“THIS IS HOPELESS”

Written by

THUNDERSTORM

DISCLAIMER: Episode Six

PURELY FAN FICTION. JULY 1ST, 2009
NO INFRINGEMENT INTENDED.
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 "THIS IS HOPELESS"

ACT ONE:

OPEN WITH A SHOT OF THE OCEAN AT NIGHTTIME. THE WAVES

CRASHING IN AND OUT. PEACEFUL AND SERENE, SUDDENLY VINCENT
RUNS THROUGH THE SCREEN FROM RIGHT TO LEFT, AS HE MOVES, WE
MOVE WITH HIM, HE GREETS ROSE AND A BEARDED BERNARD WALKING
UP THE BEACH.

BERNARD: HEY BOY, WHERE YOU BEEN? YOU MISS ALL THE ACTION?

ROSE IS SHOWN, CERTAINLY MORE SOMBER, HAVING KNOWN WALT, SHE

IS REELING FROM KNOWLEDGE OF HIS DEATH, PERPLEXED BY THE
DISAPPEARANCE OF HIS BODY, SHE’S A LITTLE PUT OFF.

ROSE: WOULD YOU STOP PLAYING WITH THAT DAMN DOG AND STICK TO
THE PROGRAM? LET’S GET GOIN’.

BERNARD: (DISAPPOINTED) ROSE, WHAT DO YOU SUGGEST, WE START

JOGGING AGAIN? I’M NOT EXACTLY BRUCE JENNER.

ROSE: (DETERMINED) WE NEED TO GET BACK TO THE OLD CAMP

A.S.A.P. SEE IF WE CAN FIND ANYTHING THERE FOR DESMOND.

BERNARD: I’M WELL AWARE, HONEY. I JUST THINK WE NEED TO

RELAX, THAT’S ALL. THAT HELICOPTER CRASH ABOUT DID ME IN,
BROUGHT BACK BAD MEMORIES.

ROSE: (COMFORTING) YOU KNOW, YOU WERE A REAL HERO BACK THERE.

BERNARD: WELL, I’M NOT EXACTLY ANA LUCIA AND EKO PULLING
PEOPLE FROM THE SEA, BUT I TRIED.

ROSE: (SINCERE) YOU SHOULD HAVE SEEN JACK ON OUR END. I NEVER
TOLD YOU THIS, BERNARD BUT HE SAVED MY LIFE. (BERNARD STOPS)
I WAS OUT OF IT WHEN WE CRASHED. BASICALLY, DEAD. HE GAVE ME
C.P.R, AND BROUGHT ME BACK TO LIFE.

BERNARD: (WALKING AGAIN, PLEASED) JACK IS A GOOD MAN.

ROSE: (SMILING) THAT HE IS. I WISH HE WAS HERE. DESMOND SURE

COULD USE HIM BUT...IN THIS PLACE, MIRACLES CAN HAPPEN.

ROSE IMMEDIATELY LOOKS OVER TO NOTICE VINCENT, WHO STARTS

BARKING, THEY ARE AROUND THE BEND FROM THE BEACH CAMP.

ROSE: WE’RE HERE. LET’S SEE WHAT WE CAN FIND.

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WE CUT TO ROSE AND BERNARD RUMMAGING THROUGH VARIOUS THINGS,
SEARCHING FOR SOME MEDICAL SUPPLIES.

BERNARD: (SURPRISED) LOOK...SOME MEDICAL STUFF. THERE’S EVEN

A BAG FOR IT. HOW’S THAT FOR MIRACULOUS?

ROSE: DON’T GET TOO EXCITED. WE MIGHT NOT KNOW HOW TO USE ANY
OF IT. WHO SAYS ANY OF THOSE PEOPLE COULD USE IT EITHER?

FROM OUT OF NOWHERE, A VOICE OFFSCREEN.

FEMALE VOICE: (SOFT) I CAN HELP YOU.

ROSE LOOKS OVER TO WHERE THE VOICE CAME FROM. IT’S IN THE
TREES, THE MOONLIGHT SHINING ON HER. IT’S JULIET.

JULIET: (PEACEFUL) LET’S GO, I CAN HELP DESMOND.

THE SCENE SWITCHES AND WE FOLLOW A SWEATTY BRAM RUNNING LIKE

THE DEVIL IS CHASING HIM. HE RUNS JUST INSIDE THE TREELINE,
LOOKING OUT. HE STOPS WHEN HE NOTICES THE SONIC FENCE.
ANGUISHED SOUNDS COME FROM FURTHER IN, HE DRAWS HIS GUN AND
MOVES CAREFULLY TOWARDS THE SOUND. HE MOVES CAREFULLY AND
SUUDENLY SEES FRANK LAPIDUS TIED TO A TREE, BLOODY AS HELL.

BRAM: (LOUD SURPRISE) FRANK?

LAPIDUS IS FACED AWAY FROM HIM AND SO, JUST BLINDLY STATES:

FRANK: (DESPAIR) WHOEVER YOU ARE, JUST HELP ME, MAN. I’M
BLEEDING TO DEATH OVER HERE.

BRAM: (REASSURING) IT’S ABRAHAM, FRANK. I’M GONNA GET YOU OFF
OF THAT TREE.

FRANK: (ANGUISH) WATCH THE HANDS, HE DID A NUMBER ON ME.

BRAM CUTS THE ROPE LOOSE AND FRANK BRINGS FORTH A REALLY,
REALLY BLOODY LEFT HAND, HE THEN FALLS COMPLETELY OVER.

BRAM: (PICKING HIM UP) FRANK, I’M GONNA HELP YOU OUT BUDDY,
JUST TELL ME WHAT HAPPENED.

FRANK: (QUIETLY) HE CUT OFF THREE OF MY FINGERS, MAN. I CAN

DO WITHOUT THE FINGERS, IT’S THE BLOOD I NEED RIGHT NOW.

