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Discord's Apple
Discord's Apple
Discord's Apple
Ebook328 pages4 hours

Discord's Apple

Rating: 3.5 out of 5 stars

3.5/5

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When Evie Walker goes home to spend time with her dying father, she discovers that his creaky old house in Hope's Fort, Colorado, is not the only legacy she stands to inherit. Hidden behind the old basement door is a secret and magical storeroom, a place where wondrous treasures from myth and legend are kept safe until they are needed again. The magic of the storeroom prevents access to any who are not intended to use the items. But just because it has never been done does not mean it cannot be done.

And there are certainly those who will give anything to find a way in.

Evie must guard the storeroom against ancient and malicious forces, protecting the past and the future even as the present unravels around them. Old heroes and notorious villains alike will rise to fight on her side or to undermine her most desperate gambits. At stake is the fate of the world, and the prevention of nothing less than the apocalypse. In the same month, along with this all-new hardcover, Tor will publish a new novel in Carrie Vaughn's popular, New York Times bestselling urban fantasy series featuring werewolf talk radio host, Kitty Norville. Kitty Goes to War will be the eighth book in this successful mass market series.



At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateJul 6, 2010
ISBN9781429992244
Author

Carrie Vaughn

Carrie Vaughn survived her air force brat childhood and managed to put down roots in Colorado. Her first book, Kitty and the Midnight Hour, launched a popular series of novels about a werewolf named Kitty who hosts a talk-radio advice show. She is also the author of Voices of Dragons, her debut novel for teen readers. Ms. Vaughn lives in Colorado.

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Rating: 3.574152506779661 out of 5 stars
3.5/5

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  • Rating: 4 out of 5 stars
    4/5
    Enjoyed very much but with some reservations. I thought the book did not need the whole secondary storyline of the comic book scenario. At all. And the author threw world turmoil in (all the security check points) but did very little to flesh it out to intertwine more seamlessly with the main plot. I think I understood what she was looking to do with it all but she didn't do a very good job of writing it.Having said that, I really enjoyed the 'store room' premise and sincerely hope there will be more to follow.
  • Rating: 5 out of 5 stars
    5/5
    It is the near future and the world is in the midst of great strife. Evie Walker, a comic book writer, is going home to Hope's Fort, CO. Her father is gravely ill, and little does she know what is in store for her. Her family home contains a "storeroom", not any storeroom, but one filled with magical items: glass slippers, winged sandals, lyres, swords, boxes, a golden fleece, and apples, including one very special golden apple.

    While her father is out a strange woman comes to the door asking for a pair of slippers, and Evie, guided by the voices, goes into the storeroom and pulls out a pair of dainty glass slippers....which are the exact pair the woman came for.... Then comes the young man, Alex, who, the voices tell Evie should not be allowed in the house. Later a woman of strong presence comes to the door and asks to be allowed in so she may take from the storeroom... The voices again warn Evie against allowing this woman in the house.

    So then we go to the Trojan war, and we learn about Sinon (the Liar) who was sent ahead to Troy by Odysseus to convince Troy to accept the gift of the Trojan Horse..... From the Trojan debacle, we follow Sinon to the Temple of Apollo, where he becomes the slave of Apollo.... and we learn of the Gods & Goddesses and their destruction by their Father Zeus..... Only Hera and Sinon escape with their lives, which brings them both to Hope's Fort, CO. seeking out Evie Walker and one of the treasures she (unknowingly) guards in the storeroom.

