This is the true story of Aldridge, a black man born free in New York during the 1800s when slavery was still in full force. A racist mob burned down the theatre Aldridge worked at, so at the age of 17, he boarded a ship to Europe and made his 40-year acting career overseas.
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Red Velvet
This is the true story of Aldridge, a black man born free in New York during the 1800s when slavery was still in full force. A racist mob burned down the theatre Aldridge worked at, so at the age of 17, he boarded a ship to Europe and made his 40-year acting career overseas.
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
rng ani is
spriaeprectae pve tees
isin merited
ee ene wee
Eoniniameae mimes nee
eel econo
mat
ch te sab ay Sn Cad Tae Cup
macnn ram, et et
"Pfacial waste oer sh! sn th]
sit up bese ng pte
ae ty piri Reman
int a my ass recep
‘adh pte a pence Bt eo pe
‘Seong poaaconae seh nthe ape ep
etc arenas aber beg te A
‘Ss met antes he i re cary
‘rant vet Set seins ch rsa ook
‘mune sein Cone Ten Cy
Ww
Soe ‘Sal mn es Si ‘armen
{Ech pooner, bonne aber ea
ean pal ase Nee al se
a pt ak hog ay Sa ei shan
‘Real ne nung mato ptr ein anon tla
shpecinrgun ine cna cel eae
‘MUS AN THIRD-PARTY MATERALS USE OTE
ney esse fr sng fms wes permis
Sin pay mca eg aie pe prernec
‘tsanngsatth eh some
Their ences oi prc ein nde
‘intone alt pt rs
te a ig pt, ne cp
yuh inl pete er hie ple 9 oe
1g ems rg end rn‘Gums eu Soka
sana rostn a
‘Gumesee “erat
ese tone ie Ligh ge Ae) We
RADE le ph eg
sesame moc Whew, gh io AA Theatre Dressing Room, Lode,
Poland 1867. Evening
(2 le n= and iT
Wee a duing i wh lp. A he ange
tnd mine A ote Eoany ae ah an,
Twins ruck ety ne)
(1% mae da ond «man cASBAR, Grn,
Jom tyson eo Th ca 2
‘Riss de hen)
(Casi. Casini ont me around hee are
yay
‘a
em
duu Mein Gout Du bij rc
(Ohny go! You're tele)
as Un Du i se
(deny bch)
dun Shas na ese 2
(lk ate room)
ast Lier neh Di anche,
(Varah tok sty)
suv Pc hie ft ti
Cisse quer ere)
(He iss Sb ss bah. He cases(steats)
MALIN. Tt ne ech bia so ungeeicht Wass deen
‘tn
(orn
gue ek andi oo hom)
{Contes proatiy era opm)
‘ins kn exerting)
‘asian Und Du tet nach Fersen
(A yo snl of trabries)
(eu ihr gai A ond had ote th de
Ie ease and A py hale)
oy Wha ers)
(Te ue gos aed TERENCE, sh, gt,
om drageng og hey ene)
IMALINA end CASIAIK fe THREE des ot
‘amen. For goodness ke
(esr tm gg tase He es
franca an eng np)
There or the nova, i’ ot hard dcion, Bat
jhe ing cho, Myown by ful
(Acts ai ees he desing tle)
(He puts he win cae and ict ae don ae
she aa He fs the ty ae, ings et
fam thy rns a hx mae Hes te
temps CASAAR eset oe reed tons
LHALINA wo hi TERENCE wth)
(On my gi. You Hightened te ie out of me.
‘What on ear ate sou dengin here?
Vevzcinung, bitte. Wir gehen sebon.
(So sorry. We got et Tm s0 04, ee going
WIEN. Who one
‘eae jor plo?
‘astm Wa ht Du ere geen?
{Mat sre ou eying?)
ain. om top Poh pape, Le
NAINA Carri wn ig eon
astm Di spi ech?
(oa peak Es
MALIN Mr Aldridge is ere?
THRENGE. These are private rooms, Nowe if yo don’t
[RIENCE reso hdr alan ifm
Toe EASON mn LING shes)
NALINA. Tete an appoint, So Ham hee
‘ast Le este ht, was sat bere
(Udon understand what be ag bt Fm)
‘wRENC, Thin abut unacceptable
HALNA Mr Aldi. isbn i
(hat are ou talking abo)
HALINA. Hes ben in Ta ten das
(He's ooking really annoyed){asi ae rm he rg i of ERENCE
nytt dana pen)
‘ase. Wirsalen schon,
(We have to go
Aang dan i. Vernibang nin Hee
(did cunt. ha no en tat she» so
nae)
ma 108)
Terence! Terence
TERENCE Fr tyke! Cet ou ow!
[ERENCE tion MAINA dr ms)
ma (05)
TeRENCe. Gal ep me!
ma. (08)
xs Wa in Cotes Namen!
(hat the el ae ha)
(toss)
sn Enchgang Brigg Wi mach
(Sony? Sar? What ae you ding?)
(Tae to speak tw hin)
(ie grabs hr arm oh cd pls er tent te
(No, ne ge atfne)
‘asta Ih eters ber sine Selig
‘lose my job
‘Now usa me.
MALE fa s0 i
(That how hinge work)
ALING rage art
ma 05)
{We have o gone)
sie pe mpm Pm
mals
AR Jos HALANS aud EAS. lr rg tp
(dno oe os pa)
{ERENCE Yo
Then othe Bl ar the veep commit
pete capableForge ake Tey competed
‘ruRNGs. Tm wiry
ma This pte oda yo Pate, Hoye the ll id
hese ine Tell me el ne hat?
“TERENGL. ea sharp words oth ee ie alin ad
(AL pe food atch)
(Sime
MALNA..'m,. senor reporter. vith de Lae Times,
MALIN fs fr
(Sores Nery sor)
1 Ins eabous wi dhe ski A rummage someting
“THRENGS Goan eal he manager aon,
(st ats es)
"anENCE O) fo pis sake eras sory si, shoul
(ae site)
‘de trom ne and youl be hale nya eared
(an cite ee)
ma. Ase reporter. How seo
mY ssn.
NALIN. or or. pape
MA Yeas npc, Thaw thy se ya
‘esse, Tut mi lla, mein Her, ee et it frchtbar
wi
(Cm sors et wey Tam soe promise
have lene lesson sine wo happen)
sTescr Quiet!
IS tg i i et en
‘hcl time: My father he omerhelne that
coming meet with You.
Im And you? Are you. nel
a as ota)
ma Rese our dies.
(ery srr)
MALIN Er sgt ack sar Arbe,
(He ay gt nck to work}
(Thank yous thank yo.)
(essin st)
"TERENCE ot ses imposible wo be uadersocd
There. TH take her othe fice msl.
tA you'd giant the place tered he mo
mae not hard what you do es not a demantng role
vvaglane Terence signe
(MALIN tee tthe Hel, some wh
MAUNA You bidERENCE Pat that down
1m, Ba Koo our,
(A come up ceo ALIN)
WAT remember miensy two, Fearless and spi,
‘continuous guctmorh Paying st gro up Mating
sal tat ng
1a. How lng dT have
"RENE Juan or st They'e pt he pevfomance st
nea heya aso reese
"WHINE, Pr
ma Mase constant repent.
24. So. relly ja?
(Serge hgh er ha aed finds Bro
er She ge then oni)
set Sesh ln! ke on of mh gig
(MALIN pases et)
sm. Aad ed hem ere they rambled, every
nau. Amada yor ie
{MT sconp them out in and Hk the Inn do.
