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The Language of Spells
The Language of Spells
The Language of Spells
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The Language of Spells

Rating: 4 out of 5 stars

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A forgotten dragon and a magical girl set out to find Vienna’s missing dragons in this YA fantasy novel: “Extraordinary—not to be missed” (Kirkus Reviews, starred review).

Grisha is a dragon in a world that’s forgotten how to see him. Maggie is an unusual child who thinks she’s perfectly ordinary. They’re an unlikely duo—but magic, like friendship, is funny. And it has chosen Grisha and Maggie to solve the darkest mystery in Vienna.

Decades ago, when World War II broke out, someone decided that there were too many dragons for all of them to be free. As they investigate, Grisha and Maggie ask the questions everyone’s forgotten to ask: Where have the missing dragons gone? And is there a way to save them?

At once richly magical and tragically historical, The Language of Spells is a novel full of adventure about remembering old stories, forging new ones, and the transformative power of friendship.
LanguageEnglish
Release dateJun 26, 2018
ISBN9781452161112
The Language of Spells

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Rating: 3.95000001 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    children's middlegrade fantasy (magic, dragons, friendship).
    Terrific storytelling; recommended to fans who enjoy classic magical adventures.

    Parental note: there is at least one "crap" in here, but that is the worst of the language; there really isn't any violence but there are some scenes which could be frightening to the smallest children.
  • Rating: 4 out of 5 stars
    4/5
    Q: 5P: 5(I absolutely loved this book)This magical book will touch your heart with its innocence and purity. When a young girl meets a 150-year-young dragon, magical things are bound to happen! Garret Weyr's focus on imagination brings to life the gold-eyed dragons and the beautiful city of Vienna. The child's sacrifice is sad, but it truly captures the essence of magic: to do magic, you must give up something you love the most.
  • Rating: 4 out of 5 stars
    4/5
    In 1803 the last dragon ever is born, named Grisha. He lives with his mother in the black forest of Germany until he is about 60 years old, when he has an encounter with an evil magician and is turned into a teapot. For 80 years he lives as a teapot, shuffled around Europe in various households. When he is finally transformed back into a dragon, right after World War II, he learns that all dragons from all over the world are heading to Vienna, so he does too. Several months later he is working as a janitor and meets a lonely girl named Maggie. She asks him where all the other dragons are and he .... doesn't remember. Can Grisha and Maggie find out what happened to the dragons, and get them back? This book has all the elements of something I would really love, but they are not formed into a cohesive world or narrative. I loved the setting, and magic, and dragons, and I mostly really liked Maggie. But other than that I found the book to be way too long and unnecessarily explain-y. It was always telling and rarely showing. I really liked the beginning of the book, learning about dragons and seeing European history from the eyes of Teapot-Grisha, but that turned out to be almost irrelevant to the rest of the book. The only thing I did not like about Maggie was that the book makes a big deal of how Maggie is "special", in a way I really did not care for, and the perspective of the book is very misanthropic. All humans are mean and cruel, except Maggie and her father. Maggie is lonely and wants to make friends, but when she talks to other kids they think she is weird and don't want to be friends with her. This is presented as "people are terrible" instead of "a kid raised without any contact with other kids is going to have a hard time relating to other kids and so maybe you shouldn't do that."As far as the magic goes, the author makes a lot of complicated rules and then either ignores them or hand-waves them away as convenient. The evil magician casts a lot of spells, but the magic system is such that if the spells a magician casts are broken, the magician loses their power. Why would a magician bother to cast such pointless spells as turning a dragon into a teapot and selling the teapot if the breaking of that spell would mean that his power would be diminished?In the end, Maggie saves the dragons by giving up her "first and only friend". However, she actually loses the ability to see or interact with any part of the magical world. Either of those things would make sense as an ending but the book presents them as if they are the same thing, which they are not. It just doesn't quite click.There's some seriously wonderful material here, but it's lost in a book that desperately needs an edit. My dislike is definitely influenced by the high hopes I had after the first few chapters. I did very much enjoy the *gorgeous* illustrations. It's probably aimed at a middle-grade or younger audience, though it's 300 pages and contains complex language and ideas.