BRAM: (COMFORTING) YOU’RE GONNA BE FINE, FRANK.

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BRAM PUTS HIS ARM UNDER FRANK’S LEFT SIDE, FRANK FOLLOWS SUIT
AND ALLOWS BRAM TO HELP HIM ALONG, STRUGGLING. SCENE SWITCHES
AND WE ARE IN A TEMPLE ROOM, IN THE DHARMA SECTION OF THE
TEMPLE. KATE AND CLAIRE TALK, QUIETLY.

CLAIRE: (SLEEPY) WHAT DO YOU THINK IS GONNA HAPPEN?

KATE: (IN DEEP THOUGHT) I DON’T KNOW, HONEY. (PAUSE) I THINK

MAYBE (PAUSE) THEY ARE GOING TO USE US AGAINST SAWYER?

CLAIRE: (SAD) DO YOU THINK JACK IS COMING? OR ANY OF THE REST

OF OUR PEOPLE?

KATE IS NOW TWIRLING THE WHITE STONE IN HER HAND.

KATE: (SOMBER) I HAVE NO IDEA.

CLAIRE: (NOTICES KATE’S HANDS) WHAT KIND OF STONE IS THAT?

KATE: I DON’T KNOW, (UNSURE) BUT I KNOW I DON’T WANT IT.

CLAIRE: (QUIET BUT PLAYFUL SARCASM) I’LL TAKE IT, I’LL MAKE A
NECKLACE OUT OF IT. WEAR IT TO MY WEDDING.

KATE: (SMILING) NO, I’M AFRAID YOU’RE NOT GETTING IT.

CLAIRE: (UNDERSTATED JOKING) STINGY GIRL, YOU ARE.

KATE: (SUDDENLY SERIOUS) WE’VE HAD SO MUCH TO TALK ABOUT,

WE’VE BARELY SAID ANYTHING TO EACH OTHER ABOUT IT.

CLAIRE: (DENIAL) I DON’T WANT TO EVEN THINK ABOUT IT KATE,

(EMOTIONAL) LET’S JUST PRETEND THAT IT’S NOT REAL UNTIL WE
CAN GET OUT OF HERE.

KATE: (SMILING) WE’LL SEE HIM SOON, OKAY?

CLAIRE: (THRU TEARS/LAUGHING) YEAH. MAYBE MY ‘BIG BROTHER’

WILL WALTZ IN HERE AND SAVE US ALL.

KATE: (NOW TEARY/HALF-LAUGHING HERSELF) YEAH, MAYBE HE WILL.

KATE LOOKS BACK AT THE WHITE STONE, WHICH IS NOW CENTERED IN

THE SCREEN. WE ZOOM IN ON IT, WHICH GOES FROM WHITE TO BLACK.

LOST TITLE CARD

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ACT TWO:

OPEN AT THE HELICOPTER CRASH CAMPSITE. A SHOT OF DESMOND

LAYING DOWN, WHILE MORGAN TENDS TO HIM, PENNY SITS NEXT TO
THEM BOTH, LOOKING ON WITH COMPASSION AND INTEREST.

BERNARD’S VOICE: (OFFSCREEN, EXCITED) WE GOT US A DOCTOR!

WE PAN FROM THESE PEOPLE, TO OUR LEFT, WE SEE BERNARD ENTER

THE SCREEN, THEN ROSE AND FINALLY JULIET WALKS UP, HER EYES
BECOME FIXED AT SOMETHING OFFSCREEN. A CLOSE-UP OF JULIET,
SHE'S STARING INTENSELY. A CUT TO CHARLES WIDMORE, IT’S
APPARENT THIS IS WHO HAS LOCKED EYES WITH HER. INTENSE
STARING FOR A MOMENT, FINALLY BERNARD SPEAKS.

BERNARD: JULIET... HE’S DOWN HERE, PLEASE HELP US.

JULIET: (LOOKING TOWARD DEZ, FLAT TONE) YOU’RE GOING TO HAVE

TO DO THIS, BERNARD, I’LL WALK YOU THROUGH IT.

THE WHOLE GROUP IS SURPRISED, PENNY LOOKS RIGHT AT HER.

PENNY: IF YOU’RE A DOCTOR, CAN’T YOU DO IT YOURSELF?

JULIET LOOKS OVER TO CHARLES AGAIN. SHE HAS HER TRADEMARK

SMIRK, WE CAN’T TELL WHAT HER EMOTION IS. CHARLES PIPES UP.

CHARLES: I’LL DO IT MYSELF...I OWE HIM THAT MUCH.

DEMSOND FINALLY STIRS TO SOME SENSE OF LIFE. HE’S RESISTING.

PENNY: (AFFECTIONATE) DEZZY, JUST LET HIM DO IT...FOR ME.

OF COURSE, THAT WORKED, DESMOND CONCEDES, WHILE EXHALING.

CHARLES: (TO JULIET) SO, LET’S GET ON WITH IT.

