Everand Logo

Welcome to Everand!

  • Discover millions of ebooks, audiobooks, and so much more with a free trial

    Only $11.99/month after trial. Cancel anytime.

    The Tempest
    The Tempest
    The Tempest
    Ebook107 pages1 hour

    The Tempest

    By William Shakespeare

    4/5

    ()

    Switch to audiobook
    Read preview
    LanguageEnglish
    PublisherArchive Classics
    Release dateJan 1, 1867
    Author

    William Shakespeare

    William Shakespeare (1564-1616) es ampliamente reconocido como uno de los más grandes escritores de todos los tiempos. Dramaturgo, actor y poeta, escribió casi cuarenta obras de teatro agrupadas generalmente según tres categorías: tragedias, comedias y obras históricas. Piezas como Hamlet, El rey Lear, El mercader de Venecia, Antonio y Cleopatra, Macbeth y Romeo y Julieta, por nombrar algunas de ellas, son aún a día de hoy estudiadas y representadas en todo el mundo.

    Read more from William Shakespeare

    Related to The Tempest

    Related ebooks

    Related podcast episodes

    Related articles

    • Article

      News

      Aug 31, 2022

      News
      7 min read

    • Article

      Lag Is Killing Games

      Jan 11, 2022

      Lag Is Killing Games
      8 min read

    • Article

      Communications (In)Security

      Aug 1, 2021

      Communications (In)Security
      3 min read

    • Article

      Letters

      Sep 14, 2021

      > Folding@Home > Big Brother > Windows 11 Compatibility I am a digital subscriber in the UK, and have enjoyed reading Maximum PC over the past few months. I am old enough to have experienced the joy when massive hard disks first became available—I re

      6 min read

    • Article

      Bitcoin versus Ethereum

      Aug 31, 2022

      Bitcoin versus Ethereum
      5 min read

    • Article

      In Brief

      Feb 14, 2024

      Over 26 billion personal records have appeared online in one of the biggest ever leaks. It was found by SecurityDiscovery.com, which said much of the data comes from Chinese users. However, it also includes records from sites popular in other countri

      1 min read

    • Article

      ZERO BIAS: A CQ Editorial

      Jan 1, 2021

      Following up last month’s editorial on “Looking Back at a Year of Looking Back,” I think it’s appropriate to start 2021, our 77th year of publication, with a look ahead. This year will be one of new beginnings … a new decade, a new sunspot cycle, new

      6 min read

    • Article

      Universal Quantum

      Mar 9, 2022

      Universal Quantum
      6 min read

    • Article

      World Web 3

      Jun 28, 2022

      World Web 3
      8 min read

    • Article

      World Web 3

      Jun 28, 2022

      World Web 3
      8 min read

    • Article

      Newsdesk

      Aug 22, 2023

      Newsdesk
      8 min read

    • Article

      System News

      Apr 20, 2020

      As the coronavirus spreads through the community, governments have acted, which has led to the rise of people staying at home for extended periods of time, be it for self-isolation or to work from home. Where much of the economy is feeling the pain o

      2 min read

    • Article

      Don’t Lose Sight Of Blockchain

      Jan 14, 2023

      Cryptocurrencies, powered by blockchain technology, generated tremendous excitement over the past few years. Investors and companies dreamt of a future where these digital currencies would power new decentralised use cases and low-latency transaction

      5 min read

    Reviews for The Tempest

    4/5

    2,098 ratings54 reviews

    What did you think?

