Professional Documents
Culture Documents
7, a oonputGr plogram ol 183 human monsters which escapes fiom a police ttaining $imulatfi G{mputer. f,usseugrowe in a seene from
vill
BY FRANK Lovf,cE
I
IS NAME is. Sid 6.7, arld he lives in virtual reality. - That's because he's not a peBon, just a computer program that looks aud acts like a person. Unfortunately, Sid's vicious. Beneath his cherubic exterior lie the personality traits of 183 human monsters, including Hitler
P;ker Barnes (Denzel Waehingion). When he escapes from a police traiuing simulator computr ard venturs into the real world in the new sci-fi action frLn "Virtuosity," his
killings aren't virtual anymone. As evil incarnate stylish and - yet witty Sid is the kind of unforgettable
he won his frr'st frlm role in it'8: .,ln 1990, small-town love prggstng," His sid i; the lahJ i";seri;"f-;iil"-dy"f h"tiltnl-iij" v u*i"""". triangle l'tne directed a by George O-gilvie. dazzling performance, frorn his A New?eahnd native,born i--------' p"ot-fi6"grt m-e * iir" *l w"ui"gt trt" *iit"i, c*#" er"", SIYS production t=.try1.Tlunderdome")' started, ho$'ever, gtttl aro,rrrdruri. ", ffi",,i"t".,'"f "p Before H;ati. tft;-i;;Et"-p""-"if"u"r'""a to the clwoted gay *" t"I;rr'" **e ;;;irfi;;;3t",'6;;;, - s,i Lrl!:i",1:$::j LTj* orogilvie's, -- or iinematogrripher u.;-<rsga) tfi;co*li"c". wh;, c"oir"?tJ-", lF:."^LlP:.: lfl,g-me up an! turned-man-of-Gofi in ltEe-Qui* ana produced the rust rrrr" u" ai"ec6?&ff ITg P-El:11":.! *llT *y,9T-"c" t*8"?$;:','J#"-,*T,1",*"::1f, :tq?illi&,Si+3e5hptrlifr ffxffi ffi ff r:{ry$#ff ry-. anyt"hing else for a [vine,
boots and sweral days'worth of downy beard. Still, no one can deny Crowe's gol, talenL as big as his ego:
Russell Crowe has enough #&##l*ltrsilir'#ffi"to be a bad guy you'll remember t"tt$;Hi",:;*;;"".";, wasn't 6ne of titose oohJa-[-ho;eycopmduction "Rougi fr4agic;' wittr Bridget Fonda. As for his doing lorey.-darling performance sort of
ego
x"9.:^^^
aD audience
'dccJ.aimed
Think Alan Rickman in the original llDie llard," or Charles Dance in "Last
equivaleht of the Oscar. Yet while Sid may well lead the actor to become a leading man in America" Orowe Crowe asserts, "It's just another role. It's just the latest thing I'm talking to people about. I'm -
,.*u,
don't.
AIan Rickrnan and Charles Dance?" But aren't they terrific actors who played memorabie villains? "Thafs your opinion," Cmwe says, putting tbe mattr to rest. He lights up a cigarette asking ifanyone else - not in thd room minds, of course - then sniles like Sid 6.7 before a kitl. lVell, okay, to maybe Sid bas more grace atrd tact. He a]so drsses better than the 3l-year-old Crowe, who's id a"
his of "No w.is*ki;;th Ml"i.aiH-u"-r.a Helen Shdver, Heien Shaver, wtriii whiih C;vv; Crowe ;t cites as ;" a$1.3 rpilibn miqo-budget indenet'ent, and the U.S. / U.K. __--r i
" p,roducer was hi,s where the his'Dotfier's :j:;:"j;" tfie producer -" godfather. Crowe, at age 5 or 6, got got no ROWE WENT on to [ired for a line of ilialogue hired dialo"sue in one oirE I become a top down under episode, opposite series star Jack I I - become star. He continues to live Thompson, who years later played his | fatheiin "The Sum of Us."' ' lI - in Sydney, Australia, and his pet proJect, project, the rnpurely a working actor." Yeah, -yeah in"Mv familv's been in the business J Meltdown," but doesn't he hear Hollywood for three three generations," senerations.,' says savs Crowe. development frlm "Pacific Meltdowl testing in calling a-fter years of botitom-budget "I'm lust-the fust one stu-pid enough -TnceFs.Fle.lc\ ltomic New Zealand's claimed nuclear-free Australian ait frlme? "I've got oFers to 8tcmd in front of the caineras!;; " n*. on the table," he announces, "for more The family moved back to New money than l got for this one, for Zealand when Crowe was aboot tl. He . "I want to do movies that have a ... sFong ser8e ol purpose, and work wrtb half the time. But doing only rturned to Australia at 2 1, p*p19,y-"o.1"u9,. studio movies is not my aim, and if I intending to apply to the National Pron' urowe ..I was saJs' -whet"lrr that'sin a aupporting or ever start thinking lik6 ttraf, tren I'll Institul,e-of Dr'a;atic Art. . go start doing mmethilg else for a workingin a theatershow, andtalked to Lt9A:T'T"ry'*-ryll!:l,o-"f 1"1 . a guy w:ho was then the head ll.."I?:ti9",L91t"tlTkl,.,ll9l_P?i"tCrowe, indeed, is following up tihirical Support at NIDd" *_*- _t:1v.9"^:t PT^T:^P9I9.I two big studio pictures with a iair recafb. 'Actu:aly," he says, "I was more modestly budgetd f rrrs; farnity friend wtio was lirittg itt St-"]:::::FT-T.ryj-teq'
uJ#;aT:hll,f ;'#Jh"#ffi :?'#"*["mr. i:#:f"lTf *,fiHii.ff":i*;ffif the Aussie worked-on tlre TV series ,.Spyforce,', .irliifir.i'tiiri.1iJt"-i,*tJiii;.""t * * *
Eotier's ffi;ffd;
l+ffi
6
>
livins."
of 6 tt ; Crowe a 11Y^Y3.::ry^T."il1i9I9!#5 ; ror a the 'virtuosity''is hous6 that he grerv i". r';_i;'"hi_- rt's own $$ffi:'trT, reward' E "p me what he i[d"?tTt-iL;t *tt"t-i" tbought about ;t"rrdi"s spenorng ffi* 4 {
three years atNIDA. Hgtold me itrd Frank oftime. He sdfl,'You already. . qq,ririUunr
be a waste
Loppce,is aJreq4ent. ! r
h,,Itilpnddl;aal
it