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Issue 35

White Horses

The Sea Has Stories

White Horses1 min read
White Horses
PUBLISHER & COMPANY DIRECTOR CRAIG SIMS CRAIG@AQUALUNAMEDIA.COM.AU MARKETING & EDITORIAL CO-ORDINATOR TAMRYN SIMS MARKETING@WHITEHORSES.COM.AU FOUNDING EDITOR GRA MURDOCH GRAMURDOCHIS@OUTLOOK.COM DESIGN & LAYOUT WILL BENDIX WILL@BONZAIMEDIA.CO.ZA PRO
White Horses1 min read
Reflections
issue thirty-five The end of the first wave we ever ride marks the start of our lives as surfing storytellers. Along with other bedrock fundamentals – duckdiving, getting to our feet, applying a half decent wax job, etc – reflecting, recounting, or e
White Horses1 min read
The Waves Of A Lifetime.
From the pintails that helped him get deeper than ever at Pipeline to camo decks that cut the glare of the tropical sun, Gerry Lopez has always tuned his designs to a simple and functional aim—riding the best surf wherever it’s found. This season, we
White Horses2 min readScience & Mathematics
The Hike In
Camera: Canon 5d Mk IV Settings: f4 @1/1600 sec Lens: Sigma Art 50mm f1.4 I’m a sucker for an all-time lineup shot. There’s something about being able to mind surf the hell out of an empty wave way beyond your surfing capabilities that really gets me
White Horses2 min read
Homecoming
Camera: Nikon d750 Settings: f7.1 @1/800 sec Lens: 85mm f1.8 The annual pilgrimage into the Western Australian desert started for Bronte Macaulay went she was two years old. Her dad, Dave, was absolutely obsessed with this wave and would do anything,
White Horses1 min read
Flushed
Camera: Canon R5 Settings: f3.5 @1/800 sec Lens: Canon 300mm f2.8 A river mouth with a large catchment area in my region can exist for years with no surfable wave if the bottom is badly shaped. Locals don’t even bother checking it, other than to cast
White Horses1 min readScience & Mathematics
Ace
Camera: Canon 1DX mkII Settings: f8 @1/1250 sec Lens: Canon 14mm f2.8 Notes: Inside Aquatech housing with 8-inch dome and 30mm extension While working on my book Surface, I shot thousands of underwater photos and witnessed some amazing situations. Th
White Horses1 min readEarth Sciences
Across The Channel
Camera: Canon 1DX mkII Settings: f5.6 @1/2000 sec Lens: Canon 70-200mm f2.8 Notes: Inside Aquatech housing with port for long lens I’ve always been fascinated by storms and moody atmospheres in the ocean. These moments really express the power of nat
White Horses1 min read
Disturbing The Peace
Camera: Nikon D610 Settings: 5.6 @1/640 sec Lens: Tamron 24-70mm f2.8 I had arrived in the dark and patiently sat waiting for the first hint of light before venturing down to the beach for a closer look. You can actually see my footprints left in the
White Horses2 min read
The Road To Yeppoon
Camera: Sony a7II Settings: f6.7 @1/1250 sec Lens: Tamron 10mm fiisheye Notes: Rig used inside a Dave Kelly water housing I’ve been to three different wave pools and I am totally sold on the idea of manmade surf. Coming from the Gold Coast, I’m const
White Horses2 min read
Near Miss
Camera: Canon 5D mkIV Settings: f4 @1/400 sec Lens: Canon 70-200mm f2.8 When swell and wind forecasts are suitable, an expansive sheep and cattle ranch in the Hawks Bay region is a favourite destination for photo expeditions. There are several differ
White Horses2 min readScience & Mathematics
Synchronicity
Camera: Canon 1D mkII Settings: f5 @1/1600 sec Lens: Canon 500mm f4 In over 20 years of living along the North Shore and even longer shooting the waves there, this is the only time that I have ever seen all reefs of the Pipeline break at the exact sa
White Horses1 min read
Made In Taiwan
