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Riot Baby
Riot Baby
Riot Baby
Ebook140 pages2 hours

Riot Baby

Rating: 4 out of 5 stars

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About this ebook

Winner of the 2021 World Fantasy Award
Winner of an 2021 ALA Alex Award
Winner of the 2020 New England Book Award for Fiction
Winner of the 2021 Ignyte Award
Winner of the 2021 AABMC Literary Award

A 2021 Finalist for the NAACP Image Award for Best Outstanding Work of Literary Fiction
A 2021 Hugo Award Finalist
A 2021 Nebula Award Finalist
A 2021 Locus Award Finalist
A Goodreads Choice Awards Finalist


Named a Best of 2020 Pick for NPR | Wired | Book Riot | Publishers Weekly | NYPL | The Austen Chronicle | Kobo | Google Play | Good Housekeeping | Powell's Books | Den of Geek


"Riot Baby, Onyebuchi's first novel for adults, is as much the story of Ella and her brother, Kevin, as it is the story of black pain in America, of the extent and lineage of police brutality, racism and injustice in this country, written in prose as searing and precise as hot diamonds."—The New York Times

"Riot Baby bursts at the seams of story with so much fire, passion and power that in the end it turns what we call a narrative into something different altogether."—Marlon James

Ella has a Thing. She sees a classmate grow up to become a caring nurse. A neighbor's son murdered in a drive-by shooting. Things that haven't happened yet. Kev, born while Los Angeles burned around them, wants to protect his sister from a power that could destroy her. But when Kev is incarcerated, Ella must decide what it means to watch her brother suffer while holding the ability to wreck cities in her hands.

Rooted in the hope that can live in anger, Riot Baby is as much an intimate family story as a global dystopian narrative. It burns fearlessly toward revolution and has quietly devastating things to say about love, fury, and the black American experience.

Ella and Kev are both shockingly human and immeasurably powerful. Their childhoods are defined and destroyed by racism. Their futures might alter the world.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateJan 21, 2020
ISBN9781250214768
Riot Baby
Author

Tochi Onyebuchi

Tochi Onyebuchi is the author of the young adult novel Beasts Made of Night, which won the Ilube Nommo Award for Best Speculative Fiction Novel by an African, its sequel, Crown of Thunder, and War Girls. His novella Riot Baby, a finalist for the Hugo, the Nebula, the Locus, the Ignyte, and the NAACP Image Awards, won the New England Book Award for Fiction and an ALA Alex Award. He holds a B.A. from Yale, a M.F.A. in screenwriting from the Tisch School for the Arts, a Master's degree in droit économique from Sciences Po, and a J.D. from Columbia Law School. His fiction has appeared in Panverse Three, Asimov’s Science Fiction, Obsidian, Omenana Magazine, Uncanny, and Lightspeed. His non-fiction has appeared in Tor.com, Nowhere Magazine, the Oxford University Press blog, and the Harvard Journal of African American Public Policy, among other places.

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Rating: 3.9192545869565216 out of 5 stars
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  • Rating: 2 out of 5 stars
    2/5
    Series Info/Source: This is a stand alone book. I borrowed a copy of this on audiobook from the library.Thoughts: I wasn't a fan of this at all and almost stopped reading it at numerous points. It is a very passionate, very long discussion about the injustices of a future (and the implied current) justice system on the black population in America. The same point is made over and over and over again and very passionately driven in. While I have no issue with this topic in general, every other aspect of the book suffered because of it. The story is disjointed, the characters are held at a distance and things just don't make sense.This seems to be set in an almost cyber-punky-near-future. It follows two twins, Ella and Kev. Ella has a strange power that lets her do increasing amounts of crazy things. Her powers grow exponentially throughout the book without an explanation as to why and we never really get to understand what drives her. Kev is an ultra intelligent young man who gets forced into the penal system and suffers many indignities and much violence. Again, he is held at a distance from the reader.There is loads of explicit violence in here and an absolute ton of swearing. Because of how disjointed the story is, the violence seems almost frivolous at times. It is hard to tell at times if you are hearing from Ella or Kev. I listened to this on audiobook and the author narrated the book; he used the same voice throughout so it is very hard to tell when you switch characters. Additionally, the characters' mental "voices" are very similar so it is hard to tell who is who.Lastly, the main premise of this book seems to be that you can solve violence with more violence and that is something I absolutely do not believe. The whole thing just left a very bad taste in my mouth. The best thing about this story was the political commentary on how unfairly certain races are dealt with in the justice system; but even this was talked about soooo much it started to drag the story down.My Summary (2/5): Overall I didn’t enjoy this at all. It is a good political commentary on the justice system and how it treats different races unequally; however this point is hashed over and over again ad-nauseum. It is not a good story; it lacks any cohesive plot, the characters are held at a distance and it is hard to follow and engage with the story. I wouldn’t recommend and won’t be reading more by this author.
  • Rating: 4 out of 5 stars
    4/5
    Another devastatingly important book that deserves to be read and passed on and read again and discussed and...yeah. Myself, I read this one twice, because it was short, and because I got to hear the author speak.