SCENE ENDS, WE SWITCH TO SAWYER IN HIS DIMLY LIT “CELL” WE

HAVEN’T SEEN HIM IN A WHILE. HE’S IN BAD SHAPE. NO LONGER
TIED TO A TABLE, HIS HANDS ARE BOUND. HE SITS MOTIONLESS ON
THE FLOOR OF THIS ROOM. THE MUSIC PICKS UP. HE RESTS HIS
HANDS ON HIS LAP AND FEELS THE STONE IN HIS POCKET. HE WORKS
IT OUT, PICKS IT UP IN HIS HANDS AND STARES AT IT. THE CAMERA
ZOOMS IN ON IT, TURNING INTO PITCH BLACK. WHICH GIVES WAY TO
MORE BLACKNESS, ZOOMING OUT, SUDDENLY WE ARE IN A ROOM WITH
HURLEY. IT’S NOW CLEAR THIS IS A VINTAGE GIACCHINO MUSICAL
MONTAGE. HURLEY LAYS ON HIS SIDE IN A BED, IN HIS DARK ROOM.
A LOOK OF SADNESS ON HIS FACE, HE LOOKS UP TO THE SINGLE
TORCH LIGHTING HIS ROOM, WE ZOOM IN ON THE FIRE. AS WE PULL
BACK OUT, WE ARE NOW IN ANOTHER, SIMILAR ROOM (CONT.)
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(CONT.) STILL CENTERED ON A FIREY TORCH, WE PAN BACK TO SEE
SUN KWON, LAYING DOWN, TRULY SOBBING. WE ZOOM IN ON HER FACE,
THEN INTO HER EYE, SHE BLINKS, AND WE ARE STILL ON AN EYE,
PULLING BACK, WE SEE IT’S JIN. THE MUSIC IS NOW DYING OUT.
JIN STILL LAYING THERE IN THE WHEEL CHAMBER. STRUGGLING TO
DRAG HIMSELF FORWARD. HE HAS INDEED MADE SOME PROGRESS.

WALT’S VOICE: YOU’RE GOING TO HIT THE ICE IN A MOMENT.

JIN LOOKS UP AND GETS TO HIS KNEES AND BEGINS ‘BABY WALKING’
ON HIS KNEES TOWARDS THE WHEEL. AGONZING PAIN WITH EVERY
‘STEP’ WALT STANDS TO THE SIDE WATCHING.

JIN: (AGONIZED, TO WALT) CAN’T YOU HELP ME, PLEASE?

WALT: (CALM) I ALREADY TOLD YOU, JIN, I CAN’T.

JIN IS DISAPPOINTED, BUT HE STRUGGLES FORWARD, HE IS REALLY

COLD, FREEZING ACTUALLY, HIS CHIN MOVING RAPIDLY.

WALT: (CALM) YOU’LL BE WARM IN A MINUTE, JIN. REAL WARM.

AS JIN GETS TO JUST IN FRONT OF THE WHEEL, HE TURNS TO WALT.

JIN: (FACE SHAKING) WHAT. (ICY BREATH) IS THIS?

WALT: (SERIOUS) THIS MUST BE DONE, JIN. YOU MUST REMEMBER TWO
THINGS, ONE FOR BEFORE (PAUSE) AND ONE FOR AFTER.

JIN NODS, HE’D DO ANYTHING JUST TO GET OUT OF THIS COLD.

WALT: FOR BEFORE, PUSH IT UNTIL IT STICKS. THAT’S VERY, VERY

IMPORTANT. (JIN NODS) FOR AFTER (PAUSE) YOU’LL NEED TO GO TO
PARIS, JIN. (JIN VERY PUZZLED) PARIS, FRANCE, JIN. YOU’LL
NEED TO FIND A MAN NAMED GERARD DEGRADE, OKAY? (JIN JUST
STARING, FREEZING, IN PAIN) PUSH IT UNTIL IT STICKS. PARIS.
GERARD DEGRADE. YOU GOT IT?

THE CAMERA IS FIXED ON JIN’S FACE, TREMBLING FROM THE COLD

AND THE PAIN, HE OFFERS A LONG, DELIBERATE AFFIRMATIVE NOD.

ACT THREE:

BACK TO THE ‘HELICOPTER’ CAMP, IT’S APPARENT THAT THE TREE

LIMB HAS BEEN REMOVED, AS WE SEE BERNARD WALKING AWAY AND
TOWARDS THE CAMERA WITH IT IN HIS HAND. JULIET STILL STANDS
OVER DESMOND, WHILE MORGAN AND CHARLES TEND TO DESMOND. PENNY
IS VERY NEAR. JULIET THEN GIVES ONE LAST COMMAND.
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JULIET: (CALM) JUST GET WHATEVER ALCOHOL YOU CAN GATHER AND
POUR IT IN THE WOUND. CLEAN IT AS BEST YOU CAN. (PAUSE) THEN
SEW HIM UP. YOU’RE NOT GOING TO BE ABLE TO DO MUCH MORE THAN
THAT. KEEPING HIM AWAY FROM INFECTION (A SHOT OF WIDMORE
REACTING) IS YOUR BEST BET.

JULIET THEN BEGINS TO WALK AWAY, PENNY LOOKS SURPRISED AS IF

TO SAY “THAT’S IT?” WE FOLLOW JULIET AS SHE STROLLS ALONG IN
THE MOONLIGHT. ROSE HAS FOLLOWED HER.

ROSE: WHERE YOU ARE GOING, JULIET? YOU’RE WELCOME TO STAY.

JULIET: (PEACEFUL) I CAN’T STAY, ROSE BUT THANK YOU.

BERNARD: (APPROACHING) NO, THANK YOU, JULIET. HOW ABOUT THAT

TEA? IF DESMOND IS GOING TO BE ALRIGHT, WE CAN RELAX A BIT.

JULIET: (SMILES) NO, I’M GOOD. ACTUALLY, YOU NEED TO WATCH

AND MAKE SURE THEY SEW HIM UP PROPERLY, OKAY BERNARD?

BERNARD: (EAGER) YEAH, SURE (HE WALKS OFF SCREEN).

JULIET: (TO ROSE) I HAVE A MESSAGE FOR YOU.

ROSE: OH YEAH? IS IT ABOUT ONE OF Y’ALL’S CRAZY ESCAPADES?

JULIET: (SERENE) NO ROSE (PAUSE) IT’S FROM WALT. (ROSE TAKEN

ABACK) HE’S FINE. HE’S WITH HIS MOTHER AND HIS FATHER. HE’S
NEVER BEEN BETTER. DON’T WORRY, THIS WILL BE ALL OVER SOON.

ROSE IS FLABBERGASTED, SPEECHLESS. JULIET JUST WALKS OFF.