  • Rating: 4 out of 5 stars
    4/5
    Had the ending been stronger, I would have given this book a higher rating. As it stands, the story itself can be taken as a fun fantasy story, written for children, or as an examination of the problems of modern government and totalitarian regimes. However, taken either way, the ending is a let-down. For a fantasy novel, the ending is sad, and doesn't make a lot of sense, especially for children / tween fantasy. For an allegory, you're simply left scratching your head and wondering what the point was.I'm not saying that the book wasn't enjoyable -- just that it could have been far better.
  • Rating: 4 out of 5 stars
    4/5
    I spent the first half of the book raving about it, and the second half wondering if I'd somehow switched to a different book.The setup was riveting. We have an alternate history, in which dragons coexisted with humans, but around World War II they were rounded up and imprisoned. The allegory to Jewish concentration camps came through very clearly, and for much of the book, the greatest villain was human bureaucracy and cruelty, in the form of the "D.E.E."Unfortunately, these real-life themes are not given a real-life solution. Instead, they are literally magicked away in the second half. Yes, that magic takes place only with great sacrifice, but it is still a magical solution. In part because of the nature of that sacrifice -- and in part because the book ended -- we never resolved many of the ongoing plot threads, nor did we get to witness the ramifications of everything that had happened to this displaced population.The result was terribly unfulfilling. If the book had been straight-up children's fantasy from start to finish, the ending would have fit right in. As it stands, I wonder if the author had written herself into a corner, and was unable to come up with a solution to such a real-world issue as totalitarian xenophobia.I don't want to focus entirely on what I did not like, however. The characters were vividly written, the world engagingly built, and the stakes well established. In the end, perhaps the best thing it did was raise questions without attempting to truly answer them.
  • Rating: 3 out of 5 stars
    3/5
    I liked this book a lot, I liked the characters and the world and the story, up until the end, which, maybe it was because I’m already stressed for personal reasons right now, but I found the end just too depressing for words.
  • Rating: 4 out of 5 stars
    4/5
    Grisha is a dragon; the youngest of the last dragons, actually. And, due to the machinations of an evil magician, he's spent most of his life as an enchanted teapot. When the enchantment is broken, he learns that all of the world's remaining dragons have followed a mysterious summoning sound to Vienna. After some time in Vienna, he meets Maggie, a lonely human girl. Together, they discover that something terrible has happened to many of the dragons, and together they embark on a quest to rescue them.This is a lovely, gentle book with a bittersweet ending. The pace is leisurely, but it doesn't drag. I thought the actual quest part went a little too easily, but the best parts of the book are Grisha and Maggie's friendship, and the way the world's magic system works. If you enjoy thoughtful juvenile fantasy, give this one a try.
  • Rating: 4 out of 5 stars
    4/5
    This is a beautiful story that I would absolutely recommend for middle-grade readers. The start is a little slow, but it builds to a quest that addresses some pretty deep themes at an introductory level. The post-WWII setting could make it lazily interpreted as allegory, but the book’s really an exploration of memory, trauma, love, friendship, sacrifice, and magic. Maggie and Grisha’s friendship allows them to be safe in each other’s company and understand things about their pasts they never had before. At 11 years old, Maggie also begins to see her father and her deceased mother as complicated humans, just like her. While I may have dragged my feet reading the beginning of this book, the end was completely satisfying. I’ll admit I cried during lunch at work as I closed the book. If you enjoy feelings of historical whimsy, magical realism, and intellectual exploration, I recommend “The Language of Spells.”
  • Rating: 4 out of 5 stars
    4/5
    This weeks read was provided to me for free in exchange for an honest review.In a world where most people have long forgotten about dragons and magic, 11 year old Maggie sees it all around her. Grisha is one of the last dragons left in Vienna, having been imprisoned for most of his life in a teapot (evil sorcerers really are the worst), he now spends his days giving tours of an old castle, and his nights being...well... generally lonely. When these two unlikely characters meet one night in a hotel bar (Maggie's upbringing is eccentric to say the least- her parents are into the arts- need I say more) a deep friendship blooms. The two embark on a journey together to find out what ever became of the worlds mighty dragons, but to find the answer Maggie may just have to give up the thing she holds most dear, magic is tricky like that. This was an exceptional