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Red Velvet

This is the true story of Aldridge, a black man born free in New York during the 1800s when slavery was still in full force. A racist mob burned down the theatre Aldridge worked at, so at the age of 17, he boarded a ship to Europe and made his 40-year acting career overseas.
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33% found this document useful (3 votes)
2K views44 pages

Red Velvet

This is the true story of Aldridge, a black man born free in New York during the 1800s when slavery was still in full force. A racist mob burned down the theatre Aldridge worked at, so at the age of 17, he boarded a ship to Europe and made his 40-year acting career overseas.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
rng ani is spriaeprectae pve tees isin merited ee ene wee Eoniniameae mimes nee eel econo mat ch te sab ay Sn Cad Tae Cup macnn ram, et et "Pfacial waste oer sh! sn th] sit up bese ng pte ae ty piri Reman int a my ass recep ‘adh pte a pence Bt eo pe ‘Seong poaaconae seh nthe ape ep etc arenas aber beg te A ‘Ss met antes he i re cary ‘rant vet Set seins ch rsa ook ‘mune sein Cone Ten Cy Ww Soe ‘Sal mn es Si ‘armen {Ech pooner, bonne aber ea ean pal ase Nee al se a pt ak hog ay Sa ei shan ‘Real ne nung mato ptr ein anon tla shpecinrgun ine cna cel eae ‘MUS AN THIRD-PARTY MATERALS USE OTE ney esse fr sng fms wes permis Sin pay mca eg aie pe prernec ‘tsanngsatth eh some Their ences oi prc ein nde ‘intone alt pt rs te a ig pt, ne cp yuh inl pete er hie ple 9 oe 1g ems rg end rn ‘Gums eu Soka sana rostn a ‘Gumesee “erat ese tone ie Ligh ge Ae) We RADE le ph eg sesame moc Whew, gh io A A Theatre Dressing Room, Lode, Poland 1867. Evening (2 le n= and iT Wee a duing i wh lp. A he ange tnd mine A ote Eoany ae ah an, Twins ruck ety ne) (1% mae da ond «man cASBAR, Grn, Jom tyson eo Th ca 2 ‘Riss de hen) (Casi. Casini ont me around hee are yay ‘a em duu Mein Gout Du bij rc (Ohny go! You're tele) as Un Du i se (deny bch) dun Shas na ese 2 (lk ate room) ast Lier neh Di anche, (Varah tok sty) suv Pc hie ft ti Cisse quer ere) (He iss Sb ss bah. He cases (steats) MALIN. Tt ne ech bia so ungeeicht Wass deen ‘tn (orn gue ek andi oo hom) {Contes proatiy era opm) ‘ins kn exerting) ‘asian Und Du tet nach Fersen (A yo snl of trabries) (eu ihr gai A ond had ote th de Ie ease and A py hale) oy Wha ers) (Te ue gos aed TERENCE, sh, gt, om drageng og hey ene) IMALINA end CASIAIK fe THREE des ot ‘amen. For goodness ke (esr tm gg tase He es franca an eng np) There or the nova, i’ ot hard dcion, Bat jhe ing cho, Myown by ful (Acts ai ees he desing tle) (He puts he win cae and ict ae don ae she aa He fs the ty ae, ings et fam thy rns a hx mae Hes te temps CASAAR eset oe reed tons LHALINA wo hi TERENCE wth) (On my gi. You Hightened te ie out of me. ‘What on ear ate sou dengin here? Vevzcinung, bitte. Wir gehen sebon. (So sorry. We got et Tm s0 04, ee going WIEN. Who one ‘eae jor plo? ‘astm Wa ht Du ere geen? {Mat sre ou eying?) ain. om top Poh pape, Le NAINA Carri wn ig eon astm Di spi ech? (oa peak Es MALIN Mr Aldridge is ere? THRENGE. These are private rooms, Nowe if yo don’t [RIENCE reso hdr alan ifm Toe EASON mn LING shes) NALINA. Tete an appoint, So Ham hee ‘ast Le este ht, was sat bere (Udon understand what be ag bt Fm) ‘wRENC, Thin abut unacceptable HALNA Mr Aldi. isbn i (hat are ou talking abo) HALINA. Hes ben in Ta ten das (He's ooking really annoyed) {asi ae rm he rg i of ERENCE nytt dana pen) ‘ase. Wirsalen schon, (We have to go Aang dan i. Vernibang nin Hee (did cunt. ha no en tat she» so nae) ma 108) Terence! Terence TERENCE Fr tyke! Cet ou ow! [ERENCE tion MAINA dr ms) ma (05) TeRENCe. Gal ep me! ma. (08) xs Wa in Cotes Namen! (hat the el ae ha) (toss) sn Enchgang Brigg Wi mach (Sony? Sar? What ae you ding?) (Tae to speak tw hin) (ie grabs hr arm oh cd pls er tent te (No, ne ge atfne) ‘asta Ih eters ber sine Selig ‘lose my job ‘Now usa me. MALE fa s0 i (That how hinge work) ALING rage art ma 05) {We have o gone) sie pe mpm Pm mals AR Jos HALANS aud EAS. lr rg tp (dno oe os pa) {ERENCE Yo Then othe Bl ar the veep commit pete capable Forge ake Tey competed ‘ruRNGs. Tm wiry ma This pte oda yo Pate, Hoye the ll id hese ine Tell me el ne hat? “TERENGL. ea sharp words oth ee ie alin ad (AL pe food atch) (Sime MALNA..'m,. senor reporter. vith de Lae Times, MALIN fs fr (Sores Nery sor) 1 Ins eabous wi dhe ski A rummage someting “THRENGS Goan eal he manager aon, (st ats es) "anENCE O) fo pis sake eras sory si, shoul (ae site) ‘de trom ne and youl be hale nya eared (an cite ee) ma. Ase reporter. How seo mY ssn. NALIN. or or. pape MA Yeas npc, Thaw thy se ya ‘esse, Tut mi lla, mein Her, ee et it frchtbar wi (Cm sors et wey Tam soe promise have lene lesson sine wo happen) sTescr Quiet! IS tg i i et en ‘hcl time: My father he omerhelne that coming meet with You. Im And you? Are you. nel a as ota) ma Rese our dies. (ery srr) MALIN Er sgt ack sar Arbe, (He ay gt nck to work} (Thank yous thank yo.) (essin st) "TERENCE ot ses imposible wo be uadersocd There. TH take her othe fice msl. tA you'd giant the place tered he mo mae not hard what you do es not a demantng role vvaglane Terence signe (MALIN tee tthe Hel, some wh MAUNA You bid ERENCE Pat that down 1m, Ba Koo our, (A come up ceo ALIN) WAT remember miensy two, Fearless and spi, ‘continuous guctmorh Paying st gro up Mating sal tat ng 1a. How lng dT have "RENE Juan or st They'e pt he pevfomance st nea heya aso reese "WHINE, Pr ma Mase constant repent. 