    OMG! I ?'d this book.... I have had it since before it was published, it was a gift of the author. I kept it because after hearing her booktalk it, I knew that eventually I'd read it. I learned more about the Trojan Horse than I previously knew, I learned about the Gods & Goddesses of the Greeks. The story captivated me and certainly held my interest.... It is well written but it alternates between stories with each chapter in order to give you the history of the characters. At first, I didn't understand the part about Evie being a comic book author, but it all came into a nice conclusion...
  • Rating: 4 out of 5 stars
    4/5
    Summary: Evie Walker is a comic book author, and her current series, about a group of military commandos, is a bestseller in a world that's increasingly dominated by government checkpoints and curfews, gasoline rationing, and multinational terrorist threats. She's not exactly looking forward to going home to care for her ailing father, but she finds that the old farmhouse contains more than she remembered from childhood. In its basement - territory that was forbidden to her when she was growing up - is a storeroom of magical objects of all descriptions, and Evie is shocked to learn that she's the latest in a familial line of keepers of the storeroom that stretches back centuries. She's not ready for the responsibility, particularly when the goddess Hera comes to call, looking for a golden apple: an apple inscribed with "for the fairest," the apple that started the Trojan War. Hera has plans to remake the world, and she will stop at nothing to get the apple. But Evie won't have to face her alone; among other allies is a Greek soldier that sailed with Odysseus, and was made immortal by Apollo.Review: This book has a fantastic premise. Fantastic. I knew from the title that it was going to involve Greek mythology, which is what got me on board in the first place; I love fantasy that uses mythology as its base. But what I wasn't expecting was this wonderful premise of a storeroom that contains all of the magical artifacts from all of the stories, that have been gathered together as magic has fallen out of the world. Not just the apple, but the golden fleece, and a pair of winged sandals, and flying carpets, and glass slippers; just a huge wonderful mishmash that spans centuries and cultures.I think it's that conglomeration of myths and legends and stories, each familiar to us today, and each with their own power, even after all these years, that was what really spoke to me. True to its title, the story is pretty heavily Greek-focused, and I was perfectly content with that. But then Merlin shows up all cranky demanding that the Walkers get Excaliber out of the storeroom, and I was in love. (Vaughn also managed to ping my inner Shakespeare nerd; Puck's a major player in the story too.) There's a definite Gaiman-esque air to things... American Gods is the obvious comparison, but the way that the flotsam of various stories winds up in storeroom put me in mind of the Dreaming from Sandman as well. The story's fast paced, for sure; Vaughn manages to pack a lot into the nine and a half hours of audiobook. But there are also a lot of deeper issues lurking under the surface. Questions about the power of stories; about the presence of magic in the world, and whether its presence or absence is better for humanity; about war and power and control and desire, and how they've changed - or not - over time. She also raises a very interesting point, and one that I don't think I've ever encountered before, at least not in this depth, despite the amount of Arthuriana I read: The legend of King Arthur says that the great king only sleeps, and he will wake and return in the hour of his country's need. But if he hasn't come back yet, how bad do things have to get before he will? Heady stuff, and great fodder for a fantasy novel.My only real complaint about this book is that there wasn't more of it. The fast-paced story actually works against it in some places; there are a lot of subplots and themes that could have used more development and complexity than Vaughn gave them. The ending, likewise, is satisfying enough, but could easily have been expanded upon. And in general, the storeroom seems like such rich ground to grow stories, I would have been thrilled with a little more time to explore, instead of getting right down to the business of the main plot. But what there was completely captured my imagination, and made for a fun, fascinating read. 4 out of 5 stars.Recommendation: Highly recommended for those who like their stories infused with a heavy dose of mythology and magic (and who also have a decent grounding in the Trojan War and the Greek Pantheon).
  • Rating: 3 out of 5 stars
    3/5
    A neat idea, but I had a hard time getting into it. Imagine that when your parents die, you inherit a basement of relics that come from "fantasy" or history. Excalibur, Pandora's box, etc... Once in while, someone may show up and need something from your basement. Sounds cool, right? Except when it seems like the world is ending and a goddess has come to take by force an item that she thinks is hers. Pretty good, but something was just off. I don't know if it was characters, or too many subplots or backstories, or the whole world in chaos aspect. Just wasn't as good as I really wanted it to be.
  • Rating: 3 out of 5 stars
    3/5
    S'okay. This fantasy novel has a Greek mythology, maybe it's the end of the world theme going on. Provided an afternoon's entertainment a couple months ago, but it didn't stick with me.
  • Rating: 4 out of 5 stars
    4/5
    Evie’s widowed father calls to say he’s got cancer that’s at a stage too advanced for him to try getting treated, so she heads back home to stay with him until the end. She’d never been allowed in the basement of his house that used to belong to her grandparents, and discovers a family legacy to guard a storeroom full of magical items from myth and legend.Sinon/Alex had been with Odysseus and was instrumental in getting the Trojan Horse accepted inside the walls of Troy. He’s captured by Apollo, made a slave and cursed to never die. He approaches hoping the storeroom has something in there that can kill him and teams up with Evie in an attempt to prevent Discord’s Apple from being obtained by Hera, knowing worldwide chaos would soon follow.This is one of the most unique stories I’ve ever read. It’s peppered with two different threads from the past, one going forward from the time of the downfall of Troy, and the other going backwards through Evie’s ancestry involving important events having to do with the storeroom. It also contains an interesting twist on the myth of the Greek gods.The little side trips of history as well as reading the story Evie is working on for her comic book series chop up the story somewhat, but it works to pull everything together. I loved the characters, the history, the Greek gods and meeting Merlin and Arthur.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed this book, I thought the storyline was fantastic.
  • Rating: 4 out of 5 stars
    4/5
    A sharp mix of thriller and high fantasy, besides being a paean to place and family, Vaughn gives us a world where magic is returning (as ours teeters on collapse) and a family charged through time with protecting the magic items of legend has to decide who should receive the proverbial Golden Apple of Discord. There's not much that I'd complain about with this story, except that I'm not sure the Arthurian touches were the right avenue to explore.
  • Rating: 4 out of 5 stars
    4/5
