Professional Documents
Culture Documents
119, Issue 46
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Briefs ........................2
Opinions ...................4
Culture ...................... 7
WEATHER
today
INSIDE
todays paper
Sports .......................9
Puzzles .................... 11
Classifieds ...............11
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A
labama head
coach Nick
Saban didnt
address them by name
following Alabamas 38-7
thrashing of Mississippi
State, but linebacker C.J.
Mosley knew they were
already on his team-
mates minds when the
clock hit 0:00 Saturday.
Everybody knew it
was coming all year,
but now its finally
arrived: The No. 1
Crimson Tide will take
its championship quest
to Baton Rouge, La.,
this Saturday for a top-5
showdown with the No. 5
LSU Tigers.
Its a rematch of
The Rematch, where
Alabama stomped LSU
21-0 in the BCS National
Championship just two
months after a 9-6 over-
time loss to the Tigers in
Tuscaloosa.
We dont even have
to talk about it, Mosley
said. You already know
what is set for next
weeks game based off
last year and based off
the national champion-
ship. We just have to
treat every game like its
another game. We just
got to be ready for what
they bring.
By Marc Torrence | Assistant Sports Editor
SPORTS | FOOTBALL
Top: Students at the Mississippi State
were already prepared for LSU game.
Bottom left, center and right: Alabamas
offense and defense put up a shut-
out against the LSU Tigers during the
BCS National Championship in New
Orleans on Jan. 9.
CW | Austin Bigoney, Photo Illustration Mackenzie Brown
CW File
CW File
CW File
Students train
as Army cadets
NEWS | ARMY ROTC
By Nate Procter
Staff Reporter
Once a focal point in the
heart of Tuscaloosa, the Allen
Jemison building has been
closer to demolition than promi-
nence as of late. However, the
Tuscaloosa Arts Council and
their supporters believe the
address will soon spark interest
again.
The council, following
Tuscaloosas acquisition of a
$1.5 million HUD grant and vol-
unteer funding, are renovating
the old building on the corner
of 7th Street and Greensboro
Avenue into what will become
The Dinah Washington Cultural
Arts Center.
We want to give the arts com-
munity a sense of home, Sandra
Wolfe, executive director of the
council, said. [Cultural centers]
give people within the commu-
nity and people coming into our
community a way to connect.
Wolfe said the center will
greatly expand their capa-
bilities to present works, hold
workshops and facilitate the
communal artistic environment
she hopes to create. The main
points within the center, two
primary gallery spaces, a black
box theatre/workshop space
and several artist studios, would
provide this flexibility.
The largest gallery space, at
1,500 square feet, is designated
for The University of Alabama,
in part of the effort to coordinate
cultural efforts between the city
and the University.
Its part of bringing the
University communities out
and melding them with the
Tuscaloosa community, Wolfe
said. What often happens in
college communities is that the
town doesnt really know whats
happening there.
The space will be used to
display works from UA fac-
ulty, MFA students and touring
exhibits, as well. The additional
studio space provided will give
the council far more flexibility,
Wolfe said. The Bama Theatre,
which offers its own gallery
space, is booked until next sum-
mer.
Beyond the studio space,
Wolfe said the theatre and
community rooms will be used
extensively for a variety of
University projects: written,
musical, dance and others that
would house council workshops
and local artistic groups. The
more intimate size of the floor-
level black box theatre provides
a more appropriate venue for
many smaller or children-aimed
productions.
Additionally, the second floor
offers costume workshop space
and storage that will grant a
new home for the Tuscaloosa
Childrens Theater, offices for
TCT alongside the Tuscaloosa
Symphony Orchestra and
Tuscaloosa Community
Dancers and six individual stu-
dio spaces. Wolfe expressed that
the next stage of development
would offer similar features on
the third floor of the building.
By Sarah Robinson
Contributing Writer
The Dinah Washington
Cultural Arts Center is inch-
ing closer to completion with
help from the Tuscaloosa
County Commission, which
is contributing $500,000 over
the next two years for the
project on Oct. 17.