WE SWITCH SCENES TO THE MIDDLE OF THE ISLAND IN BROAD
DAYLIGHT. WE’RE ASSUMING A P.O.V. FROM THE TREES. WE SEE
THREE ‘OTHERS’ STROLLING ALONG. WE THEN SEE BRAM, IT’S HIS
P.O.V, FRANK KNEELS NEXT TO HIM, BOTH HIDDEN IN THE TREES.

BRAM: I THINK THOSE MIGHT BE RICHARD’S PEOPLE.

FRANK: (EXHAUSTED) HOW THE HELL CAN YOU TELL? THEY ALL LOOK
THE SAME TO ME.

BRAM: (SMILING) I CAN JUST TELL. (SERIOUS) BUT IT’S STILL NOT
SAFE TO GO OUT THERE.

AS SOON AS BRAM SAYS THIS, GUNFIRE ERUPTS. TWO OF THESE

‘OTHERS’ WE’VE SEEN ARE GUNNED DOWN INSTANTLY. THE THIRD
FALLS TO A FLAT DEFENSIVE POSITION, FIRING BACK. HE’S THEN
STRUCK BY A BULLET AND LIMPS OVER. SOME ‘TEMPLE GOONS’ (WE
HAVE TO ASSUME) EMERGE FROM THE TREES AND RAID THEIR WEAPONS
AND AMMO. BACK TO BRAM.
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BRAM: (LOOKS DOWN TO KNEELING FRANK) SEE WHAT I MEAN?

FRANK: MAN, THIS IS HOPELESS. WE DON’T STAND A DAMN CHANCE.

BRAM: THEY KILLED MY BEST MEN LIKE IT WAS A WALK IN THE PARK.
I COULDN’T BELIEVE IT. I GRABBED THE WOMAN AND STARTED
RUNNING. THEY FIRED AND I THOUGHT SHE WAS HIT, BUT SHE JUST
TURNED HER ANKLE OR SOMETHING...THOSE SHOES SHE HAD ON. I HAD
TO LEAVE HER.

FRANK: (DISGUSTED) YOU JUST LEFT HER? YOU LEFT SUN?

BRAM: IF IT MAKES YOU FEEL BETTER, I FEEL HORRIBLE ABOUT IT.

FRANK: (EXHALES) NOTHING COULD MAKE ME FEEL BETTER RIGHT NOW.

BRAM: JUST KEEP PRESSURE ON THAT HAND, FRANK. HANG IN THERE.

BRAM LOOKS WORRIED AND INTENSE, SCENE ENDS. WE ARE SUDDENLY

WATCHING RICHARD AND JACK STROLL ACROSS THE ISLAND, THEY ARE
HEADED TOWARDS THE ORCHID. RICHARD IS A LITTLE WORRIED.

RICHARD: TO BE TOTALLY HONEST JACK, THEY COULD GET US AT ANY

MINUTE. WE’RE JUST OUT HERE IN THE OPEN, IF WE COULD
NEGOTIATE THE SECURITY SYSTEM, IT WOULD BE MUCH SAFER.

JACK: (CURIOUS) HOW WOULD YOU EVEN DO THAT?

RICHARD: YOU CAN USE SONIC CHARGES, BUT THOSE ARE A BIT LIKE
A HOLY RELIC AROUND HERE. VERY FEW AND FAR BETWEEN. BESIDES,
THEY ONLY WORK TO STAVE IT OFF FOR ABOUT 30 SECONDS OR SO.

JACK: (UNDERSTANDING) ENOUGH TO RUN AWAY, I GUESS.

RICHARD: YEAH, EXACTLY.

JACK: SO WHY ARE YOU...WORRIED ABOUT THEM? AREN’T YOU...?

RICHARD: (INTERUPTING) WHAT? IMMORTAL? NO, OF COURSE NOT.

JACK: (MATTER OF FACT) THEN WHY DON’T YOU AGE?

RICHARD: I CRASHED HERE LIKE YOU DID, ONLY I WAS ON A SHIP. I

BECAME A LOYAL SERVANT TO THIS ISLAND AND I WAS REWARDED.

JACK: WHO REWARDED YOU?

RICHARD: (WITH PRIDE) JACOB.

JACK: AND SO, YOU JUST STOPPED AGEING?

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RICHARD: IT’S SORT OF COMPLICATED, JACK.

JACK: (LAUGHING) MORE COMPLICATED THAN TRANSMIGRATING SOULS

AND CLOUDS OF SMOKE THAT CAN MANIFEST PEOPLE?

RICHARD: (SMILES) TOUCHE. (PAUSE) I WAS DEAD WHEN I ARRIVED

HERE.

JACK STOPS ‘DEAD’ IN HIS TRACKS. SHOCKED.

RICHARD: (SMILING) IT’S OKAY, JACK. I DON’T BITE.

JACK: (HIGHLY CURIOUS) SO, YOU’RE LIKE SAMAEL OR WHAT?

RICHARD: WELL...WRONG TEAM. (THEY RESUME WALKING) THIS VESSEL

I’M WALKING AROUND IN, IT IS MY OWN. BUT LET’S JUST SAY I’M
NOT EXACTLY THE SAME ‘OL GUY WHO SHOWED UP ON THE BLACK ROCK.

SUDDENLY AND INSTANTANEOUSLY A FAMILIAR EERIE SOUND IS HEARD.

THE FRIGGIN ISLAND IS MOVING. JIN PUSHED THE DAMN THING. A
SHOT OF RICHARD, TOTALLY INCREDULOUS.

RICHARD: YOU’VE GOT TO BE KIDDING ME.

JACK: (CLUELESS) WHAT THE HELL IS THAT?

RICHARD: (BAFFLED) SOMEONE IS MOVING THE ISLAND.

