DEAR GOD. DEAR BONES. DEAR YELLOW.
By Noor Hindi
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About this ebook
What is political poetry? How does history become lived experience? What does it mean to bear witness through writing?
Noor Hindi’s poems explore colonialism, religion, patriarchy and everything in between with sharp wit and innovative precision. Layered to reflect the intersections of her identity, while constantly interrogating this identity itself, her writing combines lyrical beauty with political urgency.
This collection is ultimately a provocation―on trauma, on art, on what it takes to change the world.
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DEAR GOD. DEAR BONES. DEAR YELLOW. - Noor Hindi
I.
Self-Interrogation
At the airport terminal, a woman is crying.
Excuse me. Excuse me. Excuse me, I—
Need to focus. On something besides.
The rush of migration. Lights so loud.
The unending sound. Of a newscaster’s voice.
Dear God. Dear Bones. Dear Mother. Please, forgive
me. I want to call in dead. Last week,
there was a child in a yellow dress reading a poem.
For minutes on end, I could not be indifferent
to anything. Not the grass, dying yellow.
Not the bombs, twisting limbs.
Not the cages. Not the—Yes. There is a woman crying
at terminal six. Yes, I use a newspaper
to cover my eyes. Yes, I think of the child.
The tiny silver heart she placed in my palm.
How I threw it in the trash, seconds later.
But I promise. I promise. I promise. I—
meant it as an act of survival. Maybe love.
Thirst
Amman was a broken
railing I tried to lean on
and the Athan was a song
I tried and tried to love. That summer,
I was little and terrified
of God, my lust hanging
from the roots of my hair.
What did I know of the thirst
that moved at the speed
of fingers exploring a body
I wanted to be mine? I remember
my grandmother
tapping her feet during iftar, say al-Hamdillah,
say I am thankful
for this sunlight, this sorrow,
this summer, which is endless
and tastes like heat. After iftar,
I would hold her hand, let her guide
me to the women’s mosque,
where dirt lined
the soles of their feet;
their hands clutched prayer