24. So. relly ja? (Serge hgh er ha aed finds Bro er She ge then oni) set Sesh ln! ke on of mh gig (MALIN pases et) sm. Aad ed hem ere they rambled, every nau. Amada yor ie {MT sconp them out in and Hk the Inn do. (tf i to her asa ings ce 2p an ‘athe ae) (AR ass HALINAs mh of ru, MALIN sens std) ALN You were Bing. wet ck, (0 ers ta oh sh, nda is ff ees etic HALES arcmfr ws) RA’ sok ALVA jg, SDR ees) asa Mein Here se) maT ned ihe am sory. lam wo wry i) ALI. Dichen Sede Lampen hock, {Tam hemp om) You sel sha Been it years be Pl dene Craning my serany nse a as ca, ering the nage ener the bar Jr fe years er than tc okling ane back in cave 1 fal Under a pel at the bac of the gods, 4 sea of red Below let th epee ol pantie AURA. Ise atk yo abot IRA. Something about velvet ~ deep promise of what's to cme, the cate others embed nthe ple A ‘red apo wn om re ed (cast gt inst a tty ae) A Yo from here? mathe cast Syne Ras, MAUNA. No a Poin, MINA OF cou nt Pr King i Roane ma. Risin — a ekg poole bat they ot ner the beauty of Shakepeare ~ he urneres You HALNA Yo ae fron New Yor? A ase ck ad oer) (mA. Lear maker me Hoop, Son ‘ath. na js hs ss, MAUNA So? Do you fad Los anges? |. The ralne coms the ayn now Tere ae mone once pom ec ae ove bin th gon) MAUNA. Frere was or oton, Mr Sheblrbuliing sma. in demand ta OF Yo mite met a pel 1m From the Duke af Sve Menengen yes ALD And you met Emperor Fan Joseph also? A There sa sal presentation in Vienna ma. Neral HALINA You do not long ll these malig to be ein heme? With your we chien, Send 1a. home when Fan ALIN Your ne pita a 1a She pase hee yar ago Get our ts ght ma. With Aman, who used tobe an opera singer. You MAUNA. in sorry Fan confused Your eldest som is ‘ghicen? ma Ut, ‘hun? ma Two yar ago (be fe dg er tk) ALN. Ye. eve, Fine chet, 8 1A plied the Lace i 58 ALD Bur sil you hae not payed Covent Galen agin ‘st Petersberg, Moscow, Belin, Prague, Stochblis, Bods. Te been by. Fve tv gest play The Academy of Msi In New York at the en ofthis ron sm Four shown x huorred sents ithe Bale mice ‘ver yo kn Lost oud et Hat Fn the highest Pal art ver n Rs. RALINA Ye, no enon, So many places Whi one ot mow enn? Ins Senge. inp, the deste was catimed They'd never bean ut ‘Shakespeare Can you imagine that Eee une T Fale my and ~ che erally gasped. ee pi ‘top performance THALINA. Lalas hough at for Englishmen, mean for ail actor that London. the et. abhi perenne’ smtpd HALINA. Bit Covent Garden fe more than enor 30 sears maT prefer to go forwa IAUNA. Gos? Na gop hes expert on, maT thre ae mt py more To know your. your vale and et, how you sa -reegaize for cit What Fbea 1 sk hy you have no plea Covent Gan ses? MAUNA Hal sm. Fina. London a itd pocket ot work, Sone ics .sme buildings ccs writing hese things. There's am indolence amongst tho whe hae everything om the doorstep. So ce to or Burope «eae one ins there fate and one ‘into ler lof was. Te ply tank fd once ye dane that hr sete or saan Ye bt Leadon 1A I hink tha’ eh HALINA You player 1m For the long sor aed RA pink ita AINA.) MA What wy a ate? Ima Iewaatan neni MALIA No, it may a ad. she ada dog wo was rapped MALIN A arty tat (ma fete dsr) MALIN Bu hia portant. We don’t have te seat ants ERENCE ener) MALNA ta. vet nid, THREE Mr Align wage shoe "TRRENG Yn ne eles ling Bo ALN Thave few more quetions plese sma No, n,n, mo. et pe thi cat ack where she Toon. You ext case Ide, Without me you'd the ever fen tat yo area ae, Yow thik slog ty hole He to lay mc oat fr yout pk 30 tay through the irelerant det? You are ares, ‘armies nept and drepectfl. ait and fe seeing ewe Wi eyo de? Wha MAUNA Me Alege ms. Gt | (TERENCE us erm ed shy hr ut he da SIR tig tide TERENCK te or ma For peak wy the el opr? {TERENCE oo she mA Hol you neve, never. Im Ifyou aot yp tothe da tsk "HRI. aoe som Rape gsi Im An ama A nobody ging {THRENGE ve sehen to the menage mA Dann vg weave kd sec. ERIN ge hi sone ne) ‘TERENCE I be wonderfl tonight si, just wonderful Tack where we Belong. (ont an you ‘TERENCE. T'm Srey et you down sr but. Pn hese to {pana cleanup bt dhe meat othe thing only vet tne that lear? “TERENCE Si iT my ses WA. hat Whats to suggest Tey? "TURENCE ee mere. Tm sas yb se snd thi in Tn ie ig ee ‘corals ieleant Do you hea me srounet St UENCE ety se ew) "TERENCE Sr CHINE te stm an (The snad of pte, chang, ting. Coch and Sw tying ot hgh Pa ying Mp ae (Chae A the hs fe nd of et ra ae ‘he rv The sound of rites Krone vary, ‘Scene Two. 1NSS — $4 Years Eatin. The Sage ‘Theatre Royal, Covent Garden, London Early (A fon his pled ondomlynond th Thee i (A Jenson suman een ir, CONNIE, eter ih a em St ages a le etn (The soon of prt contin ity as BETTY Lovett, 20, wlite HEN FORESTER, 2 ht, ‘ou aaasanD WARD. 3 le nce hey noes ‘tbs der ge BETTY ti ltr ‘ih fw) erry. sabes mad oat hee. Connie Ln ou (CONSE as EEF’ atic ami) MEN. sure London's acen worse sc. Cs tealy ickig ns. Enh et ges MEN But ee ata como sir —a point of blue, "unequivocal change, Makes the loo sh BERNARD, Yc tha ve Mex The petitions have been gathering scam for ‘meXNARD. Most cope probably don even know what (CONNIE set with ctu dum ad ts IME ton Shenae flr dame) ‘mx. The bing ad sling of uma being shoul Te no pat of any ele soe When the wide forbear evratetesieeicten 1eaxano For godt ke bn, ou whole economy ces hear force om tne panne How tayo eset bat Wao tig ae san think tha oy sho ged Duro. Then od thing] hve spcaes (mR pu nen fs ys IRAARD Ne eT fl ai Ya hing te igs Win iat on jt ao rr. Did you ea at he id tere tan Ob sean heemunciaton were nen hen = {0 God, am ing Spat he las ttn, Por thing {EONS i edn) [EFT De ter cae ERRAND) DA ese Tacit ating oo sao Hon ln Sp "hn Ml pw co _MENWS Tim pattie when Fn not working ated ery (eon pet mies bf) Kin of lanes ENR Bt people get ostrate Me Warde en How can they when they eau mie meting? The gonemunent ates trio evolution tye sippresing tl (iouting utd) Tas England ~ theres no Batlle ETT My hess harping IMEPTY, No I west oul lat night, dak far tou sie, tues Rauf ino and bit oak, Woes Collapsed on sage