Some homes are receptacles of art, others of artefacts. The home of Malvika and Tejbir Singh, publishers of Seminar, is a repository of memories. They stand tall on tables and walls in the form of framed black and white photographs, lurk in glass-fronted cabinets packed with crockery collected over decades, and lounge insouciantly on the pages of author-signed books that are strewn across every surface of the house.
But the past beats most
