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The Musical Shape of the Liturgy

The Musical Shape of the Liturgy

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William Mahrt has written the first complete guide to music in the Roman Rite, one that combines theology, music, history, and practice in both the old and new forms of the Mass. He covers chant, polyphony, and every form of music in the ritual. The book includes a full model for understanding and a vast number of commentaries of practical application. Nothing this on topic and far reaching has appeared in the postconciliar period. It is published by the Church Music Association of America in 2012, first online, then in epub, and finally in print.
William Mahrt has written the first complete guide to music in the Roman Rite, one that combines theology, music, history, and practice in both the old and new forms of the Mass. He covers chant, polyphony, and every form of music in the ritual. The book includes a full model for understanding and a vast number of commentaries of practical application. Nothing this on topic and far reaching has appeared in the postconciliar period. It is published by the Church Music Association of America in 2012, first online, then in epub, and finally in print.

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Published by: Church Music Association of America on Jan 13, 2012
Copyright:Attribution Non-commercial

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08/15/2013

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Musical Shape 
 Liturgy
OF THETHE
 
L. Albert BerryHerve BlanquartDeborah BloomfieldBenjamin BloomfieldGerald BonnerDonald BorowskiChristopher Brown Jason BunnDavid BusherThomas P CademartrieChris CainCharles ChauvinKyung-mi Coyne Justin CzarnowskiMark Dieckman John ElledgeMary Lynn FischerRyan Ford Joseph GirodDavid GoddardNoel HammondPaul HaverstockMichael HeyRobert HildrethSamuel HowardNoel JonesRobert Kellam Joyce KeelerPeter KwasniewskiRobert LeblancRosalind MohnsenMark Montemayor James Morgan Jose MorenoRyan MurphyRoyce NickelDianne NoyRichard OdermattKevin O'BrienDove PierceSteven van RoodeRichard Siegel Julia SixSusan TreacyKeith ToepferMartin FecherIanWilliamsMatthew Williams Jennifer WooChristine YirkaThomas YoungSusan VarenneThe Church Music Association of America is grateful to the followingfinancial supporters who made this book possible:

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