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Romeo and Juliet
Romeo and Juliet
Romeo and Juliet
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Romeo and Juliet

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Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families.
LanguageEnglish
PublisherQasim Idrees
Release dateNov 21, 2017
ISBN9788827519783
Author

William Shakespeare

William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

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    Romeo and Juliet - William Shakespeare

    Romeo and Juliet

    William Shakespeare

    Biography of Shakespeare

    Since William Shakespeare lived more than 400 years ago, and many records from that time are lost or never existed in the first place, we don't know everything about his life. For example, we know that he was baptized in Stratford-upon-Avon, 100 miles northwest of London, on April 26, 1564. But we don't know his exact birthdate, which must have been a few days earlier.

    We do know that Shakespeare's life revolved around two locations: Stratford and London. He grew up, had a family, and bought property in Stratford, but he worked in London, the center of English theater. As an actor, a playwright, and a partner in a leading acting company, he became both prosperous and well-known. Even without knowing everything about his life, fans of Shakespeare have imagined and reimagined him according to their own tastes, just as we see with the 19th-century portrait of Shakespeare wooing his wife at the top of this page.

    William Shakespeare was probably born on about April 23, 1564, the date that is traditionally given for his birth. He was John and Mary Shakespeare's oldest surviving child; their first two children, both girls, did not live beyond infancy. Growing up as the big brother of the family, William had three younger brothers, Gilbert, Richard, and Edmund, and two younger sisters: Anne, who died at seven, and Joan.

    Their father, John Shakespeare, was a leatherworker who specialized in the soft white leather used for gloves and similar items. A prosperous businessman, he married Mary Arden, of the prominent Arden family. John rose through local offices in Stratford, becoming an alderman and eventually, when William was five, the town bailiff—much like a mayor. Not long after that, however, John Shakespeare stepped back from public life; we don't know why.

    Shakespeare, as the son of a leading Stratford citizen, almost certainly attended Stratford's grammar school. Like all such schools, its curriculum consisted of an intense emphasis on the Latin classics, including memorization, writing, and acting classic Latin plays. Shakespeare most likely attended until about age 15.

    For several years after Judith and Hamnet's arrival in 1585, nothing is known for certain of Shakespeare's activities: how he earned a living, when he moved from Stratford, or how he got his start in the theater.

    Following this gap in the record, the first definite mention of Shakespeare is in 1592 as an established London actor and playwright, mocked by a contemporary as a Shake-scene. The same writer alludes to one of Shakespeare's earliest history plays, Henry VI, Part 3, which must already have been performed. The next year, in 1593, Shakespeare published a long poem, Venus and Adonis. The first quarto editions of his early plays appeared in 1594. For more than two decades, Shakespeare had multiple roles in the London theater as an actor, playwright, and, in time, a business partner in a major acting company, the Lord Chamberlain's Men (renamed the King's Men in 1603). Over the years, he became steadily more famous in the London theater world;  his name, which was not even listed on the first quartos of his plays, became a regular feature—clearly a selling point—on later title pages.

    Shakespeare prospered financially from his partnership in the Lord Chamberlain's Men (later the King's Men), as well as from his writing and acting. He invested much of his wealth in real-estate purchases in Stratford and bought the second-largest house in town, New Place, in 1597.

    Among the last plays that Shakespeare worked on was The Two Noble Kinsmen, which he wrote with a frequent collaborator, John Fletcher, most likely in 1613. He died on April 23, 1616—the traditional date of his birthday, though his precise birthdate is unknown. We also do not know the cause of his death. His brother-in-law had died a week earlier, which could imply infectious disease, but Shakespeare's health may have had a longer decline.

    The memorial bust of Shakespeare at Holy Trinity Church in Stratford is considered one of two authentic likenesses, because it was approved by people who knew him. (The bust in the Folger's Paster Reading Room, shown at left, is a copy of this statue.) The other such likeness is the engraving by Martin Droeshout in the 1623 First Folio edition of Shakespeare's plays, produced seven years after his death by his friends and colleagues from the King's Men.

    PERSONS REPRESENTED

    Escalus, Prince of Verona. Paris, a young Nobleman, kinsman to the Prince. Montague,}Heads of two Houses at variance with each other. Capulet, } An Old Man, Uncle to Capulet. Romeo, Son to Montague. Mercutio, Kinsman to the Prince, and Friend to Romeo. Benvolio, Nephew to Montague, and Friend to Romeo. Tybalt, Nephew to Lady Capulet. Friar Lawrence, a Franciscan. Friar John, of the same Order. Balthasar, Servant to Romeo. Sampson, Servant to Capulet. Gregory, Servant to Capulet. Peter, Servant to Juliet's Nurse. Abraham, Servant to Montague. An Apothecary. Three Musicians. Chorus. Page to Paris; another Page. An Officer.

    Lady Montague, Wife to Montague. Lady Capulet, Wife to Capulet. Juliet, Daughter to Capulet. Nurse to Juliet.

    Citizens of Verona; several Men and Women, relations to both houses; Maskers, Guards, Watchmen, and Attendants.

    SCENE.--During the greater part of the Play in Verona; once, in the Fifth Act, at Mantua.

    THE PROLOGUE

    [Enter Chorus.]

    Chor. Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whose misadventur'd piteous overthrows Doth with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which but their children's end naught could remove, Is now the two hours' traffic of our stage; The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend.

    ACT I.

    Scene I. A public place.

    [Enter Sampson and Gregory armed with swords and bucklers.]

    Sampson. Gregory, o' my word, we'll not carry coals.

    Gregory. No, for then we should be colliers.

    Sampson. I mean, an we be in choler we'll draw.

    Gregory. Ay, while you live, draw your neck out o' the collar.

    Sampson. I strike quickly, being moved.

    Gregory. But thou art not quickly moved to strike.

    Sampson. A dog of the house of Montague moves me.

    Gregory. To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn'st away.

    Sampson. A dog of that house shall move me to stand: I will take the wall of any man or maid of Montague's.

    Gregory. That shows thee a weak slave; for the weakest goes to the wall.

    Sampson. True; and therefore women, being the weaker vessels, are ever thrust to the wall: therefore I will push Montague's men from the wall and thrust his maids to the wall.

    Gregory. The quarrel is between our masters and us their men.

    Sampson. 'Tis all one, I will show myself a tyrant: when I have fought with the men I will be cruel with the maids, I will cut off their heads.

    Gregory. The heads of the maids?

    Sampson. Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt.

    Gregory. They must take it in sense that feel it.

    Sampson. Me they shall feel while I am able to stand: and 'tis known I am a pretty piece of flesh.

    Gregory. 'Tis well thou art not fish; if thou hadst, thou hadst been poor-John.--Draw thy tool; Here comes two of the house of Montagues.

    Sampson. My naked weapon is out: quarrel! I will back thee.

    Gregory. How! turn thy back and run?

    Sampson. Fear

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