(tf i to her asa ings ce 2p an
‘athe ae)
(AR ass HALINAs mh of ru, MALIN sens
std)
ALN You were Bing. wet ck,
(0 ers ta oh sh, nda is ff ees
etic HALES arcmfr ws)
RA’ sok ALVA jg, SDR ees)
asa Mein Here
se)
maT ned ihe
am sory. lam wo wry i)
ALI. Dichen Sede Lampen hock,
{Tam hemp om)
You sel sha Been it years be Pl dene
Craning my serany nse a as ca, ering
the nage ener the bar Jr fe years er than
tc okling ane back in cave 1 fal Under a pel at
the bac of the gods, 4 sea of red Below let th
epee ol pantie
AURA. Ise atk yo abot
IRA. Something about velvet ~ deep promise of what's
to cme, the cate others embed nthe ple A
‘red apo wn om re ed(cast gt inst a tty ae)
A Yo from here?
mathe cast Syne Ras,
MAUNA. No a Poin,
MINA OF cou nt Pr King i Roane
ma. Risin — a ekg poole bat they ot ner
the beauty of Shakepeare ~ he urneres You
HALNA Yo ae fron New Yor?
A ase ck ad oer)
(mA. Lear maker me Hoop, Son
‘ath. na js hs ss,
MAUNA So? Do you fad Los anges?
|. The ralne coms the ayn now Tere ae mone
once pom ec ae
ove bin th gon)
MAUNA. Frere was or oton, Mr Sheblrbuliing
sma. in demand
ta OF Yo mite met a pel
1m From the Duke af Sve Menengen yes
ALD And you met Emperor Fan Joseph also?
A There sa sal presentation in Vienna
ma. Neral
HALINA You do not long ll these malig to be
ein heme? With your we chien, Send
1a. home when Fan
ALIN Your ne pita a
1a She pase hee yar ago Get our ts ght
ma. With Aman, who used tobe an opera singer. You
MAUNA. in sorry Fan confused Your eldest som is
‘ghicen?
ma Ut,
‘hun?
ma Two yar ago
(be fe dg er tk)
ALN. Ye. eve, Fine chet, 8
1A plied the Lace i 58
ALD Bur sil you hae not payed Covent Galen agin‘st Petersberg, Moscow, Belin, Prague, Stochblis,
Bods. Te been by. Fve tv gest play
The Academy of Msi In New York at the en ofthis
ron
sm Four shown x huorred sents ithe Bale mice
‘ver yo kn Lost oud et Hat Fn the highest
Pal art ver n Rs.
RALINA Ye, no enon, So many places Whi one ot
mow enn?
Ins Senge. inp,
the deste was catimed They'd never bean ut
‘Shakespeare Can you imagine that Eee une T
Fale my and ~ che erally gasped. ee pi
‘top performance
THALINA. Lalas hough at for Englishmen, mean
for ail actor that London. the et. abhi
perenne’
smtpd
HALINA. Bit Covent Garden fe more than enor 30 sears
maT prefer to go forwa
IAUNA. Gos? Na gop hes expert on,
maT thre ae
mt py more To know your. your vale and et,
how you sa -reegaize for cit What Fbea 1
sk hy you have no plea Covent Gan ses?
MAUNA Hal
sm. Fina. London a itd pocket ot work, Sone
ics .sme buildings ccs writing hese
things. There's am indolence amongst tho whe
hae everything om the doorstep. So ce to or
Burope «eae one ins there fate and one
‘into ler lof was. Te ply tank
fd once ye dane that hr sete or
saan Ye bt Leadon
1A I hink tha’ eh
HALINA You player
1m For the long sor aed
RA pink ita AINA.)
MA What wy a ate?
Ima Iewaatan neni
MALIA No, it may a ad. she ada dog wo was
rapped
MALIN A arty tat
(ma fete dsr)MALIN Bu hia portant. We don’t have te
seat ants
ERENCE ener)
MALNA ta. vet nid,
THREE Mr Align wage shoe
"TRRENG Yn ne eles ling Bo
ALN Thave few more quetions plese
sma No, n,n, mo. et pe thi cat ack where she
Toon. You ext case Ide, Without me you'd
the ever fen tat yo area ae, Yow thik slog
ty hole He to lay mc oat fr yout pk 30
tay through the irelerant det? You are ares,
‘armies nept and drepectfl. ait and fe
seeing ewe Wi eyo de? Wha
MAUNA Me Alege
ms. Gt |
(TERENCE us erm ed shy hr ut he da
SIR tig tide TERENCK te or
ma For peak wy the el opr?
{TERENCE oo she
mA Hol you neve, never.
Im Ifyou aot yp tothe da tsk
"HRI. aoe som Rape gsi
Im An ama A nobody ging
{THRENGE ve sehen to the menage
mA Dann vg weave
kd sec. ERIN ge hi sone ne)
‘TERENCE I be wonderfl tonight si, just wonderful
Tack where we Belong.
(ont an you
‘TERENCE. T'm Srey et you down sr but. Pn hese to
{pana cleanup bt dhe meat othe thing only vet
tne that lear?
“TERENCE Si iT my ses
WA. hat Whats to suggest Tey?
"TURENCE ee mere. Tm sas yb
se snd thi in Tn ie ig ee
‘corals ieleant Do you hea me
srounet St
UENCE ety se ew)
"TERENCE Sr
CHINE te stm an(The snad of pte, chang, ting. Coch and
Sw tying ot hgh Pa ying Mp ae
(Chae A the hs fe nd of et ra ae
‘he rv The sound of rites Krone vary,
‘Scene Two. 1NSS — $4 Years Eatin. The Sage
‘Theatre Royal, Covent Garden, London Early
(A fon his pled ondomlynond th Thee i
(A Jenson suman een ir, CONNIE, eter
ih a em St ages a le etn
(The soon of prt contin ity as BETTY
Lovett, 20, wlite HEN FORESTER, 2 ht,
‘ou aaasanD WARD. 3 le nce hey noes
‘tbs der ge BETTY ti ltr
‘ih fw)
erry. sabes mad oat hee. Connie Ln ou
(CONSE as EEF’ atic ami)
MEN. sure London's acen worse sc. Cs tealy
ickig
ns. Enh et ges
MEN But ee ata como sir —a point of blue,
"unequivocal change, Makes the loo sh
BERNARD, Yc tha ve
Mex The petitions have been gathering scam for
‘meXNARD. Most cope probably don even know what
(CONNIE set with ctu dum ad ts
IME ton Shenae flr dame)
‘mx. The bing ad sling of uma being shoul
Te no pat of any ele soe When the wideforbear evratetesieeicten
1eaxano For godt ke bn, ou whole economy
ces hear force om tne panne How
tayo eset bat Wao tig ae
san think tha oy sho ged
Duro. Then od thing] hve spcaes
(mR pu nen fs ys
IRAARD Ne
eT fl ai Ya hing te igs
Win iat on jt ao
rr. Did you ea at he id tere
tan Ob sean heemunciaton were nen hen =
{0 God, am ing Spat he las
ttn, Por thing
{EONS i edn)
[EFT De ter cae ERRAND) DA ese
Tacit ating oo
sao Hon ln Sp
"hn Ml pw co
_MENWS Tim pattie when Fn not working ated ery
(eon pet mies bf)
Kin of lanes
ENR Bt people get ostrate Me Warde
en How can they when they eau mie meting?
The gonemunent ates trio evolution tye
sippresing tl
(iouting utd) Tas England ~ theres no Batlle
ETT My hess harping
IMEPTY, No I west oul lat night, dak far tou sie,
tues Rauf ino and bit oak, Woes
Collapsed on sage marking the ed ofan ea” Hes
tot gong to fel beter ean ht
{ONsIE No mi,
(REET indies for CONDE toe et hag
opr
erry. you wants cup of ta?