Camera: Canon 1D mkII Settings: f4 @1/125 sec Lens: Canon 24-70mm f2.8 I’ve been to Taiwan a few times now. The first time was before it was widely known as a surfing destination. The quality and consistency of the surf was a real surprise. I used to
White Horses2 min read
Alone
Camera: Canon 5D Mk IV Settings: f8 @1/2500 sec Lens: Canon 16-35 mm f4 Kandui sparks a sort of love-hate relationship that surfers here are painfully familiar with. The wave barrels so quickly that the spit can barely keep up. You can either get the
White Horses1 min readScience & Mathematics
Sea Level
Sea Level is an ongoing series of abstract reflections on the ocean surface. This series has been evolving for nearly a decade and was the logical outcome from me spending so much time immersed in oceans around the planet. It all started from happy a
White Horses1 min read
Andy Cap
When I take on something extreme, the first thing I do is break down the “what if’s”. Swimming at The Right and shooting fisheye fits into this category, and the list usually goes something like this: Hold-downs: will need to work on my breath holds
White Horses2 min readScience & Mathematics
Baja Norte
Camera: Unspecified Settings: f8 @1/640sec Lens: Canon 100-400mm I don’t know a single photographer who’s not obsessed with light. Perhaps that’s why, as a grom, my eye was always drawn to gorgeous pictures taken during California’s Santa Ana winds a
White Horses1 min read
Spf
I always remember Mrs Newburn used to apply white zinc sunscreen to her sons, George and Tim, circa 1957 at La Jolla shores. We would patiently wait on our bikes staring at the mystery lotion being applied. Our eyes rolled as she took the time to eve
White Horses1 min readScience & Mathematics
The Cabin
This cabin is an emergency shelter north of Vancouver Island and is practically in the middle of nowhere, just off a logging road along the coast. No cell service and no civilisation for at least a couple of hours in any direction. A handwritten sign
White Horses1 min readScience & Mathematics
Ray
I met Ray in Tahiti in 2015. I had long been an admirer of his work and we were introduced by our mutual sponsor who make water housings. We were lucky to get one of the heaviest swells of the year in late July while Ray was here and, after the swell
White Horses1 min readScience & Mathematics
The Day After
Camera: Canon EOS 1 Settings: f5.6 @1/1000 sec Lens: Canon 15mm fisheye One of the most striking things about this picture, apart from the flawless technique of the surfer and the perfect glassy conditions, is the total lack of crowd. This was shot a
White Horses2 min read
No Bull
Camera: Canon 5D mkIV Settings: f5.6 @1/1000 sec Lens: Canon EF 500mm f4 IS mkII with Canon 1.4X mkIII tele-coverter There is no suitable high ground to get a good lineup shot near this river mouth, so I resort to lugging a 10kg vintage Miller wooden
White Horses2 min read
A Life Less Ordinary
Camera: DJI Mavic 2 Pro Settings: f7.1 @1/120 sec Notes: I followed the boat with the drone while we were paddling upriver. I kept it low above the palms because I wanted to be be able to see the tree reflections in the water. One of our local friend
White Horses1 min readScience & Mathematics
A Family Affair
Camera: Nikon D4S Settings: f6.3 @1/500 sec Lens: Nikon 80-400mm f4.5-5.6 Back in 2014, a very attractive weather scenario heading directly for Teahupoo drew my attention. After making a few enquiries, I found out this swell would be closed to the pu
White Horses2 min readEarth Sciences
Granite
When I think of my home in West Cornwall, I see and feel granite. Big flakes of the stuff, managing to simultaneously crumble away into the sea and stand firm to the frequently changing moods of the North Atlantic. Seams of quartz, feldspar and mica
White Horses1 min read
A Trio Of Perspectives
