attitude an awful lot like Tim Hellards song Southern Fried mixed with
So You Wanna Be A Redneck and another song of mine Sweet Southern Nights.
Backwoods was written by Jeremy Stover who produced Daniel Peck on Valory Music
Group a sub label under Big Machine Records. Jeremy is another acquaintance of mine from
Durango Song Expo who has heard most of my music.
And of in Masonic fashion Justin Moores song is an Abracadabra(5) chorus to twist our
brain Out in the Backwoods(5) Out In The Hollar(5) Without a doubt the lyrical delivery
of the verses is undeniably from Tim Hellards song Southern Fried. Justin Moores first hit
was Small Town USA(5) also abracadabra. I took the picture on the left, notice Jeremy
giving me the Illuminated Horns.

Jeremy Stover/Jason Sellers/Shannon Neese/Julie Newton Me Alissa Moreno Jeremy

Scoot Borchetta is the president of Big Machine Records(5) and Valory Music Group.
Scott came from Southern California and these are both sub labels of DreamWorks.
DreamWorks of course is David Geffen, who is a know member of the Hollywood gay mafia,
the inner power circle of the West Coast entertainment business.
Heres where everything starts to come together, no pun intended. Jeff Olde, my sister
Suzanne Gladstones ex-business partner, is a rainbow waving member of the Hollywood gay
mafia. Sue and Jeff had a television production company together in Los Angeles and she also
worked for him off and on at MTV & VH1 as a producer. Pretty much every television show on
VH1 is executive produced by Jeff Olde.
In 2008 out of the blue, my sisters old friend from VH1 Claire McCabe was sent out from
VH1 to CMT(Country Music Television) in Nashville, to supposedly run their reality television
development. I met Clair at CMT shortly after she came to Nashville and we went to lunch,
where she insinuated that they were looking at Lorrie Morgan to do a reality show.
Coincidently, Jesse Whitely about four months earlier hinted at the same thing. I now realize this
was all a scam to encourage me to sink more money into The Black Saddles and Jesse Whitley.

Clair and I did not keep in contact at all, but in November 2009 my sister came to visit and
we all went to lunch. Strangely, in March 2009 when we tried to go to radio with the sabotaged
mix of So You Wanna Be A Redneck Clair called me out of the blue and asked if I had an
entertainment manager, and suggested I get one. It was just, another lie to encourage me to
waste more money.
At the exact same time Dave Aron was in Nashville destroying The Black Saddles record at
East Iris Studios. VH1, MTV, FOX and International Humanities Center were involved in a
financial scam in my brokerage business designed to get me kicked out of the financial business
for unsolicited trading and money laundering. Unfortunately for them, I completely un-foiled
their scam from the start and reported it all along the way to the financial authorities; but in true
Masonic/Illuminati fashion it was covered up by the SCE (Securities Exchange Commission),
NASD, FINRA and The United States Treasury Dept.
This financial debacle is the #1 reason nobody I name in this book will come out against me,
because the fish I can fry is way bigger than anyone in the entertainment business. I can prove
beyond a doubt that entire banking system in the United States, and the world for that matter, is
completely controlled secret societies. Also that ALL secret societies are ALL part of the same
criminal Lucifarian cult which is overseen by the Illuminati and implemented by the Freemasons.
If I had to guess who had the power, position and motive to be the top ring leader of the
entire entertainment coup against me I would say it was Jeff Olde a very powerful executive at
VH1 & MTV. Jeff had screwed my sister over on every television project they did together, and
at a party at his home in Hollywood a few years back, I called him on it. Now you know why
my own sister is trying to have me committed to a metal facility, even she is in on this cabal
against me. This picture below is the night I called Jeff Olde out on his screwing over my sister,
which my sister was none to please about. Neither was Jeff I guess.

Jeffs Lover

Suzanne

Jeff Olde

Scott Borchetta Big Machine Records

Back to Big Machine Records and Scott Borchetta (An Italian Illuminati); In addition to
the Taylor Swift hoopla between Jesse Whitely, Leilah Hayman and Liz Roz; Big Machine is
the record company behind the television show, Can You Duet on which Scott Barcheta is also

a celebrity judge.
Heres where things get very interesting Leilah Hayman made it onto
Can You Duet with her sister, but did not progress very far. Another co-writer of my Tony
George who was the first person I meet on my initial visit to Nashville in August 2005 was also
on Can You Duet with his duet George Black, more on Tony in a minute.
The biggest Big Machine red flag occurred right after I figured out that the whole Jesse
Whitely and The Black Saddles was all a sham to waste all my money and discredit me
involved Big Machine recording artist Steele Magnolia, who coincidently won Can You Duet.
I was at a party at Jan Edwardss house, a lady I had co-written with once or twice, who I
had met by introduction from my song writing friend from Durango Song Expo, Jay Morley.
The same Jay who put me in touch with Jay Vern at Jays place where my first my demo God
Bless The USA was sabotaged.
Anyhow at this party I met Josh Jones and Meghan Linsey soon to be the winners of Can
You Duet, under the name Steele Magnolia(5). This was a few months before that show in
2009. Josh and Meghan played at Jans party and I thought they were phenomenal. Josh and I
hit it off right out the gate and he came out to my Escalade to hear some of The Black Saddles
music, which he loved even though they were my ruff mixes. I told Josh he and Meghan had
something great going, but I was overwhelmed with The Black Saddles fiasco.
Over the next few weeks Josh called me aggressively trying to get me to produce he and
Meghan, but having discovered that the entire Black Saddles drama was a calculated ploy to
destroy me I quickly sensed that Josh was up to the same. Josh also reminded me a lot of my
dead con-artist Illuminati friend Hollywood Joe, so I was skeptical of Josh from the start.
I know Josh and Meghan wont be happy to hear this story, but I assure you had we gotten
involved, they would have never won Can You Duet, because Big Machine would have been
happier seeing me spending my time and money on Josh & Meghan. So best of luck to Steel
Magnolia, as Josh and Meghan are just about the two most truly talented folks I have met in
Nashville.

Josh & Meghan - Steel Magnolia

It appears to me that an entry slot into reality television shows was compensation for
peoples involvement for screwing me over. Amanda Williams also got a shot on Nashville
Star where Jason Meadows came from, but didnt make it

Now let me really blow your mind, because this is where this Freemason shit gets really
weird. Late in the evening on May 7th 2010 at 10:19pm=911(THEY purposely picked the time),
I was polishing this chapter and had just arrived at this paragraph about Jan Edwards, Steel
Magnolia & Can You Duet, which was a total mess. I was pretty tired so I stopped to check my
e-mails and FaceBook on my Iphone. Right when I did, Jan Edwards, who I have not heard
from since Summer 2009 when I sent her an e-mail about the set up with Steele Magnolia at her
house party, sent me a request to be friends on FaceBook. Right when I came to her name in the
paragraph.
Obviously, this synchronized timing was a scare tactic letting me know that THEY are
somehow reading everything I am writing even though my computer is not connected to the
internet. Out of a 800 page book (This music book Occupy Nashville is just one chapter from
the original 800 page book I wrote called Preventing Singularity. Jan Edwards is
mentioned once in 800 pages and I get a Facebook request the exact minute I come to her name,
when I havent heard from her in 9 months? I am telling you folks this nonsense does not stop,
and its so beyond criminal, its sadistic, cruel and supernatural. Here are the Face Book photos
from that evening.

Jan Edwards

May 7, 2010 10:56pm

Next Morning May 8, 2010

Its important to remember I just woke up to all this on craziness March 22nd, 2009, so this
stuff is as new to me as it is to you. One of the reasons I am writing all this out is to help me
figure how all this clandestine Masonic manipulation works. Since then its taken a lot of
meditation, recollection, going through audio and video, notes, pictures, dates and other stuff to
piece this puzzle all together and figure out many of THEIR tricks and tactics.
I remember the exact moment when the entire sabotage songwriting with fake friends
suddenly became clear to me. On February 1st 2010, I was driving home from Texas to Nashville,
which is a long drive and gave me plenty of butt time to think about all this insanity. Gretchen
Wilsons Here For The Party(5) came on the radio and as I listened to her lyrics, it all came
to me in a flash of clarity how the whole songwriting escapades were executed by my co-writers
to discredit me and attempt to lure me into lawsuits I could never win.
One of the last songs I wrote before quitting songwriting, due to all this corruption, was with
my guitar player in The Black Saddles, Tim B Salter(TBS). I was a song titled Taste Of
Yesterday(5). As I was listening closely to Gretchen Wilsons Here For The Party(5) I
realized that Tim had purposely directed our song Taste Of Yesterday(5) to mirror Here For

The Party(5). I distinctly recall Tim insisting on a few specific lines which solidifies my
theory that these co-writers came to my house with prepared material specifically aimed at
setting me up.
Tim Salter was in on The Black Saddles sabotage plan from the start. I met Tim through
Will Champlin, who I met through Amanda Williams. Anyhow, Tim was always broke but he
pushed me to pay Kim Copland to demo Taste Of Yesterday(5) and he picked up half the cost
$400. Knowing that Tim was in on my sabotage the whole time, and aware of the fact that
Nashville was trying to destroy me, why would he invest his own money in a demo he knew
would never get cut. The only answer is Tim was trying to lure me into another songwriting
lawsuit.
I strongly suspect the album he made in college may have been his compensation, its titled;
And To My Surprise(5) abracadabra. The picture on the right is at an ASCAP #1 award
party for George Straits song Give It Away(4) balanced chorus, but about divorce. George
also sings the chorus Just Give It Away(5) . I won a toaster and Tim won a lamp signed by the
song writers Jamie Johnson & Buddy Cannon. These items are actually from Jamie
Johnsons divorce. However in April of 2009 when I discovered all the corruption against me I
tossed the toaster and all music memorabilia out as I didnt want anything to do with the music
business, especially the personal property of people I know to be Freemasons as Freemasonry is
satan worship.

Tims Final Project At Berkley Music Jamie Johnson

Me

Buddy Cannon

Tim

Its important to note I only started listening to country music in 2005 when I began
attending the Durango Song Expos, so I am not hip to every song or artist. Anyhow, I
remember in perfect detail sitting on my upper deck at my home in Brentwood writing Taste Of
Yesterday and Tim baiting me with the story line by suggesting very stupid lyrics for our song.
He would then sit silent as I thought deeply to come up with the just the right line. You might
think it crazy but I am convinced at that moment Tim was transmitting lyrics into my head, It is
this exact Revelation that has lead the way to all of my discoveries about how Freemasonry
really works.
Listening to Gretchens Here For The Party I realized Taste Of Yesterday was the
same concept, attitude and story, but I know for a fact now that Gretchens song was written and

released before I even started listening to country. Something about the way Gretchen sang her
line I wear my jeans a little tight caused the light to go off in my head and I new positively
that Tim Salter guided us to write a duplicate Here For The Party. The opening line, which
Tim insisted on while writing our song, was; She took the pliers out zip up them tight jeans.
With everything that had happened between 2005 and 2010 I was highly suspicious that my
co-writers had set me up, and now with this prescient experience I knew it for sure. Once again I
would like to thank the Masons for sending in another dumb ass like Tim Salter to try and sucker
me. The high power Freemason are always to big of cowards to come themselves so they always
send in the rookies.
Still rolling along on my long drive from Texas I carefully reflected on all my writing
sessions with all my suspect co-writers and I clearly remembered in every writing sessions these
writers suggesting half ass ideas, then quietly waiting for me to come up with the line. There is
not a doubt in my mind that this is what led to our songs being similar to the stories I shared with
you earlier.
I clearly remember in every song I have ever written what lines and parts came up with and
what the other writer came up with. The only question I have left now is how did they get the
lines to pop into my mind? Do these people actually have the ability to put thoughts in our
minds? I suspect that they do, and its highly likely that while I was concentrating so hard to
come up with the perfect line, they were concentrating to telepathically put it in my mind. I
know that sounds crazy, but I was there and I cant see any other way it could have happened.
The four writers I know for a fact this occurred multiple times with are Tim Salter, Leilah
Hayman, Tim Hellard and Tony George.
The onl exceptions are 100% Cowboy and Backwoods which I am nearly positive
came from So You Wanna Be A Redneck, Sweet Southern Nights & Chicken Fried,
which Tim Hellard and I definitely wrote first. But then again Tim Hellard is a Freemason so
who knows.
One very interesting side story on Tony George, about six months before I discovered the
whole Black Saddles scam, Me, Charity, Tony and his now ex-wife Tina were out drinking at
Losers, and Tina made the strangest comment about their farm, money and me. I didnt catch
exactly what she said, but I could tell she was pissed at me for something about money. Now
looking back I cant help but wonder if the farm Tony purchased had something to do with me, a
payoff perhaps. Along the same lines, at the end of The Black Saddles fiasco Jessie Keith
Whitley bought a house. If this story ever goes anywhere I would love to do some financial
auditing as I highly suspect people were getting paid to screw me over.

Tim Salter/Tony George/ Me

Charity

Me

Tony & Tina

Tony on his farm

I had not heard from Tony since this incident, and then in January 2009 he sent me an e-mail
that he got signed to write with Randy Boudreau and had his own office on Music Row.
Charity and I went to meet with Tony George and he had a great singer with him who Tony said
he was managing. The singer was wearing the Masonic/Illuminati Saints logo on his necklace.
Tony was trying to lure me into producing this guy, then I dug into Tony about all the corruption
and how fucked Music Row was and questioned him on his involvement. Needless to say I
havent heard from Tony since. However, justice has been served as Tony lost his wife, family
and farm. Bad things happen to people who screw me over.
In the picture below picture on the right is one of the nicest guys you will ever meet in
Nashville, Earl Bud Lee. Have you heard of him? Earls is one of the most messed up stories I
have ever heard come out of Music Row in Nashville. Earl Bud Lee is the guy who wrote the
biggest country song ever which was recorded by Garth Brooks, maybe youve heard it?
Friends In Low Places(5)
Earl got screwed out of his publishing on this song and all the money went to crooks, liars
and cheats. My best guess is that Friends In Low Places has easily made over $10,000,000
dollars and counting. Earl gets none of it, even though his name is listed as the writer. Look it
up, it is the truth. To make matters worse the Nashville police accidently killed his son.
Welcome to the real Nashville.

Me, Carley & Earl Bud Lee

Heres one more for all the country fans. Big-N-Rich, Musik Mafia and John Rich. I have
to bring these guys up because rumor has it their big hit Save A Horse, Ride A Cowboy was
written and stolen from a writers workshop that John Rich gave.
Lets crunch some numbers. Big=297=18=666 N=5 Rich=9938 or 29(911)=11=2 all
together Big=9 N=5 Rich=2 =16= 7(Masonic G) Or Big=9 Rich=11= 911 and N=5 which
means bad for you. In syllables Musik=2 Mafia=3 soAbracadabra. Or Musik=43192=19
(Companies active in The Great Work aka 911) notice the spelling with a K. And
Mafia=41691=21=3, so Musik Mafia=13.
John Rich is a very talented musician and writer, but without a doubt his success came from
his Masonic connections. His song Tearing Detroit Down(5) is a joke since the Masons are
related to the Illuminati banking cartels that destroyed manufacturing in America. Also his

biggest hit Lost In The Moment(5) is of course a five syllables abracadabra. Trust that
these names are well thought out, and its all ass kissing to the pyramid structure of power.

Me & John Rich Horns 2008

Illuminati/Freemason Power Structure

I elected to not pursue litigation on any of my songs or music since the whole Nashville
system is designed to screw artist like me every which way they can. I would just go broke
fighting the corrupt system. This whole book is my testimony as I perceive and recollect the
incidences. I am writing as close to probability and personality to provide other and artist my
perspective so that it may help them to research their own misfortunes in the music business.
Its important to note that I suspect that many of the players in this puzzle, and most secret
society members are brainwashed to the point where they perform deviant duties for the
establishment and are completely unaware that they are being used as pawns. I really dont aim
to point fingers at even the guiltiest party or seek retaliation. I just want the music business and
the world to get on with evolution and live in Truth & Love.
Should any retaliation come from the people or parties mentioned in this partial examination
of my misadventures in the music world, the logical legal angle for me will be to pursue with the
Rico Act and other organized crime laws, which state that all parties are guilty of all crimes
committed by a conspiracy or illegal organization. Not to mention that since the entire basis of
secret societies is based on discrimination of non-members it opens up a whole other can of
worms with respect to hate crimes and human rights violations.
To all members of these secret societies, high or low, innocent or aware let us let by-gones
be by-gones and all come together to peacefully enlighten the masses, for even with the total
cooperation from those truly in control, our chances of awakening the world peacefully are very
slim. Still our chances are better than the illuminatis plan of totalitarianism, which is sure to
turn to revolt and the complete destruction of the human race through civil war. This is really
what the head of the secret societies want, as you saw in Albert Pikes letter to Mancini Three
World Wars
To wrap up this songwriting chapter I would just like to say the worst part of this whole
revelation is it makes me question many of the great songs I wrote with lots of other writers. Did

I truly write these songs? Or were they all previously written, modified and subliminally
suggested or telepathically put into my mind by my co-writers. If they were then that proves this
Abracadabra distraction stuff does more than just prevent us from meditating and connecting,
it actually does provided the distraction necessary so that people can telepathically put thoughts
into our heads or worse control and influence our beliefs and behavior. There is a lot of proof
that humans can communicate telepathically, as our brains function just like any other electrical
device. I strongly believe these secret societies use the natural human ability of telepathy all the
time against individuals and the masses. I have experienced it and I know it to be fact, my guard
is now up and I hope you believe this enough to keep your guard up too. Oh my friends we are
just getting started, thank you for reading through. 11:11

Recording On Music Row

Chapter 4
As you can infer I have a bone to pick with Nashville, because I caught them red handed
destroying and derailing my songwriting career and a rocking country record I wrote and
produced called More Bang For Yur Buck by The Black Saddles with Jesse Keith
Whitley as lead singer. Put your seat belts on folks as I take you on my wild ride down Music
Row in Nashville and share with you just a fraction of the destructive details I endured and am
still enduring.
The very first demo I recorded in Nashville was at Jays Place with Jay Vern on 16th street at
the far end of Music Row. I was introduced to Jay Vern by Jay Morley who I meet through
Craig Jones of the Roland Music Corp at the Durango Song Expo.
In April of 2009 while waking up to the sabotage against me in the music business and on
The Black Saddles project I went back and examined my early demos. To my amazement my
first demos were also filled with intentional damage by Jay Vern. When I called Jay Morley and
confronted him on his involvement in my demise Jay said I was delusional because of drugs,
which is a common accusation from these secret society liars.

Jay Morley & Me St. Patricks Day 3-17-2008 My Birthday Copper Mtn CO

Jays Place on 16th Ave

Jays Place Inside

Jay Verns Writing on Wave files CD

Jay's Place is owned and operated by keyboardist/arranger/producer Jay Vern. Jay produces
a wide variety of independent performers and songwriters as well as the cream of Nashville's
music scene. Garth Brooks, Trisha Yearwood, Lone Star, Gretchen Wilson, Jo Dee Messina,
Lonnie Mack, Rick Derringer and Marc Alan Barnette are just some of the artists who have
recorded with Jay. Jay's Place offers some of the best demo pricing on Nashville's historic
Music Row. Basic full band song demo's start at $425.00 per song, including bass, drums,
guitars, keyboards, arrangement and 3 hours of studio time. Piano/vocal and guitar/vocal
demos are also available
The original Wave file disk for God Bless The USA disk with Jay Verns writing on it
contains all of the intentional audio damage. It is currently locked in a safety deposit box. The
errors on this disc, in these Wave file are conclusive evidence that Jay Verns damage was
intentional. These early demos prove that this organized secret society coup against me was in
effect before I moved to Nashville, in fact I now know it has been in effect my whole life.
Below are just some of the deliberate destructive techniques Jay Vern used on my demo
God Bless The USA at his studio Jays Place. I also recorded two other songs, Believe and
Animals, but I have not yet gone through those wave files, but its safe to assume we would
find similar deliberate destruction.
On the lead guitar tracks the audio input signal was intermittently interrupted leaving blank
spots in the most crucial parts of the lead guitar riffs making editing out the errors impossible and
the guitar leads useless. You can see the signal cut off in the audio wave forms on the lead guitar
tracks from God Bless The USA in these photos below.

Picture of Lead Guitar Signal being interrupted in God Bless The USA
The drums were very poorly recorded and the overheads had such a low unbalanced signal
they are unusable. Notice in this picture how unbalanced the overhead tracks are recorded by the
difference in the size of the audio transients. This view of the track has been expanded, as the
actual recorded signal was so weak it was a thin line. A weak signal causes and incredible
amount of hiss and noise if you try to increase or compress its level to blend it into the overall
mix, making it useless.

God Bless The USA Unbalanced Overhead Drum Tracks

The most obvious sabotage and the ultimate proof that all this destruction was deliberate is
when Jay Vern turned off the Click Track(Electronically Generated Click To Keep Musicians
In Time) at the end of God Bless The USA, causing all the musicians to lose a common time
and each drift four different directions at the end of the song.
I remember when I sang the ruff vocal just after tracking the song at Jays Place that the
ending was a little strange, but this was my very first demo in a real studio and I thought it was
just me. Even after hours of Pro Tools editing, stretching and time compression I have still been
unable to line up the ending of this song properly. The pictures below clearly show where the
click was turned off by Jay Vern before the musicians got to the end of the God Bless The
USA.

Click Off - X

End of Song - X

Full View of End of Song

Since not very many peole really knew me on Music Row when I did my first demos at
Jays Place I have to assume that this is just standard operating procedure in the music business.
Jays Place was only $400 a song so I wasnt expecting much, but I never suspected foul play.
However, The Black Saddles recording and mixing costs were over $100,000 and I got the
same treatment from some of the biggest professionals in the business. For anyone who has ever
cut demos or recorded in Nashville I highly recommend that you get a copy of the actual Pro
Tools sessions, or at least the individual tracks and closely examine them for intentional flaws.
I wish I never had to write this book as it is no fun re-living the hell I went through trying to
make it in Nashville. Jason Alden has a new song out call Crazy Town which depicts the
struggle to make it in Nashville; they should have called it Corrupt Town. And of course the
chorus on Crazy Town is Its A Crazy Town(5) once again abracadabra.
In Nashville I continued to study songwriting and attend as many musically educational
events as I could, while diligently writing in and around Nashville with anyone willing to write
with me. In a years time I had accumulated some great country rock songs and decided to make
my own record. This new project I planned to be the lead singer of I called The Black Saddles.
I actually had the idea for The Black Saddles, a super hard rocking Guns-N-Roses type country
band back in Southern California. It seemed destiny now that I had accumulated a score or more
of great hard rocking original country songs from my writing endeavors.
Not long into The Black Saddles project a friend of mine insisted that I meet Jesse Keith
Whitley, son of the late great Keith Whitley and Lorrie Morgan. Jesse had heard a ruff demo of
So You Wanna Be A Redneck and he supposedly really wanted to record it. After months of
persistence Trapper finally got me and Jesse together at his tire performance shop in Rivergate,
TN.
Jesse was young, wild and had a huge posse of friends, which is the number one ingredient
needed to be successful if a band is going to make it on its own, outside the record industry,
which was my plan. Despite my still queasy feeling from the N-Kroud Kliq, a rap band I
produce in LA with mild success, I decided to bring Jesse on board since he was young,
entertaining and his father was a country music legend. This turned out to be a very bad
decision.

Trapper Davis & wife Monica

Jesse Keith Whitley

My original intention was to grow The Black Saddles organically by making a great record
and then going out and earning our fans the old fashion way, playing parties and small shows.
Somehow my organic plan got swollen into a massive expensive full blown professional project.
I had confidence in the project because I know I had great songs and with Jesse Keith
Whitley up front I figure it to be a safe investment.
In addition I had witnessed the grass roots success of Sublime, No Doubt, Penny Wise and
Off Spring first hand and I knew the key to The Black Saddles success would be playing fun
music, throwing big parties and putting on a great show for Jessies friends. Little did I know
everyone I was bringing into the project, including Jesse Whitley did were on a mission to
destroy me.
Never in a million years could I conceive someone like Jesse would want to ruin someone
like me who was pouring tens of thousands of dollars and all my time into his success. I now
know how, Jesse is a Freemason, and its a safe assumption that the house he bought right after
the collapse of The Black Saddles was his compensation for his participation in my demise.
The greatest irony of my whole adventure is that if Nashvilles Music Row would have just
let me do The Black Saddles project without interference I would have never figured all this
secret society crap. Our chances of success were very good since we had some great songs, a
third generation country music heir and money. I was determined to make it, and unbeknownst
to me THEY were determined to stop me.