‘const Dun nos mis
ETE los Hae i Pe epost saga ant
‘Wes Intian cotton =i fora gn cue, They
Count on te up, cheaper ton,ERYARD. Wate Gest Bain, Cheap abou par of
ery gest county Is hw igs are dene:
sa Bs hey peop Me Wee ua
umsan Ob for ges asthe wrt a Hei
This tay tale where everthing comes up ight
inthe end Th concept of ena and reson, ss
2a npn wae becuse tere aay be
finda uber fos ca the problems ba Whete
tate, frthrght, Ete 208, She gine i tang
sof i am t,o cot a be)
eopne ge clita em)
hv.
BERNA, Teal wnespested he jot fel tothe for,
your fer
tm i ty cach hin ib
(GHAR. ow. Ko Thank you al
(Calecsion of spate ~ tei shane just
sont
err Ca Lgetyou sme tea Mr Kean?
LL. Ys et thank you dee
‘oNsIE Yes mi,
{js hee)
exan Hs dev you ge ough
LIEN, We tok a cab, Couple of Peelers a tage door
tele on
‘gu ma’
(ARLE. Thank yo Hera, That means
BEET. ve not been sleeping tall well. And I havent
ak my Togoge this week, What if we go del? Ie
‘ne
ALLEN enc all in. Thee ml be apa
NexH Was ono her be om and home i
HENRY. hen my wc Jo an il a a bole
dle
ERYARD. 7 you real alight to go on Chale?
‘eice ta athe here than a home
ENR Have yon ghen your Moor Mr Ke
‘is alae ther
‘GUaRL, No nes
(CONNIE ps oc ar ner PERE LAPORTE
eh ech dapper 3% ete trig the
seta fata omen he)
mas, Oui Faceuae re you sigh
PIER. My ear are ringing, Someuie hock into ane
nl ran Leon ge oad the ling
42x, Connie, ran and tell the company manager
(uc conte)
ERNARD Hie you checked ur pe?
aunts. No Fm alah
erry. They've hrocked Tg Set.
raw, An sb nighimare
HENRY. But a minor inconvenience compared {0 the
stern
ean. sonny fin, nt gain yt dant
‘pr anf kow a ge there
ches of mr
(EET ps ed on ENR a ele)
rich edo,
ETT re we hing
askance Wopencal Weil mt be ing
URAL First om bl ow lu hough ar th
harks We pray Edu wl rake sul cecvery
(Mhters of 9, 3, ‘hr ae CONNIE gees
IERSARD icp of ne sk ther nation)
RR ado
EANAND, Well. hope im no peaking owt ot tam
‘bt sather presumed that Chats weal ke the we
lean wet all bpp
humping’ Berar
mani, Ob Foe
We wl 8 wee
{HMRURS Howth psi
flready Charen you tor Berna ust play ago
hon Ges mat play Beant
‘ext yn ned si im worl perfet on Eas
Tim able prepare.
‘angus. ere epee ink
‘PERK OF core bt we mt
‘onus. You're being esromely unclear Pere
crease the pressure om you Chiles,
‘nuns Someone ca?
wry. gol WENT)
ryt back)
‘mach you wah to wel derpion?
PERE. Not sl My nd ws lea ro he aCaMMLE Then yout keeping in pee
Patan mane cose lg Age
to dehton out ge
suv tn!
soni. Ca cl he
ENE. Thats it ta
"ERKE aha been im the penne for many year
otcg rere ie
FERRE. Oi He ha pi The Moor ogres ch in
newscast ne
CGUARLES. Kase soup of pesnmanes Dit
a kon
‘he Cag he The Reso
testy go Tm fie too ae Ha worke
much ance, Bu hed el me how atoning Mer
Aldridge was work with, Uehink thar wae ne is
fs engagements is cou
aE: Ye
HARLS, Gua lon Wis ie any god?
HN Wellin for me om
GUARLIS. Fake yours question
BEM: Ye. of cours. ella Lae quite taken abc,
Trea nv ge an gee
tw. bea .
7 fend inn Tae he a he
ans, That al ery ell but lt he be up wh
PEAR. hove dal His tepation i oma
{LANA hae ear of bi.
na re won't ppc promi
err When wl he gon?
PRR Hori
PURRE. We ae sol! out a Edmunds, We cannot
ef again. Well yeheare allafternoon an ply
caus, Sie’ bere leah
PRRs Ou, He bole eve non il go ad
(A eatecive cher of exfecation from all but
RR. Tonkght’s sow wil be atu to your father
“Chale A complete sap of ality nis hon
sien. COWIE ome ford tec)
an go oterty I'm roe.
HLLEN. Nevermind Chat, paps ifr he best.
Det pee on ee aa
fmxand. Do. you shink we'll aetually rehearse all
Mternoon? Ihave at appoinunent athe Cartick a
(PR ad A eng Ain 26)
evopany ey Teen Mea Alte,
ma. Gout aero
(Opes me ne)
Why os Fi. he Coa,
RRR. what x ou parentage” Yu wee pete,
(PURE ous Hh thing a le)
a. May Ltn Fa deeply no ojo this
Company. Ti sess in such sad eunstanees.
Inet show texan sate fort I promis 0
(CONMIE ppates end wos tt.)
mA. No notre thank
(PURE ce CONNIE es. MEN ora)
nas Thi Hoary, Henny Rover ea Ou Reig
MEN aly real. am very pleated to meet You
{DN Pn a rend of Daniel Young. He was wt ou. at
whe Coban
MW... 1 uch wider up ere than kak rom the
ernreat:
(A oah le)
‘ants. lei could T havea word
‘ants Ye.
{ARLES Ther’ sil «chance hema pl rong,
smn gat hoa
ERE. Di on ae 4
(A ass Kin pe of ae)
uae, Exele Js these ie tenes?
rns. Yset What et Cass?
CHMRESS. ls ls
(mest)
‘Cun. Eseryene willbe expecting my father Youeannot
ni think of replat hs hi
184 Oh Tm not aemping that tall Me Kea,
ro sey
CHARLES Ths noel yer of course Fa, a that
‘has Thats what Pn ying.
PIER. Wha he
‘ans. Thi tesbyavioard x nora pena ae
Tame you tsa, ifea praia on.
ant Les wr. We lB the potas 9,
(Pun ka te pp and)
(CUMRLES ot or supp bts mane and me
fie BA mur neta, PRERRE hr BARD
Siewert)
SAR, ema Woe, Brain dren
19. Good afr
{2128 Pir should we not psp ve the chai
aA ou, on. Coie
(ONSIE oe i ENRY af yp oi br)
A Mie Tee am honoured
HIERN, Hw don do?
‘cpp yon. ae yur Rontco oppose Mies Reba
ELLEN. Wy thas yo.
in Gps
BLLEN Cys not here pas Gnu,
RAS Henry cl obi
LLIN. Yosef one,
EMR Terni, No probe. Where om
LLIN, Caso sp "O! Beil the
(ALLAN, HENRY ond HERNARD fae er lees And
Deg Te ect fal of gate, oe ond wae)
lena 48610, 0, beheld
The riches of the ship come onshore!
Yemen of pas, et her hae ou Knees.