    I got a copy of this book through Librarything's early Reviewer program. I love Vaughn's Kitty Norville series and also enjoyed her young adult book "Voices of Dragons". This book was an enjoyable read, but very different from other things that she has written.This book follows the story of Evie and Sinon the Liar. Evie's story is set in an alternate future, close to modern day. She returns home to help care for her father who is dying of cancer. While there she discovers that the storage room in the basement is a magical place, it is a place that stores magical items for people until the people need them again. Evie's story alternates with Sinon's story which starts out during the Trojan War. Sinon's the guy who convinces the Trojans to bring the Trojan horse into Troy. Sinon is captured by the god Apollo and forced into slavery for him; basically sentenced to immortality. As political catastrophes envelope the globe Evie will need the help of Sinon and many famous others to try and keep the Goddess Hera from plunging the world into further chaos.This work was different that Vaugh's previous works. It is a much more complex story, with a complex world and uses a more mature writing style. It is very creative and intriguing but because of the complexity of the world the characterization is a bit weaker than in previous novels. Partly this is because the story line switches between so many viewpoints: between Evie and Sinon, and then sometimes to Hera or others.What is amazing is how Vaughn blends Greek mythology, with Arthurian mythology along with other classic fairy tales to create a novel that is both compelling and all-encompassing. She manages to connect all of these stories, histories, and myths to one place with Evie's magic storage area. The story is very engaging and easy to read. I enjoyed it a lot. Readers should beware though that this takes a little more effort to read than the Kitty novels because it is more complex. More time is spent on a complex story than on fleshing out individual characters. That is the only thing I found a bit disappointing; I never really felt drawn to or really cared about the characters all that much.Overall it was a very good book. Very interesting and creative with an incredibly interesting world. I loved the blending of different stories and myths into one history. Characterization was not as strong as her previous book because more time was spent on developing a believable and complex story. I enjoyed this book and look forward to reading her next book Steel.
  • Rating: 5 out of 5 stars
    5/5
    I knew from her "Kitty Norville" series that Carrie Vaughn is a talented writer. Still, within the first few pages of "Discord's Apple" it became clear that she is, in fact, a consummate storyteller. This book is wildly imaginative, compelling, and clever; truly, it's one of the best stories I've ever read. Vaughn revisits several beloved tales and myths, juxtaposing them a grim, conflict-torn modern reality. There are actually multiple, connected stories here, all overlapping each other in a fluid tapestry that gradually unveils the characters' pasts, their motivations and fates. Normally, I'm slow to warm up to Vaughn's books, requiring a few chapters before I'm captivated by the story. This time, it took just a few sentences into Vaughn's recreation of the Trojan War for me to know that this book is unlike anything else I've read lately -- in a wonderful way. Excellent characters and creative plot aside, the writing is superb. Tight prose, exceptional imagery ... not one sentence is superfluous or wasted. Indeed, each scene is packed with meaning and possibilities, I could read this book a dozen times before I've absorbed it all.In short, this is absolutely a masterpiece.
  • Rating: 5 out of 5 stars
    5/5
    Wow. This fantasy novel goes above and beyond. Really enjoyed it. Weel done, Carrie. Hats off.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book. Great interweaving of several plots/storylines. I would love to see Evie's story continue.
  • Rating: 3 out of 5 stars
    3/5
    I loved the concept of the Storeroom, liked the main character and her companions, and was annoyed at a few things. The world-building was rich enough to have this extend over a few novels--why rush the ending? spoiler: Why add a POV character only to have him die in the world's end? I couldn't figure out why, after all this time and effort, Alex's slave-chain could just *pop!* be done away with. Bah.
  • Rating: 5 out of 5 stars
    5/5
    I would be remiss not to inform potential readers that Carrie Vaughn is among my very favorite authors, with her Kitty Norville series. Of course, I am more than eager to read whatever she writes because she has proved herself to be an intelligent, engaging author. When the first bits of information appeared about this book I was hesitant as it didn't really seem my thing. Then I read the interview she did where she mentioned the story was rooted in family and discovering this world you never knew about them. My interest was peaked then and this book went to the top of my wish list. I thought this story was just wonderful. The relationship between Evie and her dying father was heartbreaking and real. When people start showing up for their items in the cellar I was hooked. Other stories weave throughout. A bit of Greek mythology as Apollo makes a warrior his servant, the backstory of some of Evie's ancestors, and the tales come alive for Evie's American soldier comic book heroes. While I enjoyed all the threads I wondered how they would come together. But they did and it was amazing. I gave the star a five star review because the book is so well written and the story is so exciting and touching, that there really is no other option. However, this is just a bit of personal opinion, I really would have liked more detail at the end when things were really changing. I can't say more without giving something away. I don't want to do that because everyone with any interest should pick this one up.
  • Rating: 4 out of 5 stars
    4/5
    When Evie Walker returns to her small-town hometown to take care of her sick father, she doesn’t realize what she’s in for, and what secrets about her family her father has been keeping from her. For underneath their house is a magic storeroom, one that many infamous characters—including one ambitious goddess—want access to. Aided by the help of an enigmatic man named Alex, Evie comes into her familial destiny and fights to prevent the total destruction of the world as she knows it.DISCORD’S APPLE is an epic endeavor that successfully covers a wide range of story topics, from dystopian politics to Greek mythology to fairy tales. If there’s one thing Carrie Vaughn knows how to do, it’s world-building. All of her worlds in all of her books are effortlessly written; their peculiarities and differences from our world unfold through easy dialogue and descriptions. Evie’s world is part dystopian (countries at war, daily bombings, police checkpoints on the interstate freeways), part fantasy (fictional characters showing up as “real” people). If you can handle multiple storylines and cross-genre settings, then you’ll get a kick out of DISCORD’S APPLE.The characters in DISCORD’S APPLE feel more like stock characters than uniquely appealing people, but it didn’t bother me nearly as much as it might other readers. Evie is a little on the bland, damsel-in-distress side; Alex’s backstory is fascinating to read about, but his contemporary existence alongside Evie is a little TOO enigmatic to garner much sympathy. Nevertheless, I devoured this book because the story was just so original and epic. Can YOU imagine your pre-apocalyptic world on the brink of a magical disaster? It’s ambitious, I know, but Carrie Vaughn does it well.The ending was satisfying for me in its bizarreness, but it may frustrate others. If you choose to read DISCORD’S APPLE, be prepared to suspend your notions of how fantasy and dystopian literature work. This book will impress fans of Carrie Vaughn’s other works, for sure, but if you’re just starting out with her writing I might recommend starting elsewhere, as DISCORD’S APPLE does require commitment and leniency in order to fully appreciate it.
  • Rating: 4 out of 5 stars
    4/5
    I just finished Discord's Apple by Carrie Vaughn. I found this book highly enjoyable and am very happy I received a copy. I loved the Storeroom and guessing which myth or fairytale the different items came from. I believe this is the first time I have run across this story line. What a great idea to bring all of the items from myth and legend together in one place. All together a good fast read.
  • Rating: 2 out of 5 stars
    2/5
    Started reading (& ended up skimming) DISCORD'S APPLE by C Vaughn. Good premise, didn't like the execution. Her style isn't for me, I think. I wasn't fond of KITTY either.