    For those who care about such things, or whose enjoyment might be hampered by it, do be aware that this is more literary than much science fiction. I found the way that time moved a bit disorienting--not the flashbacks/memories, but the progression of forward time. I do think this is intentional, as it lends a sad sameness to all the events that happen, a sense of timelessness and perpetual present that reflect the frustrating lack of progress in the way the police and the justice system treat black people, especially young black men.

    Later in the book, an older character expresses that violence begets violence--that growing up in dangerous places can push young people to dangerous things. It's true that the environment we grow up in shapes who we are, to devastating consequences for Ella and Kev. But there is also a powerful sense of community around them, from their strong-as-brick mother and her friends who try to help and support Kev in his childhood, to the neighborhood where classmates try to help each other either avoid trouble or, at least, the worst outcomes of police confrontations, to the bonds that form among some of he incarcerated men, whether that's through keeping your head down or minimizing confrontation with prison guards. Don't get me wrong, Onyebuchi doesn't sugar-coat the darker, violent, despairing sides of life, but the bonds between people trapped in an unfeeling system do offer some little shreds of light and hope in a dark world where even the closest sibling bonds can fray with separation.

    I won't say too much here, because I want you to read it for yourself. And while I do have a few quotes, I won't include them, because the book hasn't even published yet.
  • Rating: 4 out of 5 stars
    4/5
    An interesting novella about two Black kids dealing with racism in the 90s. The brother was born during a riot and the sister has special powers, and the story follows along their life. It is written well, with the focus on the characters going through oppression and brutality. There is not much of a plot but the subject matter carries the story.
  • Rating: 4 out of 5 stars
    4/5
    I very much enjoyed this book. It's a scary book, because absolutely none of it seems implausible. But ever so good.
  • Rating: 4 out of 5 stars
    4/5
    Ella and Kev are poor and Black and well-loved by their mother, but Ella has fits in which she can destroy things around her—or levitate, or see into others’ minds. When she flees to learn to control her powers, Kev falls into one of the many traps for young Black men and is imprisoned in a ten-years-from-now carceral state with implants and drone monitors that has learned even better how to extract value from Black bodies. This short book is about the anger of the oppressed and how it can make destruction seem like the only reasonable option.
  • Rating: 4 out of 5 stars
    4/5
    Ella has special powers that give her the ability to see other people's memories, project her spirit long distances away from her body, see into the future, and bring down destruction on those who anger her. Her brother, Kevin, was born in LA during the 1992 Los Angeles riots, and inherited all the troubles, injustice, and angst that those days of chaos represented. The novel alternates between their stories, following Ella as she struggles to find meaning in this country's history of racial injustice while also trying to find a purpose for her gifts, and Kevin as he lives the life of a black man in a criminal justice system that practices anything but. Short but compelling, bleak but also beautiful(ly frightening) in the way it depicts the potential power behind generations of justified anger.
  • Rating: 3 out of 5 stars
    3/5
    I've heard good things about this book, and I really wanted to like it, but unfortunately I think it's just not for me. I was expecting more of a plot or characters with some agency. Instead, the entire book is "Many horrible real-life things happen to a Black family, against a backdrop of the ceaseless real-life violence Black people face in America. Meanwhile, a character with some psychic powers occasionally appears and has visions." We don't see enough of Ella as an adult to understand what she's doing at all. Kev is more fleshed-out, but because of the inevitability of the system that's stacked against him, nothing he does really seems to make any difference. And sure, maybe that's the point? But by the abrupt ending, it still felt like we were just floating through this ocean of trauma, without really going anywhere.
  • Rating: 4 out of 5 stars
    4/5
    This read like a fever dream. The beginning hooked me, and then I felt like I was just riding the waves through the rest. The transitions, or lack thereof, were sometimes jarring, and I had to just give myself over to the book instead of always trying to fit it into a tidy frame. Which makes it a great, complex read. I would have liked some aspects of the novella explored a little more, but it is a strong work nonetheless.
  • Rating: 4 out of 5 stars