marking the ed ofan ea” Hes tot gong to fel beter ean ht {ONsIE No mi, (REET indies for CONDE toe et hag opr erry. you wants cup of ta? ‘const Dun nos mis ETE los Hae i Pe epost saga ant ‘Wes Intian cotton =i fora gn cue, They Count on te up, cheaper ton, ERYARD. Wate Gest Bain, Cheap abou par of ery gest county Is hw igs are dene: sa Bs hey peop Me Wee ua umsan Ob for ges asthe wrt a Hei This tay tale where everthing comes up ight inthe end Th concept of ena and reson, ss 2a npn wae becuse tere aay be finda uber fos ca the problems ba Whete tate, frthrght, Ete 208, She gine i tang sof i am t,o cot a be) eopne ge clita em) hv. BERNA, Teal wnespested he jot fel tothe for, your fer tm i ty cach hin ib (GHAR. ow. Ko Thank you al (Calecsion of spate ~ tei shane just sont err Ca Lgetyou sme tea Mr Kean? LL. Ys et thank you dee ‘oNsIE Yes mi, {js hee) exan Hs dev you ge ough LIEN, We tok a cab, Couple of Peelers a tage door tele on ‘gu ma’ (ARLE. Thank yo Hera, That means BEET. ve not been sleeping tall well. And I havent ak my Togoge this week, What if we go del? Ie ‘ne ALLEN enc all in. Thee ml be apa NexH Was ono her be om and home i HENRY. hen my wc Jo an il a a bole dle ERYARD. 7 you real alight to go on Chale? ‘eice ta athe here than a home ENR Have yon ghen your Moor Mr Ke ‘is alae ther ‘GUaRL, No nes (CONNIE ps oc ar ner PERE LAPORTE eh ech dapper 3% ete trig the seta fata omen he) mas, Oui Face uae re you sigh PIER. My ear are ringing, Someuie hock into ane nl ran Leon ge oad the ling 42x, Connie, ran and tell the company manager (uc conte) ERNARD Hie you checked ur pe? aunts. No Fm alah erry. They've hrocked Tg Set. raw, An sb nighimare HENRY. But a minor inconvenience compared {0 the stern ean. sonny fin, nt gain yt dant ‘pr anf kow a ge there ches of mr (EET ps ed on ENR a ele) rich edo, ETT re we hing askance Wopencal Weil mt be ing URAL First om bl ow lu hough ar th harks We pray Edu wl rake sul cecvery (Mhters of 9, 3, ‘hr ae CONNIE gees IERSARD icp of ne sk ther nation) RR ado EANAND, Well. hope im no peaking owt ot tam ‘bt sather presumed that Chats weal ke the we lean wet all bpp humping’ Berar mani, Ob Foe We wl 8 wee {HMRURS Howth psi flready Charen you tor Berna ust play ago hon Ges mat play Beant ‘ext yn ned si im worl perfet on Eas Tim able prepare. ‘angus. ere epee ink ‘PERK OF core bt we mt ‘onus. You're being esromely unclear Pere crease the pressure om you Chiles, ‘nuns Someone ca? wry. gol WENT) ryt back) ‘mach you wah to wel derpion? PERE. Not sl My nd ws lea ro he a CaMMLE Then yout keeping in pee Patan mane cose lg Age to dehton out ge suv tn! soni. Ca cl he ENE. Thats it ta "ERKE aha been im the penne for many year otcg rere ie FERRE. Oi He ha pi The Moor ogres ch in newscast ne CGUARLES. Kase soup of pesnmanes Dit a kon ‘he Cag he The Reso testy go Tm fie too ae Ha worke much ance, Bu hed el me how atoning Mer Aldridge was work with, Uehink thar wae ne is fs engagements is cou aE: Ye HARLS, Gua lon Wis ie any god? HN Wellin for me om GUARLIS. Fake yours question BEM: Ye. of cours. ella Lae quite taken abc, Trea nv ge an gee tw. bea . 7 fend inn Tae he a he ans, That al ery ell but lt he be up wh PEAR. hove dal His tepation i oma {LANA hae ear of bi. na re won't ppc promi err When wl he gon? PRR Hori PURRE. We ae sol! out a Edmunds, We cannot ef again. Well yeheare allafternoon an ply caus, Sie’ bere leah PRRs Ou, He bole eve non il go ad (A eatecive cher of exfecation from all but RR. Tonkght’s sow wil be atu to your father “Chale A complete sap of ality nis hon sien. COWIE ome ford tec) an go ot erty I'm roe. HLLEN. Nevermind Chat, paps ifr he best. Det pee on ee aa fmxand. Do. you shink we'll aetually rehearse all Mternoon? Ihave at appoinunent athe Cartick a (PR ad A eng Ain 26) evopany ey Teen Mea Alte, ma. Gout aero (Opes me ne) Why os Fi. he Coa, RRR. what x ou parentage” Yu wee pete, (PURE ous Hh thing a le) a. May Ltn Fa deeply no ojo this Company. Ti sess in such sad eunstanees. Inet show texan sate fort I promis 0 (CONMIE ppates end wos tt.) mA. No notre thank (PURE ce CONNIE es. MEN ora) nas Thi Hoary, Henny Rover ea Ou Reig MEN aly real. am very pleated to meet You {DN Pn a rend of Daniel Young. He was wt ou. at whe Coban MW... 1 uch wider up ere than kak rom the ernreat: (A oah le) ‘ants. lei could T havea word ‘ants Ye. {ARLES Ther’ sil «chance hema pl rong, smn gat hoa ERE. Di on ae 4 (A ass Kin pe of ae) uae, Exele Js these ie tenes? rns. Ys et What et Cass? CHMRESS. ls ls (mest) ‘Cun. Eseryene willbe expecting my father Youeannot ni think of replat hs hi 184 Oh Tm not aemping that tall Me Kea, ro sey CHARLES Ths noel yer of course Fa, a that ‘has Thats what Pn ying. PIER. Wha he ‘ans. Thi tesbyavioard x nora pena ae Tame you tsa, ifea praia on. ant Les wr. We lB the potas 9, (Pun ka te pp and) (CUMRLES ot or supp bts mane and me fie BA mur neta, PRERRE hr BARD Siewert) SAR, ema Woe, Brain dren 19. Good afr {2128 Pir should we not psp ve the chai aA ou, on. Coie (ONSIE oe i ENRY af yp oi br) A Mie Tee am honoured HIERN, Hw don do? ‘cpp yon. ae yur Rontco oppose Mies Reba ELLEN. Wy thas yo. in Gps BLLEN Cys not here pas Gnu, RAS Henry cl obi LLIN. Yosef one, EMR Terni, No probe. Where om LLIN, Caso sp "O! Beil the (ALLAN, HENRY ond HERNARD fae er lees And Deg Te ect fal of gate, oe ond wae) lena 48610, 0, beheld The riches of the ship come onshore! Yemen of pas, et her hae ou Knees. LLEN/OHSOHMONS. Husk jo, mln Cassin, What ings can soul of Hn ELLEN/O9SDIMONG.O, bt er PUR nei ofA a i) Ths eit rem tor ot you company ey eAS10.S or e e RET ge dy eda Bi a RA so i Las: dt (Th crs mo ita pion sed i, ‘esa ore40.), LLEN/DESDEMONA. My dear Otello LIN. Ting ma Sor when ou rece me sour parton, " sma. No nota Make tne, Posy He wo nen aa respon HLLBN. So you've