    Tap to rate

    Review must be at least 10 words

    • 4/5
      Since I was in Ann Arbor when the Royal Shakespeare Company came through in 2006, with Patrick Stewart in tow, how could I give up and opportunity to attend at least one of the performances? It required camping out the night before the student tickets went on sale, and getting very wet and cold, but I became a happy owner of a ticket to see The Tempest. The RSC interpretation was a little unorthodox (it took place on an arctic island, among other things) I absolutely loved it and decided that I should probably actually read it at some point.The Tempest is the last finished play to be attributed completely to Shakespeare and is the favorite of many of The Bard's aficionados. While I have a preference to see his plays performed, reading them is very enjoyable as well. The Tempest occurs in one location over the course of one day; the plot, while inspired, is entirely Shakespeare's own. Prospero, the usurped Duke of Milan and a great sorcerer, has lived in exile with his daughter Miranda on a nearly deserted island for twelve years. When a ship sails close by carrying those who put him in such an unfortunate state, he quickly devises a plan to achieve his revenge and even more quickly puts it into motion.I read the Signet Classics edition which provides a general introduction to Shakespeare, an introduction to the play, excerpts from the sources it was derived from, and various commentaries in addition to the play itself, all of which were very nice to have.Experiments in Reading
    • 4/5
      It's Shakespeare. Really, what else can I say?
    • 5/5
      A great play. Never forget Sir Patrick Stewart in the title role. This version includes: Forward, Intro, essay on The Tempest in performance (through 1984), description of the Globe, essay on Shakespeare's sources (with excerpts), annotated bibliography, memorable lines.
    • 3/5
      Even a genius is allowed to be average once in a while. Reportedly the last play Shakespeare wrote on his own, I can't help but wonder if he mailed it in on this. Maybe he needed the money? Maybe he was fulfilling a contract for one more play, much like Hitchcock did with the abhorrent movie Jamacia Inn, his last British production before moving to Hollywood. Whatever the case, The Tempest was neither romantic enough to make me fall in love, tragic enough to make me sad or funny enough to make me laugh. But, it is Shakespheare so even his meh efforts are better than most, but still. Not up to his standards.

      I read along with the text while I listened to the audio version, a practice I highly recommend. I wish I could have done that in high school. I'll definitely suggest immersion reading to my children as they enter high school and discover Shakespeare.

    • 3/5
      Not one of the Bard's best.
    • 4/5
      love it!!!!
    • 3/5
      His weakest work.
    • 5/5
      Shakespeare at his best.
    • 5/5
      Being Shakespeare's last play, The Tempest is a masterful piece in which he uses Prospero as a stand-in for himself within a play full of the magic of stagecraft and his position as playwright.Using all the mystical techniques at his disposal (theatre), Prospero the magician (playwright) writes his tale of revenge as a ship containing his treasonous brother sails near enough to the island for him to set the stage at long last.The Tempest also stands as a magnificent tale even without the allegory. The rightful Duke of Milan (Prospero) is set adrift along with his daughter by his treacherous brother, but manages to survive on an island for twelve years with the help of his magic and the spirits of the island he has impressed into his service. Now, the King of Naples sails home along with Prospero's brother and he can finally seek his revenge, making sure to set his daughter into a happy role as well before things are done.I just love the way this play uses the stage to show Prospero's magic and Ariel's abilities. It truly is a great work by one of the masters.This particular volume I picked up from a local library sale and intend to add it to my Little Free Library for someone else to discover.
    • 5/5
      Amazingg.. It has the ability to enchant every reader through its imagination. The part that I liked less is how (most probably unwittingly I suppose) did Shakespeare show how did Colonisation worked and the attitude of the colonised towards the coloniser. Overall, it gave me a feel of an old tale finishing up. All the negative characters were simply puppets in the hands of Prospers and it was in the understanding of the endurance that we were able to enjoy the present conquests of Prospero. Overall, a wonderful read.
    • 5/5
      Saw a magnificent production of this at Nottingham Playhouse. The shipwreck took place before the beginning proper. While we the audience were prevented from entering, the duke of milan and his fellows got swept from the foyer into the auditorium which was roaring orange light. Everything went quiet. Then we were allowed in to see Prospero on stage in a totally serene blue stage.
    • 3/5
      A very visual play -- it is difficult to read because I think it really needs to be seen for impact. Other than Miranda and Prospero, the characters seemed to blend together; they weren't that well-defined in their differences ... except for the monstrous Caliban, of course. Some nice passages -- "We are such stuff as dreams are made on."
    • 5/5
      O que dizer?

