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BOSSA How Insensitive Hz9ets

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0% found this document useful (0 votes)
114 views2 pages

BOSSA How Insensitive Hz9ets

Uploaded by

Beno Bena
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

How

Insensitive
für Sologitarre
Antonio Carlos Jobim
D/A C♯/G♯ G Bm

3 2 2 2

   
                         
   
cont. with rhythm pattern

 3
5
4
3
5
4
3 3
5 5
4 4
3
5
4
3
5
4
3 3
5 5
4 4 / / / / / / / / / / / /

5 5 5 5
Bm B♭ Am

                           
                       
        


 
How in sen si tive I must have seemed When he told me that he loved


2 3 2 2 3 2 2 3 2 2 3 2 2 1 2 5 4 3 3 2 2


3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 1 1 1 3
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 2 2 2 4
2 2 2 1 1 1 0 0 0
E/G♯ G


2 2

            


               
       
me How un moved and cold


2 0 0 0 2 0 0 2 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

4 4 4 4 3 3 3 3
F♯ ( )
CMaj C♯m  Bm
2


3

                                    


    
    
           
I must have seemed when he told me so sincere ly


0 2 0 0 2 0 0 0 3 2 1 1 0 0 0
3 3 3 3 3 3 3 3 0 0 0 4 2 3 3 3 3
4 4 4 4 4 4 4 4 0 0 0 3 2 2 2 2 2 2 2 2
0 0 0 0 0 0
3 3 3 3 4 4 2 2 2 2
2

www.joachimribbentrop.de
D/A G♯

3 3

               


                 
     
Why he must have asked Did I just turn


0 0 0 0 2
3 3 3 3 3 3 3 3 3 3 3 0
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 0
4 4 4 4 4 4 3 3 3 3 3 3 3
5 5 5 4 4 4

GMaj Em Bm


3 2

           
          
   
  
         


and stare in icy silence

2
0 0 3 0 2 0 0 2 3 3 3 3 3 3 3 3
0 0 0 0 2 2 2 2 2 2 2 2
0 0 4 4 4 4 4 4 4 4
2 2 2 2
3 3 0

D/A C♯/G♯

3 2

          
                 
     
      


What was I to say What can you say

0 0
3 3 3 3 3 2 2 3 2 2 3 2
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 3 3 3 3 3 3 3 3 3 4
5 5 5 4 4 4

GMaj () F♯ Bm


2

  
                             
             
 


 
When a love affair is over



2 2 5 4 3 3 2 2 2 0 0
4 4 5 3 3 3 3 2 2 2 2 2 2 2 2 2
4 4 2 2 2 2 0 0 0 0 0 0 0 0 0
2 2 2 2
3 2

2 www.joachimribbentrop.de

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