an advocate ofthe “domene se of tig ma Tike tat scoop, ba. Ty moto be ot the LES. Oh Would the eo shoal ofacng be amangse mt nul SAN Ad ae oc Mee pera Then we (etal, comnasion made) mA ike Mr Coke meth MA. Yes tnt Teles ile. Vd write dawn but speak fel Teh alters hen an gene, dot Sou think? Theol gurl dan aay ike su Bt do eget we 1. Nota all I ant ath co for dhe pbs the eight fate do. Nectar 1 OF couse woul sg Hin what i ang is Pl athe ld in and out of rues than be ranged LLEN So, what uel you prope to brea Me Aide? there LLEN.So I may play wha et a ms ne aot me, about ng met the tages ALE. Wht fntats me eprom Me Alege {othe leak actors that the story becomes Los Without Desdemona te waged docs not eas ot ‘eps play gether we conjure ag sy shghae math Shale (The ain wor, nine) HLLEN/mrSOIHONA. Ay dear Otte mx Elen HLLEN Me Ali 1a, pee, We've Just escaped the storm, feared Tight never see yu agin. So this grecting Intense And thse the ony point in the whole play tte speak ut le veto cach ster sd Doak ‘era, So the perfume ofthe momen mt, owe Tit erp Im ace hr Desi you ae am you tapped me ey. asa For goodness sake Pere (A.A cetyl solr would savour this new. .contat se” Dott you ak? LUN Ye spp TILE, Well6 young. scaly selieel wom, setlemen varie thie basa sma Would your sheltcred oma lao e thinking of ‘here foal pi? {I al ithe play LEER. OF cours i Well Jobat ene cout hiking? PRE Wk yo ike ogo back a? 14. sallwe ty Ua ain? And en ou say My dear Ont wo you Took me? LIBS. Abt, sell oe sat hep alintent Been Sitence, Theyre one of man papers afer al an Yes but ifthe passion at simmering between os, (CHARS ls ily Be hag ond fis ond Hetty nt cpl) re. Charles? Yow ae pst be on age PIERRE Take ous poston plea Baud) RA/OTUELLOO my fri! Thsce yu het beloce ne. I ie vere tom oe "yese tw tb ent hap, oI fea, ‘Thacoot acter confor tie otis Succeed in unknown te We aang forma tes en ‘You ni content you pt the emplanh onthe St Dll ‘cote’ wich a ery Avera think. mA Tike tale, volome, onder great my content onder ys ysl LLIN. Yes of cone, Ine that Id, merey thought ory one’ mea aig hpi mk Thies me wonder great as my coment, canter To ace yu bet tore me Yes Fsce Interesting it Tha you “The heer fori at hat our oven com hou ners mA/OTIELLO. “nent hat, es powers Teannot speak enough of his conte Itatope ne het, his too meh op An th ad his the retest ico oe TM eer our hen sal ae: (IRA tak ELLEN fd in Atom ses the, tole tae feat athe athe cis kb ‘ans, Wat the de. Pret LLIN. Fs-perfet RRNA Realy Mr Laporte not MRE, ‘Ks. Bi this prepowers, tee Dov not Ine the Hla Charles We can dense UMHS, ink we rma, Charles pease— we conte = (nantes acing is egt” schoot verging satan) ant3/1460 (0, ou ate wel ne set wen the pop that mak his sms. Chen, ‘dusts. te Ages CHARLES, sly {QUARLS, hae ple tis role opposite my ates forthe Dest pat of eae He hus gen me many exelent us and Hae Ta! thal nl Inverpretaton of age ot You 1. ern nt en to inpreenen? aR You pig you know Bete 1m No..no, not all Lon. ge tie complicate rma, What L mean i ving putt of the company: ‘Me Kean company bth you father ‘aR. Tal eat hs compu fo ‘aunts 1 «ntl pogsenion, (URL. This eave tas. sual patent to presen aly spoken drama. Net barca, nt cures bt dra, ‘That eon tank ad ae wich Tat hes epi ead hiscompany lea ii cory ‘ARLES Who the hell lo you think ou at ‘414s. This ont sme prosncaexperinent This is HUBS. Chale! With cing ke ha We ol {14H 1 Hey your pon? nar. Gendenen pense nae losing the hea ma You Uk that suis yu in some way? at. Let ws mais oo prose ‘nantes now ext wh Pt ding. A None of Kw Me Bet, ‘aiAREES. Spear oul. Pe we (ARLES Hw dre you! PIERRE Gensemen, sop this, Pes, remember Ke tia the get aie PIERRE. Enough! We take a fe minute beak ana then ont, Yee 11 go put on ny comune, hep ne wor, rx AH0.Ob, ny go ck your ht cance yon pet Chis. CHARLES, Ut? Upc? ICs rly joke Yo iy yo ont neo upuet the company nd then you al wih tad uss aan extremely aecomplihed scar xs i at il of hl (GHARIES. Ae yo aight Elen? it nen did you? You be al along, {L14N, When Head black in the review I presumed t asthe nocd, #248 He did gsope ‘exanUEs I's dgusing He's ang ahantage CHARLES. Ob for gone ake That’ very fashionable Ellen = the pay ie sil relevant? Flora for the domesic spl ey cls rama tum i grave ets dea with realy, you cat ponily be eins out his going abe toni (sim) {GUARLES. Wo might wall lone dhe dae unas. Wht made you eter the profeion? {GUARLES Oh for gts ik hs i aout me ‘hrough lle plas that say nothing about who we tte, Theatre st pola act» debate of cat nes Thin is our vespnoiiny net ce past We hive to art. My fae, 1 stall plysieally. challenged ageing ‘an, toe him become a warior Moor sa ar Savi propio eee ta a Tm sore omy ft i tr Tn fai hai sel he il prevent thew rm craping ely CHARLES. Of dent make this «came for cer ring 122X.1heg your pardon {GUAR You kt wha Fe Ele. Engh sate fr femal, there is everyting. W's a exaf. We are aloures canvas on wich pin. men Esc ne ie exam sali. MeN. only sat th IRSARD. Con ely tu. Ob foe ise caso kop on IRER, Bernard, [think you're being extremely ie BERNARD. Apologies ol gel but he really gets wp sy ILEN Carry on Hen MEN. Erm, well ar Job progressive a it oper ride it hy pope ‘xIALES. Se what yorve done Plerte? Opened a door at nes be be shu. LER. You'te going 10 slam the dor on dissension ‘cntss. I'm mereb saying that HCyo% give people sn ‘pton to conte, efter the wider Pure et lok fd they come up with else nandering points of ‘seve For goodie sake tlling about he fre len, The polices on which we bul x profton. ite ing em nny Stock, act py he Aken fol ow he att wl ply Falta. Yo ay ‘Gring ll ony bellowed wo pay war you ae to ‘i ou, on Ban or the ven? "ALE, Don ou dare wane your nadequcieson me LLIN, Look at yourself wth