Official Logo

The Black Saddles - Me, Nate, Jesse & Tim

Jessie Keith Whitley & Me @ CRS 2009

Jesse Keith Whitley Tatoo

For all the rock star dreamers, I will now share with you some of the techniques and tricks
that were used to destroy The Black Saddles project during the recording process, so that you
will have a better awareness, should you attempt the impossible and try to break into the music
business.
The first trick in the book is to waste your time and money, flatter you with praise, and
convince you that you are great. The second step is to lure you in with big names in an attempt
to expend all your resources. The third step is to try and trick you into lawsuits by making you
think you wrote songs that you didnt. Fourth is to sabotage the recording sessions. Fifth is
destroying your recordings to included hard drives, computers and equipment. And if you
survive all that then they try to kill you, get you put in jail, a mental institution or pushed into
poverty.
All the while they surround you with fake friends who are there to facilitate these corrupt
and criminal activities as well as keep you distracted, drunk, stoned, high, flattered, broke, busy,
busted and foolishly hopeful. I dont know if they are as elaborate with everyone else who tries
to break in the business but THEY didnt just throw the kitchen sink at me, they threw the whole
damn house.
When it comes time to assemble the talent for your project they will start at the bottom of
the barrel talent wise and then work their way up only to the point at which you are satisfied. I
had several people along the way try to push me to this producer or that studio to record this
record, but I knew what I wanted. I also rehearsed a lot of top players, but was not satisfied. I
now know the reason I was not satisfied is because everyone knew not to get involved with The
Black Saddles.
Regardless of who you work with or hire, no matter how phenomenally famous and talented
they are, trust that unless you are part of the record business your end product will be inferior
and below broadcast quality. I was having a very difficult time finding professionals I could trust

to get the job done right, as everyone knows in Nashville most producers are just out to make a
buck, or so I thought.
Eventually, I hired a Jewish guy named Randy Cantor to help me produce this record. I
was introduced to Randy by a friend from Durango Song Expo, Will Champlain. Will is the
son of Bill Champlin famed Keyboard player from the band Chicago. One quick story about
one of Chicagos biggest hits: 250624=19(End of Enlightenment), but wait there is more. It
also is 11, 22 and 4; or 13(Mason) and 6(33Mason). Just wanted you to really know what that
song was about. Bills the keyboard player on the left.

CHICAGO=3893176==37=10(King) or 11911-33
In the picture below at FUEL the guy in the red shirt and white bandana, I dont remember
his name at the moment, played bass in Will Champlins band. He claimed to have some rich
guy who was interested in starting a publishing and recording label. Knowing I was in the
financial business he came to me and asked if I would be interested in helping, of course I was.
He and I had several conversations about this mysterious money guy at Wills house in Franklin
and out at lunch.
After a while nothing came of it so I forgot about it. Then in 2007 I was out at Durango
Song Expo hanging out with Miles from the band Fast Ball, if you recall they had a huge hit
called The Way. Anyhow Wills bass player just happen to call me right then and say the
money guy was for sure and I should ask Miles if hed be interested in coming on board and we
would produce a new Fastball record. After Durango everyone was excited, especially Miles
from Fastball. But it turns out it was all bullshit, purposely set up to make me look like a fool
with Miles at Durango.

Bass Player??

Will Champlin

Jason Will

Randy Beudreau Me & Adrian

The other incident involving Will happened on Halloween 2008. Charity and I were at
home around 11pm doing nothing and out of the blue I get a call from Will, who I hadnt spoken
within months. He said he, his new girl friend Adrian, Jayson Ritig and Randy Boudreau, a
professional song writer, were going to drop by. Surprised, but bored I said that was cool. Once
they all arrived, Wills new girl friend the blonde Adrian took to me, even though Charity was
there, it was kind of strange.
Will, Randy and Jayson all headed downstairs to my piano to song write, and Adrian hung
out with me in the studio upstairs. Looking back the whole thing was a set up to get Charity and
I in a fight so we would break up I guess, and/or set me up for something I didnt do with Wills
girl. Over the entire course of my whole music saga story getting Charity and I broken up has
been a major ploy. In February 2010 THEY finally succeeded.
Back to the recording of The Black Saddles: Will spoke very highly of Randy Cantor, and
Randy lived in my same neighborhood so I was excited have finally found someone to help me
record and produce The Black Saddles record. Randy had success with many big names in
music including Desmond Child(huge songwriter), The Fugees, Rascal Flats and even
received a Grammy for Ricky Martins Livin La Vida Loca.
I paid Randy a $5000 cash retainer in August 2007 to come on board and produce The
Black Saddles Record. All of the songs were written and had been recorded as ruff demos at
my house. People really like the ruff demos, so all we needed to do was round up the
professional session players and record the record. Unfortunately, things didnt go that smoothly.
I thought it was just because Randy was little eccentric, little did I know he is part of the Jewish
music mafia, and it was all part of Nashvilles big sabotage plan.

Randy Cantor

Mafia Text Message From Randy

Randy always brags about how he comes from a Jewish mafia family in Brooklyn. Randy
sent this text message to me on May 6th, 2009 @ 1:30pm (Mason Time). This text was when I
was in my pissed off phase having discovered that everyone Randy had hired to play on the
record had purposely destroyed it. I was texting back and forth with Randy about how I
suspected that this sabotage was much bigger than just Nashville, and I suspected it to be the
work of the Illuminati.
Randy responded by saying he could get his dads mafia guys Skinny DAmatos & Johnny
12 Fingers Salvo to settle things for me in Nashville. I know he was texting this in jest, but he
always made it clear he came from a Jewish Mafia family.
Along the same line, during the pre-production of The Black Saddles record Randy
introduced me to his nephew, or ex-nephew because he was recently divorced, Tommy
Ciccone(Freemason). Tommy and I helped Randy move from his house in Stonehenge to his girl
friend Laras place in Nashville. Lara also Jewish, is a personal trainer to some big stars like
Faith Hill, Keith Urban and Chris McHugh Keith Urbans drummer.

Lara, Randys Girlfriend

Anyhow Tommy ended up being a real piece of work as he stole a wrist watch from a friend,
destroyed my Hafler monitor system, gouged me on a website he was supposed to build for The
Black Saddles and suckered me out a several thousand dollars.
Tommy is a prime suspect on a current felony credit card fraud investigation by the
Brentwood Police involving my account at Media Temple, the host where he set up The Black
Saddles website. When I called Tommy out on all his destructive activities, he admitted to being
a Mason, which is cool because I thought for sure he was Illuminati, same difference I suppose.
Thank God some Masons just cant keep their mouth shut. Here are pictures of our Facebook
exchanges.

Tommy admitting hes a Mason

Me & Tommy Halloween 2007

From October 2007 to February 2008, Randy frustratingly stalled The Black Saddles
project. I got to the point that I started to give up on Randy and started looking to hire my own
people. Randy then quickly got in gear and lined up some of the best players in town. The
musicians that Randy lined up to play on The Black Saddles record were beyond A list
players and I was very excited. However, the financial gouge started right out the gate as Randy
negotiated $1500 per day for these players, which is way above scale for a speculative project. I

didnt know any better at the time and was just excited to have such top notch players to record
the record.
The day we finally started recording, February 8th, 2008 at Warm Front Studios aka Sound
Stage we had an amazing line up of musicians. Chris McHugh from Kieth Urbans band on
drums. Jimmy Lee Sloas on bass, who plays on most of the top country artist records, as well as
having toured with Dave Mustanes Mega Death, which I thought was great since I was making
a hard rock country record. On guitar I had Guthrie Trap who plays with many top country
artists like Martina McBride and Jerry Douglas. Also on guitar a local favorite of mine JD
Simo who also plays on Larry The Cable Guys Holiday Special. Also on guitar was Adam
Shoenfield, Adam is one of the most sought after studio musicians on Music Row. Adam also
plays in Big-N-Rich and is a very successful songwriter. Adam wrote Faith Hills hit
Mississippi Girl. Randy Cantor played the piano and Rhodes keyboard.
As you can see, I hired pretty much the best players in the business, and they all played
phenomenally during the session. Or so I thought at the time. Here are some pictures from the
recording sessions at Sound Stage/Warm Front Studios.

Jimmy Nichols & Chris Mchugh

Guthrie Trap

Jimmy Lee Sloas

JD Simo

Adam Schenfeld

Me G-Stone

Talk about strange serendipitous happenings, the day we began recording Randy was Tboned on his way to the Warm Front Studios by Kim Copland, the producer I used for most

of my songwriting demos. That is some freaky God stuff there. Randys car is the white one,
hes lucky to be alive. He was a little shaken up, but still in fine shape to play piano on the
record that day, although he was of little help actually producing. In fact, I had to kick Randy
out of the control both a few times because he was so distracting. Hind sight being 20/20 he was
doing his best to derail the project constantly.
A very odd phenomenon is a lot of people in my life who have sold me out or betrayed me
ended up either dead, diseased or in poverty. Ive been told I am an Indigo Child and I am
protected by Arch Angel Michael, from what I have seen it appears to be true. Its either that or
the people who betray me are eaten alive by their own guilt and karma.

Kim Coplands SUV

Randy Cantors Car

Randy Holding Sore Arm

The Black Saddles recording session took place at Sound Stage Studios in Nashville in
their Warm Front building, which at the time was owned by Jimmy Nichols, famous
songwriter, who was present during the recording of this record. Jim Coolie was the engineer,
who works at Sound Stage and Warm Front often, and was very familiar with the studio, the staff
and all their equipment. Its important to note that my experience in recording live music was
extremely limited at this time.
I never expected anything but the best from these people, and I was paying everyone
generously, above Union scale. When hiring talent of the highest caliber with impressive and
current professional music credits and accomplishments, I never in a million years suspected that
they would deliberately destroy my record.
Looking back the way I explain things may make me look like an ignorant fool, but you
must understand I was blissfully nave to how malicious the music business and the world really
is. Sure I had heard all the stories about how nobody makes it in Nashville, but I thought that
was just because it was a tough business, not because they actually spent millions to destroy
artists.
You must understand it is a pretty exciting thing when you hear the songs youve written
being played by the best players in the world. On top of that the professional performances mask
the secret sonic destruction pretty well, especially when you are still learning about the technical
aspects of the recording process. The reason you pay the big bucks is that you are counting on
the A-list studios and engineers to proficiently record the material. Recording music is not
magic, and these same people do this day in and day out in Nashville. Theyve got recording
down to a science. Unfortunately, I found out they also have how to destroy recordings right in
front of your eyes and ears down to a science.
Jimmy Lee Sloas, the bass player, took the helm as band leader by writing out all the
Charts (Nashville Number System for Charting a Song) and making copies for the other

players. He was a great asset that day; one because he is an awesome bass player, but two
because he kept the whole session going at a smooth pace.
However, searching through the video of the recording session I discovered a few frames
that indicate what Jimmy was really directing was the sabotage of the recording. I had to get the
pictures from the video because all of my computers have been hacked and a lot of stuff was
erased, in addition the original pictures were on the video camera stolen from my house when
THEY burglarized it in November 2008, thank God I back everything up
Below is Timmy Salter my writing partner and guitar player in The Black Saddles giving
the horns to my video camera while I was in my isolation booth directing the session players,
and super incriminating photos of Jimmy Lee Sloas giving the horns sign, indicating to the
other players what was truly going on and that this was a fuck non-secret society Christian, me.

Tim Inside Control Booth

Jimmy Lee Sloas Giving Horns to other session players.

All of the destructive audio techniques I am going to share with you I did not learn about
until March 17th 2009 when the overall realization everyone was destroying my music endeavors
became undeniable. The more I learn about recording and producing, the more destruction I
discover.
Once you grasp this entire tale its hard to believe I did not catch on earlier, but I guess God
works in mysterious ways. In the long run my naivet was for the best, or else I would have
never uncovered what was really going on in Nashville, which is what led me to what is really
going on in the world. Without giving away the entire case here are some of the things I found to
be maliciously done during just the recording process.
At Warm Front Studio the drums were hidden behind baffle so I didnt have a clear view
from my isolation booth to watch the drummer. The engineer Jim Coolie specifically told me
this baffle wall in front of the drums was a great recording trick he learned. It was no trick; it
was a cover up so I couldnt see Chris play drums. The entire recording session I ended up with
hundreds of drum stick hits on the symbol stands and drum hardware leaving the drum tracks and
overhead microphones tracks cluttered with clinks. .
Looking at the pictures below, taken from the video of the recording session you can see the
small baffle wall place in front of Chris McHughs drums. Any engineer can verify that this wall
serves no purpose other than to obscure my view of Chris playing. In addition any engineer will
tell you that the microphone placed on the back side of this wall would produce a useless
recording signal and was simply placed their as an excuse for the wall.

Front View of Wall, Mic and Chris

View from inside Control Room

Jim CoolieEngineer Sound Stage Studios Chris McHugh (Keith Urbans Band)

Chris McHugh
Keith Urban
(Keith Urban in Orange County, CA just weeks before I moved to Nashville in 2006)
To make matters worse, the overhead microphones were placed too close to symbols making
the overhead recording of the drum kit sound like trash cans rolling down the driveway. This
trash can effect was also magnified because the symbols Chris used were purposely very thin.
This is also true for the hi-hat tracks, which are completely useless.
The snares on the bottom of the snare drum were way too loose and the snare was out of
tune. The left tom had a lug nut loose that rattles throughout every song recorded, as well as
both toms being dramatically out of tune. In addition much of the low frequencies below 30htz
were filtered out of the whole kit and kick drum. I will explain the detrimental significance of
this in the technical chapter..
Though many might claim this destruction is all the fault of Jim Coolie the recording
engineer, I just cannot fathom a famous drummer of rock star caliber like Chris, would not have
noticed these glaringly obvious recording blunders in his drum tracks.
Below are a couple pictures of the overhead drum tracks from The Black Saddles session.
The sharp spikes display where the drum sticks hit the cymbal stand and/or other drum hardware,
here are just two examples. Please know the entire album is littered with hundreds of these types
of intentional ear piercing mind jarring noises.

Sharp deep spikes indicate where drum sticks contacted cymbal stands and drum kit
hardware.
On JD Simos electric guitar tracks Jim Coolie set up a distorted and delayed reverb and/or
compressor on a secret buss post monitor (after the speakers) and printed JDs guitar blended
with this distorted reverb/compressor onto the master leaving the primary rhythm guitar tracks
horribly echoed and distorted on every song.
The picture below is just an example of how this done, although this picture came from the
actually sabotaged mixing sessions and was part of the deliberate destruction done post

recording. Notice the inputs and the output, this is how they distort the signal but you cannot
hear while the mix is playing because it is placed on a secret bus and placed back onto the track
post monitor.
This inaudible distortion could be done with any effect but the two most common I found
used to destroy The Black Saddles record were compressors and reverbs. I dont know if Jim
Coolie used a Plug In or Out-Board gear to echo and distort the rhythm guitar tracks but here
are two deliberate destruction examples I found in the pro tools mixes using Plug In
compressors.

Attack Long, Release-Short Input +15 Max

Output 9

Smack Compressor Also from Reckneck Pro Tools Sabotage

In addition to the maxed out input and turned down output, please notice how they
would set the Attack and Release Time, this would cause the signal to come in slowly and end
quickly, which causes the sound to be truncated in the beginning and end abruptly. Though the
above pictures are examples taken from the sabotaged mixes, nobody but Jim Coolie could have
done this to JD Simos rhythm guitar tracks during the recording process.
Another interesting phenomena, on one song which THEY took special effort to destroy,
was a cover of Keith Whitleys Hard Livin. I hired three of the best guitar players in town
and none of them could play the very simple lick that the entire song hangs on. Also, I
remember arguing with them that the lick only had four notes, and they all insisted it had five
and kept they adding a G#, which I could hear did not belong in the song..
I have since come to discover that Hard Livin like So You Wanna Be A Redneck is
one the those songs that happens to chug along like a freight train, in synch with our homeostasis
and heart beat. This is way THEY had such a suspiciously hard time getting the guitar part
correct. Finally, a few moths after our initial recording session I hired Randy Hayes, Keith
Whitleys original guitar player to redo the guitar part on Hard Living and he played it
perfectly with only four notes in the lick.
This may not seem like a big deal to you, and at the time I couldnt understand how some of
the best players in the business couldnt get this simple guitar lick correct. It turns out to be one
of the big clues in the discovery to this whole unbalanced, out of homeostasis music
manipulation. In fact, if you listen to Keith Whitleys music a lot of the rhythms are in time, or
he sings seven note melodies which for whatever reason are not as harmful as 3, 5, 6 & 9s. In
addition with songs like Revelation and Brotherly Love, I am sure he was not a favorite of
the powers that be in the music industry. I honestly believe that Keith Whitely was murdered for
the exact reasons my music was sabotaged.
During the Warm Front Studios recording sessions, Randy Cantor who played piano and
organ on the session, purposely left the piano room door open letting the drums bleed over all the
piano tracks, as well as being a complete distraction by delaying the entire session constantly,
when he was supposed to be the one producing it.
On the acoustic guitar tracks the head phones were cranked so loud they bled onto the
acoustic recording, or Jim let a play back signal bleed onto the acoustic guitar. As for the rest of
the session players everything was excellent, I think. I am not an expert or a professional, so I
cant tell you for sure. I would bet there are lots of blunders that I dont even know how to
recognize. The reason this stuff is so hard to notice during recording is because these are the best
musicians in the world and their actual musical performance is phenomenal. It is not possible
that players of this caliber and experience level would not have noticed the deliberate destruction
that was going on during the recording of this record.
I must be clear that I honestly believe the musicians and engineers I hired for this project
had no choice in the matter, as the decision to destroy my record was made way higher up than
any of these fellows, long before I arrived in Nashville. I forgive everyone who was involved in
my demise as I am a true Christian. Also please know that I am only using their name and fame
to so that people pay attention to this story. The time has come for this global manipulation of
the masses to stop. I am quite confident none of these guys like the way the music business runs,
and I am sure they we not too happy to be put in this situation, but that is the way the business
works, they had no choice.I suppose.

Now when I look back at the pictures, videos and listen to the raw recordings with open eyes
and a lot more Pro Tools, engineering and producing experience, I can clearly see how the studio
set up, instruments, microphones and participants performance is glaring with clues any
professional would have recognized. Fortunately being a shutter bug who graduated from Film
School I videotaped a lot and have an enormous amount of incriminating footage.
The big question is who did what? And who knew that the project was slated for destruction
by the powers that be from the get go? If I had to guess, I would say they all knew from the
start, but I am not going to go into too much detail on why I believe that, as I may need that
evidence in court should anyone try to claim slander or liable. As I said to know is to
participate.
Another one of Jim Coolies purposeful destructions came a few months after the initial
recording sessions when I paid for a limousine to bring Lorrie Morgan to Warm Front/Sound
Stage to cut her vocal parts on Mother a Pink Floyd cover song. This song was written as a
mother and son duet, but Pink Floyd used only male vocals on their version. Given the back
story of Lorrie Morgan, Keith Whitely and Jesse Whitely this was a very special song, which I
very much looked forward to putting out for the true Keith Whitely and Lorrie Morgan fans.
Unfortunately, Jim Coolie purposely scorched and distorted Lorries vocals, which is a
crying shame because her performance was amazing. Jesse actually sounds pretty good on this
song also; I recorded his vocals at my home studio. I feel it is safe to assume when you consider
Lorrie Morgans level of professionalism, experience and the fact she was wearing headphones
she had to have been very aware that Jim Coolie was intentionally scorching her vocals. This
picture was taken just after Lorrie finished her vocals on Mother at Sound Stage.

Lorrie Morgan & Jesse Whitley Warm Front Studios

The problem with all of the little destruction tricks they use while recording is that you cant
hear them until you start fine tuning and compressing the mix so that you can limit it and push
up the audio signals to a high quality professional level. The best analogy I can give you is its
like placing a bunch of needles in a big sponge, when you look at the sponge you cant see the
needles, but if you squeeze the sponge youre going to find the needles real quick as they jettison
out, pierce into your hand and make you bleed.

Once you start compressing the signal the intentionally destructive high frequency
distortion, pops, clicks, noise sand lots of things you dont hear when recording or play back pop
out and pierce your ears and disturb your mind. Just one click or high frequency noise is enough
to cause the listener to break from the enjoyment and illusion while listening to a song.
The Black Saddles recordings are littered with these sonic distractions all over every song.
There is so much that went on to destroy this record it would take a whole book to discuss each
item, but at least you now have an idea of what is really going on in these professional
recording sessions and studios.
At the time of recording, everything sounded great to my amateur ears, and I was more than
excited to have the rock star level of talent on my record. I probably would have never noticed
this stuff had it not been pointed out to me by a very famous engineer, who had the balls to let
me know I was being screwed. I just regret he came so late in the project and I had spent all my
money. Some of this might seem accidental, but you must realize I hired the best in the business,
who record everyday on the biggest stars records, it is incomprehensible that so much collateral
damage could be accidental.
After the main audio tacks of the album were recorded on February 8th, 9th &10th of 2008 at
Warm Front Studios, Randy Cantor and I spent months adding additional instruments, editing the
album and recording Jesse Whitleys vocals. I recorded the other instruments like fiddle, banjo,
slide guitar, harmonica and pedal steel at my home studio, along with all of Jesse Whitleys
vocals.
Many of the drum problems we painstakingly fixed by using Sound Replacer and Ocean
Way Drums, except for the overhead tracks which are pretty much useless because in addition to
the sound spikes from drum sticks hitting drum hardware, lose hardware lugs and out of tune
toms and snare, the overheads and room mics sound like trash cans rolling down a driveway
from the thin cymbals use and poor mike placement.
For additional instruments I brought into my home studio and recorded Eddie Lang on
pedal steel, who performs weekly on the Grand Ol Opry. On Banjo and Fiddle I had Jonathan
Yudkin who is about the best you can find in Nashville and plays on Carrie Underwood s
records and many other top country artist records. On Dobro and lap steel I had Smith Curry
who toured with Kid Rock. On percussion I hired a local guy Mathew Burgess who plays with
Amanda Williams. On harmonica Sammy Harp, who was the first guy to burn me in Nashville
by selling me publishing rights to songs that he knew would never get recorded. Sammy was
also supposed to be my new AA sponsor, what a joke that is.

Eddie Lang

Smith Curry

Sammy Harp

Jonathon Yudkin

Artist Jonathon Yudkin Recorded for from his website

This first time Jonathon came to record on The Black Saddles record was at Randy
Cantors studio at Laras house. I could tell he was not comfortable, we got nothing
accomplished and afterwards he requested that we record at my house without Randy. I recorded
all of Jonathons parts on the record myself and they are fabulous. Looking back I now
understand that Jonathon didnt want any part in the sabotage and just wanted to do his job. He
also only charged me the union rate for a spec project and informed me that I way overpaid for
the other players.
All of the recording of these additional instruments at my home studio went pretty smooth
except for one strange session when I had Stacy Collins come over to play harmonica. Stacy
came by for a preview session and while just showing her the songs she played phenomenally.
One week later I brought her back to start recording on the same songs we previewed and she
couldnt play a note. At the time I thought it was the strangest thing I had ever seen; now I
realize someone probably whispered in her ear to not get involved with The Black Saddles
project. I have her record and have seen her live, and she is a great player, so who knows what
really happened. Perhaps she has a conscious like Jonathon Yudkin and had enough integrity to
just not participate in such evil, but I wished she would have clued me in to the coup against me.

Recording Jesse Whitley was a whole other story. He like Randy was very flaky and would
disappear for weeks, sometimes months, only to re-appear and keep dragging things out. Jesses
not the singer his mom and dad are but he does have a fun style and I have seen him sing well
live. However, recording his vocals for The Black Saddles project was a total nightmare as he
was often a no show, drunk or high. When he did show and sing often his attention span was
limited to 30 minute spurts and his performances all had to be heavily tuned and adjusted for
timing problems, which is not uncommon in the whole music industry.
As Randy and I progressed with the editing and ruff mixing of The Black Saddles album it
became apparent to me that despite Randy Cantors Grammy for arranging Ricky Martins
Livin La Vida Loco his mixes we nowhere close to what I expected from someone with his
level of success.
It also became increasingly frustrating that unexplained destruction was occurring on my
hard drives, Pro Tools sessions and computers. People kept asking me when the record was
going to be finished. It seemed every time I looked back at songs that were edited, ruff mixed
and ready for mixing in a professional studio, the songs would be all messed up again and
require more work and time.
My suspicions started to escalate that either Randy was a complete idiot or he was
deliberately destroying stuff. Fortunately, one of the first things I ever did after the initial
recording sessions was create and hide a back up drive of the original sessions. This later proved
to be the most important thing I ever did, as all my other hard drives have been obliterated with
deliberate destruction.
On a related note one of my goals was to have So You Wanna Be A Redneck remixed for
the danced clubs. It just so happened, Hanna, one of the female singers I was considering for our
live band had a boy friend that had some success with hip-hop, his name was Dan Ford. I called
Dan and he came over and we put a copy of the entire So You Wanna Be A Redneck Pro
Tools session on his hard drive. He also put a copy of WORD for Mac on my Mac Pro which I
did not ask him to do. I strongly believe at the same time he also did some damage to my Pro
Tools or perhaps this is when access for the user WHEEL was created. Wheel is a super
high level access that only Apple uses to crack into Macs.
The curious thing is that despite numerous calls, and letting him know that I had lined the
very successful rap engineer Dave Aron to come to Nashville from LA to mix The Black
Saddles record at East Iris Studios, Dan never got back to me after that day. This makes no
sense because Dave Aron is huge in rap & hip-hop which is what Dan was trying desperately to

get into. I had hung out with Dan and Hanna numerous times prior, so just another suspicious
disappearance implying guilt.
Now after putting in hundreds of hours on editing, mixing and professional training on Pro
Tools and going through my demos and The Black Saddles recordings, it is an undeniable
provable fact that from day one Nashville has been destroying my music. I cant help by wonder
how many people this happens to on Music Row in Nashville and in the music business. Most
artist and writers do not have any producing and engineering experience, equipment, time or
money to spend investigating their recordings, being a financial advisor I did and look at all I
discovered. I bet this happens all the time, to everyone who comes to Nashville to record demos
and albums. Hopefully I have given enough information to protect others writer and artists in the
recording studio.

Mixing On Music Row

Chapter 5
In the fall 2008, despite an uphill battle, my relentless determination and work ethic got me
through the initial recording, editing and ruff mixing of The Black Saddles record and I had
some pretty decent home studio mixes. I played these for quite a few people around town and I
think Nashville was surprised that despite all the damage done during and after the recording
process, the songs and album was sounding pretty good.
By now I had made a conclusive decision that Randy Cantors mixes sucked and my
amateur mixes were better that his, but still not good enough for commercial radio release. For
some strange reason I was not getting a whole lot of love or enthusiasm from engineers in
Nashville to professionally mix the record. This is when I got the idea to ask an old friend David
Aron of Prince, Sublime and Snoop Dogg fame if he would help me and mix the record.
I first met Dave Aron through my wife Sandy when I was looking for someone to mix a hiphop act N-Kroud Kliq I was producing in Los Angeles in 2001. Dave and I had a little
success with N-Kroud Kliq getting their music in Scary Movie 3 and Big Mamas House. I
lost money on the N-Kroud Click, but still let them keep all the royalties from the movies as
thats just how I roll.