read! Bursting with magic and whimsy, it is one I would gleefully recommend to my big and little readers alike. We should all be more like Maggie, kind, honest, willing to do anything for a friend, and perhaps most importantly, sees things that most people find unimportant or overlook. This book reminds me that sometimes we need to slow down our fast paced lives and bring ourselves back to the basics, to really see the world. True magic is found in all the cracks and hidden places of life that are often discarded and overlooked; but if we really try, beneath it all, we can see all the wonder the world has to offer, and that can truly be the most beautiful part. "People expect that the magical will be extraordinary, but it's often easy to overlook" A beautifully written story for lovers of magic of all ages, I highly recommend this one! It was fun and magical with some lovely underlying themes. 
  • Rating: 5 out of 5 stars
    5/5
    If it has been a while since you read a Middle Grade book, you should go find one and read it. There is something about that MG authors just get and they pull you into a world and you fall in love with the characters and everything just pulls at your heartstrings. The Language of Spells is one of these books. It is about a dragon names Grisha and also about a girl named Maggie. The reader meets both of them and follows their lives for a bit before these two wonderful characters even meet each other and start unfolding a beautiful plot. They live in a World of Magic, and there are magical things and no-so magical, normal world things. If you happen to be a human and want more of the magical world you can give up what you treasure most - money, time, or your most dear things to become magical. This book was a twisty road of past meets present and the magical and non-magical things and it was so wonderful to read.I loved this world, it was wonderfully whimsical and sometimes very sad, and it just blew me away. I found myself crying a few times throughout and really loved this whole book. That being said, it takes quite a while to get up and running so it is a slower read then most MG books, but the time it takes to get there is a pleasure.
  • Rating: 5 out of 5 stars
    5/5
    This book was so cute. I would have loved it when I was 7 and I love it now. It’s written for kids but the language is good, the characters are real, and the author realizes that even kids can understand complex problems such as giving up what you want in order to do something worthwhile. In other words, it’s not childish.The story covers the relationship between the dragon Grisha, who as a young dragon was trapped in the shape of a teapot and thus never knew battle like all the other dragons, and the girl Maggie who was raised by her father and was never able to make friends (the other children didn’t make sense to her). When they meet, they develop a friendship, and together undertake a mighty task that will require sacrifices. There are dragons all around us, we’ve only forgotten how to see them.I read an ARC of this book in exchange for a fair review. I’m delighted that I chose to read this book and hope that you will too!
  • Rating: 3 out of 5 stars
    3/5
    A magical story with dragons, sorcerers and humans. A dragon named Grisha, was turned into a tea pot and lived many years with no mobility but hearing and seeing. He was released from the spell, but after being free other rules had to be obeyed. Dragons were divided an hidden with a sleeping spell. Grisha and Maggie work together to free the dragons, but by doing so, Maggie had to give up something she cherished. Garret is a good story teller. It is an easy read for young readers. I loved the illustrations.
  • Rating: 4 out of 5 stars
    4/5
    It took me a little bit to get into The Language of Spells -- I had a bit of a book hangover from my previous read and wasn't really captivated from the first line. But once I was a few chapters in and Grisha leaves the forest, I was totally captivated. I loved watching Grisha's character grow, and I loved his friendship with Maggie. I followed along eagerly as the dragon and girl begin their quest, but as it went on, it started to feel like certain aspects of their journey were coming too easily. I know it's a children's book, but I needed a little more. It felt like the first three quarters of the book set up for this epic quest that was then tidily wrapped up in the end. But, while the end was a little disappointing, I still enjoyed my journey with Grisha and Maggie, and would love to explore Vienna with them some more.
  • Rating: 4 out of 5 stars
    4/5
    Very odd, very rich. It's a YA - there are a few holes in the logic, but nothing that leaps up and destroys the story, and the story is great. I kept expecting it to turn into a Holocaust story, or at least a moral tale - and it never did, aside from "magic still exists, if you look carefully" and "friendship is important". The ARC only had sketches of the art, I think I'll look for the published book to see them in full. They're interesting sketches but I think seeing the finished work will be worth the effort. I'm not sure if I'll ever reread it, but I'm very glad I have read it.