that sine seri ou be nid supporting oe ore {HARES I waning pessoal Twang fn sable actu Hs vets ave go. Den yo thik Char, aps tok ati hook at i, wel at Ine makes dhe ply morecuten? EUARUES Look Lace he's our .rend How, Bt hones, ‘ena happe to im ter he pty evry alae and tor i the canon? Have ou thong af Ua? Me scot Bim (sien) seam, Wo tnt he simple for Care to go on HARD, Yrs Perre he hing yo ie cept about the Engi that we're open toa pint, We ite nbs the ot Ke of fo l= tha vm yo se? We Me wa tre kn and we know what we ie Ces Wed Br ou apni ese that eaves wih you. A lingering tou Oat tmnt be one of digs BEF. fin! orig par trib exciting to play with ear and ew i cai te sex Wl Think thi the only a og CGARLES You wont ay hat whe e's aking ou jos, "Wat we to works why pi unt tink iis. fai that we have al haa ace to a our ews But tee alerern we mit ot Timi him bean we ourehe ae hte (AURLES. Youve plying wih cr septation for some unas, Non. non on, GGIARLES. He manhandled Her fr ga sake Who she? ‘Wee's he om Wha ds he wan You've avery ‘sre woman especialy for HLLEX Stop now Chase! PERK a highly respectable ous shal speak (ast puts ison om) ‘Guanes Father onal it cto sa PRR I pois. Vien CGUARLES. A ln the Hl are you wy a? SHE Hand nd dc the pon nd RRS. We cla wan you MMs We? Wi Don't ya ak him Pierre. Tne (GUAR. What hie Vp ULES out bring egracful Chale, ULES. No of coe a Thee’ no compen hee rma hi we shoul gs st nding yor oh wap? A peronal ages yo Aca Gesay wilh be ahs petons onal ply ETTY.Of that’s rie [HARLEY taken antag omy her’ coniton hae no pein thi Fle? Ae yo coming (Boerne lok a ARS: (ANKLES srs dl ery op dd) ‘anus. Mark my word, no god il oe of hit You're i eg te Hy a or Me (Atm am ff est Rory plese: Remar ews Ys es go Got Ot god (Phe rts. PERRE ss CONRIE FERRE neous ang) Nag RAE Vn (ab). You? ERR Io aight. incre ss peso ripe sans oie mun, Pcste Corie wrote “To win without sk is & ump without ly mans? Pena We il ih ma Fine sma Well find. PERRI think. ie ena adic, only my opinion, ot are the are bai important play Bile ‘ves Ali. 1 a 1m Have youre the ply Prete? tier, hee older, ot nt erent hey ‘ellacepe if read rarely Ge them ime ost an aol sth Fr me on? ‘Argh, Wel eel shen in gents The Re? Im Then RERE and U Re Da ma We wether ma. Queen Reman the ae wan HERR Theyre aghing and we've. horse 1m Don, youl make me th an fel ick ae sight into ha gecleman lp ma. sha the mone PRERRE. Stir ner hi hea, tin the al an ewe mA. ve never hghe har ma Grima, shee ae big hoes oil A Who at ie ighteing PRERE. We'll ot som eng, ma. Fight Fink, ‘Ps. Mone, Here (Prt i i ita) baa You se very he m (emt of rama appae) (Terman tin al fn Te gi il hy {cern ihc A OTHRLAD.) RYOTIALD, This’ of esceeing honey ‘And Koel qualities, tha learned pn, ‘Orhuman dealings. 0 curse of marrage That we ca cal hee diate creatures ut ten ime wth pedi i) [HLUEN/DesbAMONA Hov ih you, sy lore OTHELLO. Wel, my good ad. aside) O hardness to at DrSDRMONA. re as fet no ae, No nn Ho sn (Omet40. This anges rifles and Moral ear (AR ats on pty oc BLLEN uli) OMELET a of yore ees ‘Ares Irom ber ting a pages Much enigaton, ner deen For ere a yong al sweating dev eve, That coamy rebel Ta ge al Fores had da ave way ny he ‘OTE. bel. The laa ge ade ut one ne eral hand, at ear ‘nt. Wht promise, each? IESOEMONA {hve sent oid Css come peak wh yo. (fe LAN ih ey are) DISDIMONA No, thy lr The thongs of people She tld her, while she heptit “won taker amiable and abv father, nel to he ke a sh ht Tis give it he: Io, an — take hel on Make ia acting te our precio eel ~ rsmianose 1 poste DISDEHONA. Then wold uo Ga tha had ener scent ‘OmMETo, Fetch, etme ee. DeSURMONA. Why 0 can, sits bt Tl not his rckn pt me fom my i ry you, et Gano be rece ga ‘ort, etch ne the Mae ny ed ge. ‘F840. The handherciet DeSBRMONA A mn tha al his tine Hah ouved his oo ona om youre Stored dangers sth yo (cht ‘Scene Four. Theatre Dressing Room. Straight ‘Meer The Fin Performance (A aman rom. chat table a mn, Ft ht fh. deer sl etna He ves is Sot Th tag nd Hes aiid sting tone mT (He prints, said with th al) sms ean Bdhereie, An handbecbik snanique token (NARCARET, ay 3, lin se er) mata a aechit Anatnque when. aia ey thee ey eae, wating sl MARGARET How une 1a Hand Leche. land, hand hereief. Tey prononince sna That he pit The bas avec be gh MARGAREE Yes Le, Of cue. of coe yor i (hey nds) ma Where ere yo ing mA Ine isle [MARGAREE No, no. Pleo bt ma Whe? MARGAREE Stage I Senet tov tha ny Wa at (He pts up cha oe: She 3 MaKGAREE Thank yo, lee sid her ate dink Tha "rie, Champagne 1 be 1a Its portant tome, A.A teres anything ou ough MANGAREE liked. Complete aH con ee emp mata the ot MAKE Bt the dest ec coms (A start th lag tr as it) MAREARET. wen 0 fin Pert inthe inter e wae sa. How dd hese MARGARET Cating ay. Lat Know baw eds sv Lon Brougham Me sail you were marvels MARGARET. No Ir, ve. Abe tre. went t0 The power oot i the iteval~ they were ike tes Bnesing mays Clara Portetionse ad Joien Ghnurne were ipa cornet. They were noticeably ‘lene ignored then th afer ls ie 1A. They're jst ord MaKGAEr: Glenda Cuinghacn win, ma. Wa she pi MARGARET She hs ay of making me fl an nc igh, 1A Margiretyr've ler than any ofthem, Noqpestion, (Weather oftion an nec) MAROAREE I thos. som were ser pomerfal.yo stood out enormous. You played more crm ‘ore fry than I cen po pl bor. mA. acne, They have tf ‘weak ‘crolzn thas sometnes oe pele MARGARET. T thought you pitched IC ever so wel. Tyas devstate ty the end The lene the there wa ood up wel. Tring for Otello and. ane ih pi (Oe rand se. Thy ele [MARGAREE cat lee we'e et, Aer al hese yeas sea Aor cand nal et proper aneanrr Gane A And then we can set iy mA What colour sale pn he front dor NARAREE nie chapter been dT knows Tourng et NaReARE Pee Ima Ifwe set, happen. You ned