LLEN/OHSOHMONS. Husk jo, mln Cassin,
What ings can soul of Hn
ELLEN/O9SDIMONG.O, bt er
PUR nei ofA a i)
Ths eit rem
tor ot you companyey eAS10.S or e e
RET ge dy eda Bi a RA so i
Las: dt
(Th crs mo ita pion sed i,
‘esa ore40.),
LLEN/DESDEMONA. My dear Otello
LIN. Ting
ma Sor when ou rece me
sour parton, "
sma. No nota
Make tne, Posy He wo nen aa respon
HLLBN. So you've an advocate ofthe “domene se of
tig
ma Tike tat scoop, ba. Ty moto be ot the
LES. Oh Would the eo shoal ofacng be amangse
mt nul
SAN Ad ae oc Mee pera Then we
(etal, comnasion made)
mA ike Mr Coke meth
MA. Yes tnt Teles ile. Vd write dawn but
speak fel Teh alters hen an gene, dot
Sou think? Theol gurl dan aay ike
su Bt do eget we
1. Nota all I ant ath co for dhe pbs the
eight fate do. Nectar
1 OF couse woul sg Hin what i ang is Pl
athe ld in and out of rues than be ranged
LLEN So, what uel you prope to brea Me Aide?
there
LLEN.So I may play wha et
a
ms ne aot me, about ng met the tages
ALE. Wht fntats me eprom Me Alege
{othe leak actors that the story becomes Los
Without Desdemona te waged docs not eas ot
‘eps play gether we conjure ag
sy shghae math Shale
(The ain wor, nine)
HLLEN/mrSOIHONA. Ay dear Otte
mx Elen
HLLEN Me Ali1a, pee, We've Just escaped the storm, feared
Tight never see yu agin. So this grecting
Intense And thse the ony point in the whole play
tte speak ut le veto cach ster sd Doak
‘era, So the perfume ofthe momen mt, owe
Tit erp Im ace hr Desi you ae
am you tapped me ey. asa
For goodness sake Pere
(A.A cetyl solr would savour this new. .contat
se” Dott you ak?
LUN Ye spp
TILE, Well6 young. scaly selieel wom,
setlemen varie thie basa
sma Would your sheltcred oma lao e thinking of
‘here foal pi?
{I al ithe play
LEER. OF cours i Well Jobat ene cout
hiking?
PRE Wk yo ike ogo back a?
14. sallwe ty Ua ain? And en ou say My dear
Ont wo you Took me?
LIBS. Abt, sell oe sat hep alintent Been
Sitence, Theyre one of man papers afer al
an Yes but ifthe passion at simmering between os,
(CHARS ls ily Be hag ond fis ond
Hetty nt cpl)
re. Charles? Yow ae pst be on age
PIERRE Take ous poston plea
Baud)
RA/OTUELLOO my fri!
Thsce yu het beloce ne. I ie vere tom oe
"yese tw tb ent hap, oI fea,
‘Thacoot acter confor tie otis
Succeed in unknown te
We aang forma tes en
‘You ni content you pt the emplanh onthe St
Dll ‘cote’ wich a ery Avera think.
mA Tike tale, volome, onder great my content
onder ys ysl
LLIN. Yes of cone, Ine that Id, merey thought
ory one’ mea aig hpi
mk Thies me wonder great as my coment, canter
To ace yu bet tore me
Yes Fsce Interesting it Tha you
“The heer fori
at hat our oven com hou ners
mA/OTIELLO. “nent hat, es powers
Teannot speak enough of his conte
Itatope ne het, his too meh op
An th ad his the retest ico oe
TM eer our hen sal ae:
(IRA tak ELLEN fd in Atom ses the,
tole tae feat athe athe cis kb‘ans, Wat the de. Pret
LLIN. Fs-perfet
RRNA Realy Mr Laporte not
MRE,
‘Ks. Bi this prepowers,
tee Dov not Ine the Hla Charles We can dense
UMHS, ink we
rma, Charles pease— we conte =
(nantes acing is egt” schoot verging
satan)
ant3/1460 (0, ou ate wel ne
set wen the pop that mak his
sms. Chen,
‘dusts. te Ages
CHARLES, sly
{QUARLS, hae ple tis role opposite my ates forthe
Dest pat of eae He hus gen me many exelent
us and Hae Ta! thal nl
Inverpretaton of age ot You
1. ern nt en to inpreenen?
aR You pig you know Bete
1m No..no, not all Lon. ge tie complicate
rma, What L mean i ving putt of the company:
‘Me Kean company bth you father
‘aR. Tal eat hs compu fo
‘aunts 1 «ntl pogsenion,
(URL. This eave tas. sual patent to presen aly
spoken drama. Net barca, nt cures bt dra,
‘That eon tank ad ae wich Tat hes epi
ead hiscompany
lea ii cory
‘ARLES Who the hell lo you think ou at
‘414s. This ont sme prosncaexperinent This is
HUBS. Chale!
With cing ke ha We ol
{14H 1 Hey your pon?
nar. Gendenen pense nae losing the hea
ma You Uk that suis yu in some way?
at. Let ws mais oo prose
‘nantes now ext wh Pt ding.
A None of Kw Me Bet,
‘aiAREES. Spear oul.
Pe we
(ARLES Hw dre you!PIERRE Gensemen, sop this, Pes, remember Ke
tia the get aie
PIERRE. Enough! We take a fe minute beak ana then
ont, Yee
11 go put on ny comune, hep ne wor,
rx AH0.Ob, ny go ck your ht
cance yon pet Chis.
CHARLES, Ut? Upc? ICs rly joke Yo iy yo
ont neo upuet the company nd then you al
wih tad
uss aan extremely aecomplihed scar
xs i at il of hl
(GHARIES. Ae yo aight Elen?
it nen did you? You be al along,
{L14N, When Head black in the review I presumed t
asthe nocd,
#248 He did gsope
‘exanUEs I's dgusing He's ang ahantage
CHARLES. Ob for gone ake That’ very fashionable
Ellen = the pay ie sil relevant? Flora for the
domesic spl ey cls rama tum i grave
ets dea with realy, you cat ponily be eins
out his going abe toni
(sim)
{GUARLES. Wo might wall lone dhe dae
unas. Wht made you eter the profeion?
{GUARLES Oh for gts ik hs i aout me
‘hrough lle plas that say nothing about who we
tte, Theatre st pola act» debate of cat nes
Thin is our vespnoiiny net ce past We hive to
art. My fae, 1 stall plysieally. challenged ageing
‘an, toe him become a warior Moor sa ar
Savi propio eee ta a
Tm sore omy ft i tr Tn fai hai
sel he il prevent thew rm craping ely
CHARLES. Of dent make this «came for cer ring
122X.1heg your pardon
{GUAR You kt wha Fe Ele. Engh sate
fr femal, there is everyting. W's a exaf. We are
aloures canvas on wich pin.
men Esc ne ie
exam sali.MeN. only sat th
IRSARD. Con ely
tu. Ob foe ise caso kop on
IRER, Bernard, [think you're being extremely ie
BERNARD. Apologies ol gel but he really gets wp sy
ILEN Carry on Hen
MEN. Erm, well ar Job progressive a it oper
ride it hy pope
‘xIALES. Se what yorve done Plerte? Opened a door
at nes be be shu.
LER. You'te going 10 slam the dor on dissension
‘cntss. I'm mereb saying that HCyo% give people sn
‘pton to conte, efter the wider Pure et lok
fd they come up with else nandering points of
‘seve For goodie sake tlling about he fre
len, The polices on which we bul x profton.
ite ing em nny Stock, act py he
Aken fol ow he att wl ply Falta. Yo ay
‘Gring ll ony bellowed wo pay war you ae to
‘i ou, on Ban or the ven?
