Editor’s Note
nd so goes the decade, and perhaps all of humanity as we know it—it was fun while it lasted. As a supplement to the Top Ten lists
The Practice
The latest film by Martin Rejtman reaffirms his singular place in Argentine and world cinema as one of the rare non-mainstream auteurs working today, with brio and invention, in the realm of comedy. Beginning with Rapado (1992), each of Rejtman’s fic