sai, ancane Ive stl 1A. mean place to realy cll home, 1 see how ics ‘Nags Tm not blind, Hsery fit nigh, every pub ‘al ps, Hte 3 san For evey mean sted tema Fer ap chp ong Fe ol cng lft you've rar se ten ere hee. and Tvantsou to know iat Thtow. wot ‘be hee thou, MARANA house? Can vo imagine? MaKe Ta ay et 1A, The man iporuat roo. [MARGARET I ns: (A wc of he de ELLEN TRE exer) mA Hl. Ima Twas going whch. Lo Lua Non were nurs. Want be ma Thank yn LEN. nun MAKGAREE No please dot, ‘a Elen tis Margaret Magatet Een lo: Helle..oh do beg your pardon LEN. Thats or avec, [LLEN, No, not al.) wondered ie might wwe havea quick word? ma. OF cone, aly 148N, sony coca shop, MARGE Pane, d's 0 SULEN, Right I nyht if e made the beginning, what is more endearing. Tm Imig tea nel you raters chat ro? Taton' want ta sp agent Piere sid he'd be in the sl bar Perhaps Teton ge ahec Bethe aance par 10 peak Let me change I be ic, Don't uve A ps end ee cg) MARGAREE Vou mut be exon, ha ely. perect MANGE Mine be dul. youre LARS What ie LAEN. Ob god I dt have Lan, Fagagectonbe dating, Not snk yt, LABN vet dhe, dt now fe dow hao ee ‘actors manage cldeen. A Totof them do it Often though, the arent re more demanding thn thet ‘aipring. Tha job description ita never grow up ~inpedes (ps ct so bits ma Right now fn ea 0 ao de have ELLEN Thar ey ind ARCARET. prise t nce Mi Tee TEN The pleasure ll mine Miss..? BLN. sunk yon, Fil LEN. Noy sou ad company, ma. So.2 Vo were ah, do perceive here a died dy? ma. Uh hin eat yo shoul e Ss pb hin 1m. thas gon BLUNT alo el, Thinkin al he excitement we Were a litle unspeaic. | mean, the phys ‘ements of the plating ELLEN. Yes, T hnow.-pethaps we could mark ‘moments map them ot 10 speak To ae an ma Aeon HLLEN.No, no, potatall yas just unexpected all and ‘hint act ota one ma awa ow xt vats coming, ren. Ob right Hon? LUX. Ob yes. ma you bold writs. - Do ou nnd I. 2 LN Of one eo cay on, (Gharbi ane end hr ttt} aie ha alight for yo? na Sof vou grip hte you Have ore come. The Trak yu from se oid ALU. igh. (Sen He sates he cml foe se ide) LEN, Conn Ty fl pel (Ot ds, She cakes ond ei shel the He) LLIN. That amazing ma. Bye contact the hing Waning’ wrung ell me ‘si sere (ey pate eka) Tea tg space ti Imposing 1 wondered i sere gh do ncn a hing ying ihc tvesie frie a te sn ling ute 1A. L ya lin he ply. masa pce to sa. What ate you asking? LEN. Sipy sare ou aight) ma, I yas. -telly nevvous. T-mean..well you ge ‘you? Did the fee it? Are they with you? Ard then you Top out, expored and theret nothing odo but ok ‘tat al dose aes sg ght ack 112%, [es avery singular thing to Wold wo thowsand People th your emine Takes wil to rei nivel face yn LLEN just wane that ou fn fe hands het (Ste pus a and om iar) tesfrmance spate comersation, Oly at woe fe Lard acta ake mio itm ap sms. Rall Tas once tle oe igh wal th ceva a AI i hank yo. Shall west here a moment Let (ELLEN rune tf te rm TA is af moment Ie he nt with of nap ed ‘prong leer LAEN Tor emergencies, (BLLEN fos IRA sat th ne (AS igs fade he nd of ampogn eng Pp (Chang and ge Scene Five. The Theatre Green Room. Next Evening, Pre Second Night (Acoma ow. bay chair, al bos, framed [yi CoN ple ser REPT Jogo @ BLLEN rong Conic (mer sin 9p) ETE. Ho are yobs? ULES Fine. ont BETTY Pris exactly: don knw HLLEN.No, Lust mean Tuy to pace mys Alig om sage ac Running ines thi, Are IEF. i's ony wel. 1. He you wie tat LLIN. Te ght my am eth’ IETTY You were ever ao goed mean you abe ae snot colle with him, He wa striding around 3 inch a tere sped. Twas conresuge a one point (sie) [BETIY. De yx think batho as ight? LLEN.No, not realy. rst your ib reser, Les off the tot ET. Mr Aldridge came down quite ate His wife ws here, Scene at of & note, Makes you weneer Adosu'e Anyway you did't inv meh, Jot Mr Warde recounting theatrical anecdotes and Henry chomping ate sex Bing ll. ETT Henn! HENRY, Gon Ele how’ your an? Me Warde sd you Teoked ke yu mere ging 0 ry ELEY He gable hes too a apavent LEN. Novo we mimes he ment, dha al RENW Teri sow a igh BETTY | ok ernisyemnonal. Il hone peop sanding IY Real? HENRY Alte HLLEN Illi BNI His anger wa very {CONNIE rings of BLLEN.) HLLEN. No nothing he hat. Te kr On love ELLEN. Mis all nec pane Connie HENRY Lemon and honey plese Cone. Thras a bi (ans sis ht) errs Di yo hese ha woman ia the dele EFT She sounded he «home ~ Stop Stop (CONNIE Anping tat i consi Ys is, DEITY He’ ite nha’ the wor.chasomatc. They Ter gape when he ie our hands apm ke amaring = you ely ee decom the, BERNARD esi CHARURS. CHARLES irs to ‘pt wea) LLIN Bro Herma, bro (AMLEN stra of nse MEET an HENRY fli ‘uRNARD, Rely thers no nes. Skin oe tet all (BERNARD fake his must Die fering to BERNARD, Look who I fon The prodigal rea! cans. in ot sing one ‘contact blige. NaRLAsTe plese (ONSIE uses elf. CHARLES oso RRLEN) cans, Aveo aight? ‘ants Remar was telling me about the performance Were yor. pened (gat. fel eh et dw len LLEN. ow Chae bt. Link youre wera ax otofprece ‘uaa. surprised me tat (uae. oly dt gs ke scan pal ULE, What do mean? (ARLE. Listen come fr hunch tomorrow. Act we can tak peopel HLLEN Handover areas abit sticky Berar. Uh went rear wel BETTY. Wil you be joining Us omight in.? ran. You've gt anoes jo ven you We've lst (CoNsIE sre CHARLES is) LLEN.Ob tI ogo iol Ags a ttn’ xn Om my ‘ee Connie woul ot, en go. ed to chery pos anna BETTY. Got to beep 00 top ofthe demand HEAR Appa meng on (Ese) sensan. D's ou ale ol gi? Cale yo to pas Tapa ssf bles Tw jal har work ws Diyala wat [found bit wey? Ac 3 scene = ould ready See hi, A that ea ting Lacy sy earings pt. Me wan all ner the pls, ad to icep unig vou (eam ge np iene) CHARLES. Hae oo Fm af LEN) Wi Te so asx Tesaps (Bt ENRY ih gm flo fr tor.) NK Sl are ‘xno. Oh gc, Thy were lin ENR Ma oa ‘maexano. Te ever heen font and cere on