    4/5
    This is a novella that really packs a punch. It's very good, very powerful, and I'm not sure that I like it. I'm not sure I should like it; I'm certainly not the intended audience.On the other hand, I think it's a very good thing for nice white people to listen to what this story, and others like it, are telling us. It's a very real piece of black American experience, and an eloquent expression of the rage that experience can generate.Ella is just a young child when her brother Kevin is born--in the midst of the Los Angeles riots sparked by the acquittal of the police officers who beat Rodney King. She's already starting to develop psychic powers that she describes as her "Thing." At first she just has dreams, or daydreams, about the futures of people she knows. Given that she obviously knows a lot of black boys and young men, many of those futures are dark and tragic.The story unfolds in two voices, Ella's, in third person, and Kev's, mostly in first person.Ella develops more and more powers, psychokinesis, telepathy, the ability to start fires. Mostly, in various ways, the power to break things with her mind. She struggles to control those powers, and for a long time has only mixed success.Kev is growing up as a quiet, studious, bright kid, who ought to have a real future ahead of him. He's a black male, though, and it's powerfully difficult to resist the pressure of society, to be what he's expected to be. He's a suspect, after all, guilty of something, in the eyes of the cops, even when he's guilty of nothing except being in a perfectly ordinary place, doing what kids do.The time comes when Ella simply disappears, to practice with her skills where she won't hurt anyone--she has twice almost killed her mother. The time also comes when Kev has succumbed to the pressures around him, from his peers as well as the police, and actually committed a crime. He winds up in Rikers, trying to get through his time, and getting only psychic visits from Ella, who doesn't come in person to the prison. Kev gets into more trouble in prison, but eventually he also gets a job there, repairing computers. He really ought to have a future when he gets out.Meanwhile, Ella is not just mastering her powers; she's also exploring everything that's wrong in the world she and Kev live in, including the endless acts of white violence against blacks, and her anger is building and building. Kev is working to keep his anger down; Ella is working to build up her righteous rage. Eventually, this has to come to a head.Kevin is born in 1992, and he's 28 at the end, putting the end of the story solidly in our present time. Yet for all the relentlessly realistic depiction of our race problems, that present isn't our early 2020s; there's technology at work, in everyday life, by the end of the story that is definitely well ahead of what we have. The uses we see of it are chiefly to "keep order," which of course just ratchets the social tensions higher and higher.When Ella and Kev come together again, with Kev "on parole" in what is called a "sponsored community," Ella shows Kev what he's really been working on in his "good job," and the result is explosive.This isn't a perfect story; Ella's character is never fully developed, so that we don't understand her choices as well as we do Kev's. This isn't an easy read, or an easy listen, but for many, it will be an enlightening, eye-opening experience. Recommended.I bought this audiobook.
  • Rating: 4 out of 5 stars
    4/5
    This is a pretty harrowing read. It must have been cathartic for Onyebuchi - the book seethes with anger. It tells the story of a man who was born during the Rodney King riots, whose life is marked by the milestones of various murders of black people and race riots. Like so many Black men, the main character ends up in jail, and the book is about his struggle to remain human despite efforts to dehumanize him. He has a sister who has supernatural powers, who could wipe out all white people just by imagining it. The book is on the brink of being a revenge fantasy, but holds back from going that far. The book is described as a dystopian future, but this dystopia is very very close to our current world - there are a few bits of technology in the book that we don't have in real life, but the dystopian features of horrible jail conditions and systemic racism are descriptions of our current world.Onyebuchi's writing verges on poetry. There isn't much of a plot, but it's gripping nonetheless because of the impassioned writing.
  • Rating: 4 out of 5 stars
    4/5
    This is a timely read (which is in itself tragic, and I can't help but wonder for how long we will be saying this) with a very strong and personal voice.

    I am very happy I read this. It isn't something I would usually chose, because it is marketed as a dystopian story and I don't lean towards this genre a lot. But there is a discussion to be had about how dystopian this story really is. I wouldn't categorize it as such, it is real, which the author has commented on himself.