Dave Arons Home Studio 2001 Working on N-Kroud Kliqs - Kroud Elation
You are probably familiar with some of Dave Arons work as he has sold over 100,000,000
records and counting. His entire house is covered in platinum plaques; here are just a few photos
I took when Charity and I were at his house in November 2008

Dave Arons Entire House is covered With Awards for Audio Engineering
As I mentioned Dave Aron is Snoop Doggs main sound engineer, as well having mixed
Sublime, Kurupt, Lil Kim, The Notorious B.I.G., Tupac Shakur, Nate Dogg, Tha
Eastsiderz and almost all the early Death Row music for Suge Night. So you know I am
putting my life on the line to bring you these truths.
On Valentines Day in 2001 during the time Dave was mixing the N-Kroud Kliq record
Kroud Elation, my fiancs at the time Sandy, Dave and I sat at the front table with Snoop
Dogg at The West Coast Players Ball where the N-Kroud Kliq performed. Do to some funny
business between the promoter and the band, N-Kroud Kliq did not go on stage until around
2:00am, by that time Snoop and other big players had left, in hind sight just more suspicious
crap.

Me & Dave Aron Players Ball N-Kroud Kliq Players Ball Promotion Postcard

The Pimp Don Jaun & KB

Snoop & The Pimp Don Yaun @ West Coast Players Ball

The N-Kroud Kliq was my first big push to get into the professional music business.
Looking back on everything now, I find it very suspicious that they were doing very well until I

hired Dave Aron to mix the record. Believe it or not I actually hooked up the Players Ball gig
through a connection in my financial business, which at the time I was managing an office for
SalomonSmithBarney.
Suspiciously, right after this players ball gig The N-Kroud Kliq went from playing good
sized shows at popular Hollywood and LA venues including The Roxy, Billboard Club,
Hollywood Athletic Club and The West Coast Players Ball, to having fights break out at shows
and being band from most LA clubs. Looking back now with a better understanding of the music
business the N-Kroud Kliq adventure makes me suspect that I have been sabotaged by the music
industry long before I got to Nashville. The N-Kroud Kliq cost me $100,000, two years of my
life and my marriage.
The problem with Dave mixing The Black Saddles record was he lived out in Los Angeles,
so I had to go see him in LA, play the ruff mixes to see if he would be interested in mixing the
project, and if I could afford him as on a big record he earns $5,000 to $10,000 per song.
On Thanksgiving 2008 Charity and I flew out to California to spend the holiday with my
friends, family, and go up to Dave Arons house in the Hollywood Hills to play the ruff mixes of
The Black Saddles record and try, and make a deal I could afford.
While we were in California visiting family and meeting with Dave Aron to hire him to mix
The Black Saddles record, we had a no forced entry burglary in my home in Brentwood,
Tennessee. The only person with a key was Landon Carter, The Black Saddles manager at the
time, who was watching our dogs.
Curiously, the thiefs did not take any of the expensive guitars or recording equipment.
They took the video camera which had all of the video from the recording sessions of The Black
Saddles record at Sound Stage, the sessions at my home with Jesse Whitley and the vocal
sessions with Lorrie Morgan recording her parts for Mother. I do believe that video camera
was the primary target for the burglary as on it was all the footage I had unknowingly filmed of
the sabotage I am sharing with you. Fortunately I had almost everything backed up from that
camera on a hard drive.
The perpetrators also stole a hand gun, a plasma TV and some other items. I could tell by
the way the robbery was conducted I that one of the perpetrators had to be Timmy and/or Angle
Osiborski, Charitys loser friends, who visited our house the day before we left for California.
The interesting fact is that even though one of the items stolen was a 40. Caliber Glock hand gun,
and I gave all the details of the suspects to the Brentwood Police department, the detective on the
case Guy Carter, never followed up or investigated the case, even though I followed up with him
several times.
I suspect that since Tims Osiborskis step father is Kerry R McCarver, a Freemason and
Mayor of Pleasant View, Tennessee, making this investigation go away was ordinary backroom
business for the Masons in Nashville. A few months ago in February 2010 following up on
another case that the Brentwood police did not investigate, I requested the full report of the
investigation on the burglary from Guy Cater, and have not heard a word back. I figured I would
just let those cases ferment while I got this book together.

.
Angel & Tim Osiborszki

Niel Carswell

In a related issue Neil Carswells wife Melissa, worked with Angle Osiborszki . The name
Carswell is listed as a writer on Hard Livin by Keith Whitely, but I dont know if there is a
relation to Neil. Just as one of the writers on Im No Stranger To The Rain, another Kieth
Whitely hit, is a Hellard. Is there any relation to Tim Hellard the songwriter I wrote So You
Want To Be A Redneck with, that I do not know.
My girl friend Charity took me to see Neil play live in Nashville, where were treated nice
and taken back stage to the green room to schmooze. They were trying to set up a writing
session with me and Neil which never happened. Neil also was tied into a radio promoter who
fed me a bunch of bull at CRS in 2009, and hounded me as though he was really interested in
promoting The Black Saddles even after I discovered the corruption. This turned out to be
another scam again just trying to waste more money and cover up the CRS Country Radio
Seminar black ball conspiracy against The Black Saddles. (Much More on this in the
promotions chapter.)
Anyhow Dave Aron agreed to mix the record at his home in Hollywood hills which I was
very excited about. So I left Dave with a hard drive of all the Pro Tools files for The Black
Saddles record and flew back to Nashville to deal with my burglarized home.
Dave Aron mixed a couple songs in Hollywood and e-mailed them to me in Nashville. I
didnt like any of the mixes; in fact my ruff mixes were way better than Daves. Thats when he
said in order to get what I wanted we would have to go into a real studio and mix the record
either in Los Angeles or Nashville. The biggest heartbreaker of this entire tale is my sister
Suzanne came out for Christmas in 2008 and heavily campaigned for me to use Dave Aron.
After much hesitation, I agreed to have Dave come out to Nashville to mix The Black Saddles
record.
Coincidently my sister Suzanne was also the first person trying to get me put away in a
mental facility in spring 2009 when I started figuring all of this corruption going on around me
and the global Masonic maliciousness. Suzanne is a television producer for VH1 & MTV, and
began her career for AP News, Organ County Cable and KCOP network new in Los Angeles.
She is definitely one of them.
Dave picked East Iris Studios in Nashville so we could use his mentor David Leonards
favorite room. Dave Aron was David Leonards assistant and cut his teeth recording and
mixing many of Princes early recordings. Here is David Leonard commenting on East Iris
Studios.

I have called this studio home since 1997. The atmosphere is relaxed and private. The
gear collection is formidable, with lots of esoteric tube stuff to compliment the SSLs. - Dave
Leonard
Also Daves old friend from audio engineering school Mike Paragone managed East Iris
Studios. Shortly after the Dave Aron destroyed my record at East Iris it was sold and changed to
House of Blues Studios Nashville; however Mike Paragone is still managing. Below, Studio
Manager, Mike Paragone pictured at House of Blues Studios (East Iris), Nashville.

Mike Paragone @ East Iris Studio Now House of Blues Studio Nashville
Unfortunately, Dave Aron, just like all of the other record industry professionals I hired did
more destruction than production when he came out with his assistant Anthony in February 2009
to mix The Black Saddles record at East Iris Studio. It was then that I figured either the whole
town hated my guts or there was something about my music that was inherently against the
establishments guidelines.
Turns out it was both, the music and me, and this sabotaging had been happening to me my
whole life I just didnt know it. It is my best guess that through numerology and astrology these
secret organizations knew I was going to be a huge problem for them in the future, and now I am
writing this book so I guess they were right. Many people in my family, are secret society, so
why not me?
After it was all said and done and I got over the heartache, betrayal and disbelief I became a
great sleuth and figured out how these studios destroy our recordings right in front of our face. It
works the same way as abracadabra just a lot more elaborate. The key is distracting you with
one thing while they do their slide of hand with another, or in this case slide of ear tricks. If I

knew all this numerology stuff back then I wouldnt have gotten screwed. Look at Daves shirt
#33. Most likely Dave is a 33 Illuminated Mason. Just for laughs look at my shirt 9+4=13 and
believe you I am no Mason. This is just serendipity at its finest.

Me & Dave w/ EQ Magazine My Profile? / Third Eye Blind

Daves Center Fold

Just before Dave came out to Nashville to mix the record he got a centerfold article in the
EQ Magazine. This was just another part of the whole scam to get me to be sold on using Dave
Aron, and trusting him with The Black Saddles record.
In addition, many people pointed out that that is my silhouette profile on the cover. This
type of familiar imagery is a common trick secret societies use to distract and butter us up, its
basically visual flattery and psycho-semantic association to make the person being scammed feel
comfortable and/or look crazy.
Its is also very ironic that Third Eye Blind is also on the cover of this issue, since that truly
was the case with em. If you are not a 33 Mason, then you are not :illuminated thus your
Third-Eye is blind. I was the Third Eye Blind in this scam. Dave wearing the 33, my
silhouette and the Third-Eye Blind is all part of how arrogant these people are, in addition to
being signals to let other secret society folk know the joke is on me.

The Thrid Eye The Pineal Gland

Coincidently, in the same EQ Magazine there is a write up on a piece of equipment that
CJ(Craig Jones) from Roland told me to buy, a Vintex Audio X73I, after I told him I didnt
like the SSLs board at East Iris and that Dave Aron destroyed The Black Saddles record.
One thing I made clear to everyone was I didnt like the fact that the analog SSL board did
not interact with Pro Tools digital integration so that hundreds of hours automation I had put in
the ruff mixes would not integrate with Daves mixes. This is very important because in the
mixing scam after Dave Aron with Craig Alvin, THEY made sure to have a digital console.
I met CJ at Durago Song in 2005. CJ moved out to Nashville with me and we shared a
house in Brentwood. He used to tell me lots of stories about his mom who was a big conspiracy
person and psychic. This is a common tactic used to build my trust. After CJ moved, his
subscription to LA Magazine & Mother Earth News kept coming for over a year, I suspect to
entice me to go to LA and/or make me look like a granola guru whacko. Though it might not
seem to be a big deal, It was a mighty big coincidence that the Dave Aron EQ Magazine had a
write up on this alternative channel strip.

Vintex Audio X73I article from EQ Magazine

Me & CJ Newport Beach, CA 2005

Having Dave Aron on board and being at East Iris, I was confident that though expensive, I
had made the right decision to get The Black Saddles mixed properly by a professional.
However, in the mixing studio what you hear coming out of the studio monitors is not
necessarily what gets printed to your masters. Just like in the recording sessions, one of the
primary tricks Dave used to ruin the mixes is secret busses (alternative sound signal paths) with
distorted reverbs and compressors, which distort or filters certain frequencies out of the signal
going to the master. So, even though the speakers sound great, that is not what is printing.
How it works is they will mix the song just as if it were a big budget professional release
and get it sounding perfect, which could take a day or more. We then listen to the mix and when
it sounds awesome I give the approval to print the master. All they do then is simply push one
button and un-mute a couple secret busses that are post monitors (after the speakers) and flood
the masters with distorted signals. And if you choose to review the mix, they just open the
session and mute the hidden busses and it sounds great. However, in a professional studio
because they use a lot of expensive outboard gear for compressors and effects, recreating the mix
is not possible without investing a lot of time, which is money. So when you say print; that is it.
The crazy thing is we were burning test CDs to listen to in the car that sounded great, but all
of the test CDs always had a little flaw here and there. They were either truncated or just
unusable for one reason or another. Hind sight being twenty-twenty I should have realized the
test CDs were purposely flawed so that I could not use them for masters later on. Trust me these
are professional; they know how to fool us amateurs. Interestingly, I cannot find one of these
test CDs, someone slyly removed them from my bag and home, which is no surprise as much
evidence has been stolen from me or magically disappeared.
One way to know you are getting screwed in the studio is when the computer monitors for
the Pro Tools are turned sideways or set in a place which makes them hard to see. Always insist
that the computer monitors be placed between the speaker monitors so you can watch what
THEY are doing at all times. I often complained about this because it makes it difficult to listen
in the middle of the speakers, make adjustments on the mixing console and watch what is
happening in the Pro Tools session at the same time. This is because they dont want you to
watch what is happening in the Pro Tools session, while you are listening and watching the
consol.

Anthony & Dave - Sideways Computer Monitors

We mixed 13 songs in seven days, and on the last day Lorrie Morgan came to listen to
the final mixes. Lorrie sat dead center in front of the studio speakers and listened to each and
every song with Jesse Whitley from beginning to end. She thought the record sounded great,
which it did, then. We listened through the entire record except for Hard Livin which we
strangely never finished.

Jesse Whitley & Lorrie Morgan listening through entire record East Iris
Looking back, hind sight being 20/20, Lorrie Morgan seemed pretty nervous when we
listened through the whole record. She drank Corona and tequila the entire time. Also, as you
can see in the below pictures she clung pretty close to Dave Aron, even though she had just met
him. Understanding the fraud that was really going on, it is clear now to see that she was
seeking comfort from Dave in a very uncomfortable situation.

Dave Aron Lorrie Morgan(Clinging), Jessie Whitley, Daves Assistant Anthony & Me
I do remember a very awkward moment at East Iris Studio when Dave Aron, Lorrie Morgan
and Jesse after listening to the whole record on the last day of mixing, when Lorrie, Jesse and
Dave seemed to have a private celebratory moment which excluded me, despite the fact that I
wrote, produced, paid and slaved for two years to make The Black Saddles project.

Let there be no doubt that Jesse Whitley and Lorrie Morgan were in on my demise from day
one. Not to mention not once then or since has Lorrie Morgan or Jessie Whitley expressed the
slightest concern for what happened, she and Jesse just disappeared.
After closely examining all of the audio, video and picture evidence as well as replaying all
the scenarios in my mind, it is now painfully clear that I was being bamboozled the entire time,
and they were even rubbing it right in my face but I was too naive to notice. I was Third Eye
Blind.

Jesse & Dave giving the Illuminated Horns

This picture says it all

Interestingly enough on the evening of February 23rd 2009, we held Charitys 30th birthday
party at East Iris Studio. In the kitchen having cake, Dave Aron actually told Charity; He
knows hes going to hell. I hate for that too be true, but with the phenomenal skill he mixed
The Black Saddles record, and then the sly smoothness with which he destroyed it, I am quite
confident mine was not the first record he has destroyed in this fashion. In fact, I would say that
this is true for all the professionals who worked on my project. As I stated earlier the record
business spends far more money destroying artist and bands than they do making them.
After Dave Aron went back to LA, we were three days away from the radio release date for
So You Wanna Be A Redneck and all of the mixes Dave left me with were horrible, which is
crazy because when we all listened to them with Lorrie Morgan on the last day at East Iris
everyone agreed they sounded awesome. In fact, the digital video I have of Lorrie and everyone
listening to the final mixes sounds better than what I ended up with from Dave Aron to master. I
was a victim of the ol switch-a-roo.
Please understand, Dave Aron is one of the top recording and mixing audio engineers in the
business, so it is hardly possible for him to have one bad mix, let alone 13 bad mixes. EQ
Magazine is the industry par excellent for mixing, so for Dave to get the center fold he must be
pretty damn good. And he is. Believe it or not, I am not mad at Dave for what he did. I now
clearly understand that the order to sabotage me came from way higher up than Nashville or the
music business. Dave had no choice in the matter. At least I did get to hear the record sound

great once, and we had a lot of fun in the studio. Now I get to save the world, thats better than a
hit record day.
Dave made the decision to use East Iris Studios, and Mike Paragone lined up Andrew
Mendelson at George Town Mastering to master the record. Below is an e-mail that Dave sent
to Andrew Mendelson at George Town Mastering after returning to Los Angeles, suggesting
some fixes for mixes. This e-mail is ridiculous because all of Daves mixes and stems were
completely unusable and Andrew concurred.

Daves E-Mail to Andrew at George Town admitting his mixes were horrible
Dave lies about the time frame as he stayed two extra days for a total of seven days, which is
only mixing two songs a day, actually less because we never got to Hard Livin. However the
two extra days cost me an extra $4,000 for studio, airfare and food. Dave, Mike, Andrew and
everyone else knew what was going on, its just a big circle jerk game they play pretending to
blame each other, as cover for each other. When it the smoke cleared between studio costs, Dave
& his assistant Tony, food and other expenses Dave Aron cost me $26,000 and I still didnt have
a mixed record.

In addition to the mixes being bad there was an incredible amount of additional destruction
to the sound files on all my hard drives, as well as missing software and plug ins on my home
Pro Tools studio system. I also bought a Mac Power book for Dave Arons assistant Anthony to
use at East Iris studio so he could fix all of Jesse Whitleys vocal timing and tuning. After
Dave and Anthony left Nashville all of the Plug ins on that laptop had been erased. Also
Randy Cantor earlier in the month had come by my house and borrowed my hard disc copies
of my software for Pro Tools & Plug Inns. So when my computers got hacked and Pro Tools was
corrupted I didnt have any of my software discs to reload the program. It is truly amazing how
thorough and determined the music business was to make sure that The Black Saddles record
never saw the light of day.
Despite spending an incredible amount of money for Dave Aron and his assistant Anthony to
come out from Hollywood to mix The Black Saddles record, everything was worse when they
left, than when they arrived. Just pure deliberate destruction aimed at bankrupting me and
permanently crippling The Black Saddles project.
The people at East Iris Studios in charge and responsible for allowing the destruction to
occur were Mike Paragon, the studio manager/house engineer and Ted Wheeler, house
engineer. A few days after I discovered that Dave and East Iris had destroyed my record Mike
Paragone called and said that the owner of the studio heard what happened, that they were sorry
and offered me free studio time to make up for it. I called a week latter to take them up on this
offer and they played stupid acting as if nothing had happened, in addition they had changed the
studios voice mail taking Mike Paragone voice off the answering voice mail. Shortly after that
they sold East Iris Studios and it became House of Blues Studio Nashville.
Notice in the picture on the right how Mike Pargone is giving the horns signal to Ted who
was behind Anthony, and from the look in his eyes this is not celebratory or rock-n-roll this
is malicious intent instruction for destruction. People really should be more careful when there
is a film student in the room.

Ted Wheeler, Mike Pargone (East Iris Manger) Mikes Biz Card Mike Pargone horns
Just days away from the radio release date for So You Wanna Be A Redneck I had no
usable mix. In a panic, I got a referral from Andrew at George Town Mastering in Nashville to

use Craig Alvin(He engineered the band Chavel). Craigs studio was called The Great
Gazoo and I hired him to mix just one song: So You A Wanna Be A Redneck so that I could
get have it for the March 17th 2009 radio release, my birthday.
I should have known things were amiss when I walked into The Great Gazoo studio as
there was a large picture about 5 foot tall butterfly taped on the door that looked very similar to
The Black Saddles logo. Craig said his son drew and colored it for him. In my stupidity I saw
the similarities as a good omen, not realizing it was another psychological set up. This is an
excellent example of how detailed secret societies prime your mind so that it becomes putty in
their hands. This is the exact same subliminal technique as my profile on the EQ Magazine. It
also appears as though it wasnt quite close enough so THEY made sure to draw the green
stirrups, but the wings are unmistakable.

Picture Craig Alvin said his son drew

The Black Saddles Logo

Craig also blinded me with flattery telling me that the acoustics on Redneck were just
perfect on the bridge, even though they are horrible, which I know because I am the one who
played them. Also, they knew after the Dave Arons East Iris nightmare that I didnt like SSL
boards and so they had an all digital board in the studio that Craig said was used on Rascal
Flats album.

Tim Salter, Jeff (asst.) Craig Alvin, Landon Carter Digital Board at The Great Gazzo
Two days and $1200 later, Craig played us a mix in the studio that sounded awesome, which
was delivered to George Town for mastering. At George Town the master sounded awesome,
but once I picked up the final print from George Town it was also messed up again, blaring in
high end noise and over powering crashing symbols like trash cans rolling down hills again.
Also, the entire low end was completely missing and the vocals were distorted.
I am a good writer and producer, but I think as a singer and guitar player I am very average.
So anytime anyone compliments my singing or guitar work, I know they are buttering me up to
be tarred and feathered. Unfortunately, it took me $100,000 to learn this; my problem is that I
am very trusting, which leads to being very gullible. However, in my defense never ever
suspected that the corruption in the music business and the world was as thick or as close to
home as it is. Honestly, even though I have experienced firsthand hundreds of assaults against
me, I still cannot comprehend how elaborate and concentrated the secrecy and corruption was
against me. Is everyone in a secret society?
One of the primary weapons THEY use to fool people is flattery, which if you are an
aspiring artist is a very powerful tool. Flattery works that same way as bodily shock and fear
because when flattered the body releases the same feel good chemicals, which cause a mild
euphoria. This euphoria is basically toxic abracadabra and works much the same way, leaving
one open to suggestion and more easily deceived. The Bible even warns of the deviousness of
flattery.
I wish I had realized sooner that when someone was being overly generous with their praise
that I was being swindled, but the excitement of it all blinds you. I was being swindled all the
time and by everybody. Its like second nature to these folks. I guess when you are raised from
the age of five to be a liar, deceiver and taught all the ancient Masonic manipulative secrets you
get to be pretty good at being a horrible human being. Rumor with some conspiracy theorist is
that these folks are not even human, which would just make them a horrible beings I guess. I
still cant believe I didnt see things sooner, but I guess all in Gods time.
Cal Worthington and his dog spot in California was the most successful used car dealer
of all time. You see Cal would always appear on TV looking or acting like a fool, giving the
viewing customer the illusion that he was a total idiot. His dog spot would usually be some crazy
circus animal like a camel, elephant, tiger, lama or gorilla. This is known in sales as the bigger
buffoon close. The customer gets a false sense of confidence that they can get one over on Cal

the buffoon, and so they head on down to get a steal of deal on a car, only to have their ass
signed to a bad lease on an over-priced hoopty they cant afford.
A prime example of this buffoon technique was used on me by Andrew Mendelson owner
and chief Mastering Engineer at George Town Mastering on Music Row in Nashville. I cant
believe I fell for this, but we were days away from our first radio release for So You Wanna Be
A Redneck and we had hundreds of radio personalities that we befriended at the Country
Radio Seminar(CRS) just days earlier all super excited about the project. Heres is the classic
buffoon sales close, check out Andrews slippers.

Jesse Whitely & Andrew Mendelson (Buffoon Slippers) @ George Town Mastering
In addition to the buffoon sales technique and liquoring us up with free booze George
Town Mastering also use the over-charge sales scam to divert my attention. The initial
estimate to master one song was $150; by the time it was all said and done the total cost to
master one song was $650. $250 was a bullshit rescheduling charge because Dave Arons
destruction on the master delayed delivery date, and the other extra $300 was for God knows
what. I needed the song though so I paid it, but when I got it home, once again it was total
garbage.
At George Mastering everyone was excited because So You Wanna Be A Redneck
sounded awesome. Even though we didnt have the whole record finished, at least we had the
single for the radio in two days, or so I thought. From the picture below you can see once again,
I was the fool being fooled.