JACK AND RICHARD COVER THEIR EARS AS THE SCREEN GOES

PARTIALLY WHITE, WE SEE A WHITED-OUT SHOT OF BRAM AND FRANK
COVERING THEIR EARS. A WHITENED SHOT OF SAMAEL IN HIS TEMPLE
ROOM, READING A BOOK, HE STANDS UP, ANGRY, NOT EVEN GESTURING
TOWARD HIS EARS. HE SLAMS DOWN HIS BOOK AS THE SCENE ENDS,
GOING PITCH WHITE.

ACT FOUR:

WE’RE BACK ON DESMOND, WHO APPEARS TO BE SLEEPING. HE’S

SHIRTLESS AND WE SEE THAT HIS WOUND HAS BEEN SEWN. PENNY SITS
QUIETLY NEXT TO HIM, COVERING HIM BACK UP. WE HEAR BERNARD
AND ROSE, OFFSCREEN. THEY ARE STANDING SEVERAL FEET AWAY.

BERNARD: THEY ALL JUST LEFT, ROSE. SAID THEY HAD WORK TO DO.
WE SEWED BOTH ENDS OF THE WOUND, POURED SOME WHISKEY THEY HAD
DOWN IN THERE, HE SCREAMED BUT I THINK IT’S GOING TO BE FINE.

ROSE: I’M SORRY IT TOOK ME SO LONG TO GET BACK OVER HERE, I

JUST NEEDED A MOMENT TO MYSELF.

BERNARD: (UNDERSTANDING NOD) SO, JULIET JUST LEFT, HUH?

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ROSE: YEAH. SOMETHING TELLS ME SHE AIN’T COMING BACK EITHER.

WE SWITCH SCENES TO JACK AND RICHARD, ON THEIR WAY UP A

JUNGLED HILL, HEADING TO THE ORCHID GREENHOUSE.

JACK: (CURIOUS) WHAT DOES IT MEAN...MOVING THE ISLAND?

RICHARD: IT’S VERBATIM, JACK. IT MEANS MOVING IT.

JACK: IT’S JUST ROCK...ATTACHED TO THE EARTH’S CRUST, RIGHT?

AT LEAST THAT’S WHY THEY TAUGHT ME IN SCIENCE CLASS.

RICHARD: THOSE SCIENCE BOOKS DON’T ALWAYS AGREE WITH THIS

ISLAND BUT IN THE CASE OF THE ISLAND MOVING, IT ACTUALLY
DOES. I DON’T THINK WE HAVE TIME TO GET INTO IT, JACK. WE
NEED TO GET DOWN THIS ELEVATOR AS SOON AS POSSIBLE.

JACK: SO YOU HAVE NO IDEA WHO MOVED THE ISLAND?

RICHARD: NO. (PAUSE) I’M LESS CONCERNED NOW ABOUT WHO MOVED
IT, BUT RATHER WHERE WE MOVED TO.

JACK: YOU MEAN, WE COULD BE IN THE ATLANTIC OR SOMETHING?

RICHARD: NO. I MEAN WE COULD BE SOMEWHERE ELSE... IN TIME.

JACK: (TAKEN ABACK, SARCASM) TERRIFIC.

A CUT TO RICHARD AND JACK, AS THEY REACH THE TOP OF THE HILL.
THEY SEE THE GREENHOUSE, RICHARD IS IMMEDIATELY CONCERNED.

RICHARD: I’M SORRY JACK, IT APPEARS WE WON’T BE TAKING THAT

ELEVATOR ANYWHERE.

JACK: (SURPRISED, CURIOUS) WHY IS THAT?

RICHARD: BECAUSE WE’RE ABOUT TO BE TAKEN CAPTIVE.

WE IMMEDIATELY SEE A CUT TO ARMED MEN, WEARING VARIOUS FORMS

OF ‘CAMOFLAUGE’, IN THE FORM OF LEAVES AND SUCH, THEY STEP
OUT TO ‘GREET’ RICHARD AND JACK. WE SEE A SHOT OF RICHARD AND
JACK’S REACTION AND HEAR ONE OF THE ‘TEMPLE GOONS’ OFFSCREEN.

UNKNOWN GOON VOICE: ALPERT AND SHEPHARD? DROP THE WEAPONS.

YOU’RE COMING WITH US.

RICHARD THROWS DOWN HIS RIFLE AND LOOKS TO JACK TO DO THE

SAME. JACK FOLLOWS SUIT AND WE SEE A VERY CONCERNED LOOK ON
HIS FACE AS THIS SCENE ENDS. WE THEN CUT AND ARE SUDDENLY
INSIDE OF A ROOM, DAYLIGHT ILLUMINATES THE ROOM(CONT.)
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(CONT.) COULD BE A BUSINESS OFFICE, WE’RE NOT SURE. BUT AS
THE CAMERA MOVES OVER TO THE LEFT, WE SEE A BED, A
NIGHTSTAND, IT’S BECOMING CLEAR THIS IS A HOTEL. AND STANDING
FACING OUT THE WINDOW, FROM THE BACK WE CAN TELL IT’S JIN
KWON, IN ‘BUSINESS’ ATTIRE. A CUT TO HIS FACE REVEALS A
DETERMINED LOOK, CAMERA PANS RIGHT FROM HIM AND OUT OF THE
WINDOW AND WE SEE THE EIFFEL TOWER. JIN THEN LOOKS DOWN AT
HIS WATCH. “8:15 AM” HE TURNS AROUND TO HEAD OUT OF THE ROOM.
WE CUT AND NEXT SEE HIM WALKING TOWARDS THE CAMERA, DOWN A
HALLWAY. HE STOPS JUST AT THE DOOR TO THE LEFT OF THE CAMERA.
HE KNOCKS. THROUGH THE DOOR WE HEAR A VOICE.

UNSEEN VOICE: (SPEAKING FRENCH- TRANSLATED “JUST A MOMENT.”)