Brad Gerlach: While I was walking along the beach to paddle out, this cool little dude with a tiny surfboard caught my eye. I saw that his leash was barely strapped to his ankle so I offered my help. “Hey bud, your leash is going to fall off, want me
White Horses1 min readScience & Mathematics
My First Time
Camera: Canon 1D mkIV Settings: f7.1 @1/1600 sec Lens:Canon 50mm f2.8 When the wind comes up at North Point, the ramps are inviting but also very challenging. It had been a hard session up until this point with some heavy landings, but Kael Walsh is
White Horses2 min read
A Second Chance
Ah, the Cortes Bank: a break atop a barely submerged seamount some 100 miles out to sea. A wave so fickle, with such unfathomable logistics required to reach it, that it’s been likened to surfing’s Everest – though it might better be described as sur
White Horses2 min read
A Tribute To Grommethood
Camera: Canon 5D mkIV Settings: f4.5 @1/320 sec Lens: Canon 70-200mm f2.8 The concept of the perfect wave evolves with age. Early grommet years were all about gaining skill, strength, fitness and confidence in small waves that were fun and easy to ri
White Horses2 min read
The Cape
This spot has had many names in the past. The older crew who used to watch it and apparently body surfed it in the ’70s called it “Piker’s Hole”. The bodyboarders from the ’90s and early 2000s called it “Cape Solander” and used to flip the footage to
White Horses1 min read
Self-isolation
Camera: Mavic Pro 2 Settings: f6.3 @1/500 sec Lens: Hasselblad 28mm f2.8 This was my first trip with the Olin sisters, Mathea and Sanoa. We had just got out of quarantine here in British Columbia and decided to keep our distance from the crowd by loo
White Horses1 min read
Running Laps
Camera: Sony a7R IV Settings: f8 @1/800 sec Lens: Sony 200-400mm f5.6-6.3 Surf photography is a fickle game. You’re always hunting for the perfect combination of swell, wind, tide and light. It doesn’t help that where I live at Mt Maunganui beach in
White Horses2 min readScience & Mathematics
Full Circle
I got my first water housing over a decade ago. It was a primitive beast I picked up second-hand and, due to the fact it was designed for a different camera, only the shutter button lined up once the camera was placed inside. With no control over the
White Horses1 min read
What You Need
When we first drove down this road in Scotland, I knew I had to run back and shoot the famous wave at Thurso from this angle. I shot for over an hour, desperately trying to line up a surfer doing a clean carve or slipping into a barrel between the fa
White Horses1 min readScience & Mathematics
Practice Made Perfect
Camera: Nikon D4 Settings: f5 @1/1600 sec Lens: Nikon 500mm f4 When it comes to frontside rail carves, no one does them better than John Florence in my opinion. For years I’ve witnessed him hone his technique at Rockpile on the North Shore, just step
White Horses2 min read
Bigger Pictures
Camera: DJI Mavic Pro Settings: f5 @1/1250 sec Lens: 28mm f2.2 fixed lens Pipeline is probably the easiest place in the world to get an average photo, and one of the hardest in the world to get a good photo. Season after season, shoulder to shoulder
White Horses1 min readScience & Mathematics
Wade
This photo was shot at Bank Vaults in the Mentawais on one of my first Billabong campaigns with Wade Goodall. A heavy squall came through but it was fun for airs out there, so we both stuck it out to get the glassy conditions after the storm had pass
White Horses1 min read
About Turn
My plane had just landed on the tarmac when I received a text from my good friend and filmer, Nate Laverty, claiming that a hurricane was hitting Nova Scotia and they were catching a redeye flight that night. The waves were predicted to be all time.