Nate Tim Jesse (horns) Me Bethany Andrew(rabbit ears) The boys mocking my privates
It was at this point I realized that no matter who I went to in the music business; there was a
standing instruction to destroy my music. In my traditional never say die attitude and desperate
to have something for the radio release in 24 hours to give to all the radio people that I Jesse and
I met at CRS(Country Radio Seminar) I attempted to mix So You Want To Be A Redneck
at my house. Hoping to save time I tried to use Craigs and Daves Stems. Stems are separate
sub mixes of rhythm instruments, drums, vocals and lead instruments. Sadly, I opened the Pro
Tools files from Craig sessions at my home studio and low and behold all those files were
damaged and distorted also. They got me again.
In a panic I got onto the phone with Craig and requested another mix, which we received via
his online Apple account a few hours later. This new mix was fractionally better but still not
usable. So I called Craig again and asked if he could just send a clean drum stem without the
symbols. Hours later we retrieved the new drum stem from Craig via his Apple account and it
too sounded like trash cans. Suspiciously, Craig had to leave town, and I was out of options,
money and had no mix of So You Want To Be a Redneck for the radio release on my
birthday.
This was when it dawned on me that something very bad was going on and to make matters
worse this is also when I discovered that my computers, Pro Tools, plug inns and hard drives had
all been compromised and contained countless hours of intentional and irreparable damage. If it
were not for one very secret drive that I kept unknown to everyone, The Black Saddles project
would be completely lost.
In total on producers, engineers, musicians, studios, equipment, art, travel, promotion, per
deem, food, fan fair and Jesse Keith Whitley I spent over $100,000 making this record only to
learn everybody, including Lorrie Morgan, Jessie Whitely, the top level industry professionals,
studios and musicians I was hired were doing more damage than production. Needless to say I
was broke emotionally, physically and financially.
Whoever did the hundreds of malicious adjustments during the long drawn out mixing of the
record could have been any number of professionals I brought in to try and get this record mixed
properly including Randy Cantor, Dave Aron, David Leonard, Craig Alvin and whoever Wheel
was that hacked into my Mac Pro via Bluetooth. All I can say for sure is whoever did this to all

my mixes and hard drives had to have been an Apple & Pro Tools audio engineering expert and
spent many hours destroying, as this type of detrimental tweaking are everywhere on all The
Black Saddles recordings.
The noise created by these sly adverse adjustments is like trying to find a thousand needles
in fourteen haystacks. This is why I have carpal tunnel syndrome in both hands because I was
constantly fixing mixes that we already edited and made ready for professional mixing. It
seemed every time I would go back to check a song I knew was ready for pro mixing, it would
be all messed up again. At that time I was still just a beginning engineer and didnt have a clue
what was going on.
There have only been a few people who have had access to the drives myself, Randy
Cantor, Dave Aron, Anthony Daves assistant and David Leonard, of Prince fame, who came
to my house to try and salvage Dave Arons sonic mess on So You Wanna Be A Redneck.
Dave Leonard as very famous sound engineer, came to my house for one day and we didnt
seem to make any progress thats when I hired Craig Alvin, who also did more bad than good.
Though I dont know for sure, I do not believe that Dave Leonard did any damage, as he didnt
really do anything except sit there for a whole day, and stare at the screen with headphones on so
I could not hear what he was doing. However, considering his level of experience and expertise,
it would be an impossibility for him to have not recognized the deliberate damage all over the
So You Wanna Be A Redneck Pro Tools files. But he like everyone did not say a word about
it.
Once this destruction became obvious I went to total lock down on my computers and hard
drives, and to my amazement things continued to be tampered with. Then one day I was mixing
and all of a sudden the whole mixed just changed as I was working on it. I realized that someone
had wireless access to my Mac Pro Desk Top computer, even though it was not connected to the
internet or a network.
After spending hours on the phone with Apple we discovered that someone had indeed
accessed my computer, and cracked into the high level Apple security profile named WHEEL.
Which is pretty bold since Wheel is 58553=26=8, and 8 is Gods number. Apple also helped me
figure out that whoever cracked in accessed my computer via Blue Tooth, which is strange as
who knew that a desktops had blue tooth. More interesting, I came to learn that Blue Tooth is
only good for a few hundred feet and the perpetrator would have to be close enough for Blue
Tooth.
Since myself and my girlfriend Charity, who is computer illiterate, were the only people
living in my house, the only person close enough would be my next door neighbor Tommy
Thompson, who just happened to have a square white Wi-Fi antenna on his window pointed
toward my home. I never got a picture of it Tommys white 12 x 12 wireless antenna in his
window, this could have been the device or it could have been a decoy to make me look a fool.
Tom also just happens to be a Freemason, I know this because when I first moved into the
Stonehenge neighborhood in Brentwood he showed me his illustrious collection of portraits of
Americas forefathers, all Masons Now you are starting to understand of how interwoven,
clandestine, mischievous and relentless these secret societies are.
A very interesting side note is that Toms daughter in law, who is over at his house all the
time, was working as a personal assistant to Chris Lindsey and Amy Mayo, two very prominent
songwriters who work closely with Faith Hill and Tim McGraw. Chris Lindsey had actually
heard a ruff mix of So You Wanna Be A Redneck at a songwriting workshop he gave, that I

attended in Nashville. Later that week Tom told me that Chris thought it was very well written
and I was a good writer. I guess I was too good, thats why I got so much destructive attention
As I have mentioned all of my computers have been hacked and almost everything
pertaining to The Black Saddles destroyed or mutated. Many times perpetrator would leave
their marks as a scare tactic. The number 23 mysteriously showed up on my project spread sheets
that I used to manage and budget The Black Saddles record. (23=5 Bad For You) Just like the
user who cracked into my system called who themselves WHEEL.

The Black Saddles budget altered to $23,000

Mac Pro Sharing & Permission Wheel

In addition to the Pro Tools session damage I also had a slew of missing USB storage
devices, Pro Tools, Third Party Plug-In software stolen and a bunch of mysterious technical
setbacks. So though some of the damage could have occurred wirelessly, much of it was done by
those who had physical access.
The type of destruction on the Pro Tools session and hard drives is fairly technical but here
is a sample list: Missing sounds files, stretched sound files, distorted sound files, compressors
and reverbs with inputs pushed to max and outputs turned down hiding distortion, random
automation of delays, reverbs, volumes, panning and mutes, secret busses causing uncontrollable
levels of channels, haphazard automation, distorted effects, gradual volume changes, flip
flopping over heads that contradict the drum kit, frequency filtering, plug in deleting, hard ware
tampering and the list goes on and on. I still find stuff every time I look at the sessions. At this
point I dont really even know if the album is salvageable or not its that damaged.
Since moving away from that neighborhood I have not had any problems with my files or
computers. But honestly, I have not been working on the music at all since my hands hurt. Its
also hard to be creative when living in fear, and as long as the music business is controlled by
secret societies theres really no point, as I am obviously high on their list to destroy.
Here are just some of the destructive tricks I discovered on The Black Saddles project.

FX Automation Sabotage

Volume Automation Sabotage

Above hidden automation glitches and drifting volume change which cause the sound to go
bad in random spots, and can sometimes take hours to find what is going wrong. Many of these
are so cleverly buried in the sessions its obvious that they had to be done by an expert in Pro
Tools.
Below is an example of automation sabotage on a Back Ground Vocal track. As you can see
very briefly the audio is signal is set to jerk to the right, this destruction is three layers deep on
the automation. On the same track just before the Pan sabotage is a Mute sabotage on the vocal
delay which would cause the sound to echo, cut off, then echo. This destruction is five layers
deep into the automation, Its easy to fix, but very time consuming to determine the cause and
locate in the session.

Pro Tools Session for Redneck

Delay & Panning Sabotage

Here is the same picture I used to show the intentional drum stick hits on cymbal stands and
hardware. Just so you have an idea how difficult it is to spot the automation sabotages see if you
can determine the subtle oddity here, which has a majorly negative effect on the sound of the
song.

Overhead Drum Tracks from Reckneck

Did you find the sabotage? If you didnt, take a closer look at the Pan on each track. The
OH-H track is at 0, which should be at 100 to the left, and the OH-R track is at 100 to the left,
and it should be at 100 to the right. The causes the Over Heads to sound opposite to the actual

drum kit causing serious sonic irritation and audio confusion. This stuff may see minor to you,
but when you consider that there are literally hundreds of these slyly placed sabotages in all the
songs you start to realize how cumbersome it is to find and fix these errors.
The thing that sucks most is the original ruff mixes that I had were very close to being done,
now after bringing in all these expensive professionals, I dont even know if the record is
salvageable, as there are sound files missing, stretched, distorted, replaced and corrupted. It is
literally mind boggling trying to get the mixes just back to where they were before all these pros
destroyed them. I could go on for days describing the destruction on this record, but there is so
much more to the story that I wish to share with you so we need to move on.
Just to get the proof of Nashvilles destruction on The Black Saddles project into the public
record I released Craig Alvins inferior mix, mastered by George Town Mastering of So You
Wanna Be A Redneck to radio as scheduled on March 17th 2009. We got a little airplay, before
being informed through the grape vine that our radio promotion had been sabotaged by CRS, the
Country Radio Seminar held in Nashville and we were black balled from country radio.
Not knowing what THEY had planed next I felt the need to at least get something out to the
public as a safety net for my life. So, I burned 300 copies of The Black Saddles entire record
with the original ruff mixes I had done, just to put it out into the public. Also on this CD I added
the Jay Vern sabotaged demo of God Bless The USA with a nice message from me to
Nashvilles Music Row, calling them out on their participation in my destruction. My girl friend
at the time Charity and I handed these home burned copies out after the CMA Music Awards to
people leaving the show.
After we finished handing out all 300, we went to The Wheel on Broadway for a drink.
Interestingly, a man came and sat next to me who owned Nashville Nissan. He point blank
asked me how I got the CDs reproduce, with a suspicious overtone. It was obvious that
THEY were surprised that I actually burned all those CDs at home. Ill bet they were more
surprised when they heard the little speech I gave calling out Nashville for all they had done.
This is why I have not bothered to try and finish the record, even though I salvaged most of the
recordings. I cannot get anyone to mix it and I know any CD replication facility is just waiting to
destroy it.
Having discovered this horrible reality I was forced to learn the technical aspects of audio
production and engineering which only led me to more destructive discoveries. Ironically, most
of the instructional courses I studied to learn f audio mixing and Pro Tools came by studying
with the top engineers and producers in the music business on DVD from a company called
Multi-Platinum Pro Tools.
Suspiciously, just a month after Dave Aron came out from LA to waste my money and
destroy The Black Saddles project, Multi-Platinum Pro Tools released Dave Arons very own
DVD instructional course on Hip-Hop Mixing. I highly suspect this was part of his
compensation for participating in my demise, in addition to his EQ Magazine spread.

Multi-Platinum Pro Tools Hip-Hop Mixing DVD Training

My initial reaction when I discovered that I was purposely being derailed was that I had
stepped on Music Rows toes by independently producing one of Nashvilles royal musical heirs
Jesse Keith Whitley. So, I offered the project to several record companies on Music Row, but
nobody was interested. At the same time everyone I knew in the music business started
disappearing like prawns at a party. I quickly figured out that this was all about me. There was
nothing more I could do other than crawl up in a ball on my home studio floor and cry.

Technical Tidbits
Chapter 6
Before I figured all this sabotage stuff out I was pondering what it was about my mixes that
was different than the pros, and I recalled something that Dave Aron said when we were at East
Iris Studio in Nashville. He said, See how the speakers move in my mixes and they dont in
yours. Well the funny thing was once I got Daves mixes back to the house the speakers no
longer moved like they did at East Iris. I have the same KRKV8 and NS10 speakers at home
they had in our room at East Iris, which was another psychological familiarity trick they played
on me. .

East Iris KRK V8 & Yamaha NS-10

My KRK V8 & Yamaha NS-10

This is when I realized that it is the very low frequencies that make the speakers move, and
upon further investigation I discovered that most of those low frequencies had been removed
from Daves final mixes, which means Dave had some type of low frequency filter set up that he
could quickly turn off or on, because his mixes thumped the speakers at East Iris. .
To all my fellow dreamers, artist and writers out there please know, even though you hire the
best players, use the top recording studios and hire an engineer who has sold over 100,000,000
records like Dave Aron, who can make any music sound awesome, dont be surprised when your
mixes dont sound so good after the talent leaves, the bills are paid and your listening to them at
home.
Once I figured this low frequency thing out I started examining Pro Tools (The industry
standard for computer based recording made by Avid) as well as all the consumer available 3rd
party software for Pro Tools. To my amazement I discovered that all of the frequency monitoring
Plug Ins(add on audio altering programs for Pro Tools) available mysteriously do not give any
detail readings of frequencies below 20htz, yet high-end frequencies are displayed well beyond
40,000htz. It is bizarre that they would show a 40,000Hrtz range, but leave out the bottom
20Hrts.
I have brought this point up to Craig Jones my old roommate who was a rep for Roland at
the time and he said it is because humans cannot hear below 20Hrts, which is total bullshit
because we cant hear much past 20,000Hrtz, but we can damn sure feel below 20Hrts.
As luck would have it, the quote from Dave about the music actually moving the speakers
started me investigating the technical aspects of why music is so guarded by secret societies. My
overall conclusion is dont waste any more money at Guitar Center, Sam Ash, Musicians
Friend or Sweetwater on recording equipment or electronic instruments. A majority of
consumer grade sound recording equipment and instruments filter out low frequencies or adds
psychologically disturbing high frequency sounds to the low frequencies tones when you try to
push your keyboards or EQs to focus on the physiologically pleasing frequencies below 20htz.
The bottom line low frequencies between 1Hrtz to 20Hrts can induce entrainment, just as
low frequency tantric tribal drums have been used throughout history to induce the entire tribe
into spiritual traces. When low frequency rhythms sync with our heartbeat and natural vibrations
our body we will eventually slip a trance state entrainment, which leads to enlightenment.
Below are some pictures of the most popular consumer grade Plug-Ins for Pro Tools.
Notice how ALL of them cut off the low frequencies below 16hrtz.

.
This is not an EQ. This is the PAZ Frequency Monitor for Pro Tools which displays the
level of each frequency being played. Notice how at 30htz it flat lines because Pro Tool
filters out the low frequencies. So they wont show 1htz to 30htz. But they will show you
30htz to 16,500htz.

This is Pro Tools Q8 EQ -the lowest it will go is 16htz

This is the REQ 8 EQ The lowest it will go is 16htz

This is the PSP Neon EQ The lowest it will go is 20htz

This is the PSP MixBass2 EQ This a for low end bass and the lowest it goes is 32htz

This is the Audio Track EQ The lowest it goes is 16htz

This is the MClass EQ From REASON a very popular sequencer Lowest it goes is 30htz

This is MaxxBass A Plug In specifically for low frequencies that only goes to 32htz

Most companies that create software Plug Ins for ProTools allow you to download their
programs for a trial period of up 30 days. I have searched and searched and cannot find one Plug
In from Avid/DigiDesign/Pro Tools or any third party software company that makes an EQ or
Frequency monitor that provides control and/or monitoring of frequencies below 16htz. These
are the most important frequencies to the human body.
This is one of the big reasons why with the billions of dollars spent on consumer recording
equipment, not once has anyone had a radio hit that was recorded at home. In my opinion it is
not possible to make a broadcast quality recording with the electronics available to consumers.
Because of these missing low frequencies even if we liked the song, it is not sonically
pleasing to our bodies; for this reason we wouldnt have a strong desire to hear the song more
than a few times.
The powers that be prevent consumer access to professional quality recording equipment
because one song properly produced could put the world into a trance that could lead to
enlightenment. This would put an end to the psychological prison and mind control matrix that
the secret societies have manipulated mankind with for thousands of years.
In desperation to salvage my investment I was left with no choice but to start from scratch
and remix the record myself, at home, which I am currently attempting to do. The problem is
consumer grade recording equipment does not allow for the accurate monitoring or mixing of
frequencies below 30hzt as I showed you above in the photos. The EQs either stop working or
start to do funny things when you start to push into these low frequencies. Other audio funny
business also occurs when you try to tame the annoying high frequencies around 15,000htz. The
bottom line is consumer grade equipment is purposely flawed and worthless.
Ever resourceful I believe I found a solution that might work to give home mixes the low
frequencies below 15htz that give a song that professional sound and feel. I found a semiexpensive ($995) psychology program called Mind WorkStation that is designed to use low
frequency sounds to help people with attention, anxiety, compulsion and concentration disorders.
The Mind WorkStation creates low frequencies which range from 1htz to 30Hrtz, that are
medically proven to be beneficial to the body and mind. This low frequency homeopathic
knowledge is not some random hypothesis I have concocted, this is proven medicine, which has
been used for decades to help people with sound. The low frequencies are categorized into theta,
beta and alpha waves, all of which have different benefits and effect upon the human body and
mind.
It is common knowledge in the medical world that these low frequencies are very
beneficial to humans and have the power to not just help mental disorders, but heal physical
ailments as well. The reason for this is Alpha, Beta and Theta sound waves are the low
frequencies which hold the light together that makes all mater including us.

Mind WorkStation Psychological Medical Device

Since I could not get my speakers to actually pump like Daves did at East Iris Studios
(Same Speakers KRK-V8S & NS10). I took multiple sound samples from this Mind Works
psychological program, made a new single beat samples of blended beta, theta and alpha
frequencies, then with Sound Replacer added it my mix as an additional kick drum, adding the
low end frequencies that were either not recorded, destroyed or filtered out of my mixes by Pro
Tools and the engineers I hired to record and mix the record.
Guess what? It works, my speakers now pump. The difficult thing to work with is that the
newly created alpha, beta, theta kick drum sound sampled from Mind Works is practically
inaudible yet it causes the audio meters in Pro Tools to peak into the red when this track is on.
As a solution I mix the song without the added low frequency Mind Works kick drum to get
proper levels, and then turn on the blended kick drum I made from the Mind Works program to
get the low frequencies added to the mix.
The drums are an easier fix, now the problem is I still have to tackle is how to get the bass
guitar and other low end sounds to honestly reproduce that portion of their signal that is below
30htz, which is missing..
One last trick I will share with my audio technical peers out there is a theory I have not yet
experimented with that might work to fix the bass tracks. My plan is to import the bass track
into Melodyne or another audio tuning program, make a duplicate of that bass line, then
painstakingly note by note, replace each bass note with a properly tuned alpha, beta, theta
blended tone from Mind WorkStation, just on the actual beat. Even though this will not give the
full length low frequency bass tone all the way through the note, it will at least have the low beta,
theta and alpha frequencies on the initial attack of the bass note.
It only makes sense that the powers that be are in control of all aspects of music, even the
recordings people make in their home studios. As THEY logically would be since just one song
properly produced would be enough to induce people into a hypnotic trance where they could
become enlightened and see the truth.
Heres a little strange but relevant side note I thought you might like to know. I still have a
stereo receiver which cuts out all the low frequencies that I got from my ex-wife Sandys Mason
father Walter, who also gave me a Masonic recruiting book The History Of Freemasonry By
Albert Mackey for Christmas. I cant help but wonder if that receiver was modified on purpose
to keep me from listening to low frequencies.

Masonic Recruiting Book

Sandys Parents Rebecca & Walter

If you wish to learn a lot more on how emotions can be manipulated with media there is
book written by Herbert Zettl called Sight - Sound - Motion. Back in film school I read this
book and thought it to be just another book on how to move the camera, frame shots and make
cinematography more interesting. I do believe that Herbert Zettl was carefully trying to teach
the masses about how the powers that be manipulatively control society with media.
Just as I met some very famous folks in Nashville who gave me the clues on what was
really going on, this book was suggested to me by two film teachers who I could tell we
disgruntled by the film industry. It was not required for the class. I now realize way back then in
1989 they knew I was the one to unravel this historic crime against humanity. This is more proof
that indicates to me that many people who are involved in these secret societies, want this
secretive malicious control to end.
I am not even sure it this book is available still, but at least take a minute and contemplate
the deeper meaning and possibilities of the chapter listings in the pictures below for Sight Sound - Motion. Trust me when I say they have manipulating our brains refined into an exact
science.

If you would like to see a shining example of mind manipulating media techniques
functioning all at once in an almost circus fashion just turn your television to CNBC=3523=13.
The first thing you should notice is that the primary colors are a soft translucent blue and green.
This is because these are low frequency colors which are very soothing to our eyes, mind and
body. These pleasing soft colors make us physically and psychologically attracted to the
television. Also listen to all the meaningless noises, it sounds like a video-game arcade.
Pay attention to various angles and direction of movement of objects in the fore ground and
back ground, it is utterly a memorizing kaleidoscope montage of bright, light, dark, circles,
squares, vectors and colors. All this is specifically arranged to have a particular effect on the
viewer, synchronized to either support or detract from the information pouring out of the so
called financial experts lying right to camera.
Please remember that all this psychological trickery is nothing new, is just the supped up
version of the Masonic square and compass. However, the technology and instantaneous
delivery of the multitude of data all combined with a plethora of pleasing and disturbing images
and sound makes todays Masonic media manipulation deadly potent. Combine all this with the
fact that it all about something we all care about sincerely money, economy and health of the job
market.
Also notice on CNBS how the people dress in relation to how the market is performing, as
there is a definite correlation to their manipulative financial advice and how casual or formally,
and in what color they dress.

The first picture below is the best way to sell a bunch of over-priced paper investments and
make believe monetary system; put two beautiful women(Attraction) dressed in black and
red(Repulsion) in front a soft spiritual blue background (Attraction) with a bunch of white letters
for the stock symbols (attraction) all moving in random directions (repulsion) on the television.
In the picture on the right since they are trying to keep people believing that the market
can overcome international headwinds they have four people on the screen, two guys and two
gals to balance everything out, also they add the gold(attraction) market alert and market
numbers. Both of these pictures emit emotions of attraction and balance. Lastly the two female
commentators presenting financial news is part of the feminization push, as well as and
intimidation technique because both of these ladies are out of most guys league.

Lady in Black lady in Red

Four Talking Heads (Balanced)

Ladies in blue, Anchor Desk Blue (Comfort) Five Talking Heads (Confusion & Stress)
If you watched Barack Obamas State of The Union Address in 2010 you noticed that the
media made a point to point out the purple everyone around the president was wearing. The

official lie was that purple represented a blend of red and blue signifying the desired cooperation
between democrats and republicans.
This is a load of crap, soft purple is a color which the body and mind find very pleasing.
This use of purple was intentional social manipulation to make us psychologically attracted to an
extremely corrupt administration.
Purple is also associated with God, gold and royalty as purple is the color the water turns
when you electrolysis gold in salt water, one of the processes in the delusion of Gods metal gold
into the Philosophers Stone. This is what Prince was singing about in his song Purple Rain.
Also once you start to learn do slip into deep meditation the first colors you will experience are
soft blues and purples, these are the calm cool colors of the social consciousness.
One thing that I find hilarious on CNBC is the close up of the DOW Jones ticker off the
floor of the stock exchange, which is so zoomed in it is constantly shaky. This purposely causes
stress, and what makes this scam so obvious is that they could easily just electronically feed that
information to an active graphic that would not be shaky, instead of filming with a camera. On
top of all this confusion the ticker symbols on the bottom run at two different speeds and things
are moving up, down, left, right, red, green etc as though that is not enough confusion, turn up
the audio and notice the annoying meaningless sounds that ring, buzz, ting, twang and distract.
The obvious purpose for all of this is to keep the financial industry and financial markets
mysterious and confusing, which are all part of the deception, scam and manipulation of the
unconstitutional Federal Reserve.
Another very important detail that is blatantly obvious on CNBC, and happening across the
board in television, film, music, media, politics and corporations is the feminization of
everything. Notice how on Fast Money that Dillian Rattigan has been replaced by Melissa Lee.
One by one men are being replaced by women in every industry. This is an overall trend in all of
industry because the powers that be worship the female, the goddess, the negative rather than the
Father.

Mellissa Lee
Center(Feminization)

Five People(5) and Female in

In addition, this feminization push turns the entire culture into a bunch of docile cowards.
They are neutering the country so it will be easier to implement Marshal Law. This
cowardization is also accomplished using the politically correct trump card, as everyone is
now afraid to speak their mind and the truth, for fear of social ostracizing.

Please notice that CNBC is using a lot more foreigners lately, this is to break down
nationalism in the United States and usher in a One World Government. It also appears that
when the next big financial crash comes they will blame it on Europe
Jim Cramers show Mad Money is a joke. First off, think about mad meaning crazy,
money. Is that really what you want for you financial future? Lets break down the numbers.
MAD=414=9 (evil) MONEY=46557=27=9 and of coarse 9+9=18 which is the number of the
beast 666.

Without a doubt CNBC is by far the best channel to watch if you would like to learn about
mind manipulation techniques. It is a lethal blend repulsion and attraction through contradiction,
confusion and mayhem. Women in red, floor trader numbers, stock prices, audio spikes, light
flashes, geometric shapes and Illuminati symbolism all flying around over a backdrop of light
blue and green soft welcoming colors flowing into, around and over each other.
Add to this confusion the constant bickering of left/right, bull/bear non-sense commentary
all tied to something people truly love, money, and youve got a conscious and subconscious
addictive roller coaster ride that would keep the dead from falling into a trance.
The best part about CNBS is the illusion that nobody has a clue what is going on in the
financial business. The truth is a lot of people know what is going on, including me. Its a big
cat and mouse game of global bankers, governments, corporations and investment houses all
jerking our chains a million different directions with the intent of leaving us in debt, corporate
servitude, constant stress, work and miles away from the relaxed balance state necessary to take
control of our own minds. Now we have Barack Obama pushing his new Jobs Bill. Do you
know what JOB stands for? JUST OVER BROKE
One last technical story, the picture below on the right was given to me by a broker named
Danny when I worked at PaineWebber in 1999. It was painted by his brother Joe a JESUIT
priest, specifically for me, though they never told me that. This painting causes cancer and other
illnesses because of the high temperature colors and the pulling of the many conflicting vortices.
This picture is an actual piece of Masonic witch-craft.
The picture next to it is a ceiling in one of the bedrooms of the last house I lived in, in
Nashville, very strange. The next picture is a Histogram of the ceiling which depicts the strong

contrast between colors. This color temperature contrast causes enormous stress on the eyes and
mind. The most ironic thing about this discovery is that the PINK=7952=23=5(Bad for Us) that
is used for cancer awareness actually causes cancer. Welcome to the real world people.

Jesuit Priest Painting.

Ceiling Nashville House

Histogram

Here are a few more of the technical discoveries I made once I figured out
The Numeric Language of Secret Societies

SURE=1395=18=666

SM=5

58=13 5+13=18(666)

DBX=427=13 (Freemason)
BBE=225=9 (Evil or Destroy(5) Warriors for Truth(22)

KRK=292=13 (Freemason) or (11911= End(9) the Awakening (11)

THX=287=17=8 (Gods sound system)
Pana=7151=14=5 Sonic=16593=24=6=11 (Bad For(5) The Awakening(11)
These examples are nothing special as every company and product is specifically
numerically labeled.

Perils of Promotion
Chapter 7
The Country Radio Seminar - CRS was held at the downtown Nashville Renaissance
Hotel just two weeks before the March 17th 2009 release date of So You Wanna Be A
Redneck and we passed out over 2,000 promotional sticker/flyers to all of the radio
personalities and media management in attendance. Well also collected lots of business cards
from radio professionals and personalities who were very excited about The Black Saddles
project.
Jesse Keith Whitley is country music royalty with his grandfather being George Morgan,
mother Lorrie Morgan and father country music legend Keith Whitley so we had quite a
buzz going at CRS.

Radio Promotion Sticker For The 2009 Country Radio Seminar - CRS

In addition to passing out thousands of promo stickers at CRS we took many radio
personalities and management out to my car to hear the ruff mixes of So You Wanna Be A
Redneck and Mother. They ALL loved the music and couldnt wait for us to get it to them
so they could play it for their audiences.
Here are some photos of me, Jesse and the band promoting The Black Saddles at CRS
2009. If you look closely you will see that Jesse & I have three different outfits on this is
because we promoted for three whole days at the seminar and talked with hundreds of radio
professionals.

