Theory I, Autumn 2023
Week 8 HW 2
in the following theme from Mozart’s sonata, add the Roman numerals in the blank spaces
provided. Chords labeled with an asterisk are prolongational. In the space next to the
6-5
asterisk, write whether the chord is: pedal (PED), cadential (V 4-3 ), neighbor (N), passing (P),
arpeggiation (ARP) or substitution (S). Non-chord tones are circled for you. Label them.
* *
*
___ ___ ___ ___ ___
__ ___ __ __ vi7 ___ __ ii6 ____
* *
__ __ ___ __ ____ ____
* * *
____ ____ ___ ___ ___vii6/V____
appoggiatura
* * *
__ __ ____ ___ __ __ __ ___ ____ __
In the staves below, the bass is given, as well as the prolongational function, and some of the
full starting chords. Choose which chord to use as a prolongational chord. Label it, and add
the upper voices.
Tips:
• For pedal, use IV, viio, V, or get creative.
• For passing, use viio6, V6/4, or V4/3.
• For neighbor, use IV6.
• In the cadential 6/4 write a cadential 6/4 and its resolution to V. Make sure that the 6th over the
bass resolves down to the 5th, and the 4th over the bass resolves down to the 3rd.
• For arpeggiation, arpeggiate the IV chord.
• As always, make sure your voice leading is correct. In 6/4 chords, always double the bass. Never
double the leading tone.