White Horses1 min read
Tooth Decay
Camera: Sony a7R IV Settings: f8 @1/500 sec Lens: Sony 200-600 f5.6-6.3 Sea Lions run this part of the south coast in New Zealand. They’ll often be brawling amongst themselves on the beach or chasing surfers out of the lineup. Every single time I sho
White Horses1 min readScience & Mathematics
The French Connection
Camera: Nikon D300 Settings: f7.1 @1/1000 sec Lens: Nikon 10.5mm fisheye This image was my very first cover photo. I’d been shooting a Creative Destruction episode with Wade Goodall in France, and we lucked out with one of the best days you can get o
White Horses1 min read
Forbidden
I don’t have a jet ski. That’s why I contacted local charger and shaper, Ben Rufus, a couple of days before this swell to see if I could swindle a free ride on his ski to shoot some slabs. Things didn’t quite work out though and I went down the coast
White Horses1 min readScience & Mathematics
The Waiting Game
This was on one of those unruly Pipe days that starts off unridable in the morning but eventually, after a few hours of sitting around waiting for it to clean up, a few guys will inevitably paddle out and give it a try. Michel Bourez is always one of
White Horses1 min readScience & Mathematics
The Trawler
I shot this in 2011, a good couple of years before Wavegarden or Kelly’s pool popped up, and it’s still the closest I’ve come to experiencing an artificial wave. I was shooting a Creative Destruction episode for Wade Goodall with Laurie Towner and De
White Horses1 min readScience & Mathematics
Laydays
Griffin and Seth’s tour campaigns seem to mirror one another closely – similar age, same sponsor, coaching overlaps, etcetera. The general public usually only gets to watch these guys when they are in serious competition mode during the WSL webcasts,
White Horses2 min read
Currumbin
Camera: Canon 5D Mk III Settings: f7.1 @1/800 sec Lens: Canon 70-200 f4 As a Gold Coast based surf photographer, trying to stand out in a heavily saturated industry is a difficult thing. Shooting from the water has become my niche, with a smaller per
White Horses2 min read
Willy
I have known Mt Woodgee’s surfboard artist Willy Nicholls for a number of years and over the course of many conversations and a couple of beers, I’ve managed to get an idea of his life story. Willy grew up in the New Zealand coastal area of Mt Maunga
White Horses2 min read
Perfect West
Jeff Divine: This was taken on the morning of the Offshore Pipeline Masters contest in 1980. The swell was perfect, strong and from the west with giant peaks. It would stand up on the reef at eight to ten-foot Hawaiian size and then wind down to thre
White Horses1 min read
Leap Of Faith
Camera: Canon 7D mkII Settings: f4 @1/2000 sec Lens: Tokina 11-16mm f2.8 Notes: Shot using a Pedra Do Mar water housing made by Itamar Nunes Long before I moved to Mauritius, I had read about the Le Morne Brabant peninsula, named after a Dutch East I
White Horses1 min readScience & Mathematics
Foam
Camera: Canon 1DX MkIII Settings: f5.6 @1/1250 sec Lens: Canon 70-200mm f2.8 Not too far from where I live on the NSW South Coast, there’s a somewhat forgotten lake. After an absurd amount of rain, which battered and poured down for several days, I n
White Horses1 min read
The Rental
Camera: Sony a7 RIII Settings: f9 @1/800 sec Lens: Sony 70-200mm This is Josh Mulcoy, frantically trying to find his wetsuit before paddling out to this extremely fickle Canadian beach break. Thanks to its remote location and extreme tidal changes, I
White Horses1 min readScience & Mathematics
Done
This image was the end result of a long winter and countless trips scouring the coast while chasing slabs with Laura Enever, Steve Wall and co. At this point we were questioning our motives after suffering numerous skunkings, hospital trips and vario
White Horses1 min read
Highline
In Queensland and Northern New South Wales, there’s a small window just after sunrise when the sun really lights up the waves. Thanks to the angle of the light, it looks like the translucent walls are being lit from within. This distinctive look was
White Horses2 min readScience & Mathematics
Rising Tides
Before this summer I had never even heard of Erin Brooks. After this summer she has made herself known to the world. I had gone down to Waco with low expectations. My goal was to catch up with friends, surf a little myself and, right down on the prio
White Horses3 min read
King Island
After a very last minute call, Jack Freestone, Mitch Crews and I met in Melbourne with the intention of chasing a big swell to King Island. Problem was, all domestic flights to Melbourne had been cancelled due to inclement weather. The wind was howli
White Horses1 min readScience & Mathematics
Two For One
The Box is scary, plain and simple. It’s far out to sea and you’re exposed to whatever’s lurking below, with currents pulling you in every direction and waves lurching up unexpectedly and detonating on a shallow slab of reef filled with random coral
White Horses1 min read
Reflections
We start this issue’s liner notes with a few unsolicited words sent to us by regular contributor and all-round legend, Pete Geall. “We are united by the collective narratives of surf, however distant from our lived lives. By sharing and documenting o
White Horses10 min read
The Horsies List Of Legends
George Greenough • Hugh McLeod • Australian Serials • John Young • Royce Leu • Gerry Lopez • Toby Johnson • Christian Reid • Marlton Family • Kurt Avouris • Esra Aoukal • Nick Greally • Rex Gillard • Shannon Platt • Julia White • Gary Saunders • Adri

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