The Arts Center will be
in the old downtown Allen
and Jemison building at
Greensboro Avenue and 7th
Street.
County Commi ssi on
Chairman Hardy McCollum
said the commission has
been working with the Arts
and Humanities Council of
Tuscaloosa County, Inc. on
the CAC, which is scheduled
to open Aug. 29, 2013.
The property is across the
street from the courthouse,
and we have an interest in
making sure the properties
in and around the courthouse
are attractive and well-
kept, McCollum said. More
importantly, we felt it was
good for the community.
The County Commission
agreed to give $500,000 over
a two-year timeframe, equal-
ing $250,000 each year. The
City of Tuscaloosa has also
contributed $1.5 million
toward the project, leaving
the Council to raise another
$1.9 million for finalizations.
Sandy Wolfe, director of
the Arts Council, said they
wanted to approach the gov-
ernment, foundations and
corporations about dona-
tions before approaching the
public. Birminghams Daniel
Foundation, Alabama Power,
Alabama State Council on
the Arts and The University
of Alabama have contributed
to the project.
Fundraising is always
challenging, but especially
so in a slow economy, Jim
Harrison, co-chairman of the
CAC Campaign Committee,
said. Combine that with the
post-tornado relief efforts
last year, and it was a very
difficult environment in
which to be raising money
for new projects.
Renovations started May
2010, expecting the Arts
Center to be open by this
year. Wolfe said the citys
portions were scheduled to
start shortly after the April
27 tornado, which, along with
other normal construction
delays, set the grand opening
back.
Construction crews have
been repairing and clean-
ing the brick, removing the
carpet and linoleum on the
first and second floors, add-
ing stairwells, replacing
windows, adding bathrooms
and bringing electrical wir-
ing and plumbing up to reg-
ulation. The crews are now
expanding restrooms and
working to refinish the heart-
wood pine floors on the first
and second floors.
Center to devote 1,500 square feet of gallery space to University April 2011 tornado set back $3.9 Million Arts Council project
After delay, Cultural Arts Center to open in August 2013
CW | Austin Bigoney
Army ROTC cadet trains for reconnaissance in Cottondale, Ala.
The worst thing you could wear is some short little dress, too much
jewelry, too much makeup and platform or strappy shoes. Cute is not
credible.
Alexa Chilcutt
IF YOU GO...
What: Sorority Row Trick-or-Treat children are invited to dress up in Halloween
costumes and come trick-or-treat on Sorority Row
When: Oct. 29, 4:30-6:30 p.m.
Where: Lawns of sorority houses on Magnolia Drive and Colonial Drive
What: Haunting at the Museums will feature open houses at the museums and a
guided ghost walk around campus
When: Oct. 29, 6-8 p.m.
Where: The Gorgas House Museum and the Alabama Museum of Natural
History
What: Halloween Extravaganza 10th annual Halloween event sponsored by
SAAC
When: Oct. 30, 6:30-8 p.m.
Where: UA Soccer Stadium
Students step for annual homecoming traditions
CW | Jingyu Wan
Above: Students line-up for
their routine in the annual
homecoming step show in
Foster Auditorum sponsored
by the National Pan-Hellen-
ic Council.
Left: Step show brings out
exciting costumes and facial
decorations as student
participants prepare for
their acts.
Page 8 | Monday, October 29, 2012 NEWS OPINION CULTURE SPORTS
UA, Cuba maintain study abroad relationship
Program created to develop, advance academic, cultural and scientic exchanges between nations
By Chandler Wright
Staff Reporter
Despite a hostile politi-
cal history and sometimes
strained relationship with
the United States, Cuba still
offers University of Alabama
professors and students
opportunities that empha-
size collaboration for study
and research.
Currently, the University
provides opportunities in
the fields of Spanish lan-
guage and culture, book arts,
archaeology, biology, theatre,
psychology and others.
Michael Schnepf, Spanish
professor and director of
the UA in Cuba study abroad
program, said spending time
in Cuba is a beneficial expe-
rience for students to be
exposed to an impoverished
country that has been his-
torically closed off from the
United States.