"ALE, Don ou dare wane your nadequcieson me
LLIN, Look at yourself wth that sine seri ou be
nid supporting oe ore
{HARES I waning pessoal Twang
fn sable actu Hs vets ave go. Den yo
thik Char, aps tok ati hook at i, wel at
Ine makes dhe ply morecuten?
EUARUES Look Lace he's our .rend How, Bt hones,
‘ena happe to im ter he pty evry alae and
tor i the canon? Have ou thong af Ua? Me
scot Bim
(sien)
seam, Wo tnt he simple for Care to go on
HARD, Yrs Perre he hing yo ie cept
about the Engi that we're open toa pint, We
ite nbs the ot Ke of fo l= tha
vm yo se? We Me wa
tre kn and we know what we ie
Ces Wed Br ou apni
ese that eaves wih you. A lingering tou Oat
tmnt be one of digs
BEF. fin! orig par trib exciting to play with
ear and ew i cai te
sex Wl Think thi the only a og
CGARLES You wont ay hat whe e's aking ou jos,
"Wat we to works why pi
unt tink iis. fai that we have al haa ace
to a our ews But tee alerern we mit ot
Timi him bean we ourehe ae hte
(AURLES. Youve plying wih cr septation for some
unas, Non. non on,
GGIARLES. He manhandled Her fr ga sake Who she?
‘Wee's he om Wha ds he wan You've avery
‘sre woman especialy for
HLLEX Stop now Chase!
PERK a highly respectableous shal speak
(ast puts ison om)
‘Guanes Father onal it
cto sa
PRR I pois. Vien
CGUARLES. A ln the Hl are you wy a?
SHE Hand nd dc the pon nd
RRS. We cla wan you
MMs We? Wi Don't ya ak him Pierre. Tne
(GUAR. What hie Vp
ULES out bring egracful Chale,
ULES. No of coe a Thee’ no compen hee
rma hi we shoul gs
st nding yor oh wap? A peronal ages yo
Aca Gesay wilh be ahs petons onal ply
ETTY.Of that’s rie
[HARLEY taken antag omy her’ coniton
hae no pein thi Fle? Ae yo coming
(Boerne lok a ARS:
(ANKLES srs dl ery op dd)
‘anus. Mark my word, no god il oe of hit You're
i eg te Hy a or Me
(Atm am ff est Rory
plese: Remar
ews Ys es go Got Ot god
(Phe rts. PERRE ss CONRIE FERRE
neous ang)
Nag
RAE Vn (ab). You?
ERR Io aight. incre ss peso ripe
sans oie
mun, Pcste Corie wrote “To win without sk is &
ump without ly
mans?Pena We il ih
ma Fine
sma Well find.
PERRI think. ie ena adic, only my opinion,
ot are the are bai important play Bile
‘ves Ali. 1 a
1m Have youre the ply Prete?
tier, hee older, ot nt erent hey
‘ellacepe if read rarely Ge them ime ost
an aol sth Fr me on?
‘Argh, Wel eel shen in gents
The Re?
Im Then
RERE and U Re Da
ma We wether
ma. Queen Reman the ae wan
HERR Theyre aghing and we've. horse
1m Don, youl make me th an fel ick ae
sight into ha gecleman lp
ma. sha the mone
PRERRE. Stir ner hi hea, tin the al an ewe
mA. ve never hghe har
ma Grima,
shee ae big hoes oil
A Who at ie ighteing
PRERE. We'll ot som eng,
ma. Fight Fink,
‘Ps. Mone, Here
(Prt i i ita)
baa You se very he m
(emt of rama appae)(Terman tin al fn Te gi il hy
{cern ihc A OTHRLAD.)
RYOTIALD, This’ of esceeing honey
‘And Koel qualities, tha learned pn,
‘Orhuman dealings. 0 curse of marrage
That we ca cal hee diate creatures ut
ten ime wth pedi i)
[HLUEN/DesbAMONA Hov ih you, sy lore
OTHELLO. Wel, my good ad. aside) O hardness to
at
DrSDRMONA. re as fet no ae, No nn Ho sn
(Omet40. This anges rifles and Moral ear
(AR ats on pty oc BLLEN uli)
OMELET a of yore ees
‘Ares Irom ber ting a pages
Much enigaton, ner deen
For ere a yong al sweating dev eve,
That coamy rebel Ta ge al
Fores had da ave way ny he
‘OTE. bel. The laa ge ade
ut one ne eral hand, at ear
‘nt. Wht promise, each?
IESOEMONA {hve sent oid Css come peak wh yo.
(fe LAN ih ey are)
DISDIMONA No, thy lr
The thongs of people She tld her, while she heptit
“won taker amiable and abv father,
nel to he ke a sh ht
Tis give it he: Io, an — take hel on
Make ia acting te our precio eel ~
rsmianose 1 poste
DISDEHONA. Then wold uo Ga tha had ener scent
‘OmMETo, Fetch, etme ee.DeSURMONA. Why 0 can, sits bt Tl not
his rckn pt me fom my i
ry you, et Gano be rece ga
‘ort, etch ne the Mae ny ed ge.
‘F840. The handherciet
DeSBRMONA A mn tha al his tine
Hah ouved his oo ona om youre
Stored dangers sth yo
(cht
‘Scene Four. Theatre Dressing Room. Straight
‘Meer The Fin Performance
(A aman rom. chat table a mn, Ft ht
fh. deer sl etna He ves is
Sot Th tag nd Hes aiid
sting tone
mT
(He prints, said with th al)
sms ean Bdhereie,
An handbecbik
snanique token
(NARCARET, ay 3, lin se er)
mata a aechit
Anatnque when.
aia ey thee ey eae,
wating sl
MARGARET How une1a Hand Leche. land, hand hereief. Tey prononince
sna That he pit The bas avec be gh
MARGAREE Yes Le, Of cue. of coe yor i
(hey nds)
ma Where ere yo ing
mA Ine isle
[MARGAREE No, no. Pleo bt
ma Whe?
MARGAREE Stage I
Senet tov tha ny Wa at
(He pts up cha oe: She 3
MaKGAREE Thank yo, lee sid her ate dink Tha
"rie, Champagne 1 be
1a Its portant tome,
A.A teres anything ou ough
MANGAREE liked. Complete
aH con ee emp mata the ot
MAKE Bt the dest ec coms
(A start th lag tr as it)
MAREARET. wen 0 fin Pert inthe inter e wae
sa. How dd hese
MARGARET Cating ay. Lat Know baw eds
sv Lon Brougham Me sail you were marvels
MARGARET. No Ir, ve. Abe tre. went t0
The power oot i the iteval~ they were ike
tes Bnesing mays Clara Portetionse ad Joien
Ghnurne were ipa cornet. They were noticeably
‘lene ignored then th afer ls ie
1A. They're jst ord
MaKGAEr: Glenda Cuinghacn win,
ma. Wa she pi
MARGARET She hs ay of making me fl an nc igh,
1A Margiretyr've ler than any ofthem, Noqpestion,
(Weather oftion an nec)
MAROAREE I thos. som were ser pomerfal.yo
stood out enormous. You played more crm
‘ore fry than I cen po pl bor.
mA. acne, They have tf
‘weak‘crolzn thas sometnes oe pele
MARGARET. T thought you pitched IC ever so wel. Tyas
devstate ty the end The lene the there wa
ood up wel. Tring for Otello and. ane
ih pi
(Oe rand se. Thy ele
[MARGAREE cat lee we'e et, Aer al hese yeas
sea Aor cand nal et proper
aneanrr Gane
A And then we can set iy
mA What colour sale pn he front dor
NARAREE
nie chapter been dT knows Tourng et
NaReARE Pee
Ima Ifwe set, happen. You ned sai,
ancane Ive stl
1A. mean place to realy cll home, 1 see how ics
‘Nags Tm not blind, Hsery fit nigh, every pub
‘al ps, Hte 3 san For evey mean sted tema
Fer ap chp ong Fe ol cng
lft you've rar se ten ere
hee. and Tvantsou to know iat Thtow. wot
‘be hee thou,
MARANA house? Can vo imagine?