Jesse Whitley & Me promoting The Black Saddles to Radio Executive & DJs at CRS 2009

Strangely, on the day we went to radio on March 17th, 2009 with So You Wanna Be A
Redneck we met with nothing but negative response and refusal to play the song. The few
stations we could get to play it quickly gave it horrible reviews, including Jerry Douglas in
Nashville, despite many listeners calling in that the loved the song.
So You Wanna Be a Redneck did play on a few stations only to be removed after
rumors of threats on the program directors that played it. There is no doubt that the deliberate
destruction of the project that I experienced in the production phase continued into the promotion
and distribution phase.
I have been in sales my whole life and it is theoretically impossible that we could pass out
thousands of promotion flyers, personally introduce Jessie Keith Whitley to hundreds of radio
people and get virtually no response from country radio. The bottom line is we got Black
Balled,
A few stations did play it and the song briefly crept to #146 on the country charts. One
program director also wrote us a very positive review and response in Country Radio Review
which is THE publication for country radio.

Country Radio Review

In broadcast radio Play MPE & Air Play Direct are the two companies that provide air play
quality down loads to radio stations. Play MPE is the biggest in the business and it took me a
couple months to get my account functioning when it is only supposed to take a few days, and by
the time Play MPE did approve my account it was too late. Air Play Direct set up my account

in time for the release but they are very small compared to Play MPE and many stations
complained that So You Wanna Be A Redneck would not download.
The funny thing is So You Wanna BE A Redneck is such a great song that even a
horrible mix, is still got rave reviews, despite the smear campaign against us The Black Saddles.
In addition to the hold up with Play MPE, HFA the Harry Fox Agency that controls all the
publishing of songs jerked me around for 6 months before giving me my account so that I could
have clearance on the three cover songs we recorded. Hard Livin, Mother & Im No
Stranger To The Rain.
However, I busted them because I went to Song File the online automatic internet site for
Harry Fox Agency and paid for the maximum 2,000 releases of each song, before they knew
who I was, and got the licenses with no problem, within minutes. I requested my Harry Fox
account in April of 2009 and finally received approval in November 2009. Its only supposed to
take a week, and I was bugging them with Faxes and phone calls weekly.
The advent of the internet, which many people think is a free flowing cloud of conception is
a total farce. I know this for a fact because I have a plethora of documentation that MySpace
was dramatically distorting The Black Saddles music, through compression, low end filtering,
truncating, preventing downloads and deleting friend request. This is also true for websites,
unless you happen to have your own server, but even then THEY will misdirect the traffic away
from your site.
Heres the craziest thing MySpace did to My personal G-Stone and The Black Saddles
MySpace pages. During the months of March, April and May of 2009 if you opened The Black
Saddles or my personal MySpace page a very violent racist KKK rap song started blaring over
The Black Saddles music.
This was MySpaces way of trying to make me look like a radical and racist. I was also
probably done to combat the fact that I had called the N-Kroud Kliq in south Central Los
Angles and informed them that Dave Aron had purposely sabotage their career when we hired
him to mix their record in 2001. I also told them not to waste any more money trying to make it
in the music business as it was rigged.
Here is Jesses text message to me confirming the racist black music on my MySpace page.
NOTE: Jesse Whitley is the one using the N word

Jesse Asking About MySpace Racist Music

My Notice to MySpace

My E-mail To MySpace Costumer Service

MySpace shut down our friends, ruined our music and froze our plays so we looked
unpopular. I believe the internet may be the worst thing to ever happen to music, as fans are now
conditioned to letting the internet determine who is popular based on MySpace friends and
ITunes plays. These numbers are all manipulated by the powers that be to control the content
and direct their agenda..
In order for music to work efficiently over the internet the songs are made into smaller file
types like MP3 or other proprietary formats like I-Tunes. Small song files are created by
compressing a sound file, essentially removing high and low frequencies to make the file smaller.
What people dont realize is that the frequencies(Hertz) taken away by music going to digital and
being compressed are all of the low frequencies which are harmonious with and good for our
bodies and minds.
These low frequencies are the same as ancient man used to create by rhythmically banging
animal skin drums during spiritual ceremonies. Thus even the direction that consumer
technology has taken sound is purposely manipulative to prevent entrainment, and the public
gobbles up this low quality music out of convenience.
Anyone over 30 years old can tell you point blank the sound quality of digital music sucks
compared to the analog formats like cassettes, records, 8-tracks and reel to reel. And if our
bodies, souls and mother Earth could talk they would tell you the same.
Often people in the music industry would tell me to just put together my own website and
put the music out that way. People are so nave to the fact that everything on the Internet is
censored. In fact, Nash the friend I hired to build our website misdirected all communication
from fans so that we never received any of the e-mails and fan club member information.

Below is a picture of Nash at his birthday get together at a Mexican restaurant in Nashville, this
is the night I hired him to do our website.

Me & Nash @ Mexican Restaurant

Me, Nash & Jesse @ Country Radio Seminar

In February 2010 I call the Brentwood Police to my home in Brentwood to report felony
credit card and internet fraud with respect to Media Temple the company that hosted The Black
Saddles & Cowboy Kryptonite websites. Someone in Nashville whose IP address has been
identified by Media Temple hacked my account and charged up thousands of dollars of
merchandise, draining my bank account just days before all my bills were due.
After all the destruction and sabotage this was is THE incident I had been waiting for that
would be the catalyst to launch and link all of this conspired corruption together. Other that
myself, Tommy Ciconne(Freemason) and Nash(Freemason) nobody had the pass-word for the
Media Temple account, and I didnt do it as proven by the IP address of the perpetrator I
provided to the Brentwood police.
In addition to Guy Carter a detective at the Brentwood Police Dept. never investigating the
burglary of my home, this was a new crime against me that they never investigated.
Feel free to check this one out. Police report number 1006838, filed at my home by office
Jason Harrison, on 3-28-2010. The suspects IP address 75.138.233.11 at Comcast Cable in
Nashville.
All the police had to do was go arrest the owner of that IP address, and they never did.
Guess why not? Take a close look at that IP address. 75=12=3, 138=12=3 so 33. 233=8 or 233
is Skull N bones and 11 is self explanatory. The police knew, just by looking at the IP address
that this crime against me, which had no financial benefit to the perpetrator was part the
Freemasons The Great Work.

Reporting Officer

FOP=667=19 Nashville

In late March 2009 when I was quickly becoming aware of the sabotage against me, my first
thought was there was something about my lyrics that were not politically correct. I had a song
that was pro-gun Protected By Smith & Wesson and one that anti-government God Bless
The USA. But the song which seemed to attract the most destruction, was So You Wanna Be
A Redneck. The confusing thing was it is a simple non-confrontational fun country song.
The big clue that it is was something about the music, not the lyrics, came in an e-mail from
Paul Worley, super famous producer who just recently won a Grammy with Lady Antebellum
for Need You Now, which is really just an Alan Parsons Project rip off of Eye In The
Sky. Jesse Whitely and I had played a few of the ruff mixes for Paul in his office at Sky Line
and the whole time I disagreed with almost everything he said. A few days later I e-mail Paul a
new mix of So You Want To Be A Redneck. Paul replied in his e-mail This music has been
done to death.

SKYLINE=1273955=32=5 (Bad For You)

Chuck Kelly Lady Antebellum

I didnt know what Paul meant then, but I now know. So You Wanna Be A Redneck(8)
was a balanced lyric and the rhythm of the song was a heartbeat, the type of bass and drum line
that could cause entrainment. I didnt know any of this balanced/unbalanced stuff when I
wrote it, I just wrote it the way I felt it. I have always loved the rhythm of music more that the
melody, and Redneck was heavy in low end rhythmic drums. I suspected that this was the red
flag that was signaling every professional I hired to destroy my music.

I come from a rock and roll back ground so everything I write is in 4/4 time. This means
four beats per measure. The hook So You Wanna Be A Redneck(8) is eight syllables which
lyrically flows right in synch with the 4/4 rhythm. The song really thumps in perfect heartbeat
tantric rhythm. This is not accidental, as I have always described the goal for my music is to be
like a chugging train, working hard in perfect rhythm to make the wheels go round. I just didnt
know it was a No, no in the music business.
This is not theoretical, ancient cultures used low frequency tantric drums to induce spiritual
trance and I have personally seen it work on a mass audience in an instant. I was at a Metallica
concert for their Justice For All tour at the Long Beach Area in California where I personally
witnessed an entire crowd of 20,000 people in an instant snap into a psychotic destructive frenzy.
At first we just thought a fight broke out, but within seconds I realized back that Metallica
accidentally hypnotized the entire crowd into a psychotic state. It wasnt just the people in the
front where we were either. It was the entire area, including the people wandering around the
bathrooms and concessions area. It was like a war zone with partial rows of connected chairs 5
deep flying through the air. The stage was torn down upon us. Looking in peoples eyes you
could see they were almost zombies in a violent trance. Metallica had to pay like $170,000 for
all the damage. I know hypnotizing a crowd is possible, because I was there, Ive experienced it.
This is where I got the idea that one day I would like to hypnotize the crowd and have them
switch shoes as a joke, but this Metallica incident was not joke. Looking back knowing what I
know now, it was just another serendipitous real life experience that God gave me to prove to me
how our minds work, so that I would have the faith from real life personal experience to share all
this with the world.
I also suspect that The Black Saddles(4) a balance four syllable name that had no Masonic
links was one of the signals to secret society folks to screw, damage or destroy the project. This
is an important concept because it explains how these societies function without communicating.
THEY know how to recognize what is and what is not associated with a secret society through
signs, symbols and numbers. THEY also instinctively know to ruin, delay, damage, and gouge or
derail any project, person or company that is not part of a secret society. This is why these
conspiracies are so hard to link together and trace, because many times there is no actual
connection to trace, its simply a matter of numbers, symbols, syllables and signals that are
common to all secret societies, which give away the innocent and signals to the individual
members to commit sabotage or as THEY call it The Great Work, aka 911 The End(9) of
Awakening(11)
My whole goal when I moved to Nashville was to combine the hard hypnotic rhythm of rock
drums and bass of rock like Guns-N-Roses, Sound Garden, Nirvana and Motley Crew, with
the heartfelt sincerity and clever intricacy of county song writing. The only country song I had
ever heard that even came close at that time was Jason Aldens Hick Town.
A quick story about Jason Aldean which is in line with the millions heart break stories of
people dreams being destroyed by Music Row in Nashville. The entire concept, vibe and
musical direction of Jason Alden was created by my buddy JD Meyer. JD was working with
Michael Knox, Jason Aldens producer, on a hard rockin country artist concept. JD was the guy
who as supposed to be Jason Alden, but right when everything was about to launch, Michael
dumped JD and went with Jason Alden.
I can tell you this, JD sings, plays guitar and performs circles around Jason Alden. Go see
for yourself as JD now makes his living rocking the tourist Honky-Tonks on lower Broadway in
Nashville. Youll probably find him at The Wheel.

Heres another good one HONKY=86527=28=10 TONK=72652=22 so HonkyTonk=32=5(Bad For Us), or take another look Honky= 86(Get rid of) 5(Bad for Us) 9(The End)
and TONK is 22(Warrior for God). So Honky-Tonk numerically Get rid of Warriors for God.
Learn you number people, its how THEY communicate. This is why THEY shot JFK on 11-22.
I am sure if we all come together, share our stories and compare names of the suspected
music industry professionals involved in these types of stories would be in the thousands. Here
is the picture of the real artist behind Jason Aldean, JD Meyer. JD never saw a penny from his
contributions to the project.

JD Meyer & Me at The Wheel

Michael Knox & Me CRS 2009

Midway through The Black Saddles project in late 2007 I decided to order some T-Shirts to
keep everyone involved with the project excited. The first person I went to, to get shirts made
was Steve Batts owner of Raggz Apparel in Nashville. Steve is a tall eccentric dressing fella
who had always been cool to me when I hung out at Losers in Nashville. Steve is good friends
with Erv Wosley (George Straits manager) who owns Losers, most days you can find them
drinking together at Losers
Steves company Raggz Apparel does merchandise for many big acts including George
Strait and Kenny Chesney. Jesse and I went to Steves shop in Nashville to look at all the past
and present merchandise he had done for many super-star artist. All of his merchandise was very
impressive and the designs were awesome.
I gave Steve some sample Black Saddles artwork I had put together to give him some ideas,
then waited for weeks. After calling him a few times waiting patiently, finally he said they
would send me some ideas. A few days later Steve e-mailed us a couple ideas for our shirts that
were beyond terrible. All they did was take a ruff logo idea I had and put it over some paint
blotches. Nothing even in the same ball park as anything we had seen in his shop. It was
obvious he didnt want my business, despite his friendly and welcoming attitude. I had even
offered to pay cash up front.
Have you ever seen such crap at a George Straight or Kenny Chesney concert?

Steve Batts & Me @ Losers

Artwork Samples Sent From Steve Batts

Disappointed with Raggz designs, I enlisted Active Creations out of Gallatin, TN to design
and print some shirts. Active Creations art work was awesome and we printed up 30 of each
shirt in three different sizes, 90 shirts each. The coolest shirt by far was the black Protected By
Smith & Wesson shirt named after one of the songs I wrote on the record.

Active Creations Designs

However, despite ordering the finest quality shirts at a total price of over $14 each all of
these Smith & Wesson shirts deteriorated to rags within the first ten washes. I only have a
couple of the Smith & Wesson shirts left and they are literally rags after only one year. I was
over charged and delivered low quality product, and once again everything looked great until a
few months later when they fell apart.

This is the shirt after only 10 wears & washings. Made by NA-Next Level Apparel out of
China. Notice the numbers: RN=95=14=5(bad) 113944=23-9-8 or 23(Bad), 9(End),
8(God/Non-Secret Society) The manufacturer RN number on the tag tells us this shirt is
purposely made to fail.
Also Active Creations tried to deliver to me a very tiny Cowboy Kryptonite logo, but I
rejected that and they made the proper size, which were very popular and sold quickly.
Surprisingly, when I tried to order more Cowboy Kryptonite shirts the claimed they could not
make them again because they said they could get the rhinestones anymore.
Upon discovering the sabotage on the whole Black Saddles project I called Active
Creations to discuss the deteriorating Smith & Wesson Shirts. The sales representative I dealt
with had left the company, and they pretended to have no records of my orders.
A quick note on Cowboy Kryptonite; I fought with the United States Patent and Trademark
office for two years before they finally awarded me the trademark for Cowboy Kryptonite.
My last conversation with the US Trade Mark attorney in charge of my request said something
kind of strange. It was more the way she said it, but this was just before I figured out the whole
sabotage against me. She said I got a feeling you are going to get your Trademark this time.
The way she said it seemed off, then once I figured out all this abracadabra crap her
voice popped in my head and her last statement became clear because Cowboy Kryptonite(5)
is abracadabra(5).
I guess THEY figured by awarding me the Trademark I would go out and push the clothing
company. Unfortunate for them, I will not participate in poisoning the minds of the masses, so
the 90 shirts I made are now collectors items because I will never make them again. The
Cowboy Kryptonite name is one Abracadabra name that will never be a detriment to the
public.
While we are on the subject of deliberately damaged merchandise, the sticker/flyers that we
handed out at CRS The Country Radio Seminar were also printed with very poor quality.
The stacks of 500 stickers were all stuck together and they crumbled and scratched when pealed
apart.

Also, the cost doubled from the initial estimate from $800 to a finally delivery of $1300.
Just like George Town Mastering one of the primary smokescreens theses secret societies use
when screwing us over is jacking up the price so that we get so upset over the price gouge and
time delays, that we over look the quality.
I through a fit and had them reprint new stickers but the quality was not much better than the
first piece of junk they sent. Since the Country Radio Seminar was upon us I had no choice but
to use the poor quality stickers.
I still have a bunch of these stickers and Midwest Graphics in Chicago, who printed them
hasnt got a leg to stand as proof of deliberate delivery of sub-par product is blatantly obvious. If
you have ever eaten a Nature Valley Trail Mix Fruit & Nut bar then you are familiar with the
quality that can be printed onto chrome-mylar plastic, needless to say our print job pales in
comparison.

Low Quality Sticker (2nd Printing)

Art Sent To Midwest Graphics

The woman who helped me design The Black Saddles logo and stickers, Jenna Purcell was
a close friend of Rodeo, a local bass player who I was considering for the touring band. Jenna is
a graphic designer for a small Midwest casino, Par-A-Dice Hotel casino in Peoria, IL. Jenna
also lined up the printer Midwest Graphics.
The interesting thing about Jenna is during the design process one of the rough drafts she
sent was BS in circle which was very freaky as it looked like a blend of the Bohemian Club
Logo(a secret society), A KKK hood, the five pointed star and the Skull- N-Bones logo. I dont
know what it all means, but I can tell you there is some spooky evil imagery going on in this
version of Jennas Black Saddles design. This was one of her earlier designs; it took a lot of
renditions before I got the saddle with the wings logo above.

The Black Saddles

KKK

Skull-N-Bones (Yale) The Bohemian Club

I called Jena Purcell and pointed out some of the similarities of her Black Saddles design to
these secret society occult logos, she acted as though she new nothing about any of these
organizations. I now realize that she put that symbol in there purposely either to frighten me or
to check if I was a member of a secret society, especially since the Bohemians are very
prominent out in California.
Some of the most powerful people in the world are in the Bohemian Club and meet every
year in the great redwoods of Northern California at the Bohemian Grove. Its an all male occult
gathering where they perform a ceremony called the Cremation of Care by worshiping a 30
foot owl named Molech and burning an a edifice of a human infant. The owl represents
wisdom, as all secret societies see intelligence as superior, and compassion as a weakness. I
know most people reading this might agree with that, but its not true at all. Science has proven
that we direct our DNA through feelings, love and compassion; the DNA then directs the light
energy which becomes us and the world around us. The irony about these secret societies is all
the cruelty and lack of compassion they are taught since infancy actually makes them weak with
respect to how physics and the universe truly relates to us as Devine creators.
Anyhow,
every year the Sonoma airport is filled with the most expensive private jets in the world as
royalty, business tycoons and political heads meet for this summer time freaky affair in the
woods. Past attendees have been Carter, Regan, Prescott, George & George Jr. Bush, Greenspan,
Kissinger, Cronkite and many other notables.
Richard Nixon attended the Bohemian Club once at the Bohemian Grove in California and
commented: It was the gayest bunch of egomaniacs he had ever seen. Just a few months later
Nixon was set up with Watergate and forced to resign from the Presidency. That is how
powerful these secret societies are folks.

Murder On Music Row

Chapter 8
A very popular control and fear mechanism of secret societies is to simply completely
destroy your life anyway they can. In this chapter I will divulge just some of the attacks on my
life, mind, homes and well being.
Destroying a persons life is the overall Masonic message in the movie Trading Places with
Eddie Murphy and Dan Akroid. The financial firm is Duke & Duke=4325=14=5, so 5 & 5
meaning bad for you and adds up to 10=The Kings Number, meaning the bankers are the kings

who control our world. If you remember the story is they make a $1 bet that they can take a bum
and make him gentlemen and take a gentleman and make him a bum.
In Trading Places THEY put the numbers are in our face. The Amtrak train is #974=911.
The Taxi at the end in front of World Trade Centers, which is actually a few blocks away from
the Wall Street trading floor, was taxi #11. This movie was made long before the World Trade
Centers were blown up by secret societies, so its just crazy that at the end they have the #11 Taxi
right in front of the Twin Towers.
Also the first look at the clock once they get into the trading floor, while waiting for the
ORANGE=691575=33 futures to open and ruin the Dukes is 5 minutes tile till 9am; so the hour
hand of the clock was on 9, and the minute hand was on 11. The closing price of the orange
futures at the end was 29=11 aka 911. Eddies trading badge was VIN=495=18=9 or 666
because the ruling elite are total racist, and Dan Akroids trading badge was WIN=595=19=10=
The King. Together their badges are 19.
In Hollywood the producers and financiers are
mostly Jewish. The actors and talent are mostly Bohemians, and the trade people are mostly
Masons, Unions, Fraternities or Lodges. Blended amongst and through them all are the gays,
who I suppose dont care about truth or love because they all are going to hell anyhow, according
to Jesus, God, the prophets and the Bible.
I am a Caucasian male discriminated against by all these secret societies for being a Pieces,
Christian, 22 and honest. Talk about the ultimate Hate Crime just look what THEY did to
me, and what THEY are doing to all of us. Discrimination laws are just more bullshit created
by the secret society The American Bar Association to take away our freedoms and protect
secret societies when they have nothing left to persecute with, so they instigate segregation,
aggravation and separation. Stick that in your discrimination pipe and smoke it Barack
Abracadabra Obama and American Civil Liberties Union ACLU=1333=19(Illuminati) or
13(Mason) 33(Illuminated Mason) The ACLU is run by Susan N. Herman a Jewish lawyer of
course. Another liar is Benjamin Todd Jealous who runs the NAACP, and is a Rhodes Scholar
the same scumbag secret society organization the Bill Clinton belongs to.
In this book I have attempted to share some of the Hate Crimes I personally experienced
so that you will have a better idea of how to spot these clandestine evil activities and malicious
interceding in your life. Writing this book, which is only 1/8th of the entire 800 page book I
wrote on these events, has helped me to deprogram much the propaganda I used to believe about
myself and the world. I now realize much of my personal convictions were forced into my belief
system gradually over my lifetime by people who I thought were my friends and turned out to be
operative of these organizations. These people either acted individually, motivated to hide their
own guilt from a life of participation in a secret society and/or the clandestine organizations
bribed or coerced them to participate. One thing I know to be a concrete fact, there are a lot of
people in the United State who are secret society members, and its got to END.
Let there be no doubt the Fraternal Law Enforcement agencies are one of the strong arms of
these clandestine organizations. In May 2009 when I finally caught on to all this sabotage in my
life and I was fighting back calling people out on their involvement, the secret societies were
scrambling to take me down any way they could. Unbelievably my best buddy from college Rik
called me and starting asking a lot of in depth questions about my life, business and finances,
which was very usual compared to our normal playful conversations. It turns out that Riks
uncle, who happens to be the head of the California Highway Patrol, was staying at Riks small
apartment for a few days with the sole purpose of rehashing with Rik every detail of my life,
searching for anything that might get me in trouble.

Rik is my only friend who stopped the nonsense, when I called him on the intent of the
invasive questions his uncle was asking. Please believe the entire network of secret societies is a
tight linked web of corruption, these people were attacking from every avenue of my entire
social circle and beyond.
In the music business artist, writers and publishers sign with either ASCAP, SESAC or BMI
to protect their Copy writes and collect royalties. The selection of which company to go with
really depends on the type of music you write, and the company you feel will best protect and
take care of you throughout your music career. BMI is the largest royalty collecting company in
the world. I am registered with BMI as a song writer and my publishing company Ton Of
Brick Music is with BMI.

I am good friends with David Preston, who is the son of Frances Preston one of the
founders of BMI. On Friday May 15th 2009, I met with David for lunch to discuss what
happened to my record as well as what is going on in the music business and see if BMI could
help me. Dave and I met at Teds Montana Grill in Nashville. Without incriminating himself
David basically confirmed everything I am talking about in the music, even the Gary Allen
airplane song about 911.
Dave is a great guy and like me was born deep into this Masonic mess. The strange thing
about this lunch was that by the time we finished eating our table was surrounded by tables filled
with hermetic Jewish people, who all were intently interested in what Dave and I were
discussing. It was weird, so I said to David, Incoming, time to go. Another interesting fact
was the hostess who sat us was probably the most beautiful Russian Jew I had ever seen, and she
also had a keen interest in our meeting. The funny thing is Teds Montana Grill is not the most
kosher place on the block, pretty peculiar for it to be filled with Jewish people.

Durango Songwriters Expo Utah 2006

Shannon Nice(SECSAC), ME

Julie Newton (Magic Mustang)

David Preston(BMI)

My meeting with Dave Preston ended up to be no help, and the next thing I knew I go an email from CJ Craig Jones, my old roommate, also friend of Dave Prestons insinuating that
Dave said I need psychological help. If I hear one more person say I am on drugs or need
psychological help I am going to rip their arm from their socket and beat their skull in with it. I
am sane, sober, smart and I caught these secret societies red handed, not once or twice but
hundreds of times. As you will see, if you bother to investigate yourself the proof is everywhere,
irrefutable and it is check-mate for this Freemason, Illuminati, Zionist, Masonic, Mormon,
Bohemian criminal cabal.
Since David Preston at BMI was no help, I called Doug Johnson who runs Curb Records.
Curb is owned by Mike Curb (Ex-California Governor) who is a personal friend of my
grandfather Ed Reinecke, who was Ronald Regans lieutenant governor in California, as well
as a United States congressman.
I had known Doug Johnson from hanging out with him here and there in Nashville, and one
Fourth of July weekend up at Kim Williams house. I thought he could help me. I asked him if
he might be interested in The Black Saddles or looking at some of my songs. He said that Curb
was not signing anyone and not looking for writers or songs. However, he asked if I could send
him my songs as he was Curious about my songs. This makes no sense since they werent
looking for bands, writers or songs why should I bother sending them my material. Doug was no
help either, and at the time I didnt know how high up this all corruption went, I thought is was
just the music business, but it was obvious to me , Doug knew a lot more than he was saying
about what was happening to me.
Another Curb Records related incident was Fourth of July 2007 out at Percy Priest Lake
where my girlfriend and I had a very bad experience with one of Dougs writer/artists at Curb,
Brad Martin(Freemason). It was just more personal sabotage crap to ruin my holiday weekend.