    The transitions are hard to follow, I didn't always know how old the protagonists were or how much time had passed between scenes. But although this was a bit confusing, I think it added to the style and voice of the narrative and put the focus on emotions. It was disjointed, very stream-of-consiousness, and it was intended to be. Nothing is polished here to make it "more pretty" or "more appealing", and I think that's a great thing.
  • Rating: 4 out of 5 stars
    4/5
    Somehow missed recording this pandemic read. Magical realism brushing the world today, though one I only know from afar, but now see more clearly.
  • Rating: 5 out of 5 stars
    5/5
    This is a powerful short novel that drew me in to its small cast of characters so well that I could not stop reading until I had reached the shattering but hope-filled conclusion. Not going to to say more than this: read it!
  • Rating: 5 out of 5 stars
    5/5
    I've been trying to read more books by black writers this year in an effort to support the #BlackLivesMatter movement so I was happy to see this recent science fiction novel by a black writer recommended (although I can't remember by whom). It's perhaps more fantasy than science fiction since there are no scientific underpinnings of the talents the two main characters exhibit. Nevertheless I liked it and I felt it worked as an exploration of black experiences in the USA.Ella and her mother, Elaine, were living in LA when the Rodney King beating happened and on the night the riots erupted after the four police officers were acquitted Elaine gave birth to Kev. All of them sheltered in the hospital until the riots were over. Shortly after Elaine moved across country with Ella and Kev to Harlem. Ella has an ability which she refers to as The Thing to be able to see the future for some people. As she grows up her abilities increase and she can teleport and read thoughts and other paranormal activities. Kev is very smart but he almost has to join a gang and he is caught in a break and enter. He spends eight years in Rikers prison and it becomes apparent that he also has some extrasensory powers such as reading minds. Between them perhaps they can effect a better world for black people.As a white person I feel guilt every time I read about disadvantaged youth because, almost always, they have a different skin colour than I do. It truly is not fair that where people end up is based so much on how they look not on their abilities. I hope Onyebuchi's vision of a better world for black people and for all people of colour comes true.
  • Rating: 3 out of 5 stars
    3/5
    With all of the police violence happening in our country, it offends me at the amount of racial slurs that make up what could have been a descent book.
  • Rating: 3 out of 5 stars
    3/5
    Kev is the riot baby of the title, born during the 1992 LA riots. His older sister, Ella, has several special powers, one of which is the ability to see a person's future (and past). Kev is gifted as well.Ella's powers are the instrument in which we see brutality and injustice unfold, in both the past and future.Kev's story shows us glimpses of his life in LA, in Harlem, incarcerated in Rikers Island, in Watts.The short and powerful novel, with its sci-fi bent, is of a dystopian version of our current events and near future.
  • Rating: 5 out of 5 stars
    5/5
    Once I found the rhythm in the prose, I raced through this novel. This is my favorite kind of SFF - the world we know with a twist. The anger, pain, and rage radiate off the page, but so too does a dark hope. I really don’t know how to review this beyond read it - it’s powerful and masterful and will haunt me for a long time.
  • Rating: 3 out of 5 stars
    3/5
    A short, intense book about a brother born during the Rodney King riots and his older sister who has a Thing that gives her immense power. A range of cruelty to black lives in America is covered by their story. There is much heartbreak and a lot of strength.
  • Rating: 5 out of 5 stars
    5/5
    Tochi Onyebuchi’s Riot Baby begins on the eve of the 1992 Los Angeles riots, with young Ella discovering her abilities as her mother goes into labor with Kevin. The family’s story is one of trying to eke out a living amongst persistent institutional violence and uses the language and trappings of science fiction to discuss feelings of powerlessness and rage in such a system. Though Onyebuchi discusses some real world events, he works more to capture the pain and the need for hope in a world that criminalizes black and brown bodies from the moment they’re born. At a recent event in Brooklyn, Onyebuchi described the premise as, “What if god was a black woman?” Speaking as a U.S. historian, she would soon become a vengeful god and that vengeance would be merited, though Onyebuchi goes further than simply making this a story of revenge. Instead, it also shows moments of hope and humanity and love, raging against a broken system while showing how communities weather continual storms. Riot Baby is one of the most powerful works of science fiction that I’ve read in the last few years.
  • Rating: 5 out of 5 stars
    5/5
    Be forewarned. This novella is brutally honest about the lives of many blacks. Kev is born during the Rodney King riots in LA, thus the title. The book may be short, but the words are meaningful. Ella, Kev’s older sister, has her Thing, special mind powers that can do things like explode the head of a rat that has come into their apartment. Told from two points of view, Ella’s and Kev’s, its clear that growing up around violence and gangs is terrible. When Mom moves the family to Harlem, Kev is arrested and sent to Rikers. The section on prison is horrifying. I’d call this dystopian fiction, except that in the end there is hope for a better future.