THE DOOR OPENS TO SHOW A FAIRLY SHORT, GREY-BEARDED OLDER

MAN. WEARING GLASSES, WE DON’T KNOW WHO HE IS BUT HE SPEAKS.

UNKNOWN MAN: (SPEAKING FRENCH- TRANSLATED “YES, WHAT IS IT?”)

JIN: (APOLOGETIC) UH, DO YOU SPEAK ENGLISH...OR KOREAN?

UNKNOWN MAN: YES, I SPEAK ENGLISH, WHAT CAN I HELP YOU WITH?

JIN: (SERIOUS) IT TOOK ME FOUR MONTHS TO GET HERE, PLEASE, I

MUST SPEAK WITH YOU.

UNKNOWN MAN: (PUZZLED) WHAT’S THIS ALL ABOUT, WHO ARE YOU?

JIN: MY NAME IS JIN KWON. I WAS TOLD TO GO TO PARIS. I WAS

TOLD TO FIND GERARD DEGRADE...AND I HAVE NO IDEA WHY.

UNKNOWN MAN: (SERIOUS) WHO SENT YOU?

JIN: (SHAKES HEAD) YOU WOULDN’T BELIEVE ME.

UNKNOWN MAN: (IN THOUGHT) WAIT A MINUTE...KOREAN. JIN KWON?

(JIN NODS) DID YOU DIE...IN A PLANE CRASH ALMOST FIVE YEARS
AGO? (JIN DOESN’T KNOW HOW TO REACT) IS YOUR WIFE... ONE OF
THE...OCEANIC SIX?

JIN: (APPREHENSIVE) YES, I BELIEVE SO.

UNKNOWN MAN: (CONCERNED LOOK) I GUESS YOU BETTER COME IN

THEN.

JIN: (ONE FOOT IN THE DOOR) YOU ARE GERARD DEGRADE?

UNKNOWN MAN: WELL, THAT’S NOT MY REAL NAME BUT SINCE YOU’RE
‘DEAD’ I SUPPOSE I CAN TELL YOU THAT MY NAME IS GERALD
DEGROOT. MY WIFE AND I FOUNDED THE DHARMA INIATIVE.
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ACT FIVE:
WE PICK UP INSIDE DEGROOT’S HOTEL ROOM, THE TWO OF THEM SIT
AT A TABLE, DRINKING COFFEE. A TELEVISION IS ON IN THE
BACKGROUND. THE NEWS SHOWS FOOTAGE OF THE INAUGURATION OF
BARACK OBAMA. GIVING US A GENERAL DATE. LATE JANUARY 2009.

JIN: (SOMBER) I WOKE UP IN THE DESERT...I NEARLY DIED. BOTH

OF MY ANKLES WERE BROKEN. I WAS BLEEDING, THIRSTY. I THINK I
LOST CONSCIOUSNESS, I WOKE UP IN A TENT, THE NEXT THING I
KNEW I WAS IN ALGIERS. I WORKED AS A FISHERMAN THERE UNTIL I
WAS ABLE TO COME HERE.

GERALD: LOOK MR. KWON, I DON’T KNOW ANYTHING ABOUT ANY OF

THAT. ALL I CAN TELL YOU IS THAT I KNOW THE ISLAND YOU’VE
BEEN ON FOR SO LONG. I KNOW IT QUITE WELL.

JIN: THEN WHY DID WALT TELL ME TO COME HERE?

GERALD: IS THIS PERSON, “WALT”? STILL ALIVE?

JIN: (WORRIED) I DON’T KNOW.

GERALD: WELL THEN, IT COULD BE A FEW THINGS, IT’S HARD TO

SAY. I HAVEN’T BEEN TO THAT ISLAND IN MANY, MANY, YEARS BUT
I’VE KEPT TABS ON IT. (JIN SURPISED) AS CLOSE AS I COULD.

JIN: (WORRIED) MY WIFE IS STILL THERE...

GERALD: (SERIOUS) LET ME TELL YOU THIS, MR. KWON, WE CAN

ELIMINATE ONE POSSIBILTY. (JIN HIGHLY CURIOUS) YOU CERTAINLY
AREN’T GOING BACK THERE (PAUSE) BECAUSE THAT ISLAND IS GONE.

SCENE ENDS AND WE ARE BACK ON THE ISLAND, IN DAYLIGHT AS

CHARLES WIMORE AND HIS THREE SURVIVING MEN, STEWART, MORGAN
AND WILCOX ARE HEADED SOMEWHERE FAMILIAR, THEY APPROACH FROM
OUT OF A CLEARING AND WALK STRAIGHT INTO THE TEMPEST STATION.
FROM THE INSIDE, WE SEE WIDMORE STANDING OVER STEWART AND
MORGAN AS THEY SIT AT A PAIR OF COMPUTERS. WILCOX STANDS
GUARD AS CHARLES SPEAKS TO HIS MEN.

CHARLES: CAN YOU STILL ACTIVATE IT FROM HERE?

STEWART: I THINK WE CAN SIR, ALTHOUGH IT’LL PROBABLY BE A

WHILE BEFORE WE ARE ABLE TO DO SO.

CHARLES: HOW MUCH LONGER?

STEWART: MAYBE A FEW HOURS, HARD TO SAY EXACTLY, SIR.

MORGAN: THE GAS MECHANISM CAN BE UP IN AN HOUR OR SO.

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CHARLES: DON’T WORRY ABOUT THE GAS YET. JUST FIX THE HOOK-UP
TO THE TEMPLE STATION. (PAUSE) IF MY FRIEND WAS RIGHT, THEN
WE WILL BE ABLE TO USE IT WITHOUT EVEN ENTERING THE TEMPLE.

A SHOT OF A CONFIDENT AND SERIOUS CHARLES ENDS THE SCENE.