Students get to see how a
country so close to us, only 90
miles away, is such a differ-
ent world. Its like its trapped
in the 1950s, and the students
get to see that, Schnepf said.
Students get to see what it is
to not have a lot of money, to
really be scraping by and yet
still be happy.
Despite the animosi-
ties on a federal level, the
Cuban people are more than
welcoming to students and
professors who work there,
Schnepf said.
Its hostile on a govern-
mental level. Between the
people, there are no prob-
lems. We get along great
with the Cubans, Schenpf
said. Dean Olin has real-
ly been the mastermind
behind cultivating such a
great relationship.
Robert Olin, the dean of
the College and Arts and
Sciences, headed the devel-
opment of this initiative. The
relationship was established
to develop academic, cultur-
al and scientific exchanges
between the University and
counterparts in Cuba.
Since its inception,
there have been nearly 30
trips facilitated through
the initiative, accord-
ing to the Alabama Cuba
Initiative website.
We were given a contri-
bution of $50,000 to explore a
partnership with Cuba, Chip
Cooper, artist-in-residence at
the Honors College, said. I
went down with Dean Olin
and many other deans at the
University. Olin got it. He
came back on fire and started
creating the initiative you
see today.
Brad Erthal, a graduate
student studying econom-
ics, went on the semester-
long UA in Cuba: Language
and Culture program in
the spring of 2011. He said
administration and faculty
leadership involved in the
initiative helped make the
program fantastic.
We ran into other U.S.
students in Cuba and talk-
ed to them about stuff they
were doing. We got to do a lot
more than they did because
the leadership of this pro-
gram has really cultivated
relationships within certain
departments
of the Cuban
government,
Erthal said.
[The Cubans]
trust us to do
things that
they don t
n e c e s s a r -
ily trust other
A m e r i c a n
school s to
do. Thats a
huge part of
it at this point
because of the
degree of animosity that has
existed between Washington
and Havana for the last
50 years.
Starting in 2004, tightened
travel regulations to Cuba
under President George W.
Bush presented challenges to
maintain the initiative.
When universities like
Harvard and other univer-
sities thought it was too
much bureaucracy to deal
with, we maintained our
relationship, Cooper said.
So, when Obama came and
loosened the restrictions, the
Cubans remember who was
there during the eight years
of tough times. The Cubans
say, Youre our friend.
You did what you said you
would do.
Seth Panitch, an associate
professor in the Department
of Theatre and Dance, said
hi s t i me
spent taking
Un i v e r s i t y
students to
Havana and
working with
Cuban actors
has not only
i m p a c t e d
his student
actors, but
has expanded
his abilities as
a writer and
director.
I think,
especially, the reason why
the Cuban work is so ben-
eficial is because U.S. acting
training is usually very psy-
chologically based, Panitch
said. Because the Cubans
react physically, sometimes
before they do intellectu-
ally, to a moment, they work
off impulse very well, which
is something U.S. actors
sometimes have a difficult
time achieving.
Panitch first traveled with
the University to Cuba in 2008
to work with Cuban actors
and observe their training.
He also directed a Spanish-
language production of The
Merchant of Venice in Cuba.
It is very neat for me and
my students to see what
actors experience in a totally
different culture, one that
is shrouded to us, Panitch
said. Our actors can very
easily understand what a
British actor goes through,
or a Canadian actor even
a Mexican actor. Because
were so closed off from
Cuban society, its an experi-
ence that they have no way
of getting unless they go
down there.
Cooper said students
who go to Cuba with the
University have a special
appreciation for Cuban pov-
erty and struggle.
Ive watched it happen
with every single student.
Because they see like-mind-
ed, intelligent people cou-
pled with a fractured econo-
my, they realize to live there,
you have to learn how to take
advantage of things to sus-
tain yourself, Cooper said.
Once you start doing that,
and you get into the rhythm
of the Cuban people, you
realize youre living along-
side people who are happy,
but theyre surviving. You
realize how much you took
for granted in the U.S.