opening an ete ey ge era — you ty ae xe he mare oe hg a ‘ti gh aby he rman a ha Ont he |RERXARD firs righ Te Adana) Nr hey py ene Tye aay en {ONWS ied someting ae dierent wid Roerg> Te night wonder they nied VRNARD, Peps. pethap we Soul re LLIN. Of Berar! wh the public opinion LUN. Imre unr performing e ould ho 1h er cases, Sl [do ie LUN, Wold you Chae? us Think yo enn ae pope) ow a eapectaliy by tne prodiction of te tr fury Wallach Mack servant in the shatacer of (ARLES “Ouello foros! A past whieh the fie ae feniis of Edonund Kean bas made his exclave Proper. and this to he_preented $n am Engh the ground of i face being of a astral eat fof an sete tint. It rly motrous. In he Tee being subjected w the indignity of beng paved alba by Mi Will's Hack evan LEN. Di ey sy “pes? BERSARD Hews afl rongh sh uate How ye oe Beenie onthe eaten arr Wa set Tec Sot halen eons ‘thm line OT perme hace ‘Othello ~ than an age fat man would be competent to represent Falstall. English audiences have a fore tat counterbalance ther of 2a owe and thick pe Mr Arges detamaton ‘oopharia,incorree reading and by valzie Promoncation. It superioous to ence int any {etal esis of al a performance av th bestowed on hs perlrmanee induced the Manager 1 snnounce is repetition Prenat Connie, have you sen..2 Mende. These papers tem Kes. Ah ee ERR. Wt unas Yo spy tok the Rae, The nee or me (GIAREES. 15 ot sc serious mater sey Pee? We SLLEN. Noll ol Sem EN ever (PARE ate CONNIE ALLEN. (Gk. Di you ej he pecfrmance Pee uRxs thik the company did a excelent jo (4 sano) Pn. or please Connie tthe pps, {CONME us he papers da sre ie ELAN prop The Tine enARD-Plcre might hae 8 post og LLEN. No Benard If we don’ ake respi fo st et wocone es ed i ating. (ELLEN cr CHARLES aes ure es it Sporn ‘ctor on account of dhe novelty of the spectace Wel tha i Hairs woo and is features, alto Alsen, are Ii pe ti ute posible forbs Wo pronounce Engh nw nanner to aay cren the unaaiion cars the galley (CONSIE a ma e) AN oh hs romciion n aes (sie BETTY, Hoe ve the hoes i? PuERRE Tonight ng ery goo Ke Led to peak oyoual afer the performance acarmins ons. Wis? PRERE: Non, ot a al juste hocking ie, PIERRE. Well chat aftersade OU? Connie, beng the perso my ote when the company have fhe seh hen “ick woe with sou bh? Tes about the nex play Jost ecuple of deal, {GURL Ihave as apoininen at Bry Lave ina he AB won eke long, canis Fine RL (ELLEN) Ate you dang. BUEN. Thank you Chale (PIERRE, CARLES on RSN et ERT. Whats that abn IRSAKD, Neer ak stone Hei Tha’ dhe beay of ing a acto You fa pl your a aad go ee ery, Than fr the tex Ce See you on thee (AER as, RA rues) 1m. Evening Bey How ae you? [NERY Fine hak you iJ Hn. ont to. mA OF cour drsanern) sane thnk ry de mA Yes, yes coun, Well done fo night {ESERNAKD, CONNIE nt dle th mse, HENRY ut nto ase mA Tine 50? EN, Yes yes. socal seem up, it of a srech (Fst) 4 Something Hs Cn hae sone phase JRA. Keep you bay hul.2 Connie right {ONSIE Not "en her New Yr, ing ie ‘Cons ju work bev rowers) 1m Where you fn (CONNIE. aia (OnE er tn ih he ener) sna. tho tay? Connie {CONSE Me Laporte ak me 0 calle then hin, mA We've orien, Realy lake ther my ‘conse smo ‘ma. Todertnl {CONSE Hi ell ne 14 You won get in couble, | promise {CONSIE You sel ott a ma. ct ner ‘CONNIE Should cat ae ‘cows The like everything Keep clea ase tse ma. Connie.the papers. {CONSE st Eight (4 ama ce) walle ms. Wel ha the tages fo, people mony se fo face don’ you tik? A ‘her you show ema weak spor them ra (8 star oh) sms. Ca Ihave those paper ‘CONSE Nash inthe bt loom an doom. st the ne {CoN Me nah proper’ or nin’ ma Hig {CONNIE You have a ora about you No fae 1a. Idon' saint ppt ride Connie ut relly; lly anh paper, ‘CONSE You wait to kor wha the sy? Re wha he else, relly : ‘conan Only ask yo to hea en ha amg 1m. Thans for heads ep ne lve by ana eal abe pcr ne rablora ir But when 5 po went ana” he Jobbed me by my ear ke ado and ing me out ‘CONSE ju si’ pope see wt hem Fok (Stes i ear RA de vies. CONNIE at he uray xe RA ty afte fhe ie th ep he apna Bt ple an eae hat fa psn) Scone Si The St sft The Se Later That Night Performance) tag EE we A ne, Yuga Non. hate a meting PRR cee 0 200 It eter oh wae working arr Elke ust she ely sbi know? Yee a Wha? Rao were,.x0ng. Vey ale RA Thanks ny fend. Wee ating? unas nae at mS we ge i hor of Fee Vere We er Ofcourse. Fm sent TRA Vou've met aoe ele? PIERRE, Do, not now Toonaion of or enciip mF 0, MRE. We i lk straight. Nos as changes yes? ne board..they tae deri they wat oataticysoretablyweat you tad dows x Wha you meds. une They've under a oof nancial premue and. The tates boom aagling fora fw month Wi eet sane good ne 1m Cn bing dive PURE. state for Edmund hey fel. Pan IRI don'ts? Why wl hey. The owes ate god. ent There no point ‘tently they need time 4 adjust, to get used wo the ‘e..concep. 1 He loses isin, bral musders his we. I's one ‘ofthe wos vole scenes Shakespeare er tot, fv aoc hat rein cale,Wsot gene, PIERRE, rast tng thn ms called sting, "geo ri aay pve oes ba yo {illo comment, rumour na one on our ae 1m Lah the bs RA Right. ene oe have to dosti. es es neat RA There's no such ting usa oe ied argue x Well snake ‘em vu ‘brigade You rin athe wall al wl sou fal yo, yous hep charging, You think you ea break it together They bl the these, they the Gack. {hay ram the newspaper te st URL Ther’ no ned ma You tll me exerting, PURE She Nas bres, ma. Where Yow calles docta? mA. Oh forge ike. the. iy medling oa dun Kenwsson. (RA sa hi) Jest muerte yumm Pua Yow aI we spina La Pasion onthe see Inspiration. One of our greats set Fy i Pans the pili the res of te man 1 a Inserted rans, hey breath Tk tm dhe ing gd ne Tam be, how gon ary. -rsrain nn hs Been Ahieite bac Tam the manager aid maneygenent tthe end, about. about cea naructon nd tee son en a ye ron ma.Aminahe?