Book preview

Riot Baby - Tochi Onyebuchi

I

SOUTH CENTRAL

BEFORE her Thing begins. Before even Kev is born. Before the move to Harlem. Ella on a school bus ambling through a Piru block in Compton and the kids across the aisle from her in blue giggling and throwing up Crip gang signs out the window at the Bloods in the low-rider pulling up alongside the bus. Somebody, a kid-poet, scribbling in a Staples composition notebook, head down, dutiful, praying almost. Two girls in front of Ella clapping their hands together in a faster, more intricate patty-cake, bobbing their heads side to side, smiling crescent moons at each other.

Bus slowing, then stopped. Metallic tapping on the plastic doors, which whoosh open, and warm air whooshes in with the Pirus that stomp up the steps in their red-and-black lumberjack tops with white shirts underneath and their red bandannas in their pockets and their .357 Magnums in their hands, and one of them goes up to the ringleader kid who had been throwing up the signs most fervently and presses the barrel of the gun to his temple and cocks back the hammer and tells the kid to stay in school and if he catches him chucking up another Crip sign, he’s gonna knock his fuckin’ top off, feel me? And Ella can see in the gangbanger’s eyes that he’s got no compunctions about it, that this is only half an act, it’s only half meant to scare the kid away from the corner, that if it came to it, the guy would meet disrespect with murder.

Ella hates South Central. She doesn’t know it yet, but can sense vaguely in a whisper that Harlem and a sweltering apartment and a snowball are somewhere in the distance, not close enough to touch, but close enough to see.


Ella calls her Grandma even though she’s not Mama’s mother. Still, she does all the grandma things. Takes Ella to church when Mama’s working or out or passed out on the couch from whatever she was doing the night before. Brings Werther’s chewy candies in the wrinkled gold wrappers whenever she comes by to help out with the chores. Keeps the bangers with their 40s of Olde English at bay when they loiter a little too close to the house and the garden that she protects like it’s her grandchild too. And now Ella’s old enough that she can sit outside on the porch to escape the heat that gets trapped indoors, the heat that turns the plastic covering the couch into a lit stovetop.

Grandma sweeps bullet shells out of the empty driveway while Ella chews on her second Werther’s of the afternoon.

Blessing, the pit bull next door, yanks itself against its chain, and Ella shakes her head, as if to say It’s too hot, I know, but dogs can’t talk, and this one wouldn’t listen anyway. Still, she remembers Mama telling her not to egg that dog on, not to tease it because one day the chain around its neck and the chain-link fence it sometimes throws itself against won’t be enough.

One of the neighbors, LaTonya, walks by holding her baby, Jelani, against her chest, and Grandma stops sweeping and smiles, and LaTonya holds one of Jelani’s wrists and makes him wave at Grandma. Say hi, Jelani, LaTonya coos.

"Oooh, he’s so big!" Grandma tells LaTonya, and LaTonya brings him over, hesitating only a moment to acknowledge the pit bull.

Pretty soon, he’ll be ready for daycare, LaTonya says, and even from the porch, Ella can see the light twinkling in her eyes.

Grandma smiles wide. The way you look at that child…

I know. LaTonya shows her teeth when she grins, bounces Jelani a little bit. Doesn’t look a thing like his daddy, but don’t tell Ty I said that. And the two women giggle.

Well, you know Lanie’s getting her business started up soon, so you should stop by. She’s been sticking sticky notes on everything, and she’s been saving up for a playpen. Even talking with the library about getting books for the kids. Lanie says we’ll eventually get a computer set up, so the kids can play their games after school. I don’t know how I feel about them staring at a screen all day, but sometimes it’s best to be indoors.

Well, you let me know when it’s up and running. Jelani would love to make some new friends. Ain’t that right, Jello.

Jelani buries his face in his mother’s chest.

Oh, he’s so shy.