    I love the idea. Some of the execution works well. I wanted to like it. But the only character I really felt much for was Sinon, and even then it wasn't enough to keep my interest.
  • Rating: 5 out of 5 stars
    5/5
    If you like supsence,romance,and a little history you will love Discords Apple. you start to get a understanding what the author ws trying to do in this story. Old world meets new world. I what I really liked was there was a story in a story. If you like the The Nariera stories this book is for you. I hope the author is going to contune because I would like to see what other things are in the storage room ...
  • Rating: 4 out of 5 stars
    4/5
    I received this as part of the early reviewers program through LT. This is an interesting melding of many characters from mythology and legend. When Evie returns home to take care of her ailing father, she learns her destiny may be more than she bargained for. Set in an alternate reality in the modern day US, Evie is plagued by terrorists and war. While trying to protect her family legacy she is aided by heros from history and legend. The characters are flawed but likeable none the less and no one is who they appear to be.This is a quick paced, interesting tale that borrows form famous tales from years gone by. It was a unique mesh of characters and storytelling. It is difficult for me to place this in one distinct genre but it was fun and entertaining. I was happy to read this as an early review and would recommend it to lovers of fantasy.
  • Rating: 4 out of 5 stars
    4/5
    It turns out I had no idea what I was getting into with this one. I thought I did, but I really - really - didn't.Vaughn creates in Discord's Apple an intriguing look at a scarily possibly post-apocalyptic future, with terrorists and road checks a part of everyday life. Evie is just another woman there, trying to eke out a living as a comic book writer when she gets the worst new: her father is dying and she's needed back in Colorado. Once she's there everything changes, as she learns more and more about the legacy she's heir to.But the story is more than just that; in addition to Evie's journey to help and care for her father, readers are drawn in the world of Sinon/Alex, the man who convinced Troy to open its doors to the horse. With him comes Hera, Apollo, and the whole pantheon of Greek Gods from myth and legend. Magic is being released back into the world, no longer under the guard of the Keepers of the Storeroom. What that magic will do, how it will be used by man and Gods alike are the questions.Vaughn writes the story flipping between quite a few different characters' viewpoints. It took me a few chapters to get the hang of it, because it wasn't always obvious who I was reading about, but by the end it I was quite happy with her choice. Leading me as a reader to see things from different people allowed Vaughn to explain and explore the post-apocalyptic world she'd created without 'telling' me about it. I still don't know why exactly the US has roadblocks and you need a permit to drive with oil - the explanation for that particular disaster isn't explained. But what Evie and her creative partner Bruce experience as inhabitants of this future world do all the work of letting me know that bad things have and still are happening.Overall Feeling - Thumbs up. It was not at all what I was expecting but it's a very well written novel combining old magic, fable, technology - and the end of the world.-DanaReading Amidst the Chaos
  • Rating: 4 out of 5 stars
    4/5
    From the fall of Troy to a shattered United States, one warrior seeks his own end, while an old enemy plots to destroy the world and create a new one.For Evie Walker, Hope's Fort, Colorado may be home, but with her father dying of cancer she finds little consolation there, only trouble in the form of mysterious visitors, all of whom want something from her basement. And as her father's condition worsens, Evie's knowledge of what exactly is needed grows and her danger deepens. As political conditions worsen and the visitors grow more threatening, can she trust one of them to help her defend the trust she's been left?For immortal Trojan warrior Sinon, Evie and her basement offer hope, but will Evie ever trust a warrior dubbed Sinon the Liar? And even if she does, will the two of them and an odd assortment of allies be able to fend off enemies bent on apocalypse?Strongly plotted and well-written, but I could have done without quite so many bits of the comic book plot.
  • Rating: 3 out of 5 stars
    3/5
    Its a good read, too bad its a stand alone novel. It would've been nice to have a sequel.
  • Rating: 4 out of 5 stars
    4/5
    This book has a little bit of everything in it: Greek mythology, near future national security concerns, military comic books, Merlin and the end of the world. Evie finds out the basement of her home contains a storeroom full of treasures from old myths and she stands to inherit the mission of protecting that storeroom when her father, sick with cancer, dies. With the world crumbling around her (attacks in Russia, India and Pakistan), someone wants to get into the storeroom to get a particular object. This was a crazy book with flashbacks to the Trojan War and then a long section where Evie is writing her military comic book (which didn't really seem to add much to the story). I wanted to like it more but the ending fell flat. There was all of this great tension and then...disappointment. It wasn't a bad book but I would have liked to hear more about the events that led to the ending.
  • Rating: 3 out of 5 stars
    3/5
    Carrie Vaughn has written many short stories and several novels. A self professed Air Force brat, she was born in 1974 and now resides in Colorado.Discord's Apple is about a storeroom of treasures from myth and legend. Evie Walker doesn't know her family's legacy as the keepers of these items until her father becomes ill and is dying. Now Evie must take care of the family legacy.When I first read the description for Discord's Apple I was intrigued. I felt this was an interesting idea for a book and the possibilities of where the story could go were endless. When I began to read I was not expecting more than one story, instead I got four. That would be ok if the stories flowed into one another but even though they relate to the past and present of the storyline they are so different in how they are written and so chopped up within the book that I found myself becoming annoyed, off-kilter and not invested in the characters. I think that it is a great plot line for a book and would be good, were it not so choppy.