MaKe Ta ay et
1A, The man iporuat roo.
[MARGARET I ns:
(A wc of he de ELLEN TRE exer)
mA Hl.
Ima Twas going whch. Lo
Lua Non were nurs. Want be
ma Thank yn
LEN. nun
MAKGAREE No please dot,
‘a Elen tis Margaret Magatet Een
lo: Helle..oh do beg your pardon
LEN. Thats or avec,
[LLEN, No, not al.) wondered ie might
wwe havea quick word?
ma. OF cone, aly
148N, sony coca shop,
MARGE Pane, d's 0SULEN, Right I nyht if e made
the beginning, what is more endearing. Tm
Imig tea nel you raters chat ro?
Taton' want ta sp
agent Piere sid he'd be in the sl bar Perhaps
Teton ge ahec Bethe aance par 10 peak
Let me change I be ic, Don't uve
A ps end ee cg)
MARGAREE Vou mut be exon, ha ely.
perect
MANGE Mine be dul. youre
LARS What ie
LAEN. Ob god I dt have
Lan, Fagagectonbe dating, Not snk yt,
LABN vet dhe, dt now fe dow hao ee
‘actors manage cldeen. A Totof them do it Often
though, the arent re more demanding thn thet
‘aipring.
Tha job description ita never grow up ~inpedes
(ps ct so bits
ma Right now fn ea 0
ao de have
ELLEN Thar ey ind
ARCARET. prise t nce Mi Tee
TEN The pleasure ll mine Miss..?
BLN. sunk yon, Fil
LEN. Noy sou ad company,
ma. So.2 Vo were ah,
do perceive here a died dy?
ma. Uh
hin eat yo shoul e Ss pb hin
1m. thas gon
BLUNT alo el, Thinkin al he excitement we
Were a litle unspeaic. | mean, the phys
‘ements of the plating
ELLEN. Yes, T hnow.-pethaps we could mark
‘moments map them ot 10 speak To ae an
ma Aeon
HLLEN.No, no, potatall yas just unexpected all and
‘hint act ota one ma awa ow xt
vats coming,
ren. Ob right Hon?LUX. Ob yes.
ma you bold writs. - Do ou nnd I. 2
LN Of one eo cay on,
(Gharbi ane end hr ttt}
aie ha alight for yo?
na Sof vou grip hte you Have ore come. The
Trak yu from se oid
ALU. igh.
(Sen He sates he cml foe se ide)
LEN, Conn Ty fl pel
(Ot ds, She cakes ond ei shel the
He)
LLIN. That amazing
ma. Bye contact the hing Waning’ wrung ell me
‘si sere
(ey pate eka)
Tea tg space ti Imposing 1 wondered i
sere gh do ncn a hing
ying ihc tvesie frie a te sn ling ute
1A. L ya lin he ply.
masa pce to
sa. What ate you asking?
LEN. Sipy sare ou aight)
ma, I yas. -telly nevvous. T-mean..well you ge
‘you? Did the fee it? Are they with you? Ard then you
Top out, expored and theret nothing odo but ok
‘tat al dose aes sg ght ack
112%, [es avery singular thing to Wold wo thowsand
People th your emine Takes wil to rei
nivel face yn
LLEN just wane that ou fn fe hands het
(Ste pus a and om iar)
tesfrmance spate comersation, Oly at woe
fe Lard acta ake mio itm ap
sms. Rall Tas once tle oe igh wal th
ceva a
AI i hank yo. Shall west here a moment Let
(ELLEN rune tf te rm TA is af moment
Ie he nt with of nap ed
‘prong leer
LAEN Tor emergencies,
(BLLEN fos IRA sat th ne
(AS igs fade he nd of ampogn eng Pp
(Chang and geScene Five. The Theatre Green Room. Next
Evening, Pre Second Night
(Acoma ow. bay chair, al bos, framed
[yi CoN ple ser REPT Jogo @
BLLEN rong Conic
(mer sin 9p)
ETE. Ho are yobs?
ULES Fine. ont
BETTY Pris exactly: don knw
HLLEN.No, Lust mean Tuy to pace mys
Alig om sage ac Running ines thi, Are
IEF. i's ony wel. 1. He you wie tat
LLIN. Te ght my am eth’
IETTY You were ever ao goed mean you abe ae
snot colle with him, He wa striding around 3
inch a tere sped. Twas conresuge a one point
(sie)
[BETIY. De yx think batho as ight?
LLEN.No, not realy. rst your ib reser, Les off the
tot
ET. Mr Aldridge came down quite ate His wife ws
here, Scene at of & note, Makes you weneer
Adosu'e Anyway you did't inv meh, Jot Mr
Warde recounting theatrical anecdotes and Henry
chomping ate
sex Bing ll.
ETT Henn!
HENRY, Gon Ele how’ your an? Me Warde sd you
Teoked ke yu mere ging 0 ry
ELEY He gable hes too a apavent
LEN. Novo we mimes he ment, dha al
RENW Teri sow a igh
BETTY | ok ernisyemnonal. Il hone peop sanding
IY Real?
HENRY Alte
HLLEN Illi
BNI His anger wa very
{CONNIE rings of BLLEN.)
HLLEN. No nothing he hat. Te
kr On love
ELLEN. Mis all nec pane ConnieHENRY Lemon and honey plese Cone. Thras a bi
(ans sis ht)
errs Di yo hese ha woman ia the dele
EFT She sounded he «home ~ Stop Stop
(CONNIE Anping tat i
consi Ys is,
DEITY He’ ite nha’ the wor.chasomatc. They
Ter gape when he ie our hands
apm ke amaring = you ely ee decom the,
BERNARD esi CHARURS. CHARLES irs to
‘pt wea)
LLIN Bro Herma, bro
(AMLEN stra of nse MEET an HENRY
fli
‘uRNARD, Rely thers no nes. Skin oe tet all
(BERNARD fake his must Die fering to
BERNARD, Look who I fon The prodigal rea!
cans. in ot sing one
‘contact blige.
NaRLAsTe plese
(ONSIE uses elf. CHARLES oso RRLEN)
cans, Aveo aight?
‘ants Remar was telling me about the performance
Were yor. pened
(gat. fel eh et dw len
LLEN. ow Chae bt. Link youre wera ax
otofprece
‘uaa. surprised me tat
(uae. oly dt gs ke scan pal
ULE, What do mean?
(ARLE. Listen come fr hunch tomorrow. Act we can
tak peopel
HLLEN Handover areas abit sticky Berar. Uh
went rear wel
BETTY. Wil you be joining Us omight in.?
ran. You've gt anoes jo ven you We've lst
(CoNsIE sre CHARLES is)
LLEN.Ob tI ogo iol Ags a ttn’ xn Om my
‘ee Connie woul ot,
en go. ed to chery pos anna
BETTY. Got to beep 00 top ofthe demand
HEAR Appa meng on
(Ese)
sensan. D's ou ale ol gi? Cale yo to pas
Tapa ssf bles Tw jal har work ws
Diyala wat [found bit wey? Ac 3 scene =
ould ready See hi, A that ea ting Lacysy earings pt. Me wan all ner the pls, ad to
icep unig vou
(eam ge np iene)
CHARLES. Hae oo Fm af LEN) Wi Te so
asx Tesaps
(Bt ENRY ih gm flo fr tor.)
