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  • Valley v1

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    caseythomasanderson
    53 views2 pages
    Valley is an installation or performance piece by Casey Thomas Anderson that involves scattering several radios tuned between stations throughout a performance space. The radios are equalized in volume with the ambient room sounds and each other to achieve a balanced mixture of static and radio broadcasts. The acoustics of the room primarily amplify the overall sound, with optional slow fading or sudden turning off and on of individual radios accompanied by quiet friction sounds.

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    valley_v1

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    Valley is an installation or performance piece by Casey Thomas Anderson that involves scattering several radios tuned between stations throughout a performance space. The radios are equalized in volume with the ambient room sounds and each other to achieve a balanced mixture of static and radio broadcasts. The acoustics of the room primarily amplify the overall sound, with optional slow fading or sudden turning off and on of individual radios accompanied by quiet friction sounds.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Flag for inappropriate content
    53 views2 pages

    Valley v1

    Uploaded by

    caseythomasanderson
    Valley is an installation or performance piece by Casey Thomas Anderson that involves scattering several radios tuned between stations throughout a performance space. The radios are equalized in volume with the ambient room sounds and each other to achieve a balanced mixture of static and radio broadcasts. The acoustics of the room primarily amplify the overall sound, with optional slow fading or sudden turning off and on of individual radios accompanied by quiet friction sounds.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Flag for inappropriate content
    of 2

    valley

    for radios

    casey thomas anderson

    valley (2010)
    an installation or performance Gather several radios. each radio should be tuned in between stations (an equal mixture of static and any radio broadcast). Radios are to be scattered throughout the performance space. equalize the volume of each radio with the ambient sounds of the room, as well as with the other radios, in order to achieve an exact balance. the acoustical properties of the room should be the primary source of amplification for the overall sound. Occasionally/Optionally Slowly fade one radio out, then later back in (imperceptibly) Turn one radio off, then later back on (suddenly) Accompany overall sound with friction sounds (quietly rubbing rocks on ceramic pots, etc.)

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