  • Rating: 4 out of 5 stars
    4/5
    I'm torn between 3.5 and 4 stars on this one, there were things that didn't work as well as they might but overall I liked it. A little dissatisfied by the ending, but overall I liked this tale of the guardians of the mythic paraphenalia who ends up having to deal with a group of immortals and magicians who want the power for themselves.Set in a world too close for comfort in terms of politics, this one is set in an americal paranoid about terrorism, where people have blown up many places around the US and Evie Walker deals with her dying father and the fact that there are family secrets that are coming to her and these secrets involve a cache of items with mythic power, quite literally. She's also writing a military graphic novel whose twists and turns occasionally explain a lot about the world she's in and the political situation. And then there's the mysterious Alex... who is stranger than he seems, what is in it for him?I liked it, it stands well alone and leaves some space for futher books in the universe, but the story, I think, has been told.
  • Rating: 2 out of 5 stars
    2/5
    I picked this out of my to-read pile because I wanted a fast, fun read. It was fast and the setting was fascinating, but it didn't have the oomph I really wanted. There were a lot of really great elements that didn't feel fully developed to me. The setting was the biggest. It felt apocalyptic verging on more apocalyptic, but the facts were teased. I wanted to know more! A few perspective asides to another character didn't end up going anywhere. The main character of Evie likewise didn't feel fully developed, nor did I feel she had chemistry with the character of Alex. The book didn't really need the romance.What did work within the book? The fascinating background of Evie's family, the nature of her house, and the appearance of a few important mythological characters. Alex's back story was intriguing, too. I just wish that other elements had come together.
  • Rating: 4 out of 5 stars
    4/5
    Carrie Vaughn's "Discord's Apple" is a creative amalgam of ancient myth and impending future dystopia, tied together with the stuff of legend. Literally. This imaginative blend of faerytales and Greek gods is set against a backdrop of a frightening future of the world on the verge of war. Evie Walker journeys home to "Hope's Fort, Colorado" to stay with her dying father. Meanwhile, chaos takes over the rest of the world. Amidst this, Evie is surprised to discover strangers knocking on her father's door asking for the props and mythical items that she had previously thought only existed in stories. Even more surprising, her father has them. Not surprising, evil forces want control of them and of Evie. The story progresses from there. While there is a bit of a jumbled disconnect early on as the book jumps from one story and time to another, Vaughn seems to tie the threads together fairly well. It also lends itself to be read in chunks as the threads flip from one storyline to another. Over all, a creative concept and decent read.
  • Rating: 4 out of 5 stars
    4/5
    Charming story telling. Very unique and original. Interesting characters. Although the beginning was a little slow, once I got into the meat of the story I was sucked in and wanted to keep on reading. I haven't read any of Vaughan's Kitty Norville books because I'm not into werewolf stories, but this book was good enough that I'm tempted to sample one.
  • Rating: 4 out of 5 stars
    4/5
    I don't usually read urban fantasy. So this was a refreshing change of pace for me. Evie Walker is about to inherit a magical storeroom filled with mythological treasures from her dying father. It's the end of the world, and the goddess Hera is doing her best to create and stir up discord. This novel blends an apocalyptic near-future with ancient Greece quite well. The plot at the beginning and the middle chugs along nicely, but starts to unravel a bit at the end. I think this is supposed to be a stand-alone novel, but it felt rather open-ended, like there should be a sequel. But overall, it was an enjoyable read, and I'd recommend it.
  • Rating: 4 out of 5 stars
    4/5
    A very interesting world. It's a little bit confusing, with stories from all over time popping up into...a pre-apocalypse story? Is that a genre? The world is falling apart in war and terrorism, and, much more importantly, Evie's father is dying. The fact that Evie is the heir to, and slowly coming to understand, a powerful magical Storeroom that her family has guarded for literally millennia, is the trigger and the base for the story. Hera (yes, the goddess) wants the Apple of Discord out of the Storeroom. Her allies include Robin Goodfellow (though I really don't like this portrayal of him) and several other powerful magical people. Evie gathers allies of her own, including Sinon of Ithaca, who was at the siege of Troy. Evie, Sinon, to some extent Evie's father, and to some extent Evie's writing partner Bruce (who isn't there, but serves as a window on how the world's going to hell in a handbasket) are fully-realized characters. Most of the rest of them, including Hera, are sketches at most - not cardboard, but we're given little to no idea of their real motivations. The interwoven stories have among them Sinon's time as Apollo's slave, snippets of the history of the Storeroom and the family that guards it, and the military comic that Evie writes and Bruce draws. Eagle Eye Commandos is also a window on current events, as they try to keep it realistic, and a view of Evie's motivations and feelings as she writes the adventures of her alter ego and role model Tracker.It's a complicated story (though not as confused as this sketch sounds), and a very interesting universe. I think the story is closed - that is, by the end there's no room for a sequel. Prequels, maybe, describing other times the Storeroom was called upon - but I don't think so. The circle is closed and a new world is being built; perhaps it's time for the Storeroom to begin gathering things in again. I do like Carrie Vaughn.