NK Sl are
‘xno. Oh gc, Thy were lin
ENR Ma oa
‘maexano. Te ever heen font and cere on opening
an ete ey ge era — you ty ae
xe he mare oe hg a
‘ti gh aby he rman a ha Ont he
|RERXARD firs righ Te Adana)
Nr hey py ene Tye aay en
{ONWS ied someting ae dierent wid Roerg>
Te night wonder they nied
VRNARD, Peps. pethap we Soul re
LLIN. Of Berar! wh
the public opinion
LUN. Imre unr performing e ould ho
1h er
cases, Sl [do ie
LUN, Wold you Chae?
us Think yo
enn ae pope)
ow a eapectaliy by tne prodiction of te tr
fury Wallach Mack servant in the shatacer of
(ARLES “Ouello foros! A past whieh the fie ae
feniis of Edonund Kean bas made his exclave
Proper. and this to he_preented $n am Engh
the ground of i face being of a astral eat
fof an sete tint. It rly motrous. In he
Tee being subjected w the indignity of beng paved
alba by Mi Will's Hack evan
LEN. Di ey sy “pes?
BERSARD Hews afl rongh shuate How ye oe
Beenie onthe eaten
arr Wa set Tec
Sot halen eons
‘thm line OT perme hace
‘Othello ~ than an age fat man would be competent
to represent Falstall. English audiences have a
fore tat counterbalance ther of
2a owe and thick pe Mr Arges detamaton
‘oopharia,incorree reading and by valzie
Promoncation. It superioous to ence int any
{etal esis of al a performance av th
bestowed on hs perlrmanee induced the Manager 1
snnounce is repetition
Prenat Connie, have you sen..2 Mende. These papers
tem Kes. Ah ee
ERR. Wt
unas Yo spy tok the
Rae, The nee or me
(GIAREES. 15 ot sc serious mater sey Pee? We
SLLEN. Noll ol Sem
EN ever
(PARE ate CONNIE
ALLEN.
(Gk. Di you ej he pecfrmance Pee
uRxs thik the company did a excelent jo
(4 sano)
Pn. or please Connie
tthe pps,
{CONME us he papers da sre ie ELAN
prop The Tine
enARD-Plcre might hae 8 post og
LLEN. No Benard If we don’ ake respi fo
st et wocone es ed i ating.
(ELLEN cr CHARLES aes ure es itSporn
‘ctor on account of dhe novelty of the spectace
Wel tha i
Hairs woo and is features, alto Alsen, are
Ii pe ti ute posible forbs Wo pronounce
Engh nw nanner to aay cren the unaaiion
cars the galley
(CONSIE a ma e)
AN oh hs romciion n aes
(sie
BETTY, Hoe ve the hoes i?
PuERRE Tonight ng ery goo Ke Led to
peak oyoual afer the performance acarmins
ons. Wis?
PRERE: Non, ot a al juste hocking ie,
PIERRE. Well chat aftersade OU? Connie, beng the
perso my ote when the company have fhe
seh hen
“ick woe with sou bh? Tes about the nex play Jost
ecuple of deal,
{GURL Ihave as apoininen at Bry Lave ina he
AB won eke long,
canis Fine
RL (ELLEN) Ate you dang.
BUEN. Thank you Chale
(PIERRE, CARLES on RSN et
ERT. Whats that abn
IRSAKD, Neer ak stone Hei Tha’ dhe beay of
ing a acto You fa pl your a aad go ee
ery, Than fr the tex Ce See you on thee
(AER as, RA rues)
1m. Evening Bey How ae you?
[NERY Fine hak you iJ Hn. ont to.
mA OF cour
drsanern)
sane thnk ry de
mA Yes, yes coun, Well done fo night
{ESERNAKD, CONNIE nt dle th mse,
HENRY ut nto ase
mA Tine 50?
EN, Yes yes. socal seem up, it of a srech
(Fst)
4 Something Hs Cn hae sone phaseJRA. Keep you bay hul.2 Connie right
{ONSIE Not
"en her New Yr, ing ie
‘Cons ju work bev
rowers)
1m Where you fn
(CONNIE. aia
(OnE er tn ih he ener)
sna. tho tay? Connie
{CONSE Me Laporte ak me 0 calle then hin,
mA We've orien, Realy lake ther my
‘conse smo
‘ma. Todertnl
{CONSE Hi ell ne
14 You won get in couble, | promise
{CONSIE You sel ott a
ma. ct ner
‘CONNIE Should cat ae
‘cows The like everything Keep clea ase tse
ma. Connie.the papers.
{CONSE st Eight
(4 ama ce)
walle
ms. Wel ha the tages
fo, people mony se fo face don’ you tik? A
‘her you show ema weak spor them ra
(8 star oh)
sms. Ca Ihave those paper
‘CONSE Nash inthe bt loom an doom.
st the ne{CoN Me nah proper’ or nin’
ma Hig
{CONNIE You have a ora about you No fae
1a. Idon' saint ppt ride Connie ut relly; lly
anh paper,
‘CONSE You wait to kor wha the sy? Re wha he
else, relly :
‘conan Only ask yo to hea en ha amg
1m. Thans for heads
ep ne lve by ana eal abe pcr ne
rablora ir But when 5 po went ana” he
Jobbed me by my ear ke ado and ing me out
‘CONSE ju si’ pope see wt hem Fok
(Stes i ear RA de vies. CONNIE
at he uray xe RA ty afte
fhe ie th ep he apna Bt
ple an eae hat fa psn)
Scone Si The St
sft The Se
Later That Night
Performance)
tag EE we A ne,
Yuga Non. hate a meting
PRR cee 0 200
It eter oh wae working arr Elke
ust she ely sbi know? Yee
a Wha?
Rao were,.x0ng. Vey ale
RA Thanks ny fend. Wee ating?
unas nae at
mS we ge i hor of Fee Vere We er
Ofcourse. Fm sent
TRA Vou've met aoe ele?
PIERRE, Do, not now
Toonaion of or enciip
mF 0,
MRE. We i lk straight. Nos as changes
yes? ne board..they tae deri they wat
oataticysoretablyweat you tad dows
x Wha you meds.une They've under a oof nancial premue and.
The tates boom aagling fora fw month Wi
eet sane good ne
1m Cn bing dive
PURE. state for Edmund hey fel. Pan
IRI don'ts? Why wl hey. The
owes ate god.
ent There no point
‘tently they need time 4 adjust, to get used wo the
‘e..concep.
1 He loses isin, bral musders his we. I's one
‘ofthe wos vole scenes Shakespeare er tot,
fv aoc hat rein cale,Wsot gene,
PIERRE, rast tng thn
ms called sting,
"geo ri aay pve oes ba yo
{illo comment, rumour na one on our ae
1m Lah the bs
RA Right. ene oe have to dosti.
es es neat
RA There's no such ting usa oe ied argue
x Well snake ‘em vu
‘brigade You rin athe wall al wl sou fal yo,
yous hep charging, You think you ea break it
together They bl the these, they the Gack.
{hay ram the newspaper te st
URL Ther’ no ned
ma You tll me exerting,
PURE She Nas bres,
ma. Where
Yow calles docta?
mA. Oh forge ike. the. iy medling oa
dun Kenwsson.