SUDDENLY WE ARE INSIDE A HOUSE AT THE BARRACKS, RICHARD’S
FIVE REMAINING MEN, LED BY GABE, ARE CAMPED OUT ANXIOUS FOR
THE RETURN OF THE OTHER 5. ONE OF THEM, STATIONED AT A WINDOW
CALLS OUT TO GABE.

UNKNOWN OTHER: GABRIEL? (MOTIONS TO HIM)

GABRIEL WALKS OVER TO THE WINDOW AND LOOKS OUT, IT’S A GROUP
OF TEMPLE GOONS, THE SAME ONES WHO KILLED THREE OF RICHARD’S
MEN EARLIER.

GABE: (PISSED) COME ON, LET’S GO. WE’RE GOING TO HAVE TO GO

THE TEMPLE WITHOUT RICHARD.

THEY ALL HEAD TOWARDS THE BACK ENTRANCE AND THE SCENE
SWITCHES. IT’S DAYLIGHT AT THE ‘HELICOPTER CAMP’ PENNY
SLEEPS, AS DESMOND STIRS ABOUT, HE IS CAREFUL NOT TO WAKE
HER, THEN STANDING. BERNARD LOOKS ON FROM A DISTANCE.

BERNARD: (QUIET) DESMOND, SHOULDN’T YOU REST?

DESMOND: (APPROACHES BERNARD) DO YOU REMEMBER, WHICH WAY DID

THEY SAIL?...IN MY BOAT, JIN AND SAYID?

BERNARD: I THINK THEY WENT THAT WAY (POINTS) AND I’M NOT
REALLY SURE AFTER THAT...IT’S BEEN AWHILE, DESMOND. WHAT ARE
YOU THINKING ABOUT DOING?

DESMOND: (DETERMINED) I TOLD PENNY I’D FIND MY BOAT AND SO

I’M GOING TO FIND THAT BOAT.

BERNARD: ARE YOU GOING TO WAKE HER?...DESMOND SHOULDN’T YOU

REST, YOU JUST HAD A TREE LIMB..

DESMOND: (INTERUPTING, HUSHED) WATCH HER FOR ME. IT’S

PROBABLY NOT SAFE. I HAVE TO FIND THAT BOAT, BECAUSE WE’RE
LEAVING AS SOON AS I CAN FIND IT. (PAUSE) I’LL TAKE THE SHORE
OVER THE WHOLE ISLAND IF I HAVE TO...IT HAS TO BE DOCKED
SOMEWHERE.

BERNARD: (PUZZLED) BUT DESMOND...YOU JUST GOT HERE?

DESMOND: (ANGRY) I WAS FORCED TO COME BACK. (SPITE) AND NOW

MY DESTINY IS FULFILLED AND I’M GETTING US THE HELL OUT OF
HERE AS SOON AS I CAN.
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DESMOND TAKES OFF WALKING ALONG THE SHORE, HE GLANCES OVER TO

PENNY WITH A CONCERNED LOOK, THEN HEADS ON HIS WAY. BERNARD
IS SHOWN STANDING THERE, JUST SURPRISED. SCENE ENDS. BRAM
WALKS ALONG THE JUNGLE TOTING A NEAR LIFELESS FRANK, THEY
COME FROM THE LEFT SIDE OF THE SCREEN AND CROSS OVER TO THE
RIGHT, SITTING ON THE RIGHT HAND SIDE IS THE STAFF STATION.
THEY ENTER. BRAM DROPS FRANK OFF AT A TABLE INSIDE OF THE
FIRST DOOR.

BRAM: (COMFORTING) I’M GOING TO TRY AND PATCH YOU UP, FRANK.

FRANK: (ABOUT OUT OF IT) JUST ...GET BLOOD IF YOU CAN.

BRAM HEADS OFF, WE SEE FRANK’S FACE, A DIRE STATE. END SCENE.

ACT SIX:

BACK IN THE HOTEL ROOM WITH GERALD DEGROOT AND JIN. THEY ARE
SEATED IN THE ‘LIVING’ AREA, ON A COUCH. POURING OVER SOME
DOCUMENTS AND PICTURES.

GERALD: I HAVE A FRIEND IN LOS ANGELES, ACTUALLY AN OLD

ADVERSARY TURNED ‘FRIEND’. SHE AND I WOULD MONITOR THE ISLAND
FOR YEARS. WE BOTH HAD A CURIOSITY ABOUT THE PLACE AND YET
SOMEHOW, WE NEVER WANTED TO GO BACK.

JIN: PLEASE, MR. DEGROOT, TELL ME WHAT YOU MEAN, IT’S “GONE”?

GERALD: AFTER YEARS OF ASSOCIATING WITH HER, AND WITH HER

HUSBAND HENRY FARADAY, I LET HER RUN OUR LAMP POST STATION.
SO I COULD BE FREE TO DO OTHER THINGS. FINALLY SHE CALLS ME
ABOUT A YEAR AGO AND SAYS SHE’S DONE WITH IT. SAYS SHE
DOESN’T WANT TO BE A PART OF IT ANYMORE.

JIN LOOKS ON WITH GREAT INTEREST.

GERALD: SO I FLEW TO LOS ANGELES, EXPECTING THAT I WOULD

EVENTUALLY BURN THE DAMN PLACE DOWN OR GO MAD BEING TRAPPED
BACK IN IT, SO I JUST WENT. LATE LAST YEAR, IT STOPPED
GETTING READINGS. (PAUSE) COMPLETELY STOPPED. (JIN CONFUSED)
YOU SEE, THIS STATION, THE LAMP POST, PREDICTS WHERE THE
ISLAND WILL BE IN SPACE AND TIME. AND IT JUST STOPPED.

JIN: WHAT DOES THIS MEAN?