      "O, wonder!

      How many godly creatures are there here!

      How beauteous mankind is! O brave new world,

      That has such people in 't!".
    • 3/5
      This book a bit different was
      From oth'rs of The Bard I've read.
      More with of the fantastic
      F'r sooth, and f'r the head.
      'Twas an amalgam of stylings.
      Or mashup, if thou wouldst.
      With manipulations, calculations
      machinations, Prospero couldst.
      All through, as always all
      The language play is dear,
      And Merrily doth I findeth it
      When bent towards William's ear.
      7 books of the smith have I read, what, ho!
      And now if thou wilt excuseth me, I have 30 more to go.
    • 3/5
      This was just OK for me. I am pretty fussy about my Shakespeare I guess (I know, what nerve). I liked the audio production and it was entertaining, but pretty standard fare. Deposed ruler living on deserted island with daughter learns magic. Uses magical skills to cause a shipwreck, bringing a suitor for his daughter and the chance to right wrongs. Happy ending. Some familiar bits of language - "stuff as dreams are made on", "brave new world" and "strange bedfellows" - to note.
    • 2/5
      I enjoyed this more than other mandatory Shakespeare reads in college because this was required for the best English class ever: "Making Monsters". Ms. Cook's guidance was not annoying like Corum's.
    • 3/5
      None of the characters sucked me in, but the themes it explores are fascinating within the historical and biographical background.
    • 3/5
      Wizards, man, who knows.
    • 4/5
      Published 1998.


      On this re-reading I noticed that the word "brave" was used a few times in the movies that I watched (Taymor, 2010 & Jarman 1979).

      I like this word. It generates a very good feeling in my heart. This word often makes me think of someone who has a quality to face something difficult with the strength of heart / mind / body... Does not take me much to feel a respect and admiration for this person...

      I also come to know that the word "brave" describes something wonderful, admirable in appearance...

      And I just got curious to see how often the word "brave" was used in "The Tempest". And I started reading the play to look for the word "brave" and "bravely", and every time I found one of these words, I put a post-it note to the page to keep track of it... No, I did not use any fancy software to sort out the words or count the words... The work was done manually... Though I tried to be as faithful and accurate as possible, there might be a few occasions that I missed finding these words...

      It looks like there are 11 occasions that the words "Brave" or "Bravely" were mentioned...

      The rest of this review can be found elsewhere.
    • 4/5
      This was the first Shakespeare play I ever read - from an old white-covered paperback I had when I was 9 years old. I probably didn't understand it very well back then. I REALLY liked the title, though.

      Now, it's still good stuff.

      For me, supplementing my reading with a viewing of Helen Mirren as Prospera... magnified my enjoyment of this book tremendously.

    • 4/5
      I will start this review by saying I liked this play a lot more after I had time to sit and digest it. I knew from the start that I was going to hate Prospero, which does not leave much hope for a favorable opinion because he's behind everything that happens in the play. Prospero plays a good victim, but he's an amazing manipulator. If you can get past that, you will love this story. Characteristic if Shakespeare, The Tempest's pages are full of tragedy, humor, Romance, murder plots, revenge, and a smattering of mysticism. Short, dense, and enjoyable.4 stars.
    • 5/5
      A strange but moving work, performed here by a wonderful set of players.
    • 5/5
      This is a genuinely good work of drama, which I had to read for my Intro. to Drama class. This is one of those works of Shakespeare that has been done in a multitude of forms and variations, so it is quite likely that everyone has a rough idea of the story. Still, you really cannot replace the original. It's a bit odd, but quite good fun as well. As to the edition itself, I found it to be greatly helpful in understanding the action in the play. It has a layout which places each page of the play opposite a page of notes, definitions, explanations, and other things needed to understand that page more thoroughly. While I didn't always need it, I was certainly glad to have it whenever I ran into a turn of language that was unfamiliar, and I definitely appreciated the scene-by-scene summaries. Really, if you want to or need to read Shakespeare, an edition such as this is really the way to go, especially until you get more accustomed to it.
    • 5/5
      It is so-said Shakespeare's last play. Very clear plots attracted me as my first peek at English literature.
    • 5/5
      I read this book in university in my first year and really liked reading it.