| My, He ha. HERR This has en, extremely ard for me Ba. sarge PIERRE You ana Le plan another. Hy all about he gamble cx cepa We pay our and thi ie (A gt ar a of ise.) Tiny id Si pay ls page. Tha he year without one word ad ere Tarn, finally th went. feiss Ina horse and eat be ha fo rent fo the Canon ongine 2 Aly Mme gud ester weary teu crubed Hoos You goa lor eres my mama ‘rome biti up fn Ima. ‘Saesman’ scmed ta coter and wel, ow never Metro ane ss Bi) heal one to follow elther, Spent i ewig ‘ot aouse, rom, be bt he hd ch passion he toned tha hase nada, He wall eye ca Timmy Henteu, was an ator antane spatced, Sot talent They ved too Pare: se nay as ‘ti ac ee ay Mr Bev ie jo Tas at schol bu enings we rave nd pa Rove an aie, Rha I, Henry. Fe fone, Wenere rough but we ha pasion and we Became rouse. Ie barned like paper The deer the wood, the ulcer i trns There waft creas, sar cod reat and joe when Tho et ‘one, Mr Bern grid wy hued, plod et ot the oor and deggie atthe open ir ae ceri wo get here ve pated and forced at ped yay ra, Tm sony Hanns change this (PIERRE te IR rtf tn) {Don’t yo ind een’ Pere hat wo one to an ‘een nin er a at apd a pl ter od wah the sie” The radial se cap son of the Feeluon a in and withthe be Bc Brigade RE yo a nid kl he es. mA, Ob there's more? You just Keepin” Ht ack For fall ane Yo at el yo wan and Tw 0h ld eye? Ion ow wha oe aking abou RAF. Wht at se dong in your dieing som? Fe Oh fr ene ae we were lig ‘uguRe Oh dont. plese doa’... Tknow you, don't pas A. Wshow it was Piet URRRE Aner the question! Why mon yo amos the ‘qusuen seu ae neice cet ge he tacen pain’ her in prate? Youve eel anaseret {he sueston! Everything looks Wl frm a eetan sgl ie can Pain oss real bad rags That has noing 0 dv RI jour onl et i ‘ly ene. Noone behind te, noone backing ne ups sma. So what the pt Bow? Somcone in he singe {ean Junio? Mareay change mind? One man's nisttane (aR spe) MA, You woul perm 1. No, no, you do, ou cel. You can't poms her cle the theatre than have me 1A. No, there must be someone you can get. Thi int ‘HERE, You don’t, ks. Think sour this Plete..00' be sippodn’ thelr ignorance. yt be help’ the wrong side, What ‘a that pamphlee ~The Nenerose Explanations of PURRE, This 0 pole mae ms. Bt Haas ere unas, Sop it Stop it noe ma Lock, im going. I promise but get Charles get ‘sone, jst doe the eae go dark on ny eae a Theve nothing a do an impose) stucet, Shouting ‘Matin! Mutiny! Down with the old ‘order’ Brothes in arn ect sine, Decsons ik this cher caplet Look a we Piven aking foe mp sepunaen PIERRE i phan you ph yu dn ease warct-Only exer youll. -yon expt yours or {aVice worth nt bea someone ee dace speak Sha they ae, ou ret aehiondedge Yo Dk That work your ght But evervone works had, eey ‘damn ne of. Abion dies ws a ad ou have twice a tard Lexa of wha? —gouip, acarations and now, Te earned my plac, ff am me years together. non thin ole ae ihe Lote ain Tok the et a ha 9 pn Trahaut yu. You haven one to blame but yurtlt Tra ourve put me in an impale posit. The ted, tse are Import men hey were outa iniigoant~ dhe beat of your angen your lack of respet. Tam the fist manager the history of his ‘Rearend re de my No ven Alero. Acting is about the feo to pla prio fel ad followed sto ile experiences of the moment os ot youre the pl: yur re ge, a of ond Heaths “he th ts ce lho.) (Theisen prsen aking) (ma ange fre Scone Seven. ING. Theatre Dressing Room, Toda, Poland Evening (Ra, 6 agin rina, ung) (hat hh Ri le ae The dn ‘pent sa ALANA on att oon) ALEWA Mr Aldidge. Mr..7 T wanted fo. Ae yn ght si? Wil Teall someone? Teamve Uo (a i singe ond open a pt Sf meh pe afd by the po ce of i (GR hl pe ff makeup, MALIA oes i ond (Psa She gral che de) HALINA LL. not senior reporter Ii. Are yur (igs is ong int the fo od ass to wh vp Iisfoce Tis mabe ta ota natal we font at py {Cima change: Micae! Ono Be fw Yate Jottager he ges wea! tric, I want tego forward, our bow Uta? mes ho see So evening I sm. be ‘lost. the office right? And that's Ieee hae Nowe Uae tak ne of them to check lst and he pts vetasign an the dor won i thet ‘They all complaining Tay they shoul ng bell 2 (ea, ite fe tae ick aa tt rin ie sof ede the ees, cae ‘eth od th ti, aes tk nr) HALA Sony ie makes ie 90 eae well don’t ean tbe bostng but Tw compecent ann. "Fo Goan Ren i gi th ar Acres fing xeon wanting cot, v0 ter sorte oo much, and dis the coun he cant Death go noe go ot he kaos pence Seteveme. Wee net aon and weet fen trains ome in wait for wise and sce 90 ou. HALINA Anosy I'm srry. Fuher stalk ton ach, That F should gee toa pint becuse afer all that's yemon for talking, Whe they wl yo vere coming there wat such exctement- father he talk af our performance lke i yet. hut i ine gare ow! Tepe tv mayen pg one! (Peta git bsp ad site ae he ‘ake «thn hie br) IMALINA.No one could place Interview with Yu 50 he to prepared reall bt. am aot pacts how et) (A is He ioe hal. Teal embarate mslf and forgot manner plese Agr hink me br knee jo Pls don't lather rea alors Fn soy Really so (Geginners call Mi Aside. This your beginners oth MALNA. Whe cal heer. Wha sha? (is anne) HALINA Me Alig (He mime the crm wa pace her HALA {pte nd en fom Beste ein. She Fj ten Her song) ma an (Hens Shes he ihe ein esd pr tne hte glared lth le hs QURLES Ke ei phi te hd IR ac MALIN dst) yale the (mayan en EY nr gh oe pa (AR ls a ALIN he ak foi He ae ‘he ese) ‘aun Me Aldsidge? You a. 1m. Ay every inc the mur eh) mathe hing (CoNQuE 'n jusyin’ poop se wha hem uk Im tonights he Bin (ELLEN an em es hn in he ad) HLLEN.So what rte do you pmpose weak ME AMG? ening ie? A te ctl Hh He dane ml do sch hing, 1's heya, yet a bt ey bal be dhe ‘Seon ofthe eat (aaa thes hi arm th) eta ophiccmen) ig ate wack)

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