Book preview

The Language of Spells - Garret Weyr

PROLOGUE

THE FAMOUS AND THE ORDINARY

SOMETIMES, EVEN TODAY, MAGIC STILL HAPPENS. Sadly, it no longer comes from cauldrons or fairy godmothers with wands. Or even, no matter what you’ve read elsewhere, from wizards. Instead, it is tucked into shadows and corners, visible only if you look. But you might have found it, some years ago, on a cold, rainy night at a famous hotel bar in the center of an old city in Europe. Anyone who cared to pay attention that night would have seen magic coming out of its deep slumber at the exact moment when an old dragon and a young girl met for the first time.

The dragon was no ordinary dragon, although Vienna, the old city with the famous hotel bar, was full of dragons all claiming to be famous and special. The dragon in question made no such claims. Indeed, he thought of himself as hopelessly ordinary, especially when compared to his noisy friends at the bar. They never tired of telling their stories about armies, castles, or kings. Our dragon did have a particularly splendid roar, but he’d never used it in battle. Magic had yet to claim him for its purpose, as it had each of his friends. He would have been embarrassed if anyone had told him he was destined for great things. But, in fact, it was why he’d been born.

The girl, as it turned out, was no ordinary girl either, although she would certainly have told you that she was. She believed that mirrors don’t lie, and her mirror showed a remarkably unremarkable reflection. The magic that existed in her world sang only in poetry, paintings, colors, or an excellent slice of almond cake. If pressed, she’d explain that her father, a famous poet, and her mother, a dead but still famous painter, were the special ones in her family. She herself, although finally eleven, was just a girl with no particular talents.

Magic is funny in that way: It chooses those who might not choose themselves. In fact, one of the many rules governing the world of magic is that if you pay attention, you will understand how magic has chosen you.

And why.

CHAPTER ONE

FOREST CREATURES

BACK WHEN THE WORLD WAS LONG AGO AND FAR away, deep in the Black Forest, a new dragon was born. The new dragon was known as Grisha, although his parents, in the strange and mysterious ways of grown-ups everywhere, had named him Benevolentia Gaudium. The grandness of Benevolentia Gaudium, meaning kindness and joy, was far too grand for daily use, but his parents liked the way it sounded. They had waited fifty years for his arrival, and were naturally thrilled with their son.

Normally it took thirty or so years for a new dragon to arrive in the world, but the special ones took an extra twenty years. No one knew why the world of magic selected particular dragons to be special, but the signs were always clear. One of those signs was the fifty years of waiting. The more obvious signs almost always had to do with an unusual appearance.

So after waiting fifty long years, Grisha’s parents were baffled by his ordinary looks. The baby dragon had gold eyes (violet was the most common eye color for dragons, but there was nothing special about gold) and his scales were shades of green, brown, and orange. There was no fuchsia, no blue, nor any red on him anywhere. There was not even the splash of black along the neck that the very best warriors always had. His mother, a National Roaring Champion, and his father, a well-known Sword Warrior and Fire Breather, couldn’t understand why they had waited so long for such an ordinary-looking dragon.

But they knew that sometimes magic made an occasional wrong turn. Either their baby dragon was a perfectly normal one, or his particular talent would have nothing to do with his appearance. Grisha’s mother shrugged and his father went back to work on the battlefields of men. In a way, it was a relief, for now they would not have to hire one of the older, more experienced dragons to teach Grisha how to manage any extraordinary powers.

Grisha was born in the year 1803, which turned out to be the last year that any dragon, special or otherwise, was born. There is much debate about why dragons stopped being born, and no one knows the exact reason. Perhaps it is simply that in the years following Grisha’s birth, the steam engine was invented, railways were constructed, and light bulbs became a fixture in homes and on streets. As the world of men built new and extraordinary things, the world of magic began to decline. No creature lives beyond its own world, and a dragon is nothing if not a creature from the world of magic.

But back in 1803, the year of our dragon’s birth, magic was still as common as electricity is today. Dragons, flying horses, and poisonous rabbits roamed Europe’s famous forests in large numbers and were not considered, by men or the other woodland creatures, as anything strange or even wondrous. Instead, the dragons, flying horses, and poisonous rabbits were accepted as natural parts of the forest, much like the trees. And if the creatures of magic were obliged to perform various jobs and tasks in the world of men, it just meant that sometimes they were obliged to leave the forest.