      I loved Miranda, she's such a sassy character. Maybe even a little bit feminist? She's certainly defiant enough. Of course, like a lot of other people, I prefer Shakespeare's comedies (or at least, his lighter plays) to his tragedies. I love the island and how Shakespeare uses it as a microcosm to explore the possibilities of a world that is turned upside down by magic.


      I love some of the description that Shakespeare uses in this piece - he talks about a victim of a shipwreck, saying that his eyes are pears and... how this person has been transformed into a part of the ocean life.

      This is a beautiful, magical little play full of witty little quips and Shakespeare's usual messages about human folly and social commentary.

      5 stars. c:
    • 3/5
       Dramatized audio recordings of are difficult for to listen to because there are so many minor characters. This one was a bit more manageable.
    • 4/5
      i read this on my nook e-book and think it would have been a better experience in tree-book form. with shakespeare, i like to go back and forth and re-read passages and while i highlighted a lot of places in the text, it wasn't the same experience.
    • 5/5
      The Tempest is almost a wisp of a thing. There's little plot and almost no character development. It's like a magic trick: you blow into your hand, and a cloud of flame pops up, and a dove flies out of it, everyone claps.

      So the play is the spectacle, and the magic is the language. Prospero's speech, "We are such stuff as dreams are made on," is second maybe only to "All the world's a stage" in crystallizing Shakespeare's philosophy (and better, poetically); and there's Miranda's line, "O brave new world, that has such people in't!" - these and others are among the best lines Shakespeare wrote; and the feel of the play, the atmosphere - that magical island, populated by beasts and wizards, the evocation of a world we were still exploring - it sticks with you, even though, as I said, dramatically speaking, almost nothing happens.

      And Caliban! Arguably the only memorable character - Prospero is cool, and Ariel differs from Puck, but is no Puck, and the others are just placeholders, a virtuous maid here, a villainous uncle there - but Caliban, that sniveling, backstabbing, savage would-be rapist, searching for a God whose boots need licking - he's a tremendous find. (And what made me love Tennyson.) Caliban's right up there with Iago.

      In some ways, this play is all flash. But what a flash!
    • 3/5
      This is my second read through of the play. I'm still not necessarily a fan; the way that Prospero gives blanket forgiveness to Alonso and Antonio seems forced, even if I have a better understanding of why he did it. In addition, the subplot with Sebastian and Antonio's attempt on the king's life goes nowhere. Prospero is still incredibly unlikeable as a main character.

      As far as this specific version goes, it has to be one of my favorite editions in terms of how it handles footnotes. Most versions have ALL notes either lumped into the bottom, or on the facing page to the play. It makes it difficult sometimes to find what you're looking for without disturbing the flow of your reading. This book relegates short notes (one or two word translations of the Renaissance word into modern English) to the left of the line it occurs in, and longer footnotes and explanations to the facing page. Aside from an uncomfortable amount of white space on each page, it is an excellent edition.
    • 5/5
      One of Shakespeare's more unusual an fanciful plays. Not as silly as most of the comedies (and I don't mean silly in a good way). Full of great characters and some of Shakespeare's best quotes. And, of course, the inspiration for Forbidden Planet.

    Book preview

    The Tempest - William Shakespeare

    This Etext file is presented by Project Gutenberg, in

    cooperation with World Library, Inc., from their Library of the

    Future and Shakespeare CDROMS. Project Gutenberg often releases

    Etexts that are NOT placed in the Public Domain!!

