Troublemaker
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About this ebook
Girls tripped up in snares. Food orgasms. Poisoned pigeons. Love in an Alzheimer’s facility. From the mind of rehabilitated journalist Thom Gabrukiewicz springs 30 flash fiction pieces that span the gamut from funny to whimsical to maliciously dark. Some border on erotica – yes, nasty bits and such.
What is flash fiction exactly? That’s hard to pin down, since opinions vary. Let’s just say flash fiction is brevity in action, a story that has been whittled down to its essence whilst remaining a complete story, with plot, narrative, character/s, conflict, and resolution. And containing between six and 5,000 words (anything more and it becomes a short story). These 30 stories contained in “Troublemaker” capture a journey in creating flash fiction in 300 to 2,000 words.
Thom Gabrukiewicz
Thom Gabrukiewicz is both a communicator and a writer of flash fiction. Most of what he writes is kind of dark, with occasional forays into the light. He’s a winner of some awards and has covered two Winter Olympics for Scripps Howard News Service. He’s also written a guidebook about hiking with dogs. He’s fiercely loyal and has a malevolent side that seems to visit less and less often. He’s both a hopeless romantic and a realist. He's currently working on community wellness issues in Wyoming.
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Book preview
Troublemaker - Thom Gabrukiewicz
Catch and Release
I am awakened by moonbeams.
It’s as if lightning has erupted from cloudless skies. I fling open the window to find the evening filled with silvery tendrils that dance and swirl across the night.
Tentative, I snake out my arm and the beams whirl away.
I get my fishing rod, rig the line with a big spoon lure and cast. The moonbeams split as lure and line fling through the air. Several casts offer the same result.
I hit upon an idea, retrieve the spoon and rip a long strip of black construction paper from a pad in my desk. I attach it to a bare hook, add a piece of ball lead for ballast.
In minutes, I’ve a mess of moonbeams squirming on a braided steel stringer.
They squeal, like balloons being rubbed together. The rumpus alerts my mother, who opens my bedroom door, and balls her fists to her hips as she assesses the scene.
In an instant she’s upon me, boxing my ears. She yanks the rod from my hands, encourages me to bed with a single, smarting backhand shot to my backside.
Then she silently shakes the moonbeams back into the night, where they join the others into a schooled migration of luminosity.
She leans the rod in the corner, shuts the window, draws the shade. Silently, she crosses my room to the wedge of light at the door, grabs it with her left hand and turns.
Some things,
she says, aren’t meant to be captive.
Snare
My father hears the commotion coming from the garage, but leaves me fumble to my own devices.
It’s only when I emerge, an armload of stuff clutched to my chest, does he find his full interest. He’s sitting on the porch, sipping iced tea and smoking a pipe.
Say there boy, what’s with all the stuff?
I’d rather not talk about it.
That’s when he sees the shiner, a raccoon-ringed black eye. My eye. He whistles a cat-call, puts on his half-readers to get a better look.
Whoa, boy, who gave you that?
Emma Tellford.
He puts his fingers to his lips like he’s contemplating the moment, but I know better. He’s stifling a guffaw.
I told you I don’t want to talk about it.
I dump the stuff in the yard, a saw, hammer, length of wire, an old bicycle tube, a box of screws, some two-by-four scraps.
You know, if you told me what you were making, I could possibly be of some assistance.
It’s a booby trap,
I say. For Emma.
Father slides off his readers, goes all serious.
Son, you’ll not want a box trap and don’t even consider something dangerous, like punji sticks. What you need is a good snare. Trust me, it’s how I met your mother.
And we set off to the garage to build a snare.
The trick is to catch them, but without harm,
he says, rigging an elaborate loop of braided wire. In your mother’s dresser you’re find her hair ribbons, the silk ones. Go fetch a couple.
When we’re finished, he puts his calloused hands on my shoulders and offers up words of advice. Tension requirements to trip up a 12-year-old girl. Where best to put the devices. What to use for bait.
What to say when you’ve got her, well, I’m afraid that is up to you.
I set the snares and cradle myself within a honeysuckle bush, thick with sweet blossoms and the buzzing of bees. Waiting for Emma Tellford, daring her to walk my way.
I’m curled into a ball, sleeping off the worst heat of the day, when a little bell tied to one of the snares begins to ring. I tear from my hiding place and skid to a stop, dust rising around my sneakers.
There, hanging defiant in the humid air, is Emma Tellford. The snare has her by a tanned ankle. She’s got her arms crossed at her chest. Her sandy pigtails whip and bob with the movements of her body.
Her floral sundress has slipped, exposing her white panties, her smooth, tanned stomach.
But it’s not the panties where I find focus. It’s her navel. Not really an innie. Not quite an outie. It’s perfect in its uneven attractiveness.
And I’m altogether smitten.
Hi,
I say.
Hi yourself,
she says with a slowly spreading smile, which replaces a stern hump of furrowed brow.
I know where there’s a pond full of tadpoles,
I say, knowingly. Wanna see?
Yes, please,
she says, and with a swing of her arms, begins to dance in midair.
Spring
Perched on a lower branch of mother’s prized ornamental ginkgo is a girl, preening.
I grab a broom and go out to scare her off, but as soon as I step onto the lawn, she chirps a friendly hello.
Her voice is a song and my bravado loses steam. I am transfixed, curious.
Her silky, form-fitting dress is the color of lemon custard. She’s barefoot and each of her toenails is painted in the most luxurious shade of red; she’s glazed her fingernails to match. Each talon-like nail a vivid pool of crimson, like wet cherries.
She’s pale of skin, but her cheeks and bridge of her nose are sprinkled with cheerful freckles. As she ponders my company, she tilts her head, blinks slow and the soft morning light electrifies her eyes, which are the color of warm roasted chestnuts.
Her hair is dark, sumptuous; it cascades down her back and she flips it with a casual wave, where it spills with a bounce. It’s as if ravens have crawled over