Book preview

Discord's Apple - Carrie Vaughn

1

Finally, after driving all night, Evie arrived.

Close to town, bells and candy canes made of faded tinsel decorated the telephone poles. The same decorations had hung on the poles every year for as long as Evie could remember; they had no sparkle left. Or maybe she was too tired to notice. In the last two days, she’d only had a nap outside Albuquerque.

Hopes Fort, Colorado, was one of those small towns that dotted the Great Plains, where Main Street turned into the state highway and the post office was attached to the feed store. Hopes Fort had been dying, one boarded-up building at a time, for the last fifty years. Still, somehow the town held on, like the aged relative whose chronic illness never seemed to worsen despite all predictions to the contrary. The holiday decorations, no matter how tattered, still went up every year.

Her phone beeped, and she hooked the hands-free over her ear.

Bruce scratched at her on the other end of the connection. Evie?

Bruce, speak up. The connection’s funky.

Have you seen the news? Panic edged his voice. She’d been out of L.A. for only two days—what dire crisis could possibly have struck?

No, I’ve been driving all day.

You haven’t even listened to the radio?

No. Rather than try to find radio reception while driving through the wilds of Arizona and New Mexico, she’d depended on her digital player.

He made a noise like a deflating balloon. The Kremlin’s been bombed. Obliterated. A Cessna filled with drums of kerosene rammed it. They’re thinking it’s Mongolian rebels.

She took a moment to register that he was talking about current events and not a plot point in their comic book. Then our May storyline is out the window.

The Eagle Eye Commandos couldn’t raid the building complex if it wasn’t there. She should have seen this one coming.

Yeah. Unless we can put some kind of ‘how things might have been’ spin on it.

We did that when India and Pakistan dropped nukes on each other. Why don’t we do Westerns like everyone else?

Because we got a letter from the President thanking us for our patriotic creativity.

I didn’t even vote for him.

Then maybe it’s because we sold half a million copies last year.

Oh yeah. She pressed her head back on the headrest, stretching her arms against the steering wheel. She had to drive all the way through town to get to the farmland on the other side, where the family’s house was. The town looked desolate; she hadn’t seen anyone even walking around. At least the issue hasn’t gone to press yet. So. The Kremlin’s been bombed. The Eagle Eyes can still raid it. They just have to search the rubble. We’ll look really up to date.

It sounded silly, but then all Eagle Eye Commandos storylines started out silly. Working them through to the end with some degree of earnestness transformed them somehow, from adolescent military fantasies to—well, sophisticated military fantasies. They could search the rubble for . . . for hidden evidence on the whereabouts of captured American spies, which was what the original storyline had them looking for. They wouldn’t have to change a thing. Except all those gorgeous panels Bruce had drawn of Red Square would have to go.

I’m going to have to redraw the entire book, aren’t I?

I’ll e-mail you a new script in a day or two.

Yeah. How’s your dad?

She let out a sigh. I haven’t seen him yet.

Well, good luck.

Thanks.

She clicked off her phone and rubbed her eyes.

The Tastee-Freez where she’d spent so much time in high school was gone, the ice cream cone sign on its pole dismantled. Nothing had moved in to replace it. The hokey ice cream stand had been the only place to hang out, unless one of your friends had a car to drive into Pueblo, an hour away. More kids must have had cars these days. Or Hopes Fort had fewer kids.

Since high school, she’d only been back here for holidays, when the town was at its bleakest. No wonder it always depressed her. But maybe she wasn’t being fair.

Halfway down Main Street, a cop had set up a roadblock: a single hazard barricade pulled into the middle of the pavement. The one officer manning the checkpoint climbed out of the car, which was parked on the curb, and held up his hand, directing her to slow down.

Smiling, she stopped and rolled down her window. Well, Officer. You got me.

"Evie Walker? Hell, it’s been years!"

He wore a starched blue uniform, but the blond crew cut and bulky shoulders were the same. Johnny Brewster had been a linebacker in high school. He’d gotten a little rounder in the middle since then.

Who thought giving you a badge was a good idea?

Me and some of the guys had a little too much to drink and drew straws. I got the short one.

Ouch.

Can I get you to pop your trunk while we talk?

Checkpoint searches. In Hopes Fort.

Amused, she popped the trunk lever, then climbed out of the car. She put her hands in the pockets of her green canvas army surplus jacket and leaned against the door while Johnny opened the trunk door and made a survey of the contents: two filled gas cans, blankets, a roadside emergency kit, and odd bits of travel detritus. Her suitcase and a few gallon jugs of water were in the backseat.

Thanks, he said. A lot of folks aren’t this understanding.

I’m the last person to complain about security.

He looked away and muttered, I guess so.

With better checkpoints, her mother might still be alive.

You have a permit for the extra gas?

She’d brought the gas because she hadn’t wanted to face fuel rationing or closed gas stations on the drive across the desert. The slip of paper was in her glove box. I didn’t think security restrictions would be in effect out here.

Rules are rules. We have to keep track of people coming in and out of town.

So shouldn’t you have roadblocks at either end of Main Street?

He shrugged, unconcerned. We only have enough people for one checkpoint.

"They have real checkpoints in L.A.," she said. And lots of them, at every major exit and interchange. It sometimes took all day to get from Pomona to Hollywood.

I bet. They also have a reason for ’em. I don’t know how you stand it. He slammed closed the trunk. How’s your dad?

This was Hopes Fort: everybody must have known about him. I haven’t seen him yet. You probably know better than I do.

"He says he’s fine."

That sounded like her father—always cheerful. I should probably get out there.

Johnny pulled the barrier out of the way (L.A. had automated titanium barriers) while she got back in the car.

Thanks, Johnny.

For three generations, the Walker family had lived in a brick ranch house on a few acres of prairie. Evie’s grandfather had grown up on the farm the land used to be part of. The farm had long since been broken up and sold, except for the token parcel and the house to which her grandparents had retired. They’d died when Evie was in college. Evie’s father had lived in town and worked as a mail carrier until five years ago, when he took his own place in rural retirement.

Evie still thought of it as her grandparents’ house, a place she went to for holidays and backyard adventures. Her father hadn’t changed it much when he moved in—he took over the furniture, the heirlooms, the pictures on the wall, the shelves full of books. At first, Evie had had trouble thinking of her father as anything more than a house sitter there. But over the last couple years, when she noticed that his hair was gray and that he had started wearing bifocals, he reminded her more and more of her grandparents. He had stopped being a visitor and metamorphosed into the house’s proper resident.

She was his only child, and the house would come to her someday. By the time she retired, there’d be nothing left of Hopes Fort and no reason to be here. Except it had been the place where her grandfather and father had grown up. She supposed that meant something.

Later in the afternoon than she’d planned, she pulled into the long driveway behind her father’s twenty-year-old rusting blue pickup. Out of habit, she locked her car, even though this was possibly the one place in the universe she could comfortably leave it unlocked. The house itself was well cared for, neat if unremarkable. It had a carport at the end of the driveway rather than a garage, screened windows, a small front porch, and an expansive front yard with a lawn of dried prairie grasses. She’d driven by a dozen places just like it to get here.