    *This Etext has certain copyright implications you should read!*

    <

    SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS

    PROVIDED BY PROJECT GUTENBERG WITH PERMISSION. ELECTRONIC AND

    MACHINE READABLE COPIES MAY BE DISTRIBUTED SO LONG AS SUCH COPIES

    (1) ARE FOR YOUR OR OTHERS PERSONAL USE ONLY, AND (2) ARE NOT

    DISTRIBUTED OR USED COMMERCIALLY. PROHIBITED COMMERCIAL

    DISTRIBUTION INCLUDES BY ANY SERVICE THAT CHARGES FOR DOWNLOAD

    TIME OR FOR MEMBERSHIP.>>

    *Project Gutenberg is proud to cooperate with The World Library* in the presentation of The Complete Works of William Shakespeare for your reading for education and entertainment. HOWEVER, THIS IS NEITHER SHAREWARE NOR PUBLIC DOMAIN. . .AND UNDER THE LIBRARY OF THE FUTURE CONDITIONS OF THIS PRESENTATION. . .NO CHARGES MAY BE MADE FOR *ANY* ACCESS TO THIS MATERIAL. YOU ARE ENCOURAGED!! TO GIVE IT AWAY TO ANYONE YOU LIKE, BUT NO CHARGES ARE ALLOWED!!

    **Welcome To The World of Free Plain Vanilla Electronic Texts**

    **Etexts Readable By Both Humans and By Computers, Since 1971**

    *These Etexts Prepared By Hundreds of Volunteers and Donations*

    Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations.

    The Complete Works of William Shakespeare

    The Tempest

    December, 1997 [Etext #1135]

    The Library of the Future Complete Works of William Shakespeare

    Library of the Future is a TradeMark (TM) of World Library Inc.

    ******This file should be named 1ws4110.txt or 1ws4110.zip*****

    Corrected EDITIONS of our etexts get a new NUMBER, 1ws4111.txt

    VERSIONS based on separate sources get new NUMBER, 2ws4110.txt

    The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month.

    Information about Project Gutenberg (one page)

    We produce about two million dollars for each hour we work. The fifty hours is one conservative estimate for how long it we take to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar, then we produce 2 million dollars per hour this year we, will have to do four text files per month: thus upping our productivity from one million. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] This is ten thousand titles each to one hundred million readers, which is 10% of the expected number of computer users by the end of the year 2001.

    We need your donations more than ever!

    All donations should be made to Project Gutenberg/CMU, and are tax deductible to the extent allowable by law (CMU is Carnegie Mellon University).

    Please mail to:

    Project Gutenberg

    P. O. Box 2782

    Champaign, IL 61825

    You can visit our web site at promo.net for complete information about Project Gutenberg.

    When all other else fails try our Executive Director: dircompg@pobox.com or hart@pobox.com

    ******

    **Information prepared by the Project Gutenberg legal advisor**

    ***** SMALL PRINT! for COMPLETE SHAKESPEARE *****

    THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS PROVIDED BY PROJECT GUTENBERG ETEXT OF CARNEGIE MELLON UNIVERSITY WITH PERMISSION.

    Since unlike many other Project Gutenberg-tm etexts, this etext is copyright protected, and since the materials and methods you use will effect the Project's reputation, your right to copy and distribute it is limited by the copyright and other laws, and by the conditions of this Small Print! statement.

    1. LICENSE

    A) YOU MAY (AND ARE ENCOURAGED) TO DISTRIBUTE ELECTRONIC AND MACHINE READABLE COPIES OF THIS ETEXT, SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.

    B) This license is subject to the conditions that you honor the refund and replacement provisions of this small print! statement; and that you distribute exact copies of this etext, including this Small Print statement. Such copies can be compressed or any proprietary form (including any form resulting from word processing or hypertext software), so long as *EITHER*:

    (1) The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR

    (2) The etext is readily convertible by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR

    (3) You provide or agree to provide on request at no additional cost, fee or expense, a copy of the etext in plain ASCII.

    2. LIMITED WARRANTY; DISCLAIMER OF DAMAGES

    This etext may contain a Defect in the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other infringement, a defective or damaged disk, computer virus, or codes that damage or cannot be read by your equipment. But for the Right of Replacement or Refund described below, the Project (and any other party you may receive this etext from as a PROJECT

    Enjoying the preview?
    Page 1 of 1