Flying horses were used when someone was too ill to send for a doctor or when a message could not be trusted to a servant. Poisonous rabbits, who, save for a small black dot on the back of each ear, looked exactly like ordinary ones, served as both spies and assassins.

Dragons were created solely for battle. Even more than swords, guns, or cannons, dragons helped to sway a military conflict. Almost always, the side with the most talented dragons won the fight.

Fighting was serious business. A good dragon could make or break a royal knight’s reputation. Not only that, a single dragon could change the fate of entire kingdoms.

In order to prepare for such a future, you might expect that young dragons would be sent to training camps. Or be forced into childhood battle drills and endurance tests. Or simply take part in endless fighting contests against each other.

But that was not how dragons developed their particular talents. Their parents guided them in certain areas, but before that, new dragons were encouraged to discover their world. As children, all of magic’s creatures learned about themselves by being curious about the forest.

It was only when Grisha first crept under a low bush that he learned he could change his size. I’m small, he thought with a mix of alarm and pleasure. What had once been a branch he could trample on was now hovering over his head. When he crawled out he returned to his normal size. To experiment, he sought out a large clearing and, sure enough, he grew in size, able to see over the surrounding trees. Although a bit painful if done too often or too quickly, all dragons are able to scale to size. In this way, they can easily pursue a fleeing army into a palace or fort.

Grisha learned to fly the first time he’d wandered too far from home and had promised to return before sunset. Without even thinking, his wings spread and he soared into the sky. Over time, he learned how to use scents and an internal guide to stay on route. One trick he learned quickly was, on a return trip, to take off from the place he’d landed. That made it far easier to retrace his route.

Those were the lessons young dragons were expected to figure out on their own. When they were a bit older, their parents taught them how to breathe fire and to develop a unique roar. Tactical lessons in fighting and haunting came still later, after the forest had taught its living things that staying alive mattered above all else.

Grisha loved the forest and all the creatures he met, from the lowly field mouse to the much admired (if rarely seen) mountain lion. He loved the streams, the trees, and the mossy forest floor. Nothing—not a torn paw pad or scraped scale—ever dimmed his spirits. Other dragons were quick to take offense or find fault in the world, but not Grisha. Even when his father died in an unpleasant incident involving a prince and a magic spell, Grisha’s sadness was mostly for his mother, whose tears singed her face and gave her a terrible cough.

The older dragon’s death happened well before Grisha had had a chance to form any lasting memories of his father. Many dragons born to famous fighters found themselves without one or both parents and without memories of the one who was missing.

Grisha did understand that with his father gone, he would have to teach himself to breathe fire, a task almost always left to fathers. This scared him a bit, as it could be dangerous to learn on your own. The fire dragons breathe is mostly absorbed by their scales, which are designed to help with both flying and fire extinguishing. In the beginning, however, there are always accidents. Grisha singed his lungs, got a very sore throat, and burned the scales all around his nose. Finally, though, he mastered it.

His mother finished grieving rather quickly, for in those days if you were a dragon and your husband went off to battle, the chances were good that he would not come home. She promptly set about teaching her son to roar. Her roar was, without a doubt, the best in the business, and in no time Grisha’s roar sounded somewhat like eighteen trumpets, ten bassoons, and a pair of cymbals banging in your ear.

All dragons have roars that sound a lot like military music, but Grisha’s had something extra. It wasn’t an unusually powerful sound, but every now and again Grisha’s roar would make his mother stop, think, and take a good look at the beauty all around her. Perhaps the ability to make others pause would be a valuable tool in battle, she thought. She was curious to see what would happen with her rather odd son.

Now all that’s left is fighting and haunting, his mother said, but you have a few decades before you need those skills. She had no idea, of course, that those decades and many more would be stolen from him. Her son would never fight or haunt in the traditional sense. However, his roar held hints of what he would accomplish instead—more than she could imagine, which was probably just as well.

Grisha had no sense that either his ear-catching roar or his years-late arrival were the mark of anything special. He was simply relieved that he could put off fighting and haunting.