A dog, a huge bristling wolfhound-looking thing, sprang from the front porch, barking loud and deep like a growling bear.

Evie almost turned and ran. Her father didn’t have a dog.

The front door opened and Frank Walker appeared, looking out over the driveway. Mab! Come, Mab, it’s all right.

The dog stopped barking and trotted back to him, throwing suspicious glances over its shoulder.

He scratched the dog’s ears and took hold of the ruff of fur at its neck. Come on up, Evie. Mab just gets a little excited.

Cautiously, Evie continued to the porch. She had to lift her arm to show the animal the back of her hand—the thing’s head came up to her waist. The dog sniffed her hand, then started wagging its tail. Evie hoped it didn’t try jumping on her—it would be a body-slam.

Meet Queen Mab, her father said.

When did you get a dog?

She was a stray. Showed up on the porch a while back. Since I caught a couple of prowlers last month, I thought having Mab around might be a good thing.

Prowlers? Out here?

Oh, prowlers, salesmen—you’d be surprised how many visitors I get.

In fact, someone was standing in the doorway behind him.

He wore a black leather duster and carried a large paper-wrapped package in both arms. Edging around Evie’s father, he looked suspiciously at Evie.

Frank said to him, If you won’t be needing anything else, you’ll probably want to get going before nightfall.

Right. Thanks for your help. He nodded at Evie as he passed. Ma’am.

He had an unplaceable accent, almost New England, almost West Texas. Wire-rimmed spectacles rode low on a long nose. He might have dressed himself out of a studio costume shop rummage sale. Playing the part of the doomed hero in a historical horror film.

The stranger walked down the gravel driveway, the light breeze licking the hem of his duster. There wasn’t another car. No buses ran this way. Where did he think he was going?

Who was that? Evie said.

He came for something in the storeroom.

You’re selling Grandma and Grandpa’s stuff? As far as she knew, the basement storeroom hadn’t been disturbed since her grandparents’ time. The place was dusty and sacred, like a museum vault. She’d never even been in it. As a kid, she hadn’t been allowed in there; then she’d moved away.

Oh, no, he said. He just showed up and asked if I had what he needed. I did, so I gave it to him.

What was it?

Nothing important.

Evie looked at her father, really looked at him. She searched for any sign of illness, any hint that gave credence to his announcement of two days ago. His phone call had sent her roaring out of Los Angeles the next morning. She didn’t know what to expect, if she would find him changed beyond recognition, withered and defeated, or if he would be—like this. Like normal, like she had always seen him: a little over average height, filled out through the middle but not overweight, straight gray hair cut short, his soft face creased with age, but not ancient. He wore slacks and a button-up shirt, and went stocking-footed.

Come in out of the cold. He held the door open for her. A lonely wicker wreath decorated it, a solitary concession to the holiday.

He might have been paler. Were his hands shaking? Was his back stooped? She couldn’t tell. She went inside.

Dad. Are you okay?

He shrugged. That told her. If he’d been fine, or even just okay, he’d have said so.

Should . . . should you be in the hospital or something?

No. I have to stay here and keep an eye on things.

What is there to keep an eye on? No farm, no animals— Except the dog, which was new. Her voice was beseeching. Are you okay?

It’s metastasized. I’ve decided not to undergo treatment.

He said it like he might have said it was going to snow. Simple fact, a little anticipation, but nothing to get excited about. Evie thought her rib cage might burst, the way her heart pounded. Her father stood before her; he hadn’t changed. Everything had changed. It’s prostate cancer. It’s serious, he’d said when he called her. She wanted to grab his collar and shake him. But you didn’t do that to your father.

So she stood there like a child and whined.

You’ve given up, she said.

I’ve accepted fate.

But— She gestured aimlessly, arguments failing in her throat. He wasn’t going to argue. He was stone, not willing to be persuaded. But you can’t do that. You can’t—

I can’t what? he said, and he had the gall to smile. I can’t die?

She didn’t believe him then. For a moment, she let herself believe that he’d been lying about the whole thing. This was a trick to get her to come early for her Christmas visit. He didn’t look sick, he didn’t act sick, except for a horrible calm that made his features still as ice.

Evie turned away, her eyes stinging, her face contorting with the effort not to cry.

Shh, Evie, come here. While she didn’t move toward him, she didn’t resist when he pulled her into an embrace.

You can’t die without trying, she said, her voice breaking, muffled as she spoke into his shoulder.

I’ll hold on as long as I can.

He made supper for her—macaroni and cheese. He’d never been a creative cook. Comfort food, my ass, she thought. She didn’t eat much. Her stomach clenched every time she looked at him.

They stayed up late talking. He asked her about her work, and she rambled on about the comics business, the stress of deadlines, and the frustrations of markets and distribution. When she talked, she wasn’t thinking about him. She settled into the guest room with the wood-frame twin bed that she’d slept in when she visited her grandparents, the bed that had been her father’s when he was young. She didn’t sleep right away, but lay curled up, hugging the goose-down pillow, feeling small—ten years old again.

He hadn’t asked her to come home. He’d called to tell her he was sick, and she’d just come. That was what you did. He didn’t argue or try to tell her she didn’t have to. Which, when she thought about it, was another sign that he really was sick. He hadn’t yet said, I’m fine, don’t worry about me. Nothing to worry about.

What neither of them hadn’t explicitly said, what she hadn’t understood until she was lying there in the dark, nested in the bed that made her feel like a child, in the room next to the room where her father lay dying by increments, was that she was here to help him die. She would stay until he was gone, whether it took weeks or months or—maybe?—years, and then she would be alone with the house and the dark.