My Grandfather

Doug Johnson @ Kim Williams July 4th 06 / July 4th 07 Brad Martin

Every summer since Ive been in Nashville I would take my boat out to Percy Priest Lake a
couple times per week and hang out at Campsite 81, on Hole In The Wall Island. This is by far
the best spot on the lake and if you are tuned in you can feel its positive energy.
Most times Charity and I would go there and be the only people enjoying the pristine beauty
all to ourselves. Unfortunately in 2008, the same year that the destruction of The Black Saddles
record was in full swing a group of people headed up by Jimmy Crowley(Freemason) started
permanently camping at our usual spot on the island, campsite 81. They were kind of strange
people, but we made friends and hung out with them during the summer of 2008, since that was
our spot.
May 27th, 2009, a couple months after I discovered all this Nashville corruption Jimmy told
me that his friend, who used to own Johnny Walker Distillery could help me with my
problem. I told him: I did not have a problem, Nashville has a problem. Jimmy laughed
at that and convincingly acted like he was not part of the whole scam.
A few weeks later I planned on giving one of my evidence CDs to Joe the only guy out of
that whole group I like and trusted. I wanted someone to have the evidence I had collected in
case anything happened to me.
The CD contained a lot of the information, evidence and research which became the whole
800 page book Preventing Singularity. An hour after giving the CD to Joe a big boat with a
Redneck Yacht Club flag flying pulled up and a female music attorney, Penny, came ashore,
with her guy friend River who claimed to be a guitar tech at Gibson Guitars. They were overly
friendly and I could tell something was amiss. Then Joe made a point to show me that the
evidence CD I gave him had been moved to Jimmys tent. Quickly, I slipped into Jimmys tent
and retrieved the CD. Jimmy went to get the CD to give it to the music attorney, and I could see
the frustration in on his face when he couldnt find it. Within five minutes the music attorney
pulled away in her big expensive boat obviously pissed off. It was another set up. I couldnt
believe it, even out at the lake I could find no sanctuary.
Anyhow before the music attorney arrived, Jimmy made sure to cook a pork but stuff with
onions and garlic which is very psycho actively toxin. I knew something was up because he was
being way too nice to me, and really wanted me to eat some pork. By this time I was already hip
to the psychologically toxic effects of food and was eating carefully. I have a couple of friend
who are private jet pilots and they are not allowed to get garlic or onions 48 hours before flying

because it reduces reaction time by up to 30%. This is the reason Dracula is required reading
in public schools, but thats a whole other book. In my full book there is a chapter called Foul
Food which explains how secret societies use food to poison our bodies and minds, Ill
probably put that book out next.
If you really want to laugh one time we showed up and Jimmy had a leaf blower out at the
campsite, and didnt fire it up until we arrived. Who uses a leaf blower in the woods out at the
lake? Charity verbally tore him a new one for that. Aggravation is the basic foundation of
everything these secret societies do, for the sole purpose of preventing us from the calm state
necessary to connect to our higher selves. This is the exact reason why Jewish women whine,
bitch and complain in such an annoying tone. I know that may sound like a stretch, but its a
historical fact of 911(9 To End and 11 the Awakening).
One time I was eating an apple when out of the blue Jimmy came up with a knife grabbed it,
sliced a big piece off and gave it back to me. It was the strangest thing, and made no sense. Then
within twenty minutes I could feel a sickness developing in my throat. For the next two weeks I
was as sick as I have ever been in my life, without a doubt there was some kind of virus on the
knife Jimmy used to swipe my apple.
The final incident at the lake was Fourth of July weekend 2009. Charity and I planned to
stay the evening and sleep in my boat, unfortunately right before midnight one of the women in
Jimmys group started verbally harassing Charity. The next thing I new the girl leaped onto
Charity pushing her into the lake. I jumped up and attempted to pull the girl off Charity, but
before I could Jimmys buddy Jett and a few other guys pounced on me. It was a set up. With
the strength of God I fought back and they all backed off. Charity and I immediately hopped into
my boat and drove to my boat slip, parked and slept.
The next morning Charity and I came back to get our chairs, rafts and other belongings. I
called them all out on being Freemasons and told them to all go fuck themselves. It was right
then it became obvious that Jimmy was being compensated for his harassing me because he
kissed my ass profusely and begged us to come back. I had caught him and his group too many
times in the act of deception and sabotage, I was pissed and I was done.
I have no doubt that Jimmys only purpose was to disrupt the one place I could find solitude.
It is also no surprise that this particular camp ground is site number 81=9, as secret societies
often associate places with positive vortex energy, with evil numbers or names and visa-versa.
This spot on the island has a very good energy. In fact this is where much of the intuition that
led me to many of my discoveries occurred. I guess they knew what they were doing sending a
party of messy drunks out to turn my sanctuary into a white trash barrio.
In an attempt to regain my favorite spot on the lake I complained to the rangers that Jimmys
group had violated pretty much every camping ordinance posted, including no long term
camping and the rangers would not do anything about it. So I called the Army Corps of
Engineers who owns Percy Priest Lake, but they were all in cahoots with Jimmy and his group
and wouldnt enforce the rules. So then, I the Nashville Metro Police and the Tennessee state
Senator Bob Corkers office, only to find that his aid who returned my call was a
Shriner(Mason), and he also shined me off. So, I called the commanding General of the Army
Corps of Engineers in Washington, General Peabody. Finally Jimmy and his people pack up
their crap and left. This was the beginning of my fight back against all this Masonic
maliciousness.

Jet

Joe

Campsite 81=9

Jim Crowley

Charity doing Jimmys Girlfriends Hair For Free at Campsite 81

The reason I have decided to put this book out now is just two weeks ago up here in
Breckenridge I got in a scuffle with a Freemason bounce at Cecilias Night Club. Later that
evening when I walked out of the club I got jumped by no less than 10 punk little Freemason in
their early twenties, again as though with the power of God I walked away without a scratch. All
of the little punks that jumped ran off and I ended up getting a Courtesy Warning from the
Breckenridge police. These people just dont stop.

Courtesy Warning Breckenridge Police 9-15-2011

By August 2009 Charity and I were exhausted and overwhelmed from all the attacks and
everything that had happened over the past two years, so we took a vacation to Myrtle Beach,
NC. Late in the day as the beach was starting to empty out Charity and I met a small group of
guys and gals who just happen to know a whole lot about songwriting and the music business.
We all hung out together for a couple hours. Then the moment Charity and I werent paying
attention the stole everything from us; phones, cameras, IPod, beach bag, cooler and radio.
Though we had their description and AT&T had the ability to track my IPhone, the Myrtle Beach
Police would not help up recover our belongings.
It would take another hundred pages to chronicle all of the attacks against me and The
Black Saddles project, but one that I need to mention happened on the second to the last evening
of the CRS Country Radio Seminar in Nashville, just days before the radio release of So You
Wanna Be A Redneck.
After walking out of CRS with Jesse Whitely to our separate vehicles, Jesse called and told
me and my girl friend Charity to meet him Losers for a drink, which is only a couple blocks
away from the Renaissance hotel where CRS was being held. Charity and I drove over to
Losers, arrived before Jesse and went into the bar.
Losers is THE local hang out for professional songwriters, artist and music business
people in Nashville. Though its just a tiny little dive bar with no stage, its not unusual to see big
stars pick up an acoustic guitar and play. I personally have see Miranda Lambert, Jack
Ingram and Darius Rucker play there to name a few.
Upon entering Losers I went up to Erv Wosely(Losers Owner & George Straits
manager) who I knew well and offered him a Black Saddles sticker, since over the past year I
had been keeping him up to date on Jesse Whitelys and my progress with The Black Saddles. I
always told him I would give him the first offer to manage us once we got everything up and
rolling. Erv was ussualy very friendly to me, but this night he was surprisingly callous and rude,
pushing the sticker back at me, saying Im too drunk for that right now. Offended, Charity
and I got a drink from the front bar, and then went to the back room of Losers to play shuffle
board and wait for Jesse.
Within the first few minutes of our shuffle board game the plug to the shuffle board
machine, which is not easily accessible, was pulled out by a girl retrieving a pool ball. This
caused me to have to put in another two dollars to start the game over. Then it happened again,
by the previous girls friend. Knowing this was not an accident I made that girls boyfriend give

me two dollars to start a third game. Then a few minute into our third game THEY unplugged
the shuffle board again and all hell broke loose.
As I confronted the guys, two girls jumped Charity and started beating her against the
shuffle board machine. I attempted to rescue Charity from the attack, but the boyfriends were
physically forcing me out of the back room, to the front bar. One of them lunged out and pushed
me to the floor out into the front bar. The whole bar was now aware of the commotion. With
amazing ease and strength I bounced up and ran back into the back room, pushing, shoving and
bulldozing people out of my way.
I plowed my way through the violent ruckus, got to Charity and pulled two girls off that
were attacking her. Charity was crying and holding a large chunk of her hair that the girls had
pulled out of her head to the roots. I grabbed Charity and walked venomously pissed off out of
the back room, through the front of the crowded bar being sure to stare down every person in
Losers including Erv Wosley, who had an evil smirk on his face. The biggest mistake I every
made in Nashville was not listening to Charity and calling the police right then, but I have video
tapped witness confession and the clump of Charitys hair in a zip lock bag.
The icing on the cake is that Jesse Whitely never showed up, even though we left the CRS
together and he is the one who called and instructed us to meet him at Losers. It was a set up
from the start. Welcome to how the music business really works.
Erv Wosley & George Straight

Jesse Whitley Horns @ Losers

Songwriters Playing Inside Losers

Most people dont know this, but Keith Whitley did not die of alcohol poisoning, he died
from ingesting the cleaning product 409. Now I have been to rehab, and I have seen and heard
of people doing a lot of crazy things to get high, including drinking cologne and gasoline with
milk, but I have never heard of someone drinking 409. I believe Keith was murdered. After
discovering the sabotage on our record I mentioned this to Jesse Whitley and he also believed
that our sabotage might have something to do with Keiths death. One thing I know, is the true
artist are the ones who are pure at heart, and suspiciously they always seem to be the ones who
die young.
According to ever story I have ever heard all Lorrie Morgan ever did was break Keiths
heart constantly. Given what I experienced from the music business, and the fact that she grew
up in the music business because of her daddy George Morgan, I feel its safe to suspect that
Lorrie Morgan intentionally ruined Keith Whitely, just like Courtney Love did to Kurt
Cobain and Yoko Ono did to John Lennon. Come to think of it Hank Williams death is also
similar and suspect

Keith Whitley & Lorrie Morgan

Lorrie & Jesse Whitley

Jesse Whitley and Lorrie Morgan know a lot more than they are saying, and never once
have they come to my defense or support even after I spent three years of my life and almost my
entire retirement savings, over $100,000 producing Jesse Whitley on The Black Saddles
project.
As you can imagine things got a little tense between Jesse and I after I discovered everyone
one including he and his mama screwed me on The Black Saddles project. Here are a couple of
our texted message exchanges which gives you a better idea of how things played out between
Jesse and I once I discovered the sabotage against me by everyone involved.
Jesses texts are in white on the left, my texted are in green on the right. The first message
Jesse admits that So You Wanna Be A Redneck is on the country chart and radio. He also
says his mothers record label President James, as Stroudavarious Records wants The Black
Saddles project. The second message he acknowledges the conspiracy. Third Message like
everyone else Jessie claims I have Mental Problems. Forth message he wants to kill me, and
once again showing his true redneck colors and calls me a N@#$^%^.

Stroudavarious & Redneck on Radio

Mental Problems

Conspiracy

Jesse is going to Kill me & Im a N@$#@

I still find it very strange that Lorrie Morgan and Jesse Keith Whitely took no interest
or concern in the fact that his record had been purposely destroyed by Nashville. They literally
walked away without raising an eye.
Lorrie has since had a miraculous recovery of her career including a play on Broadway in
New York City Pure Country and a new record deal. Jesse bought a new house. This is all
very impressive considering Lorrie went bankrupt when Jesse and I were working on The Black
Saddles project. The latest news is this summer 2011, Jessie released a new album called
Kentucky Thunder, which is a breach of contract with me, but his record completely sucks
so that is justice enough for me.
Early this year 2011 I bumped into a guy snowboarding who just happened to have a
professional mixing studio up in Breckenridge. Just for kicks we took the cover of Pink Floyds
Mother I produced with Lorrie Morgan & Jessie Whitley in Nashville, into his studio in
Breckenridge and mixed it. Mother came out pretty good, but not good enough for radio, so I
made a tribute to Keith Whitley video and put it up on YouTube. For laughs, I blasted the link
to all my old Nashville and music business connections.
Later that day I got a text from a Nashville number I did not recognize saying Whats Up.
It was Jessie Whitley. Someone gave him the link to the video of Mother and he was texting
to thank me. If that wasnt ironic enough Jessie told me that he and his mom Lorrie had been
touring together and at their shows they do the song Mother. Thats the thanks I get for them
ruining my music career.
Back, in May 2009, toward the end of the whole Jesse Keith Whitley scandal, I went to
meet Jesse and his friend Mike at The Corner Bar in Nashville to give him some of the hand
stamped burned CDs I had made of The Black Saddles project for him to give to his friends.
Unbeknownst to me Jessie, Mike & Brooke (Jessies girlfriend) brought along a Mark
Wilburn who worked for his familys company, Advanced Explosives Demolition Inc. the top
building demolition company in the world. Mark also happens to be in charge of all of Chris
Angels Mind Freak explosive tricks.
After a little idle and tense chit chat I caught on that their purpose in meeting me that day
was get me to go to a Chris Angel filming where Chris was going to escape out of a building
being demolished by controlled demolition. Though they never directly invited me to the
filming, they indirectly suggested I come check it out numerous times. He even made a point to
hand me his card. Obviously, I did not go to the Chris Angels building demolition for fear of a
rebar flying through the air into my skull.
I sat right next to Mark Wilburn the demolition guy and the whole time I just kept getting
this strong vibe that Mark was one of the people who actually put the explosive the buildings and
blew up the World Trade Centers.
Chris Angle Mind Freak

Marks Wilburns Card

Walking On Water

Levitating

Anyhow since I had the opportunity, I said something to the Mark that I had been pondering
ever since I saw Chris Angels Mind Freak first shows. I said I believe that a lot of that stuff
Chris does like walking through glass, walls and on water is real. I swear Mark turned pale
for a split second and then immediately went on a raging diatribe about how hes seen every trick
live, its all illusions and I am an idiot. I have a theory that Chris Angel is such a powerful Wicca
warlock that he can actually do what he does as it is all a matter pure faith and/or Chris has the
ability to control what our minds think we see.
More than a few times and in more than a few ways secret societies have tried to kill me. In
fact, there a lot of mysterious deaths of important people who died when their homes
mysteriously filled with carbon monoxide.
In March 2009 when I awoke to all the corruption going on against me a very strong
intuition came into my head to buy a Carbon Monoxide alarm, three days later our house at 5102
Stoneleigh Circle in Brentwood, TN filled with Carbon Monoxide. This is on record because we
had the Fire Department, Gas Company, Air Conditioning, Land Lord and Brentwood Police at
our home the next morning. Suspiciously, they found nothing and suspiciously it happen about a
month latter which I will cove in a minute.
After the burglary in the same house on Thanksgiving in 2008 when we were in California
we noticed a few alterations that now lead me to believe this Carbon Monoxide event was
definitely attempted murder. First, the bathroom window in Charitys bathroom which used to
open easily now would not open, and in fact she broke the handle trying to open it. After the
carbon monoxide incident I dug into the window frame and discovered rubbery wet paint and a
screw that had been inserted to prevent the window from opening. From the rubbery paint this
had obviously been done when the house was broken into in November 2008..
In addition, none of the other windows in the house opened, which were that way when I
moved in. But the most startling discovery was the ceiling light fixtures and attic entrances were
all cocked open as to allow gas to flow into the house. Perhaps this is more reason why Guy
Carter at the Brentwood Police department never investigated the burglary? All of these changes
happened during the burglary over Thanks Giving 2008; I just never suspected anything about
them until the Carbon Monoxide scare. Here are pictures of the window and ceiling openings.

Window Screwed Shut

Openings In The Ceiling

Here is one more interesting thing that will be a lot of help to a lot of people. When I first
moved into the house at 5012 Stoneleigh Circle, in Brentwood the gas company came out and
changed my meter. Oddly, they didnt change anyone elses meter in the neighborhood the entire
three years I lived there. I later discovered the reason they changed my meter was to put in the
new wireless meter, which sends the reading via wireless cellular to the gas company. What I
also found out is that these wireless meters also read RFID Tags. The curious thing about RFID
tags is they can only be read for up to 500 feet, that is why these wireless gas meters are
designed to read RFID. The meter read the RFID then transmits that information to the Gas
Company. This allows THEM to know exactly who and what comes into our homes, by tracking
anything with an RFID tag. RFID tags are in almost all packaging and/or products we buy,
especially shoes and clothing now contain RFID tags.
Recently on the internet there is brewing resistance to these RF Gas Meter as people are
claiming they emit electromagnetic radiation and cause cancer and other illnesses, including
killing the honey bees.

New Wireless Gas Meter

5102 Stoneleigh Circle, Brentwood TN

Back in 2003 in Long Beach CA I rented a house at 317 La Verne which developed a serious
mold problem. Having been through all the attacks I now strongly suspect that this mold was not
there by accident, as I only rented this house for one year and the mold popped out only a couple
months after I moved in, it had been hidden under fresh paint.
Mold has a two-fold effect; first it will cause psychosis and serious mental disorders because
it is a fungus like magic mushrooms and yeast. Secondly the mold gets in our lungs and severely
drains our vitamins and minerals which eventually leads to a break down in our immune system,
sickness and can cause death. Below are pictures of the mold in, which point to the probability
that THEY we trying to fry my mind and kill me long before I moved to Nashville.

Mold at 317 La Verne Long Beach, California

Just like all the stories you hear about people going crazy we had cars pull up in front of our
house and then just take off all the time. People would follow us around where ever we went.
They especially follow us in the grocery store and Costco. By this time Charity and I were hip to
what was going on so we would go say hello or take pictures of these secret society interlopers.
One time we even called the Brentwood police on an undercover Nashville Police car.
I will openly admit that in March and April of 2009 when I first uncovered all this mischief
against me I felt like I was going crazy. That is when I started carefully watching what I ate and
drank. I couldnt figure it out but something was definitely messing with my head. There was
just a constant buzzing in my mind.
One morning after reading about honey in the Bible I did a little experiment and drank about
a half a cup of Costco honey on an empty stomach, which I do not recommend. Bees travel to
many different plants and collect a whole variety of pollens, which when barfed back as honey
become a powerful nuro-toxin. This is why the Bible warns us about honey, yeast, pork and
shell fish. Its also why Jewish people do not eat these things, because they know its bad for the
mind, and most Jews are secret society. If you would like to learn more about nuro-toxic food
search Google for foods that are toxic to animals.
So here I am tripping on honey and suddenly the next door neighbor Tommy Thompsons
car alarm goes off, but it was like no other car alarm I had ever heard. It was honking the most
out of time bizarre pattern I ever heard and it sent me into a panic. Even though Tommy was
home, the strange car alarm honking continued for about five minutes. It was literally driving
me crazy. Finally it stopped, I regained my composure and went on my balcony and took the
picture below. Why Tommys lid to his gas tank was open I have no idea. Then I walked out

asked Tommys what was up with the weird car alarm and confronted him on involvement in
Freemasonry. In true Mason form he acted like he didnt do anything, but I could see the lies in
his eyes.

Costco Honey

Tommy Thompson Honking Car

This was the final straw and I began to really examine everything around me to try and find
out what was causing my brain to buzz. Thats when I began to notice a lot of cable TV,
Telephone and Power Company activity around our house, so I began to film and take pictures of
them. As soon as I did this they removed a power transformer from a pole behind my house, and
never replaced it. From that point on the buzzing in my head stopped.
.

C
omcast & ATT in Front - Power Company Behind My House, Transformer Removed
Another strange phenomenon during this time was my brand new 50 flat screen TV was
producing the most vibrant fluorescent colors, like nothing we had ever seen before or since.
Right about the time the transformer behind the house was removed this stopped
Then newest electronic intrusion in my life is up here in Breckenridge. In late August 2011
my neighbor had this satellite dish installed in his front yard, 5 feet off the ground, about 50 feet

from my front door and it points directly at my home, not up into the sky. Why they didnt put
this dish on his roof like everyone else around here I have no idea, but this war has just begun
and I intend to make Skybeam prove that that was the only place it could go.
SKYBEAM=1272514=22 or SKY=10, BEAM=3 = 13
I called the Breckenridge police and they said the city planner would come take a look at it,
but its been two months and still no word. I dont like the idea of a direct beam going straight
through my house, perhaps its bad for me, perhaps its can scan or listen in my house, or perhaps
they just put it there to aggravate me. Welcome to the life of a non-secret society members.
SIDE NOTE: Since this dish was installed my Mac Pro just got hacked again. This time real
bad, its pretty much useless. I cant even drag files into a burn folder to make CDs. Anyone
who tells you Mac cant be hacked, it full of shit. I will never buy another Mac in my life. Build
your own PCs and dont connect them to anything that is the way to protect your creative work.

New Dish Pointed Right at My House - Notice truck number 32=5 Bad for 8 Good People
In April 2009, during the same time period that I was just becoming aware of The Black
Saddles sabotage and the overwhelming betrayal in my life, came a coordinated attack from my
20 year business coach Robert Sturner at Super Boost and my old surfing by Jimmy from
Long Beach who had moved to Argentina.
It started with Robert Sturner in Carlsbad, CA mailing me a picture of a rock he found that
he claimed looked like Jesus. Personally I didnt really see Jesus in the rock. Then a day later I
received an e-mail from Jimmy in Argentina of a sketch of Jesus; low and behold the Jesus
sketch was remarkably close to the supposed image of Jesus on the rock. Once again this was all
intentional to make me look crazy by insinuating that these images were associated, which of
course given all the plethora of other incidences they were.

Picture of Jesus rock mailed by Robert

Jesus sketch e-mailed by Jimmy

There is no doubt that this sketch was drawn after the artist had seen this rock, the primary
attribute is the curve of the cloth around Jesus chin that gives away the intentional association.
This is another visual trick, just like the Craig Alvins kid drawing in the sound studio in
Nashville that looked just like The Black Saddles logo.
Also, you can see why when I just received the rock I could not see Jesus in it at all, but
when I received the sketch I could. This Jesus rock from Carlsbad CA and the Jesus sketch from
Argentina shows how intricate these secret societies operate. By the way Jimmy and Robert do
not know each other, at least as far as I ever knew.
For anyone thinking about attacking, retaliating or coming after me legally or otherwise, let
me tell you what happened to Robert Sturner. Just after the Jesus Rock incident, in May of 2009,
Robert Sturner of Super Life actually mailed me 8x10 pictures of cancer cells. I opened the
envelope, barley glanced and then quickly threw them away. Dumb, I should have kept them,
but I didnt know how this Wicca Voodoo truly works so I try to keep other peoples things away
from me, especially 8x10s of cancer cells. At this point I cut off all communication with Robert
Sturner. For the next few months he started calling like a stocker. To make a long story short,
three months later Robert Sturner dropped dead of a stroke. Warning to those in the know, I am a
true 22, dont fuck with me.
Auto-suggestion of illness, especially cancer is one of secret society members most
common attacks. In 2005 I was dating a girl Lisa in Newport beach, whose father is a high level
VP at Hewlett Packard, HP=87=14=5(Bad For Us). The short time I was dating Lisa, her father
was supposedly dying of cancer and thats all I heard about. Lisa even gave me a DVD of Dr.
Loraine Day on how to survive cancer with homeopathic medicine.

Me & Lisa

Robert Sturners Card for Super Boost

In 2008 & 2009 my old landlord Paula Gillaland, owner of the Carbon Monoxide house,
supposedly went through a cancer battle and she would tell me about all the time out of the blue,
but she always seemed fine to me, then amazingly she said it went away a few months later. My
old AA buddy Tom every time I talked with him our conversation quickly turns to cancer and
jail. Its all just auto-suggestive attacks on my mind. Another ex-girl friend in October 2009
called me with a bunch of lies about a very good mutual friend of ours who only had two weeks
to live from lung cancer.
Back to the Argentina Jesus sketch people; the attacks from Jimmy and his wife Maria have
not stopped. Actually, before the Jesus sketch scam, in November 2008 five months before I
caught on to the sabotage, Charity started receiving Latina Magazine at my office postal service.
All the while Jimmy and Marie kept sending me exciting and erotic pictures from Argentina.
Once I discovered this sabotage and the Jesus rock incident I realized that Jimmy and Maria were
trying to lure me to Argentina. My ex-wife as Hispanic and Jimmy attended out wedding. I
believe THEY assumed I am into Hispanics.
However, being an ardent history buff I know that Argentina is where all the Nazi went after
WWII, so my chances of survival there would be pretty slim. The saddest thing about all this is
Jimmy has always been a great friend. Jimmys family owned a trucking company that
exclusively hauled Everstate Batteries so obviously they are related to secret societies through
the teamsters. Jimmys wife Marias families are big land developers in Argentina, so we can
safely assume they are as corrupt as a cartel. Here are some pictures from Jimmy & Marie in
Argentina I just love pictures they say so much more than words.