He usually tried to avoid dragons his age. Their boasting about the armies that they planned to slay and the cities they would one day terrify was fairly tedious. And so, short a father, but in possession of a roar and a somewhat erratic fire-breath, Grisha returned to wandering happily through the forest.

He loved the way the air smelled of cinnamon and rotten oranges. His heart was glad when he heard the forest’s streams rushing toward the basin where the Danube River began its journey across Europe. He ate only acorns from oak trees, preferring their dark chocolate taste to the sharp vinegar of a fir tree’s cones.

Grisha knew in a vague way that he would one day have to leave. But for now he was content to follow the smells, the sounds, and the feel of the forest. He enjoyed the way his tongue moved to bring air into the part of his mouth designed for smell. Because dragons shoot fire out of their noses, they never use them to smell. For Grisha, breathing through his mouth was an excuse to linger over the first blooms of spring, the wet winter leaves, and the sharp, nutty scent of summer evenings. Grisha would move slowly through sun-drenched clearings, changing size when he pleased and luxuriating in the warm air against his scales.

He’d heard stories about the world of men and how its residents all lived indoors. That life seemed sadly small. Grisha couldn’t imagine having to stay the same size to fit into a home’s unchanging shape. The silence alone would kill you, he thought. Dragons have such exceptional hearing that they detect even the small sound of a grasshopper hopping.

Most precious of all to Grisha was the ability he had to concentrate even as the most distracting and terrifying sounds were taking place. Men became paralyzed with fear and confusion by battle noises, but a dragon calmly went about the task of fighting. In the forest, dragons were the only creatures who slept through lightning storms, but also the only ones who could hear the first footfalls of an enemy. In this way, dragons bore the responsibility of using their abilities to warn and protect all who shared their home.

CHAPTER TWO

THE LANGUAGE OF SPELLS

A SOUND ECHOING THROUGHOUT THE FOREST WAS what lured Grisha from his safe and happy home. It was very faint at first, but also sharp and clear, as if the rushing of a stream had stopped to introduce itself. It was a quick, delicate music that repeated itself over and over again. The sound reminded Grisha of happiness itself, and he followed it until he was at the edge of a clearing he’d never seen before. Through the thick branches of pine trees (the oaks tended to cluster deeper in the forest), Grisha saw his first small human. He was so surprised that he almost breathed out fire. He had to swallow it quickly, which was very uncomfortable.

Grisha remembered that small humans were called children and that, as with dragons, there were both boy and girl kinds. A boy child was causing the sound by shaking a bell, and Grisha was fascinated with its shape and its music. Near the child there was a quilted blanket spread across the grass. It was covered with silver and porcelain objects that shone more brightly than water on a sunny day.

If it had been a big human with the bell, Grisha would have turned back into the forest. Everyone knew that the big humans who came to the forest were dangerous. They were in search of unicorns, which was foolish. Any dragon could tell you that unicorns slept all day inside of tree trunks. They only ever came out between midnight and dawn to run, eat, and drink. Occasionally, a unicorn would fall in love with a deer and then would wander with the herd. And, of course, that unicorn would be seen by townspeople or a contingent of knights. Immediately, the whole forest would be swarming with hunters carrying fierce and terrible weapons.

Humans believed that unicorns had magical properties so powerful that their horns could cure illness, stop wars, or help crops to grow. Dragons found this very annoying, since there was nothing magical about a unicorn. The most powerful magic in the forest came from two small rivers that crossed where the great Danube River began. It seemed at once incredible and stupid that anyone could mistake a unicorn for water.

Grisha himself thought unicorns were very pretty, but he knew they caused a lot of trouble. The hunters never found a unicorn and so would become angry. Determined to capture something, they hunted wolves, deer, and most especially dragons. Not just grown-up dragons, but young ones, too.

However, Grisha had never seen a small human hunting in the forest. The sound of the bell was so marvelous that he walked out from behind the pines, not realizing that it would be well over a hundred years before he returned to them. He made his way across the grass and sat down by the blanket, almost hypnotized.

The child, seemingly unaware of any audience, kept shaking the bell until Grisha thought his heart would burst from joy. When the dragon could bear

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