The Clifford Driscoll Novels Series

Allan Trotter goes head to head with the Angel of Death Allan Trotter’s counter-espionage service began at birth: His father, the head of an ultra-secret intelligence wing of the US government, deliberately conceived him with a gorgeous Russian spy. Raised to navigate a crooked world, Trotter was immersed in deception, danger, and narrow escapes. He’s a perfectly honed agent, but he desperately wants a normal life. Trotter is pulled out of his life of seclusion, though, when the Russian spy outfit Cronus sends their Angel of Death, Azreal, to a sleepy town in Upstate New York to knock off innocent people. The aim? To scare back a stray agent: Petra Hudson, now the happy CEO of a media conglomerate worth billions, who has put her spying past behind her—or so she thinks. Ignorant of her mother’s double life, Hudson’s daughter, Regina, a newspaper editor, has unknowingly alerted the Agency. And since fighting Cronus is the one thing that can give Trotter’s life meaning, when he learns that Regina—a kindred victim of the organization—is at risk, the stakes feel even more crucial.

An electric thriller where spies go to battle, and the free world is at stake In the final installment in William DeAndrea’s Clifford Driscoll series, master spy Driscoll is “going tame”—that is, recovering from a near-death accident and enjoying domestic peace. Driscoll, now known as Allan Trotter, hasn’t killed anyone in more than a year. He still works for the Agency—a super-secret intelligence unit of the US government known only to the president and its founding congressman—but he’s too full of pins and plates to be a field agent anymore. To top it off, he’s so smitten with beautiful media mogul Regina Hudson that he’s contemplating settling down. But Trotter’s new life is rudely interrupted when he learns that Soviet spies are bent on taking charge of the upcoming US presidential election. Their instrument is an influential senator, Hank Van Horn, a womanizing bad seed who— despite an upstanding reputation—once murdered one of his own staffers. And as if the election plot wasn’t perilous enough, Van Horn’s relentless son, Mark, soon gets involved in a very bloody way.

In the follow-up to Cronus, an American spy travels to London to locate a high-profile missing person, and is faced with terror from the past If they’re going to take you, let them take you with your eyes open. That’s the credo of Clifford Driscoll, the American spy at the center of Snark, the follow-up to William DeAndrea’s Edgar Award–winning Cronus. Driscoll has gone by many names in his short, eventful life, and he’s just borrowed another: that of Jeffrey Bellman, an agent his Russian enemies at Cronus consider dead. As the son of a formidable secret intelligence director, Driscoll/Bellman is used to all kinds of existential ducking and weaving.  The new Bellman is sent to England to find Sir Lewis Alfot, a missing former British intelligence chief. He hasn’t even left the London airport, though, before assassins target him. They come courtesy of Leo Calvin, a terrorist Bellman’s dealt with in the past—and Calvin has just kidnapped Alfot as bait. Can Bellman stop Calvin in his tracks, and is Alfot, for his part, as respectable and law-abiding as he seems?

Allan Trotter goes head to head with the Angel of Death Allan Trotter’s counter-espionage service began at birth: His father, the head of an ultra-secret intelligence wing of the US government, deliberately conceived him with a gorgeous Russian spy. Raised to navigate a crooked world, Trotter was immersed in deception, danger, and narrow escapes. He’s a perfectly honed agent, but he desperately wants a normal life. Trotter is pulled out of his life of seclusion, though, when the Russian spy outfit Cronus sends their Angel of Death, Azreal, to a sleepy town in Upstate New York to knock off innocent people. The aim? To scare back a stray agent: Petra Hudson, now the happy CEO of a media conglomerate worth billions, who has put her spying past behind her—or so she thinks. Ignorant of her mother’s double life, Hudson’s daughter, Regina, a newspaper editor, has unknowingly alerted the Agency. And since fighting Cronus is the one thing that can give Trotter’s life meaning, when he learns that Regina—a kindred victim of the organization—is at risk, the stakes feel even more crucial.

In the follow-up to Cronus, an American spy travels to London to locate a high-profile missing person, and is faced with terror from the past If they’re going to take you, let them take you with your eyes open. That’s the credo of Clifford Driscoll, the American spy at the center of Snark, the follow-up to William DeAndrea’s Edgar Award–winning Cronus. Driscoll has gone by many names in his short, eventful life, and he’s just borrowed another: that of Jeffrey Bellman, an agent his Russian enemies at Cronus consider dead. As the son of a formidable secret intelligence director, Driscoll/Bellman is used to all kinds of existential ducking and weaving.  The new Bellman is sent to England to find Sir Lewis Alfot, a missing former British intelligence chief. He hasn’t even left the London airport, though, before assassins target him. They come courtesy of Leo Calvin, a terrorist Bellman’s dealt with in the past—and Calvin has just kidnapped Alfot as bait. Can Bellman stop Calvin in his tracks, and is Alfot, for his part, as respectable and law-abiding as he seems?

An electric thriller where spies go to battle, and the free world is at stake In the final installment in William DeAndrea’s Clifford Driscoll series, master spy Driscoll is “going tame”—that is, recovering from a near-death accident and enjoying domestic peace. Driscoll, now known as Allan Trotter, hasn’t killed anyone in more than a year. He still works for the Agency—a super-secret intelligence unit of the US government known only to the president and its founding congressman—but he’s too full of pins and plates to be a field agent anymore. To top it off, he’s so smitten with beautiful media mogul Regina Hudson that he’s contemplating settling down. But Trotter’s new life is rudely interrupted when he learns that Soviet spies are bent on taking charge of the upcoming US presidential election. Their instrument is an influential senator, Hank Van Horn, a womanizing bad seed who— despite an upstanding reputation—once murdered one of his own staffers. And as if the election plot wasn’t perilous enough, Van Horn’s relentless son, Mark, soon gets involved in a very bloody way.