Latina Magazine

Jimmy & Girls In Argentina

In spring 2009, during these first weeks of becoming aware of the scandals, many of my
friends in California and family members were trying to get me to go to California, while at the
same time telling me I need to get psychiatric help. My sister Sue was the biggest proponent of
trying to get my put into a psychiatric facility, but I was in Nashville and she was in LA, and she
couldnt get near me..
I even got ridiculously cheap airfare offers via e-mail from South West as low as $49 from
Nashville to Burbank. Needless to say I did not go. I suspected the methods for scooping up
snoops like me are a lot more liberal out in California, than they are here in the Bible belt of
Tennessee. Also being from California, the desert is nothing but military bases and God knows
what else.
I am not going to lie, in March, April and May of 2009 when I was waking up, I was
paranoid, scared, sleeping with guns and my mind was being influence by something stronger
than any drugs I had ever taken. It was like an electrical buzz constantly in my head. Also I had
been studying secret societies for the past 10 years and had no idea what they would do to a
person when you actually caught them.
At this time I remembered a letter that a client had sent me that said As Of January 23,
2009. I have been in the business world for 20 years and had never seen anything like it. That
was the catalyst that sent me studying a bunch of old numerology books I got from my
grandmothers when she past away. This led me to the discovery of The Numeric Language Of
Secret Societies. (Please Search on YouTube). Unfortunately, it also led me to The Doors.
If you recall before joining The Doors Jim Morrison claimed to have gotten lost in the
California dessert, which is home all the top secret U.S. Military operation including Area 51.
Also remember that The Doors producer was Paul Rothschild(Illuminati), related to the
Rothschild banking cartel. Just like me, Jim probably believed the songs he was writing were his
own ideas. All I know for sure is The Door music is very evil. I really dont see Jim Morrison
as the type of person that would go along with something as sinister as mass mind control. I like
to believe he was a Manchurian Candidate and it is much more likely that he was being mind
controlled by his father.
Jims father was the head admiral in the U.S. Navy when the Vietnam War broke out in the
Bay of Tonkin. U.S. Naval Intelligence controls MK-Ultra and other military mind control
experiments. This is why Hollywood recently released Men Who Stare A Goats to debunk the
facts that are surfacing about mind control. However ever The Doors music came to be, let me
decipher it for you.
In the song The End Jim Morrison says Take the kings highway west, to the ancient
lake, ride the snake seven miles and hop on the blue bus. The blue bus is taking us. Ride the
highway west. The west is the best. If you know numerology you know that the kings number
is 10. So take highway 10 west. The ancient lake is the Salton Sea in the Southern California
desert, which just happens to be surrounded by military bases. Look in the back of your bible at
the maps and you will also see there is a Salt Sea in the Holy Land. The Snake is Highway 111,
the winding road around the Salton Sea. 1s are associated with the third eye, and being awake
which is referenced on many of the Egyptian head-pieces with a cobra.

Map In Bible - Salt Sea (The Ancient Lake) CA Desert The Salton Sea, Hwy 10 & 111
Here is an interesting tidbit, the Salton Sea used to be one of the premiere vacation resorts in
California, and then mysteriously in the 1960s the lake literally died and the resort turned into a
ghost town. I have ridden my dirt bike out there and the place has a very eerie vibe. It makes me
wonder; did it died because the government poisoned it so they could keep people away from
what many believe is a very powerful vortex, like the Bermuda Triangle where lye lines
intersect? Or, did it die because evil killed it from the secret societies using it as a fly trap for
people like me who figure out THEIR numeric code?
I believe that we the people have a right to know, especially if innocent people are being
held in underground prisons in the California desert, having be lured to the Salton Sea by The
Doors music or, lured to AREA 51 searching for the truth surrounding UFOs. Truth seekers,
like me, are the #1 enemy of secret societies, please believe they have traps set up to catch us.
In April 2009 when I figured out the secret message in The Doors song The End, I
actually pack up my Escalade and planed to drive to the Salton Sea, in California from Nashville.
Then I remembered that the only time I rode on a blue bus was to rake leaves and scoop horse
shit at the fair because I got in trouble one time with the juvenile courts. Also blue busses are
associated with the U.S. Air Force, and the Salton Sea is out by Area 51 and seven other military
installations.
The main thing that kept me from going was God. I got an intuition in my head that said;
If God wants you, he will come get you, thats what made me stay and I am glad I did because
my soul would probably be locked in a battery in a hole in the Mojave desert and you would
never got to read this book. I seriously wonder how many people since the 60s have figured this
stuff out and driven out to the Salton Sea, never to be heard from again.
Now for a little numeric fun with The Doors: The song The End is song number 5 on
the album and the length is 11:35 or 11:8, which means (11) Enlightenment and (8) God or
Non-Secret Society. If you look in The Doors record on this inside sleeve is a picture of
Burbank dated Saturday, September 23, 1917: Reduce this to 9-23-1917= 9-23-9-9 which equals
23=5Bad For You. Saturday is also the day the Luciferians worship Saturn.
A popular reprinted bill poster you see everywhere for The Doors says The Doors May 23rd
Whisky-A-Go-Go=Abracadabra and May=5 and 23rd = 5. 5-23-1966=32=5. As you well
know by now in numerology 5, 23, 32, mean bad for us. The=285=15=6 Doors=46691=26=8

and 6+8=14=5 meaning bad for you. All these 5s let those in the know know that the doors
music is very bad for you. They should have just called The Doors, The Fives.

The Doors Back of Album

The Doors Inside Record Sleeve

5-23-1966=32=5

The Doors music is satanically obvious: Light My Fire, Soul Kitchen, Back Door
Man, The End, When The Musics Over, The Crystal Ship. All of these titles are
occult references. Also, notice the The Doors record had 11 songs; this is intentional as 11
means awake. Break On Through which was the entire theme of The Doors was the bait to
lure the fish (Jesus fish that is).
There is no doubt that The Doors were a secret military
mind control weapon, which I believe was created to lure the drug culture to the deserts of
California where God knows what happened to them. The only question that remains is: Was
Jim Morrison in on it, or was he like me tricked by the people closest to him who he thought
were his friends?
Jims father being an admiral in the Navy means he would have to be a very high degree in
a secret society, most likely Freemason, which means Jim would have been indoctrinated at five
years old into Masonry, or Jim was programmed from a young age. Either way its safe to say
Jim was murdered at age 27(9=The End), most likely because he woke up like I did to discover
his whole life had been a lie. Suspiciously, a lot of uncontrollable rock stars have mysteriously
died at 27.
This all opens a whole new can of worms, as I remember during my pre-rehab days many
bizarre thoughts popping into my mind that I would never think of in a million years sober. I
have harbored a strong guilt for some of these thoughts, even though I never actually did
anything. I guess the relief here is that I may have not been responsible for those crazy thoughts,
and therefore I should harbor no guilt.
As you are starting to see from this book, this
Masonic mind manipulation is very serious stuff, for all I know they are guiding me to write this
book and I am typing my own death sentence. How do we know for sure our thinking is our
own? Obviously this leads us full circle to the whole concept of the Manchurian candidate
phenomenon.
I remember one time back in Long Beach during a pre-rehab cocaine binge a police
helicopter circled my house for 45 minutes. Each window in the house lit up like a football
stadium as the ghetto bird made its way around and around my house. I called my girlfriend at
the time Kimmy, whose father is a teamster and just happens to have the last name Mason. I told

her what was going on and by the time she arrived, the police and helicopter had just flown
away. Kimmy tried to convince me that I lost my marbles, and had hallucinated the whole thing.
Over the next couple of days my sister Suzanne also tried to convince me that Robin
Williams experienced the same thing and that I should seek psychiatric help. Once again my
sister was pushing for me to go to a mental facility. Then my late buddy, Hollywood Joe, a conartist who I now know to have been Illuminati tried to convince me it wasnt real either, telling
me some crazy story about his rich kid friend who lived in Beverly Hills flipping out on the cops
on cocaine.
For the record, before I went to rehab in 2005 I had taken a lot of powerful drugs all mixed
together over long periods of time, and I know the difference between tripping out and a
helicopter circling my house for 45 minutes. In fact, I would go so far as to say if I didnt have
all those drug experience back in the day, there is no way I would have made it through March,
April and May of 2009 when the secret societies were throwing ever trick in the book at me.
This police helicopter incident happened on a Sunday evening and for four days it seemed
everyone was trying to convince me I had lost it, but I knew it was real. Low and behold I was
correct, on Thursday a neighbor, who I never met, out of the blue told me that on Sunday the
police circled my house because the lady next door came home to a burglar in her home and he
jumped out her window into my bushes. The part of the story that makes no sense is that I didnt
have any bushes around my house, at least none someone could hide in for 45 minutes.
So as crazy as it sounds the police, which never even knocked on my door, simply circled
my home to try and fry my brain so my friends and family could coerce me into psychiatric care.
It also happened at the next house I moved to, only this time the police came up my stairs with
flashlights and dogs, and once again never came in.
Looking back, it really makes me empathize with the millions of people throughout history
time that have been framed for drugs, crimes, convinced they were mentally sick and put under
psychiatric care or worse burned at the stake. If anyone out there thinks this is rare, just look
around at everyone you know who is on some type of prescription depression, anxiety, ADD,
ADHA or pain pills, they are being purposely driven into depression, lied to and poisoned. The
difference between me and everyone on prescription pills is I simply quit all drugs and began my
investigation into the real problem, secret societies. I recommend you do the same.
The funny thing about Kimmy is I dumped her because I felt she was purposely keeping me
on drugs, and every time I tried to get sober she seduced me with cocaine again. The creepiest
thing of all is a year after our break up, she got tattoo of burning cross on the back of her neck,
which she said was because I broke her heart. I find the burning cross tattoo startling because a
Mason police officer up at Dale Hollow Lake referred to me as a CAD=314=8 & CW=35=8, and
8 means God. I always thought Kimmys tattoo of a burning cross was pretty extreme; now I
know she felt God or a warrior for God had broken her heart. So it only makes sense that she
must have know a little something more about me than I did at the time.
The last time I spoke with Kimmy around October 2009, I casually inquired about
Freemasons and her response seemed rehearsed and contrived. Knowing the history of language,
if your last name is Mason, somewhere along the line you are related to the Freemasons. Since
then Kimmys phone number, which she had forever, has been disconnected and I have not been
able to get a hold of her.
This sudden disappearance of long time friends has now become a pretty normal occurrence.
I highly suspect that those who might not have been in on things from the get go, most likely are

recruited and compensated at sometime along our friendship, up until the point where I start
getting a little too close to the truth and then they just disappear.
Ironically, Kimmy is another girl I dated who ended up broke raising a fatherless child.
Unfortunately, I never got a picture of her Burning Cross tattoo on her neck, but I did get a
picture of bow tattoo she got around the same time from the same artist.

Bow Tattoo

Me & Kimmy Mason

Kimmy & Kid

On April 17th & 18th 2009 during the height of my wake up period in Nashville, Charitys
plump friend Kristen brought over a guy she was dating named David to our house in
Brentwood. David was a Shylock in Nashville, as his father is a long time bookie in town. A
Shylock is a person who collects debts for bookies, I did not know that. Anyhow, they put
some kind of drug in my food and I spent the evening running my mouth about everything I
knew about the sabotage of The Black Saddles project.
More importantly, at least twenty times David offered his services to me to beat up the
people who destroyed my record. I told him I dont believe in violence, and that karma would
find its way to each of conspirator. This was just another Nashville attempt to get me in big
trouble. David is also the one who told me about numbers on license plates identifying people,
which is most likely more BS to make me look crazy. Suspiciously, our Carbon Monoxide alarm
went off for the second time, at the height of confusion during David & Kristens visit. We
opened the doors and cleared the air in the house and it never went off again.
In April 2009 when I was quickly uncovering all this sabotage against me, Charity and I
thought about moving into a different house, just to get away from the memories of all the
attacks. I started searching for places around Brentwood with a pool on Craigslist. The first time
I searched on Craigslist I about 20 houses popped up in my refined search, then the next day over
300 house popped up, again it was one of those things I wish I took a picture of because that
evening when I went to show Charity the Craigslist phenomenon the listing had gone back down
to 20, very strange. We found a place we liked and went to check it out; upon arrival I
immediately realized it was a set up, one thing I can say about this whole adventure is my
intuition is getting very sharp..
The Jewish couple showing the house was very strange and none of the stories made sense
about the house, the kitchen and other oddities. Then the man got a phone called and excused
himself. He didnt return so we left. Later that day we got and e-mail from him that said he
excused himself because a robbers stay bullet just missed his sons head. Also he said they we
no longer going to rent the house.
One of two things is possible here; based on the trail of

death, disease and tragedy that has befallen those who have taken part in my demise this incident
was real, his son did almost get shot and this man chose not to mess with me. Or the incident
was a lie and created to make me think I cause these types of things to happen.

Stray Bullet, Robber, Not Renting E-Mail

Within days of me Waking Up in March 2009 I was swarmed with Freemasons, Jews and
Bohemians doing all kinds of bizarre and stupid crap all around my home and wherever we went,
all directed at making me look crazy. The one fact that these people never counted on is that I
love this kind of nonsense. Charity and I actually had fun with it, to a point.
After months of suspicious activity in and around our old home, we moved to a new place
with a little more space between us and the neighbors. This was in October 2009. For the first
two months everything at our new home was very pleasant and Charity and I were getting better
than ever. Then simultaneously two of Charitys two friends Molly and Tammy started calling
on a daily basis, and they would talk for hours on the telephone. Eventually these calls got so
continuous Charity and I hardly hung out, as she would be on the telephone with one or the other
women. Every time Charity would get off the phone, and sometime before she would slip into a
fit of rage, for no reason whatsoever.
Then Molly started to come by once or twice a week, with her rambunctious four year old
daughter Molly Jr. to party, despite my request that I didnt want any drinking or drugging in my
house, prescription or not, I did not care. This escalated to the point where Molly took Charity to
a quack doctor Feel good at the Smyrna medical clinic and Charity returned with a purse full
pain pills, anxiety pills and heart pills after just her first 30 minute exam.

Tammy who is a bit loud, obnoxious and high strung also started coming over. My
suspicion to Tammys evil intentions arose when she kept complimenting me about how smart I
was, how smart Pisces are, and other random insincere flattery. On top of this she made a point
to bend over exposing her panties, butt and breast constantly. I could tell her objective was to get
me caught looking by Charity and start problems.
One day Tammy suggested that Charity call the doctor and get the results of her test, which
ignited an argument about proscription medicine. I was caught in a tough situation as now all
three girls where against me. The next thing I know Charity was packing her things and leaving
with Molly, I suspect to party at her house. She just returned home after two days and now it
looks as though she will be leaving me.
I warned Charity months ago that both girls were attempting to derail the tranquility of our
new home. Molly & Tammy keep Charity stoned on prescription medication almost every day
and she quickly became very irrational, anger and violent. I pleaded with her to see that her so
called friends were deliberately destroying our four year relationship. But now all three were
claiming that I was paranoid and crazy, and I was the only one in the situation total sober
watching the attack.
I saw this coming a mile away because this is exactly what happened to me, after my
divorce in 2002, and my fake friends lead me down a path that eventually ended in rehab.
Finally, I drew the line when Molly brought cocaine into my house repeatedly, even when I point
blank asked her not to. Once again THEY were trying to get ME hooked on cocaine.
It was February 2010 and the personal attacks on my business, home, relationship and mind
had only progressed since I first foiled this organized and deliberate destruction of my life back
in March 2009. At this point I was just trying to write down as many details as I can, as it
appears their plan to get Charity out of my life was having a very negative effect on our
relationship. If knew if Charity left, I would be completely alone with no people in my life to
hang out with or talk to, including my family which as I mentioned had become very distant. I
did not know what kind of toll this would take on me as the heartache I was under was already
far more than anyone should have to bear.
The tension started to build between Molly and I and she was no longer welcome in my
home. The telephone conversations continued and actually went longer into the evening. Over
the next two weeks the prescription pills, alcohol and negative influence of Tammy and Molly
eventually sent Charity over the edge, and after four year I had to kick my last friend and the
woman Ive loved most in my whole life, Charity, out of my house. For the next five months
until I moved to Colorado I lived completely alone without a single friend left in Nashville.

Tammy, Charity & Molly

Dr. Feel Good Address 515=11 23=5

So, after many attempts THEY finally spilt Charity and I up, but once again this backfired
on them because I have used this time of isolation to meditate, detoxify, work out and finish this
book. Its important to mention that Mollys husband Tom and his father are both admitted
Freemasons. Also its very indicative of Masons to name their children M names, as M is
the 13th letter of the alphabet.
One more interesting tidbit is that Tammy used to bring Charity clothes from Tammys
spoiled gold digging sister. I often noticed that whenever Charity would wear these clothes she
would have erratic fits of anger. If you understand how Voodoo works, since the universe is
holographic just one sample of another persons DNA on us can allow that person to affect our
DNA, because DNA is holographic also.
Over the years I have received many unwanted gifted articles of clothing from people I now
know to have been involved in attacks against me. I can only assume that these gifts were for
Voodoo purposes to influence my thoughts and moods. I just wanted to mention that for anyone
who might want to explore this phenomenon. The point here is, beware of receiving other
peoples belongings or loaning yours out.
You would think that would have been the end of Tammy and Molly but since then I have
still gotten messages from them via text and FaceBook. Now for the really strange part; right
after Charity and I split up John a Freemason swooped in and started courting Charity. The dated
for about a year and recently split up because he was beating her and abusive. During that time I
helped Charity out with moral support over the phone and some money to get her back on her
feet.
Like clock-work Tammy who I had not heard from in over year started calling, texting and
sending me the pictures below. Tammy is married to a Freemason. I assume the purpose of this
was cause problems and prevent Charity and I from getting back together, which will never
happen because I will never go back to Nashville and Charity will never leave. Or the purpose it
to make me lust after a married woman, who knows?

Texted Sent to Me From Tammy Summer 2011

By far the grandest scam of them all was my wedding to Sandy, our entire relationship,
wedding and marriage was an arranged Masonic plot to destroy me financially. In fact, Sandy
was secretly dating the guy who is now her husband the whole time. I wont go into all the
details but when I met Sandy I had just sold my house in Long Beach, was completely debt free
and had over $40,000 cash in the bank. Within two years I was married, divorced and over
$100,000 in debt, despite the fact that her very wealthy father paid $70,000 for our wedding. I
am sure Sandy and her family was well compensated for their efforts to try and destroy me. I do
not recall who set the date for our wedding but I find it numerically fascinating. 8-252001=18(666)=9(Highest Evil Number).
They lived in Rancho Sante Fe one of the wealthiest neighborhoods in the world in San
Diego, which is also the West Coast headquarters for the Illuminati. Her father was high level
aerospace engineer from Honeywell; which is a coincidence because most of my clients are from
Boeing.
On our honeymoon in Tahiti, we meet a couple Mark (Jewish) and his girlfriend Lisa who
were deviously sent on the cruise to make my acquaintance, keep me stoned and rack up my
expenses. Mark talked me into upgrading my room and other extravagances causing a $5,000
dollar honeymoon to grow to $12,000. I know this sounds absurd to point the finger at other
people, but I assure this was all a set up with detrimental intension.
One interesting thing is Mark is friends with all the big 1970s rock acts like Rush, Journey,
Blue Oyster Cult, Queen and more. His rock memorabilia and autographed guitar collection is
incredible. He has also taken me to Rush, Queen and Blue Oyster Cult VIP all access. I know

this all sounds great, but you must understand that my love for music is common bait that THEY
use to lure me into detrimental situations.
Mark is another close friend who has vanished since I started speaking out about the
incredible attacks against me and secret societies. Also, I think its very relevant to mention that
Mark retired young from a very high level supervisor job peddling prescriptions for one of the
largest pharmaceutical companies in the world. Mark was just another fake friend with false
malicious intensions from the start.

My Family, Sandy & Me at our Fake Wedding

Me, Sandy, Lisa & Mark Tahiti

Me & Mark Back Stage at Queen in San Diego, 2005

One last financial tidbit on Mark and Lisa which was the clue to me investigating their
involvement and deliberately devious intentions; After I divorced Sandy, eight months into our
marriage, because I discovered that she had a boy friend the whole time, I stayed close with
Mark. The suspect incident happen when I took my next girl Kimmy to visit with Mark and
Lisa. Lisa was trying to convince Kimmy into unnecessary plastic surgery and other
extravagances adamantly insisting that Kimmy make me pay for it all. At the time I didnt think
much more than Lisa was a gold digger, but now I realize her true motivation was the same as it
has always been, break me financially.
The icing on the cake of this whole story is Sandys Mother Rebecca dropped dead of cancer
a couple years later at age 52. Ironically, Sandys wealthy Mason Father Walter was 80
something; Rebecca always used to refer to his millions as her money, guess not. Once again
death becomes to a person directly involved in Masonic attacks against me. Call it fate or karma,
I know it to be something much more Devine.
All righty then as if I havent pushed your boundaries of belief far enough, let us get into so
really bizarre stuff. In March of 2009 when I first woke to the reality that secret society
members had infiltrated all aspects of my life one of THEIR top priorities was to find any gold
that I might own. Once again I know this because the ding-dongs that THEY sent to my home
looking for gold are a far cry from the slick private dicks they love fantasize about in their
movies. Why gold you might ask, because I know how to make the Philosophers Stone, which I
will share with you after these funny little stories.
The initial quest for any gold I might have had came from clients and referrals unskillfully
trying to coerce me into selling outside. This is when a broker with a brokerage firm buys or
sells a security or investment outside the normal protocol of opening an account for the client,
and proceeding through the normal brokerage channels. In short, friends, clients and referrals
tried to get me to sell physical gold directly to them.. At first I thought all the suspicious
inquiries to acquire gold from me were simply to get me fired from my job for Selling Outside.
Actually, I regress. Their first attempt to take gold from me was the burglary that happened
over Thanksgiving 2008 at my home in Brentwood TN. The second attempt to find gold came
when Charity caught a small Jewish man with a hand held JDS Uniphase Gold Detector
coming out of our bushes next to our laundry room in our home. I tracked down the perpetrator
in the front yard and confronted him as to his purpose and he quickly pulled out a small piece of
paper identifying him as an employee of the United States Census. The strange thing was that
ours was the only house he went to in the whole neighborhood. I have also since learned that the
U.S. Census is almost exclusively made up of secret society members who spy on the populace.
Anyhow, as I stood face to face with the small pittance of a man, I couldnt help but notice
the surprise in his eyes as he stared bewildered at his JDS Uniphase detector, which I am sure
was going nuts as I had earlier that day ingested two 1/10th Canadian gold coins as part of my
search for the Philosophers Stone. This census workers JDS Uniphase gold searching device
was literally inches from my belly which held two 1/10 ounce gold coins. After confronting the
man, he excitedly and hurriedly ran off to his vehicle and left the neighborhood without visiting
another house.
If you think thats crazy, the next day Charity and I pulled into our neighborhood after
spending a lovely day at the lake only to find no less than six large white city work trucks

involved in a major operation at the front our housing community. Inquisitive, we asked one of
the younger workmen what was going on. In simple terms he informed us that they were
TVing the sewer. I said what? He said that they were taking a video of the sewer system
looking for something. What he would not say.
I can only guess that the census worker, astonished by the gold reading coming from my
belly notified the authorities and they sent out a very large crew of sewer workers the next day to
film all the sewer waste coming from my home in search of gold. Folks, I know it sound crazy,
but I could not make this up if I were trying. Sadly, I did searched my own excrement with a
butter knife for two days and never did find those two 1/10 ounce gold, and I cant help but
wonder if they found them
Below is the notice that the Jewish U.S. Census worker handed me to identify himself, I
also saw his Census name tag. I just noticed something very strange. This incident happened in
April 2009, but this notice is for the 2010 census; thats odd maybe he was from the future? LOL

Cen
sus Workers 2010 Identification Notice

th

1/10 Oz. Canadian

The third search for gold, that I am aware of, came after my telephone line went down, and
the telephone man insistently tried to back his work vehicle up into my driveway, though the
work to be done was on the other side of my yard. I told him he could not back his truck in my
driveway. Then he tried to back his truck into the neighbors driveway but the neighbor drove
right up at that moment, and he had to move his truck.
I highly suspect that truck had a Gold searching device in it. Lastly, the telephone man
attempted to enter my house with the exact JDS Uniphase Gold Detector that the Jewish census
worker had. Simply to aggravate the worker I refused to allow the device into my home, in
addition all the gold I owned, which was not more than a couple ounces I was wearing as a
necklace. That had to freak out the searching devices.
After a serious non-stop ranting from me about the evil aspects of Freemasonry, and all the
dire repercussions that have befallen those who have been involved in my demise the telephone
repair man quickly gave up his time wasting Masonic charade and fixed my telephone line.
Which I later came to discover was not even broken. The reality is that my FAX machine had
failed and the telephone line was fine, the whole time. Still the phone company wasted an entire
day at my house pretending to fix the unbroken line, when in fact they were actually searching
for gold. I even recall a moment when he tapped into the line outside and called the telephone
company operator and she read back my number and confirmed the line was fine.

Interestingly, during our conversation the telephone man asked How could I be a
Christian if I did not go to church? I responded to his question with a better question that he
did not have an answer an answer for: How do you know that I dont go to church?. Heres a
fact, when someone is lying or operating on false pretense, if you pay close enough attention you
will catch them stumble.
.

Telephone Mans Business Card.

