The Brazilian Cat (Cryptofiction Classics - Weird Tales of Strange Creatures)
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Arthur Conan Doyle
Arthur Conan Doyle was born in 1859. He trained to be a doctor at Edinburgh University and eventually set up a medical practice in Southsea. During the quiet periods between patients, he turned his hand to writing, producing historical novels such as Micah Clarke and adventure yarns including The Lost World, as well as four novels and fifty-six stories involving his most celebrated creations, Sherlock Holmes and Dr Watson. Doyle was knighted in 1902. In later life he devoted much of his time to his belief in Spiritualism, using his writing and celebrity as a means of providing funds to support activities in this field. He died in 1930.
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The Brazilian Cat (Cryptofiction Classics - Weird Tales of Strange Creatures) - Arthur Conan Doyle
The Brazilian Cat
By Arthur Conan Doyle
A Cryptofiction Classic
Copyright © 2013 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available
from the British Library
Introduction
The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy. While the latter two continue to move towards the mainstream of literary tastes – as evidenced by reaction to modern series such as Neal Stephenson’s The Baroque Cycle and George R. R. Martin’s A Song of Ice and Fire – many readers have probably never even heard of cryptofiction. Odd, when one considers that some of the most famous authors in the Western tradition have dabbled in cryptofiction, and that even today works of cryptofiction frequently feature on bestseller lists.
Cryptofiction takes its name from another, non-literary practice: cryptozoology. Cryptozoology is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Focused on the search for animals whose existence has not been established – who are literally kryptos, Greek for hidden
– cryptozoology traces its roots to the work of the 19th-century Dutch zoologist Anthonie Cornelis Oudemans (1858-1943). Oudemans’ 1892 work, The Great Sea Serpent, was a collected study of global sea serpent sightings, which hypothesised that all these serpents might stem from a previously unknown species of giant seal.
Around the same time that Oudemans’ work came to prominence, cryptozoology experienced its early crossovers with the fiction of the day. Following in the footsteps of Jules Verne’s famous Twenty Thousand Leagues Under the Sea (1870) – which featured a mysterious giant sea monster – the 1890s saw an explosion of cryptofictional short stories, such as Rudyard Kipling’s A Matter of Fact
(1892) and H. G. Wells’ The Sea Raiders
(1896). Into the 20th-century, Arthur Conan Doyle’s The Lost World (1912) centred on an expedition to a plateau of the Amazon basin where prehistoric animals continued to thrive, and Edgar Rice Burroughs’ The Land That Time Forgot (1924) picked up a similar theme, featuring not just dinosaurs but also Neanderthals. Less than a decade later, a prehistoric ape took centre stage in the 1933 film King Kong.
The fifties witnessed what was probably the heyday of cryptozoology. It was in 1955 that Belgian-French zoologist Bernard Heuvelmans – known as the father of cryptozoology
– published his On the Track of Unknown Animals, in which he