IDEA OF THE PROSE IN SHORT:
Tawaif is the Awadhi term for a highly-skilled courtesan. Tawaifs rose to prominence during
the 18th and 19th centuries in the royal courts of Awadh. They took Persian influences from
the courts of Shia kings and married them with Indian forms. We inherit the Kathak, the
dadra, and the thumri from them. Popular tawaifs were the top tax-paying citizens of
Lucknow at one time. By the early 1920s, with the rise of colonial morality and ideas they
slowly began to lose their prestige and demand. Sensing the decline of their kothas and
dreading a push into prostitution, the tawaifs began migrating to other professions. Some
were lured by the gramophone industry, others moved towards Parsi theatre. It was at this
time that they began acting in cinema as well, becoming the first women to do so.
Fatma Begum was the first woman to direct a Bollywood film. Her daughter Zubeida became
a star in silent movies and acted in India's first talkie, Alam Ara (1931). Jaddanbai set up her
own production house called Sangeet Movietone. Her daughter, Nargis, became an
accomplished actor. She went on to marry the actor Sunil Dutt, and is the mother of actor
Sanjay Dutt. The song 'Mohe Panghat Pe Nandlal Ched Gaye Ro', a part of K. Asif's
Mughal-E-Azam (1960) is taken from the repertoire of Uttar Pradesh's tawaifs. Despite this,
there was anxiety within the industry around their sexuality and sensuality. Slowly, a lot of
their contributions were played down. However, it was the role as Tawaif in films like Mugal-
E-Azam, Pakeezah and Umrao Jaan; that gave actors like Madhubala, Meena Kumari and
Rekha a chance to show off their skills in a hero-driven industry.
