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Terminal Syllable Initial Syllable

The document discusses different types of meters and patterns used in classical poetry, including dactylic hexameter, elegiac couplets, Sapphic and Alcaic stanzas. It provides examples of these forms from Virgil and other poets to illustrate the metrical patterns.
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100% found this document useful (1 vote)
178 views3 pages

Terminal Syllable Initial Syllable

The document discusses different types of meters and patterns used in classical poetry, including dactylic hexameter, elegiac couplets, Sapphic and Alcaic stanzas. It provides examples of these forms from Virgil and other poets to illustrate the metrical patterns.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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HEXAMETER

Vowel Length
Long
1. long vowel puellā, futūrus, audīmus, urbēs.
2. diphthong: ae, au, ei, eu, oe, ui.
3. short vowel followed by two consonants (long by position) dens— puer—bonus
BUT if one word ends in a short vowel and the next word begins with two consonants, the short
vowel normally remains short: puella stat—the terminal a remains
Short vowel, not closed by two consonants

Elision Loss of a syllable by loss of a final vowel before another vowel.


Terminal Syllable Initial Syllable
Vowel or diphtong Vowel or diphtong Femina it = femin-it
Vowel H or vowel omnia haec — omni-ec
Vowel + m Vowel maximum et — maxim-et
Exception: Prodelision When the second word is “est” or “es,” bonum est—bonu-st.
instead of deleting the first vowel,
remove the e

Metrical Patterns
the dactyl (from the Greek “finger”): − ∪ ∪ the spondee: − −

caesura occurs any time the ending of a word does not coincide with the beginning or the end of a
metrical foot;
strong caesura, if it occurs between the two syllable of a spondee, thus: -||- or after the long syllable
of a dactyl, thus: -||uu.
Weak caesura if it appears after the first short syllable of a dactyl, thus: -u||u.
diaeresis is where a word end matches the end of a foot.
bridge is a place where a diaeresis or caesura is not allowed
Enjambment: The continuation of a syntactic unit from one line to the next without a major juncture
or pause.
Dactylic Hexameter

Hexameters resist being broken in half or thirds:


−vv –vv –vv / –vv −vv –vv −vv –vv / −vv –vv / −vv –vv
The elegiac couplet

a hexameter verse followed by a pentameter verse.

– uu | – uu | – uu | – uu | – uu | – x
– uu | – uu | – || – uu | – uu | –
Aeolic Verse, Hendecasyllables

L L / L vv L / v L v L L
choriamb

—˘˘—
Asclepiadean

— — | [three choriambs] | ˘ —
Sapphic stanza

— ˘ — — | [choriamb] | ˘ — —

— ˘ — — | [choriamb] | ˘ — —

— ˘ — — | [choriamb] | ˘ — —

—˘˘——
Alcaic stanza

— — ˘ — — | choriamb | ˘ —

— — ˘ — — | choriamb | ˘ —

——˘————˘—

—˘˘—˘˘—˘——

Elegiac Couplet

– u u| – –| – u u|– – | – u u| – x
Od'et a|mo. Qua|r'id faci|am, for|tasse re|quiris?
– uu | – uu| – || – u u | – u u|–
Nescio, | sed fie|ri || senti'et | excruci|or.

- - | - - | - ||- | - u u | - u u| - -
Mŭltās pĕr gĕn-tēs ĕt mŭltă pĕr aequŏră vĕctŭs
- u u | - u u |- || - u u |- u u|-
ădvĕnĭ(o) hās mĭsĕr-ās, frātĕr, ăd īnfĕrĭ-ās

- -| - -| -||- |- - | - u u| - -
ŭt tē pŏstrē-mō dōn-ārĕm mūnĕrĕ mŏrtĭs
- -| - -| - || - u u| - u u| -
ĕt mū-tăm nē-quīqu-(am) adlŏquĕ-rĕr cĭnĕ-rĕm,

Hexameter Vergil (beginning Aeneid)

- u u| - u u| -|| -| - -| - u u |- -
Ărmă vĭ-rŭmquĕ că-nō, Trō-iae quī prīmŭs ăb ōrīs
- u u|- -| - || u u| - -| - u u| - -
Ītălĭ-ǎm fā-tō prŏfŭ-gŭs Lā-vīniăquĕ vēnĭt
- u u | - - | - - | - || - | - u u |- -
lītŏră, mŭlt(um) ĭl-l(e) ĕt tĕr-rīs iăc-tātŭs ĕt ăltō
- u u| - || - | - u u| - -| - u u |- -
vī sŭpĕ-rŭm, sae-vae mĕmŏ-rĕm Iū-nōnĭs ŏb īrăm;

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