(RA sa hi)Jest muerte yumm
Pua Yow aI we spina La Pasion onthe see
Inspiration. One of our greats set Fy i
Pans the pili the res of te man 1 a
Inserted rans, hey breath Tk
tm dhe ing gd ne
Tam be, how gon ary. -rsrain nn hs Been
Ahieite bac Tam the manager aid maneygenent
tthe end, about. about cea naructon nd tee
son en a ye ron
ma.Aminahe?|
My, He ha.
HERR This has en, extremely ard for me Ba.
sarge
PIERRE You ana Le plan another. Hy all about
he gamble cx cepa We pay our and thi ie
(A gt ar a of ise.)
Tiny id Si pay ls page. Tha he
year without one word ad ere Tarn, finally th
went.
feiss Ina horse and eat be ha fo rent fo the
Canon ongine 2 Aly Mme gud ester weary
teu crubed Hoos You goa lor eres my mama
‘rome biti up fn
Ima. ‘Saesman’ scmed ta coter and wel, ow never
Metro ane ss Bi)
heal one to follow elther, Spent i ewig
‘ot aouse, rom, be bt he hd ch passion he
toned tha hase nada, He wall eye ca
Timmy Henteu, was an ator antane spatced,
Sot talent They ved too Pare: se nay as
‘ti ac ee ay Mr Bev ie jo
Tas at schol bu enings we rave nd pa
Rove an aie, Rha I, Henry. Fe fone,
Wenere rough but we ha pasion and we Became
rouse. Ie barned like paper The deer the wood, the
ulcer i trns There waft creas,sar cod reat and joe when Tho et
‘one, Mr Bern grid wy hued, plod et ot
the oor and deggie atthe open ir ae
ceri wo get here ve pated and forced at
ped yay
ra, Tm sony Hanns change this
(PIERRE te IR rtf tn)
{Don’t yo ind een’ Pere hat wo one to an
‘een nin er a at apd
a pl ter od wah
the sie” The radial se cap son of the Feeluon
a in and withthe be Bc Brigade
RE yo a
nid kl he es.
mA, Ob there's more? You just Keepin” Ht ack For fall
ane Yo at el yo wan and Tw 0h
ld eye?
Ion ow wha oe aking abou
RAF. Wht at se dong in your dieing som?
Fe Oh fr ene ae we were lig
‘uguRe Oh dont. plese doa’... Tknow you, don't pas
A. Wshow it was Piet
URRRE Aner the question! Why mon yo amos the
‘qusuen
seu ae neice cet ge he
tacen pain’ her in prate? Youve eel anaseret
{he sueston! Everything looks Wl frm a eetan
sgl ie can Pain oss real bad
rags That has noing 0 dv
RI jour onl et i
‘ly ene. Noone behind te, noone backing ne ups
sma. So what the pt Bow? Somcone in he singe
{ean Junio? Mareay change mind? One man's
nisttane
(aR spe)
MA, You woul
perm
1. No, no, you do, ou cel. You can't poms
her cle the theatre than have me
1A. No, there must be someone you can get. Thi int
‘HERE, You don’t,
ks. Think sour this Plete..00' be sippodn’ thelr
ignorance. yt be help’ the wrong side, What
‘a that pamphlee ~The Nenerose Explanations of
PURRE, This 0 pole mae
ms. Bt Haas ere
unas, Sop it Stop it noema Lock, im going. I promise but get Charles get
‘sone, jst doe the eae go dark on ny eae
a Theve nothing a do
an impose)
stucet, Shouting ‘Matin! Mutiny! Down with the old
‘order’ Brothes in arn ect sine, Decsons ik this
cher caplet Look a we Piven aking foe mp
sepunaen
PIERRE i phan you ph yu dn ease
warct-Only exer youll. -yon expt yours or
{aVice worth nt bea someone ee dace speak
Sha they ae, ou ret aehiondedge Yo Dk
That work your ght But evervone works had, eey
‘damn ne of. Abion dies ws a ad ou have
twice a tard Lexa of wha? —gouip, acarations
and now, Te earned my plac, ff am me years
together. non thin ole ae ihe Lote ain
Tok the et a ha 9 pn
Trahaut yu. You haven one to blame but yurtlt
Tra ourve put me in an impale posit. The
ted, tse are Import men hey were outa
iniigoant~ dhe beat of your angen your lack of
respet. Tam the fist manager the history of his
‘Rearend re de my No ven
Alero. Acting is about the feo to pla
prio fel ad followed sto ile experiences
of the moment os ot youre the pl: yur re
ge, a of ond Heaths
“he th ts ce
lho.)
(Theisen prsen aking)
(ma ange freScone Seven. ING. Theatre Dressing Room,
Toda, Poland Evening
(Ra, 6 agin rina, ung)
(hat hh Ri le ae The dn
‘pent sa ALANA on att oon)
ALEWA Mr Aldidge. Mr..7 T wanted fo. Ae yn
ght si? Wil Teall someone? Teamve Uo
(a i singe ond open a pt
Sf meh pe afd by the po ce of i
(GR hl pe ff makeup, MALIA oes i ond
(Psa She gral che de)
HALINA LL. not senior reporter Ii. Are yur
(igs is ong int the fo od ass to wh vp
Iisfoce Tis mabe ta ota natal we
font at py
{Cima change: Micae! Ono Be fw Yate
Jottager he ges wea! tric, I want tego forward,
our bow Uta?
mes ho
see So evening I
sm. be
‘lost. the office right? And that's Ieee hae
Nowe Uae tak ne of them to check lst and
he pts vetasign an the dor won i thet
‘They all complaining Tay they shoul ng bell 2
(ea, ite fe tae ick aa tt
rin ie sof ede the ees, cae
‘eth od th ti, aes tk nr)
HALA Sony ie makes ie 90 eae well don’t
ean tbe bostng but Tw compecent ann.
"Fo Goan Ren i gi th ar
Acres fing xeon wanting cot, v0 ter
sorte oo much, and dis the coun he cant
Death go noe go ot he kaos pence
Seteveme. Wee net aon and weet fen
trains ome in wait for wise and sce 90 ou.
HALINA Anosy I'm srry. Fuher stalk ton ach,
That F should gee toa pint becuse afer all that's
yemon for talking, Whe they wl yo vere coming
there wat such exctement- father he talk af our
performance lke i yet. hut i ine gare
ow! Tepe tv mayen pg one!
(Peta git bsp ad site ae he
‘ake «thn hie br)
IMALINA.No one could place Interview with Yu 50 he
to prepared reall bt. am aot pacts how
et)
(A is He ioe hal.Teal embarate mslf and forgot manner plese
Agr hink me br knee jo Pls don't
lather rea alors Fn soy Really so
(Geginners call Mi Aside. This your beginners
oth
MALNA. Whe cal heer. Wha sha?
(is anne)
HALINA Me Alig
(He mime the crm wa pace her HALA
{pte nd en fom Beste ein. She
Fj ten Her song)
ma an
(Hens Shes he ihe ein esd pr
tne hte glared lth le hs
QURLES Ke ei phi te hd IR
ac MALIN dst)
yale the
(mayan en EY nr gh oe pa
(AR ls a ALIN he ak foi He ae
‘he ese)
‘aun Me Aldsidge? You a.
1m. Ay every inc the mur eh) mathe hing
(CoNQuE 'n jusyin’ poop se wha hem uk
Im tonights he Bin
(ELLEN an em es hn in he ad)
HLLEN.So what rte do you pmpose weak ME AMG?
ening ie? A te ctl Hh He dane
ml do sch hing,
1's heya, yet a bt ey bal be dhe
‘Seon ofthe eat
(aaa thes hi arm th)
eta ophiccmen)
ig ate wack)