The sun feels too bright outside like it’s washing the color out of everything, and dizziness hits Ella like a brick. Grandma and LaTonya are still talking when Ella staggers to her feet and stumbles inside, and the light falls in rectangles through the burglar bars over the windows. In the bathroom, she stands over the sink and lets the blood slide a little bit from her nose before tilting her head back up. It always feels like something’s rumbling whenever she gets the nosebleeds, like the earth is gathering itself up under her, but whenever they stop, the nosebleeds, and she looks around, it’s like nobody else noticed a thing. Vertigo pitches her forward. She leans on the sink, squeezes her eyes shut and tries not to think of what she saw outside: the boy named Jelani, grown to ten years old, walking the five blocks home from school, a bounce in his walk and his eyes big and brown before a low-rider screeches nearby and a man with a blue bandana over his face levels a shotgun out the window at someone standing behind Jelani and, after the bang, everyone scatters, leaving Jelani on the ground, staring up at the too-bright sun for the last, longest two minutes of his life.

Grandma finds Ella on the floor, gasping in a long, aching wheeze, then another, then another.

Oh, Jesus, and suddenly, she’s at Ella’s side and has the child’s face buried in her chest and rocks her back and forth, even as Ella grows limp. Oh, Jesus, Jesus, Jesus. Spare this child.

And Ella’s breath slows, and she comes to. One Mississippi, she whispers.

What?

Two Mississippi.

Child, what are you doing?

Three Mississippi. A breath. A normal one, then a heavy sigh. Mama says, when I get my panic attacks to count my Mississippis until it goes away.

Grandma sounds surprised when she laughs.


Good morning, Junior Church!

As tall as Brother Harvey is, his suit always seems too big for him. Too many buttons. But it never falls off, no matter how much Ella and Kiana and Jahnae giggle at him. None of the helpers down here in the church basement wear the white gloves the ushers upstairs in the grown-ups’ service wear, so Ella can sometimes see the tattoos on their hands. Brother Harvey moves back and forth in the little row of colored light thrown there by the stained-glass windows with orchids etched into them.

How many of you pray? he asks in his too-big voice. He sounds like God.

Ella raises her hand.

How many of you pray every day? She puts her hand down. Jahnae keeps hers up, but Ella knows she’s lying.

You don’t pray every day, she hisses. Jahnae cuts her eyes at her for a second, but keeps her hand up.

How many of you do things that are wrong?

Ella remembers that time she lied about putting her clothes in the wash and, instead, stuffed them into the closet she was supposed to hide in whenever bangers congregated in the alley behind the house. And she puts her hand up.

God says, Brother Harvey booms, ‘If you do things wrong and come to me, I’ll forgive you.’ He walks over to Kaylen, the little boy three down from Ella with suspenders and a clip-on tie. Brother Harvey’s hand rises like he’s going to hit him. If I hit Kaylen here, what is he supposed to do?

Forgive you, all the kids shout, except Ella.

That means Kaylen’s not supposed to hit me back, right?

Ella wonders what she would do if Brother Harvey hit Kaylen with that too-big hand of his.

Now, I’m not saying Kaylen shouldn’t defend himself. He puts his hand to Kaylen’s head, cups it. Kaylen, you say, ‘Brother Harvey, I will defend myself, and then at an appropriate time, I will forgive you. And I will do both of these things vigorously.’

The air starts to change the same way it does whenever Ella catches herself daydreaming, imagining. And she sees an older Kaylen, filled out and all man, working in a hospital as an orderly, and all his patients are old, way older than him, and over and over, the old patients, when they get slow and know it’s not going to be too long now, ask him to sit with them. No bang, no blue bandanna, no pool of blood on the sidewalk. Reflexively, she grips the tissues in the pocket of her frilly dress. She’s up in the front, and a nosebleed now would embarrass her in front of everybody. But it never comes, and she lets go of the tissues and pretty soon they’re singing. Brother Harvey says a prayer for all of them, anointing them; then he sends them back out to their parents or grandparents or people who act like their parents because they need to.

Ella’s so tiny that when the ladies crowd around her, their big hats come together like pink flower tops to hide her from the sun.


Mama has Ella’s hand in hers as they walk to the bus stop. Ella skips over the cracks where weeds poke through, more of Grandma’s Werther’s in her pocket. Jahnae will be waiting for them. When Ella looks up, though, Mama’s face is drawn tight, and quiet. Her stomach has grown so big that every step is deliberate. And this is what happens to you when you get pregnant, Ella realizes. You can’t skip no

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