Erthal said exposure to
Cuban society changed his
personal political views,
although he also learned
that not everything in Cuban
society is failing.
I came back more con-
servative than when I left
because you see things you
always thought were a good
idea put into practice and
realize sometimes they dont
work, Erthal said. However,
I think we need to remember
not everything in the system
is broken. Some things dont
work at all, and some things
work pretty poorly, but there
are parts of it that actually
make some sense.
Panitch said the trip does
not only benefit students.
It has improved my work;
it morphed and changed it
for the better, he said. All of
the professors who go down
there, I believe their work
is improving for the better
as well. Its broadening us
in ways that our research
would never be broadened
otherwise, something you
cant get at in a book.
Schenpf said he would
accept applications for the
Spring 2013 UA in Cuba pro-
gram through the end of
October. More information
can be found at cuba.ua.edu
or studyabroad.ua.edu.
By Matt Ford
Critics across the nation
are eager for the film adap-
tation of the critically
acclaimed musical Les
Misrables, which hits
theaters Christmas Day.
The movie, which shares
the same title as the musi-
cal, marks the first time in
decades that the stage pro-
duction has been adapted
to the silver screen, star-
ring Hugh Jackman, Anne
Hathaway, Russell Crowe
and Amanda Seyfried. It was
produced by Working Title
Films and distributed by
Universal Studios.
The 1988 film by the
same title, starring Liam
Neeson, Geoffrey Rush, Uma
Thurman and Claire Danes,
while critically acclaimed,
was based on Victor Hugos
original 1862 novel and was
not a musical production.
Hugos book spawned mul-
tiple adaptations, including
the famous Broadway show
with music by Claude-Michel
Schnberg, which is featured
in the 2012 film.
In the new Les Miz film,
as the title is often short-
ened, director Tom Hooper
implemented a new style
of recording the musical
numbers. Instead of filming
the actors lip-synching the
previously recorded songs,
Hooper brought a piano on
set and shot his cast actually
singing while wearing ear-
pieces that played the pia-
nists simple versions of the
numbers. Hooper added the
orchestral elements in post-
production, overlaying the
music over the actors lyrics.
The cast praised Hoopers
tactic, saying that they were
able to focus more on their
acting since they were actu-
ally singing the pieces and
were not forced to fake it.
The media noted the casts
dedication to the quality of
the film, citing how Jackman
went through radical weight
changes and how Hathaway
cut her hair drastically
shorter for their respective
roles. Critics are already
talking about the films prob-
able notoriety in the upcom-
ing Oscar season, some even
going as far as to say that
Hathaway could win the cov-
eted award for her powerful
portrayal.
The plot, set
in 19th cen-
tury France,
tells the story
of a prisoner,
Jean Valjean,
who becomes
a decent ,
wealthy man,
but is repeat-
edly haunted
by his shameful
past in the form
of Inspector
Javer t , a
French officer
bent on capturing Valjean.
The musical features power-
ful themes of redemption and
tragedy and was the third
longest-running musical in
Broadway history before it
ended in the United States.
The teaser trailer, featur-
ing Hathaways haunting
rendition of I Dreamed A
Dream, debuted in May
with positive reception,and
gave audi ences fi rst
glimpses of Jackman as
Jean Valjean, Hathaway as
Fantine, Crowe as Inspector
Javert and Amanda Seyfried
as the adult Cosette. The
studios released posters fea-
turing the main characters
this month. The studios will
use the Christmas season
to promote the film as the
Halloween season draws
to a close,
and t he
ma r ke t i ng
has already
b e c o m e
less com-
petitive with
The Great
G a t s b y
b e i n g
pushed to
s u m m e r
2013.
The gener-
al consensus
is that the
film is on the track to suc-
ceed. I know I will be at Cobb
Theater on Dec. 25. With
early viewers already rav-
ing about the film and buzz
already spreading about
Oscar potentials, I think its
safe to assume that Les
Misrables is already set to
be a classic.