Afloat
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About this ebook
Although water is everywhere present as a subject, it is song that provides the motivating power, the vehicle of longing that animates the book. "We thirst for song"—the closing words of the Lament for the Gorges sequence—could really serve as the book's epigraph. This is poetry exercising its full range of possible functions (to observe, to enquire, to elegize, to imagine, to think, to commemorate, to yearn and to feel), all in the service of that "thirst for song."
John Reibetanz
John Reibetanz is the author of eleven previous collections of poetry, and his poems have appeared in such magazines as Poetry (Chicago), The Paris Review, The Walrus, and Canadian Literature. A finalist for the National Magazine Awards, the National Poetry Competition, and the ReLit Award, John has given readings in major cities all across Canada. He lives in Toronto and is a Senior Fellow at Massey College and a Fellow of Victoria College, where he received the first Victoria University Teaching Award. The Essential John Reibetanz, edited by Jeffery Donaldson, was published by The Porcupine’s Quill in 2017.
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Afloat - John Reibetanz
AFLOAT
AFLOAT
JOHN REIBETANZ
Brick Books
Library and Archives Canada Cataloguing in Publication
Reibetanz, John
Afloat / John Reibetanz.
Poems.
Issued in print and electronic formats.
ISBN 978-1-771313-91-9
I. Title.
PS8585.E448A35 2013 C811'54 C2013-900060-7
copyright © John Reibetanz, 2013
We acknowledge the Canada Council for the Arts, the Government of Canada through the Canada Book Fund, and the Ontario Arts Council for their support of our publishing program.
The author photo was taken by Timothy Reibetanz.
The print edition of the book is set in Minion Pro, designed by Robert Slimbach and released in 1990 by Adobe Systems.
The cover image is a detail from River and Mountains
by Amy K. Epstein.
Brick Books
431 Boler Road, Box 20081
London, Ontario N6K 4G6
www.brickbooks.ca
To Julie,
the song’s source
ABOUT THIS BOOK
A masterful poet extends his range, bringing both his agile intelligence and musical acuity into play.
Afloat, John Reibetanz’s eighth collection of poetry, focuses on water in many manifestations. The centerpiece, a sequence on the Three Gorges Dam and its cultural and environmental implications, brings ancient Chinese sources (Meng Chiao and the painter Dong Yuan) together with modern ones (Edward Burtynsky’s photographs and violent video games) to create an elegy that is moving and meditative.
Although water is everywhere present as a subject, it is song that provides the motivating power, the vehicle of longing that animates the book. We thirst for song
—the closing words of the Lament for the Gorges
sequence—could really serve as the book’s epigraph. This is poetry exercising its full range of possible functions (to observe, to enquire, to elegize, to imagine, to think, to commemorate, to yearn and to feel), all in the service of that thirst for song.
CONTENTS
I
WATERBORNE
The Love of Water
Into Rivers
Floater
Water Muses
The Muse’s Home
Shore House
The Vineyard
Corner Brook Nfld.
Luca della Robbia’s Singing Gallery
To Darwin in Chile, 1835
Glaciologist
Narwhal
Redbird Reef
Launched
Water and Clay
Strange Wonders, Uncertain Sources
II
LAMENTS OF THE GORGES
Riverbank
Displacement
Peaches
Another River
Liudong Renkou
Wash
Dragon
A Reversal
Reclamation: The Concert
III
AIRBORNE
Soundings
Sunthreads
Inca Skull
Late Autumn Reflection on the Tree outside My Study Window
Heavenly Upness
Arise and Stay
Planetary Evolution
Diminuendo on the Theme of Whether Shakespeare’s Monument Bears His True Likeness
Bluegrass
Two Old Men Are Four Birds
The Angels of Winter
Oz: A Tribute to Gerda Taro
The Monarch Butterfly Migration, 1943
The Kite Flyer, Nottawasaga Bay
Curious George Takes Flight, 12 June 1940
A Chinese River in Brooklyn
Airborne
NOTES
ACKNOWLEDGEMENTS
BIOGRAPHICAL NOTE
I
WATERBORNE
THE LOVE OF WATER
All nature, from the crag windbreakered in granite
that melts into the nuzzling of the clouds’ wet snouts,
to the motes of grit that rise up every morning
and dance in a fountain over the windowsill,
all nature wants to be water. Curled tongues of fire
and sharp tongues of wind stutter and lisp through forests,
longing for the fluency of streams. Clays