She missed her mother at that moment. She missed her mother all the time, really, but the longing was the phantom ache of an amputated limb. It was part of her, and most of the time she didn’t notice. But certain moments were like reaching for something with a hand that wasn’t there. Evie wanted to run to her mother and cry, make her talk sense into Dad, make her stay with him and watch him die. But it was left to Evie to do by herself.

She wasn’t ready to lose her father, too. She’d be crippled all over again.

2

If they’re going to believe that I escaped your plan to sacrifice me, I’ll have to look like a prisoner," Sinon said.

I’ve thought of this. Odysseus had stood so proudly before the war chieftains, not at all cowed by their wealth or power. He made no secret that he thought most of them vain and petty. He had wanted to let Helen rot in Troy and blame Menelaus for letting Paris carry her off.

Now he looked grim, preoccupied with the details of his plan. His gaze turned inward, and his face was furrowed with worry. Sinon thought, This is what he will look like as an old man.

Sinon had come to Troy a boy, an untried warrior wearing his first growth of beard and carrying his first spear. Under Odysseus’s command, he had grown to manhood, shed his first blood, seen his own blood shed, learned of honor. And of common sense. He would follow Odysseus to the end of time itself.

Maybe we could get Neoptolemus to have at me. Sinon grinned, meaning it as a joke.

Odysseus shook his head quickly. I don’t trust that vicious whelp to know when to stop. I had planned on doing it myself.

Of course. Odysseus planned for everything, and he hated asking other men to do the difficult work.

Sinon and Odysseus went some distance along the beach, away from camp, where they could have privacy. The camp itself was in chaos—hundreds of tents being brought down, horses being loaded onto ships, supplies packed and carried off, all by torchlight. More than that, the sound of construction—men hammering hundreds of planks of wood into place—overwhelmed even the sound of waves breaking.

This was all part of the plan.

They stopped along the river that poured from the hills above Troy to form a brackish marsh where it joined the sea. Here, the rolling waves and chatter of night insects were audible again.

An escaped prisoner would have rope burns around his wrists. Sinon stripped down to a thin tunic. Odysseus tied his hands with rope and bound his wrists to a post driven into the beach.

Pulling on leather gloves to protect his hands, Odysseus said, I don’t want to do this, Sinon.

I know. But it must be done.

A few choice bruises. A black eye. That’s all.

Sinon nodded and squared his shoulders, bracing.

His jaw clenched, Odysseus made a fist and backhanded Sinon. His head whipped back as he fell, his arms jerking on the bindings.

Over and over, Odysseus struck him. Sinon had been hit before, he’d been wounded in battle. He knew how to block pain. Keep breathing. No matter that his ears rang and that blood clogged his nose. It would be over soon.

Sinon flinched back when Odysseus grabbed his hair to hold his head up.

Easy, there. I’m done. Priam himself will pity you.

He tried to smile, but winced when his lip cracked. His left eye was swelling shut already. You hit like a thunderbolt. I’m glad you’re on our side.

Gods, you’re bleeding.

I thought that was what we wanted.

Save your breath for the Trojans, my friend. Let’s have a look at your hands.

The ropes had made bleeding rashes around both his wrists. Odysseus brought a waterskin and made him drink, but they didn’t wash the wounds. Let them swell, blacken, and look as grisly as possible.

The pain would put truth into his voice.

Time was passing. The ships had already set sail, carrying the bulk of the army into hiding. The horse was ready. Odysseus needed to take his place among the warriors hiding inside.

Wait in the swamps. At dawn’s first light, make for the city gates. If they suspect the horse, if they destroy it—and us—you may still live. They may still believe your story and spare you.

No—

If so, you must go back to Ithaca and tell Penelope I’m sorry that I could not return.

That task, bringing news of Odysseus’s death to his wife, was more daunting than lying to a city full of Trojans.

This will work, Sinon said to his mentor.

Odysseus took Sinon’s face in his hands. I will see you again inside the walls of Troy.

Inside the walls of Troy. Yes.

Odysseus left him.

Sinon splashed water from the river on his face to clear blood from his nose, mouth, and beard, and to keep himself awake. The bruises and cuts would heal—Odysseus had calculated the blows to look awful without causing permanent damage. Ever an optimist. His head ached, but he didn’t dare lie down and sleep. Timing was everything. He had to be at the gates before the Trojans could make a decision about the horse. He had to be there to convince them. His tunic was spattered with dirt and blood. He certainly looked the part of an escaped sacrifice victim.

Just before dawn, he started the walk. He wanted to be sure he had enough time to reach the city. The gates looked far away.

Sunlight crossed the sky when he saw the finished horse for the first time.

Taller than the city gate, it stood like a war steed preparing for a charge, head held high, body stout. It was made of planks lashed together, darker wood making a harness, hooves, and glaring eyes. An immense sculpture, it appeared seamless. Sinon couldn’t see a trapdoor or any sign that it was hollow at all. It stood on a wheeled platform, a tempting prize to simply roll inside the walls.

The city of Troy with its great temples and palaces, all shining marble decked with gold, occupied a set of hills and dominated the plains around it. Invincible stone walls surrounded it, and for ten years, the Achaeans had thrown themselves uselessly at those walls. The morning sun rose behind it to form a halo, and cast golden light on the prize the Trojans would never be able to resist.

By the gods, this could work.

Trojans were already gathered around the horse. They’d awakened to a sight they had not seen in ten years: the beach clear of Greek boats, the camp of the Achaean army empty. The invaders had fled. The Trojans had immediately come out to explore. As if disbelieving their eyes, they had to walk the ground to convince themselves the Greeks were really

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