Neighbor pulling up as ATT parked driveway

After the incident with the telephone repairman I have had no further attempts, which I
know of to find gold at my house. In fact, after about two months all of the funny business with
people suspiciously staking out my home in April and May 2009, it all ceased. I think that my
arrogance, immediate confrontation and constant video tapping of all occurrences in and around
my home put an end to their search and harassment.
Now the good stuff, the Philosophers Stone. According to the legend of King Salomon the
reason secret societies took away the knowledge of Enlightenment from the masses was
supposedly that true knowledge of self was too much for society to handle. This is why after
being captured, the Ark of the Covenant was returned to the Levitates, because it was too
powerful.
The Ark of the Covenant is literally that, an Arc or electrical battery used to create the
Philosophers Stone by using electrolysis to reduce gold to dirt, then a light citric acid to refine
the gold further into gold nitrate, which is then fed with ammonia to a nitrosamines biodegrading
worm which eats the gold nitrate. This worm is then distilled into very pure DMT, which is the
same drug released by the Pineal gland to send us back into the spirit world at death. Many
alchemy writings say that the worms eat both gold and silver nitrate, but I believe through
experimentation that it eats just gold.
These alchemy pictures bellow all represent the secret process by which gold is converted
into the philosophers stone. The dragon eating its tail represents the nitrosamines worm eating
itself after feeding upon the gold nitrate. The colors represent the colors the gold turns as you
remove the impurities refining it to gold nitrate, like light gold contains all the colors of a
rainbow. A a great book to about the philosophers stone is Laurence Gardners Lost Secrets of
the Sacred Ark. However, Laurence is Freemason bull shit artist.

Bellow are my pictures from refining gold into gold nitrate. This is the true meaning of
The Yellow Brick Road(5) in The Wizard of Oz. If you are interested in the alchemy of
making the Philosophers Stone study the chemistry behind synthesizing DMT from plants. I
have already told you more than any of the ancient alchemist ever wrote down about the process,
but be warned for the Bible clearly states if you enter any way other than thru
JESUS=15131=11, you will go to hell.

Salt Water Electrolysis

Purple(fat) removed to Emerald

Yellow-Red-White

Making pure DMT from Gold is very expensive and not easy to do, so most secret society
scumbags acquire it DMT easy way, torture and murder people then drink their DMT laden
blood. DMT allows them to escape the 3D reality we are all stuck in and travel through multiple
dimension.

Ben Franklin and friends tortured and killed 1200 people so they could drink human DMT.
The remains of these victims were found underneath Bens flat in London about ten years ago.
The story caused such a scandal that TIME magazine put out a special issue to cover up the
mass murders by claiming Ben was helping a young medical student study anatomy, and they
bought the bodies from grave robbers. True story, I couldnt make this crap up if I tried.
Ben Franklin, was a member of the secret society Hell Fire Club, in fact ALL our founding
father were secret society scumbags. Democracy is one of the Freemasons cleverest frauds.

HELL=8533=13/33 or 18 aka 666, FIRE=6995=29 aka 911, CLUB=3332=11

No you know what all the Cash for Gold advertisements are all about. They are trying to
remove gold from the masses so that when the secret of how to create the Philosophers Stone is
common knowledge, the availability of gold will be minimal. This is why all the gold ever
discovered is supposedly buried eight stories under the central banks in London, Long Beach and
New York. My other theory is the secret society elite have converted all the gold to DMT and ate
or smoked it all.
Understanding the role of gold in our mind is critical. You see way back when, before we
were lied to and told gold was valuable, gold was everywhere, primarily in the water since its

heavier than most elements. Back then our minds functioned much more efficiently because we
received a fair amount of gold and other necessary minerals in our food and water. Anyone who
knows computers and electronics knows that gold is the best electrical conductor. Our brains are
bioelectrical computers and gold is an element we need nutritionally for our minds to function
properly.
Since before civilization secret societies have used every trick in the book to keep us trapped
and enslaved in the world THEY completely control. The Matrix movies are a lot closer to
reality than people care to believe.
This subject of an imposed Matrix controlling every aspect of our lives is nothing new. In
380BC Plato described in his writing The Cave the perfect analogy of those who see life only
has they have always seen it, and vehemently refuse to acknowledge that perhaps their
perceptions are incorrect. In Platos allegory when one of their cave dwellers walks out into the
real world to see that life is more than shadows on a wall, upon his return to the cave, to inform
others that there is so much more to life, he is ridiculed and beaten to death because his crazed
experiences of the world beyond the cave are inconsistent with the life of shadows and darkness
that the cave dwellers know. This is the truth of enlightenment which the secret societies so
desperately guard; we are so much more than we believe, we are infinite as our imagination.
Plato said that Our world is a shadow-like representation of a deeper realm of archetypes
and ideas. The structure of the universe as laid down by the Cabbala suggests that the universe
has separate universes called Sephirot. The Nacronmicon speaks of multiple layers of reality,
similar to Einsteins view of the Universe as dimensional spheres. Each of these spheres can be
accessed by a gate; a gate which can be opened by calculating the geometry of the
astronomically influencing planets, stars and galaxies. In physics, String Theory calculates
there are eleven dimensions.
Plato described my dilemma perfectly over 2,000 years ago. Many a man has tried and died
in an effort to wake the world, but to no avail, including Jesus. Still, knowing that the odds are
against me and more persecution might come from releasing this book to the world, even death.
I know we are not free, and I shall commit my eternal soul to our true physical, mental and
spiritual freedom.

There is no more plausible denial, the Masonic Matrix is real. The only question left is just
how intricate and in depth is it? Where does the line of THEIR imposed reality and our
individual reality cross? Is gravity, air, water as we perceive or as flexible as our imagination?
We know that our beliefs create our physical reality, and that physical reality is actually the
illusion as we are really just beings of energy. The question then lingers whose beliefs do we
believe? The beauty of this question is there is an answer. THEY know it. We all used to know
it, but THEY try to convince us that nobody knows. Rest assured THEY know.
I believe there is a lot of truth to these people being energy vampires and they either get off
on or get power by destroying good people. Perhaps they are generously rewarded by their
secret societies for their devious efforts. Or maybe they all collectively just know when they
meet a Godly person that 911(End of Awake) is to be executed, meaning keep them asleep
however possible.
Or perhaps I am the only one who doesnt know the big secret and I am on the newest reality
TV show, The Stephen Show. All I know for sure is the world truly is fucked up, and its
fucked up to work as hard as I have my whole life only to discover everyone including friends
and family were all working against me. The funny thing is Ive done pretty well despite it.
Also this is not over yet, I shall be VICTORIOUS.
Let there be no doubt that Michael Jackson was murdered for trying to expose these
criminals secret societies also. Just listen to the lyrics of his songs. Mike was constantly trying
to tell people the truth.
In Another Part Of Me he says The planets are lining up, bringing brighter days. This
is our message to you. Youre just another part of me. He also says I run a mansion, reveal
the truth. Running mansion refers to an astrological zodiac chart which predicts the future.
Turn down the bass and listen closely to the noise that was added during the chorus of Another
Part Of Me. Michael was a perfectionist and I am sure he would not have allowed this, but they
did it to him anyway. This is the same type of sonic crap that is all over The Black Saddles
record.
If you see This Is It in the prayer at the end Mike says only four more years referring
to the 12-21-2012 awakening, which is occurring earlier for lots of people like me. Last but not
least watch the 3D video Michael made about the planet to be shown at his concert. There is no
chance in hell the powers that be were going to let him embark on a world tour and spill the
beans about the awakening.
You see people would listen to Michael, I can only hope they listen to me. And if you really
want to rewind the clock go back to ABC, its easy as 123 is that not the numeric language I
am trying to teach you that exposes everything or what?

Micheal, like Richard Nixon did, is signaling 22. This is the anti-secret society hand signal
If you would like to know what our lives are really like without this imposed Masonic
Matrix, take some time and go through Ozzys lyrics you will see that all he talks about is how
our mind and souls are truly free. This is also why Randy Rhodes was killed because he refused
to play games with his music, and most of his riffs are in quadruplets, which as I taught you is a
big no no in the music industry. OZZY=6887=29 aka 911
In 2004, the year before I attended my first Durango Songwriting Expo in 2005, I had a
hard rock band called Riot Water, with an incredible guitar player Augustine from Detroit, and a
beautiful singer Juliette Paris. After our first gig we broke up because Augustine was just too evil
for me.
I should have known when I met Augustine because he always wore a shirt that said El
Diablo, The Devil, at least he was upfront about his evilness. I can respect that, unlike these
clandestine criminal cowards that hide inside their secret societies while pretending to be just,
fair and moral citizens.
Anyhow, I wrote a song for our band called Will To Power and in it was a line that said.
What is your gift to humanity, the greatest capper or a fortress on a hill?. I remember
Augustine and Juliette being strongly against the song, now after this long hard road I know why.
Will To Power was foreshadowing what these secret societies somehow knew that I was born
to do, expose THEM.
At that time I had no idea that just four years later I would solve the greatest Masonic capper
that has ever been played upon humanity. These prescient experiences happen to me all the time.
They are what keep me going despite the brutality of this at odds existence. Let there be no
doubt that there is so much more to this life than THEY let us know, which is really what this
whole book is truly about.
Below is a picture of Augustine, Me atop my Long Beach pad where all the Riot Water
songwriting & rehearsing took place and Juliette.

Augustine aka Jay Manhyre

Me - Long Beach, CA 2004

Juliette Paris

On a related topic, in summer 2008 when the sabotage against me in Nashville was in full
swing, Juliette, who I had not heard from in a few years, called me out of the blue and asked to
mail drugs to my house in Nashville, because she and her friends were driving to Bonnaroo, from
Washington State. Obviously, I declined her request. I now see that she was trying to get me
busted.
Over the past few years since I discovered the corruption against me everyone who had
anything to do with The Black Saddles as well as all the people I had been songwriting with
dropped off the map. We all went from being a big group of great friends, to strangers within
weeks. I was all alone. Thats when I realized ALL of them were in on my demise from the
start.
They were all employed by the destructive side of the music business. I am confident if and
when all this stuff begins to be to untangled a proper audit of all the suspects finances and
suspiciously favorable circumstances in the entertainment business will clearly show the money
trail of everyone involved. It was all a plot to destroy my credibility, milk my creativity and
break me financially.
Once it was conclusive that I was being purposely sabotaged by the music business, I began
to examine my entire past and realized this type of betrayal and destruction had been happening
all my life. I am doing the best to put all the pieces together for this book, but I want it to be
clearly understood I am not writing this for revenge. If I wanted revenge or retribution I would
have already filled numerous law suits against the perpetrators who I have overwhelming
evidence on, but instead I am looking to expose how secret societies actually operate in and
control our world.
Most struggling artist and song writers do not have the resources to go through what I went
through. They would long been out of the game. I have heard stories about people coming to
Nashville with their life savings to record, and the producers are literally laughing at them from
the control room as they are recording a bunch of audio crap they know is purposely flawed. I
suppose everyone was laughing at me also. I just happen to be a persistent hard worker who

never quits and discovered the truth about Nashvilles Music Row, the music business and who
really controls the world.
It should be obvious to everyone that thousands of talented people each year come to
Nashville and nobody ever makes it. I am sure if we dig deep into the background of the few
that do we will find a sinister back story to their success and an association with one of the many
secret societies.
Many people love the songs on The Black Saddles project and some of the professionals I
hired to help me make this record were my musical heros. It truly breaks my heart to have to
name them by name, but hopefully there fame will finally do something great for music. I know
that many of them want this corruption to end even more than I do. Just imagine how
wonderfully great music we will be when it can be made without malicious motivation, intent or
control.
Sadly todays music is not about great songs, accomplishing dreams or being rich and
famous, its about secret societies closely guarding and controlling precisely what is musically
injected into the minds of the masses. More specifically making sure everything we hear leaves
our bodies, minds and souls in a constant state of stress and agitation from constantly being
bombarded with unbalanced rhythms, sonic conflicts and Abracadabra Wicca lyrics, themes
and incantations.
As it stands now over the past year I have salvaged most of the original recordings and plan
to remix The Black Saddles record with me singing. However, even the original recordings
have a plethora of deliberate damage inflicted from the initial recording session, so I dont even
know if thats possible.
Having spent ten years of my life and over $200,000 between the N-Kroud Kliq, Riot
Water, The Black Saddles and studying songwriting I was completely physically, financially
and emotionally drained. I literally crawled up in a ball on the floor of my home studio and
cried.
I had spent all my money and most of my retirement savings, only to realize that the music
business was rigged, and they would spare no expense or relationships to prevent my music from
ever getting out into the public. Then things got worse when I realized it was not the music, it
was because of who I am. This type of sabotage has been going on my whole life, I just never
realized it, now I sleep with a Bible and fire arms.
We all are truly in a bad spot in history people because the folks that are behind all this
corruption are ruthless, cruel and willing to kill to prevent our enlightenment. However, we are
all in a fortunate spot in history because we are the 1st generation of human beings in 12,000
years who will see the Earth free of the oppression and control of secret societies.
Its clear that this mafia type monopoly and sabotage exists in every business in the world.
My abbreviated tale of entanglements with the entertainment business is just a small example of
the enormous influence and control that secret societies have over all aspects of our lives. I pray
that my willingness to come forward will motivate others to do the same. This is it folks, they
know we are waking up to their bullshit. We must put them out of business quickly, before
THEY killing us ALL.
People often worry that the government is going to impose Marshall Law, Start WWIII and
round us up and exterminate us. Sad news folks the real plan is much closer to home and its
called Helter Skelter, which is when on a planned date, all the secret society members are going
to just walk next door and kill their non-secret society members. This is was Charles Manson

was trying to start, He was a member of The Process, the most ruthless secret society on Earth.
And once again, just like Yellow Submarine, The Beatles tries to warn us.

Nashvilles attack on my personal music endeavor was so sloppily executed that the tales are
almost out of a slap stick comedy film. Still, they were quite successful at stopping me in my
musical tracks, but not before I racked up hours of video, audio and technical proof of who,
what, how and why the music business attacks artist and bands. .
Please understand that for many of the people involved I have concrete evidence of the
destruction, deceit or demise they were personally responsible for, and for the others their level
of professional experience, music industry position and skill level implicates them, thus their
pleading ignorance would not be an option. .
In truth considering how long this sad saga dragged out and the insane extremes THEY went
to trying to stop my efforts, I am pretty sure I was the only one around me that did not know
what was going on. Not to mention the lonely reality that everyone around me scattered like
mice from fire when I awoke to the scam..
Hopefully, with the release of this information some of the high profile music people will
have the balls to come forward to confirm and expand on my discoveries. I know for a fact that
some very famous and talented music people are sick of this evil Masonic monopoly and are
quietly rooting for me, because they leaked information to help me discover many of these
truths.
One thing everyone needs to get straight is without an audience there is no entertainment
business, and I am confident that the true music lovers of the world are going to be disgusted

when they understand what is really going on in the music business. The days of the corporate
created, controlled and distributed content are soon to be over.
There are many laws on the books that prevent the monopolistic structure our world is
currently suffering under. Having graduated in Radio/TV and Film the one thing I have a hard
time grasping is how the current radio monopoly is allowed to exist as it is completely illegal
according to Federal Communication Laws, primarily with respect to station owners, public
access and how licenses are granted.
The American people have allowed monopolies in every industry that are hundreds of times
more powerful and corrupt than the robber barons at the turn of the century. Its time for a big
fat round of trust busting. I am very fluent in how these corporations sneak around our laws, so
please feel free to send me to speak in front of congress or Wall Street. Ill put an end to this
illegal financial and regulatory insanity real quick.
Art is the precious expression of humanity to reflect and preserve our every changing culture
for future generations, not a tail of the dog-wagging tool for totalitarian political propagandist. I
pray that each member of every secret society, especially the Freemasons realize that they are
100% responsible for the destruction, corruption and perversion of art and culture in our world
for centuries. It makes me cry to even think of all the art, books and music secret societies have
destroyed to remain in power and keep the silence of their selfish, greedy and pathetic Great
Work aka 911
One thing I learned for sure from my misadventures in Nashville is there is NO such thing
as free speech in America. Sure they will let you run your mouth in the bar all you want, but if
the reason the bar is packed is because you are on stage with a microphone, trust that someone in
the crowd has got their eye watching everything you do. .
The devious tactics to derail an up and coming artist or band that the entertainment business
believes may be troublesome are as numerous as the artist and bands. Some of the most common
derailing intrusions I have seen are drugs, overdoses, parental and police harassment, pregnancy,
social disturbances, venue black balling, radio black balling, studio destruction of recordings,
bad press and even signing bands to a record label to distort, disorganize, delay their career or
more importantly disperse their fan base. If none of these tactics work, murder is always an
optional solution that the record industry has had many hits with, pun intended
THEY will do anything to get control of the artist or band and defuse there local social scene
and/or change their direction to something more in compliant with the goal of the evil
entertainment establishment.
Let it be known right now that the only artists or groups that rise to even a moderate level of
success are members of a secret societies, and are compliant with the clandestine agenda. In
some situations the artist may be completely naive that they are being manipulated and simply
believe they are the cats meow rocking out in eyeliner and Spandex. However, these days
people are so lost in evil and immorality many of the bands fit right in line with the evil agenda
anyhow.
I am so lucky to have grown up in the 70s, 80s & 90s when musicians and bands actually
had real talent, even though there music was equally harmful, at least they could really play and
sing. Record companies today are purposely putting out musicians that cannot sing or play. The
reason for this is to get the fan base to idolize the artist rather than the music. This prevents a
random independently produced great song from gaining popularity. Everyone these days judges
a band or artist by their Myspace, Facebook and Twitter which is a joke because its totally
manipulated.

Nashville knew that I was not the type of person who tolerated secretive and corrupt
business practices, and if I ever discovered what was really going on in the music business I
would probably write a book. Well THEY were right, and I hope THEY enjoy this book. I even
hated fraternities in college because they are so discriminatory.
I have always been and said out loud that I am warrior for God and now I know it to be
true. But please do not confuse believing in God and Jesus with religion, as ALL religion on
Earth have been infiltrated with these secret society scumbags. Kim Williams said it best: God
Save Us From Religion.
Unobstructed popularity should control art, music and entertainment. Unfortunately, we
have allowed the powers that be to force feed us our entertainment, and naturally they have used
it against us The powers that be have twisted society upside down and backwards. Bad is not
good and never will be. The devil is evil and there is nothing good about being devilish. That
goes out to all you people with skulls, devils and evil tribal symbols tattooed all over your body
and on your clothing. There is absolutely nothing good about: Affliction, Obey, Goth or
Vogue . If you were afflicted with a disease you wouldnt think it was too cool. Good is
Good, Bad is Bad and Secrets are Lies.
When people suck they should not receive Grammies, I.E. Taylor Swift. Grammys are for
the best of the best, not a falsely contrived popularity contest.
Also there are many gay people, who are very talented, but their gayness is not what should
be the nail to hang their hat on. Adam Lambert & Lady Gaga are true talents, but its wasted
when they use their talent obnoxiously to degenerate society by purposefully promoting
androgyny and homosexuality, not to mention the occult.
Many great artists like Rob Halford from Judas Priest did very well without promoting that
he was gay. The point I am trying to make is that the entertainment industry is purposely
distorting reality and promoting very bad role models in an effort to undermine the fundamental
values of family and healthy human relationships.
If you are going to march with rainbows for rights, then you you must march for all rights
otherwise you are just as bad as those you march against. Its not long after THEY burn books,
that THEY will burn people. My record was burned not because it was bad for you, like
everything on the radio these days, but because it was good for you. I dont care if you are black,
white, purple, gay, alien, Godly or evil that type of censorship should scare the crap out of you.
My music was just good fun country music. There is not one word of controversy on the whole
Black Saddles record
The goal in all of their lies is to sterilize us into a society of drones; ironically they
accomplish this under the guise of political correctness, which is really clandestine corruptness.
The bottom line here is that we are NOT thinking for ourselves, no matter how liberal you might
think you are. We are all spoon fed a bunch of garbage like pigs in a trough, and should anyone
speak against THIER force fed poison, everyone around them attacks them, which just proves
how completely insane society has become.
These secret societies are never going to stop trying to ruin me. They are never going to let
me have a successful music or songwriting career. I have no choice but to be David against
Goliath. People tell me all the time, including my mother; You cant change the world. I
adamantly disagree. I shall pull Excalibur from the stone and slay this dragon once and for all.
After all these years of working so hard for many goals, I finally found the singleness of
purpose that is required for true success. Gods plan for me is to share my story and discoveries
with you. I wish I could convince you of all the miracles and prescient occurrences I have

experienced that reveled all this information to me, but all I can do is promise on my eternal soul
that I have been divinely guided.
This book is why secret societies have been trying to destroy me my whole life. Writing has
always been my strong suit. Gandhi began his quest to liberate India by writing a magazine.
Hitler rose to power from his book Mien Kampt, which was actually written by Karl Marks.
The Illuminati are still operating off the plans written by Adam Weishaupt and Albert Pike.
The pen is mightier than the sword.
Jesus said What does it gain a man to have to whole world, but lose his soul?. I pray the
information in this book can once and for all free the world from the Illuminati/Freemason
fungus that has smothered Earth in evil. This is my purpose. This is what God and Jesus need
me to do to help bring about Revelation. This is why the light workers tell me I have a
purpose and my soul chose to come to Earth at this time to help with the 2012 ascension.
Jesus also said They will hate you because of me, Lord do I know how true that is. So
where are the true Christians now? Nashville is filled with churches and I have yet to meet one
true Christian. Who among you will hang on the cross with me? If you are a Christian, you had
best stand for truth now.
Should you do the right thing and stand against this evil, please know it is not an easy road.
At first I was depressed because all my friends betrayed me, now I am happy for it is better to be
alone than surrounded by people who dont love you. And I mean truly love you, to the point
where they will die alongside you for truth, love and freedom.
Nobody these days is willing to stand in the face of adversity. The world is filled a bunch of
cowards. Everyone knows that 911 was an inside job. Every member of every secret society is
responsible for 911. Nashvilles Music Row is responsible for 911.
The question is what are YOU going to do about it? Friends, family and anyone else who is
not willing to stand against ALL clandestine secret societies is as guilty as the secret society
members themselves. To know is to participate. If you are in one of these secret societies
you are an idiot, because the cat is out of the bag and the world is awakening to your clandestine
cruelty.
There is not a rock star or movie star on the planet that doesnt know everything I am talking
about to be true. Which one of you stars is going to grow some balls and speak up? My God
how disappointed God is with all of you. Its no wonder John said Jesus had the saddest eyes
he had ever seen.
What the fuck is wrong with you people? Have some respect for your soul, you live like
you are never going to die. How are you going to face all of creation when everything unknown
is known? You are seriously kidding yourself if you think WE are going to let you get away with
what you have done. Every member of every secret society is responsible for every crime.
All this malicious manipulation is like a drug that keeps people numb, so they dont even
know they are doped. People have no idea what its like to be truly free. It is time that we undo
this poisonous masquerade and rescue our youth and ourselves from this addiction to this mental
numbness. Sadly, we now actually crave this comatose state which has allowed the secret
societies to completely control our state of mind. People actually like being stupid robot slaves.
I would like to end this chapter by saying that I appreciate the fact that this all actually
happened, otherwise I may have spent the next forty years of my life blissfully unaware of how
messed up the world really is. I really got to hand it to the folks in LA, because you all kept me
clueless for forty-two years.

I love Tennessee for the simple fact that the multiple generations of immobile ancestral
Masonic inbreeding in the South East made it glaringly obvious that the populous was indeed
prolifically polluted by an entangled web of secret societies, mostly Freemasons.
God I pray for the day we all get to make and listen to music that is not deliberately
destructive to our physical, mental and spiritual health. Until then pay attention to the rhythms,
melodies and lyrics. Are they in synch with you, or do they cause stress, discomfort and
degradation?
Despite writing until my hands hurt, I barely scratched the surface with respect to the
corruption in the entertainment business and the world. Kid Rock said it best You still dont
know the fucking half of it. I believe the best way to sum up this book is with some Masonic
words of wisdom from the late great Freemason Ralph Waldo Emerson The ear of Handel
predicts the witchcraft of harmonic sound.
You have now learned about both sides of the music business, that which creates music and
that which destroys music, ironically neither side is good as they both destroy bands and artists,
our bodies and our minds. As you know now, I got unknowingly signed to the prevention side
of the music business as an artist who might be a problem for the powers that be.
Let me be completely honest, this book has been very hard to write and I have more than
once broken out in tears. All I have ever wanted to do was music. When I was eight, I moved
into the garage painted a 20x50 foot Union Jack on the wall, spray painted The Kinks, The
Beatles, The Who and The Rolling Stones, built my own drum riser and started playing drums. It
is now perfectly clear that as the world stands today I will never be allowed to do music
professionally.
Lastly heres a little side tale that shows just how ironic life is. A year before I discovered
all this corruption going on around my music, financial business and social life, my oldest friend
Mike Slavich, freaked out on me for no reason and cut off all contact. We had been best friends
for 35 years, and I had worked for his familys video game company my whole childhood,
starting with cleaning pinball games at age seven, and working my way up to running night time
service calls in high school in a company truck.
Looking back I realize that his family had consistently beaten down on my psyche and selfconfidence my whole life. His father Ed used to call me The kid with nothing. In our junior
high school news letter Mike dedicated Those Shoes by the Eagles, to me. My mother was a
single mom with four kids so we werent rich and I usually only had one pair shoes, which I
wore till they wore out.
The wildest, most serendipitous coincidence of my musical journey is when we were kids,
Mikes cousin directed Gregg Khins music video for the song Abracadabra. Mike and his
whole family are in the video. I distinctly remember being excluded from the trip to San
Francisco for the filming of the video. That is just so mind boggling, of all the songs in the
world Abracadabra.

Mike & I 1980

Me & Mike Slavich 2005

Mikes Family Company

Mike was my best and oldest friend, and the first of ALL my many friends to one by one
disappear over the last three years once I started speaking out against Secret Societies. Finding
out that most of my friends and family are Secret Society members that have been deceiving me
my whole life is by far the most painful aspect of this entire saga. In the infamous words of Jim
Morrison This is the strangest life I have ever known.

Thank you for taking the time out of your world to read The Real Music Industry
I hope it helps a lot of people from wasting their time and money.
Please send me a note with your thoughts or music adventures.
STGladstone@msn.com

Nashville Can Kiss My God Loving Christian Ass!!!!