GERALD: IT’S DIFFICULT TO SAY. ALL I KNOW IS THAT WE CAN’T

PREDICT WHERE IT WILL BE ANYMORE. SO YOU CAN’T GO BACK, EVEN
IF YOU WANTED TO. (PAUSE) IT’S GONE, JIN.
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GERALD: (CONTINUED) WE, THE DHARMA INITIATIVE, WERE BROUGHT
THERE TO HELP SKIP OVER AN EXTINCTION LEVEL EVENT. WE WERE
WORKING WITH ONE OF THE WARRING FACTIONS ON THAT ISLAND, TO
MOVE THE ISLAND BEYOND THIS EVENT. TO USE IT AS AN ‘ARK’.

JIN: (SHAKING HEAD) EXTINCTION LEVEL EVENT?

GERALD: THE END OF IT ALL. PREDICTED IN MORE WAYS THAN

ONE...IT IS A CERTAINTY. AUGUST 4TH, 2015. (JIN JUST LOOKING
ON WITH GREAT CURIOSITY) THE MASSIVE, INCREDIBLY UNFATHOMABLE
ENERGY SOURCE, BURIED UNDER THAT ISLAND WAS GOING
TO...EXPLODE, IN A WORD. (PAUSE) SO I THINK PERHAPS, WHEN YOU
‘MOVED’ THE ISLAND (JIN CONFUSED) YOU MOVED IT BEYOND THAT
DATE...OR CLOSER TO IT, IT’S HARD TO SAY.

JIN: I’M CONFUSED, WHY WOULD IT DISAPPEAR?

GERALD: THERE ARE A FEW REASONS, SOME OF WHICH ARE GOOD OR

BAD, DEPENDING ON YOUR PERSPECTIVE.

JIN: (STILL A BIT CONFUSED) I WAS SENT HERE TO TELL YOU I

“MOVED” THE ISLAND? (GERALD NODS) SO WHAT’S NEXT?

GERALD: WE’RE GOING TO HAVE TO WAIT FOR IT TO SHOW UP...OR

NOT. (PAUSE, JIN LOOKS TROUBLED) YOU SAID IT TOOK YOU FOUR
MONTHS TO GET HERE? (JIN NODS) I THINK IT’S TIME I ASSISTED
YOU IN GETTING BACK TO YOUR FAMILY.

JIN’S FACE LIGHTS UP WITH A SUDDEN REALIZATION, JI YEON.

JIN: I’VE BEEN HIDING AWAY, UNTIL I WAS ABLE TO SPEAK TO YOU.
I’M SUPPOSED TO BE DEAD. I DON’T KNOW WHAT TO DO.

GERALD: (REASSURING) I HAVE SOME RESOURCES, JIN. LET’S EAT

AND THEN...WE’LL DISCUSS WHAT LIES IN THE FUTURE.

WITH A MIXTURE OF EMOTIONS, JIN NODS AND WE END THE SCENE

WITH A SHOT OF HIS FACE. WE CHANGE SCENES AND WE’RE BACK IN
THE DARK, THE LOWER TEMPLE AREA. SAMAEL STANDS IN A CORNER OF
THIS ROOM, THINKING. BEN ENTERS AND DRAWS HIS ATTENTION.

SAMAEL: (TURNING TO BEN, ANGRY) I’M EXPECTING TO HEAR WHO

MOVED THE DAMN ISLAND, BEN. SO DON’T DISAPPOINT ME.

BEN: (SIGHS) I GUESS I’VE GOT GOOD NEWS AND BAD NEWS THEN.

SAMAEL: (FURIOUS) DAMMIT! HOW COULD YOU NOT KNOW THIS?

BEN: (CALM) THE BAD NEWS IS, I AM NOT CERTAIN. (PAUSE,

GRINNING) BUT I THINK THERE IS A GOOD CHANCE IT WAS JIN KWON.
 15

SAMAEL: (SETTLING DOWN) IF IT WAS HIM, THEN I SUPPOSE HE’S

NOT THE KEY. THAT’S NOT THE WORST NEWS I COULD IMAGINE.
BESIDES, IT ALL MAKES TOO MUCH SENSE...THAT HE’D FOOL ME BY
USING JIN TO TRY AND SKIP IT, ALL THE WHILE THE MOST OBVIOUS
ANSWER IS RIGHT UNDER OUR NOSES.

BEN: (SMILING) WHICH BRINGS ME TO THE GOOD NEWS...

SAMAEL: (HALF-SMILING) MORE SERENDIPITY, BENJAMIN?

BEN: YOU COULD SAY THAT (TURNS AROUND, SHOUTS) BRING EM IN.

SAYID ENTERS THE ROOM, WALKING TO THE FRONT AND STANDS

IMMEDIATELY NEXT TO BEN. BEHIND THEM SOME GOONS BRING UP
RICHARD AND JACK. SAMAEL BEGINS MANIACALLY LAUGHING.

SAMAEL: (SMILING WIDE) THE GODS HAVE SHONE DOWN ON ME.

JACK SITS IN SILENCE, INTENSELY LOOKING AT SAMAEL. SAMAEL

RETURNS THE FAVOR AND APPROACHES JACK, STANDING ABOUT TWO
FEET AWAY, GIVING HIM A GOOD HARD LOOK.

SAMAEL: HELLO JACK. LONG TIME NO SEE.

JACK REMAINS SILENT. SAMAEL THEN STEPS ASIDE A FEW FEET AND
GLARES AT RICHARD, FACE TO FACE, SNEERING.

SAMAEL: (FLAT) YOU’RE GOING TO TELL ME WHY I CAN’T GO IN THAT

ROOM. THEN YOU’RE GOING TO ADMIT THAT SHEPHARD IS THE KEY.

RICHARD: (CALM) AND WHY WOULD I TELL YOU ANYTHING? I’M

WILLING TO DIE FOR HIM.

SAMAEL: “DIE” IS A RELATIVE TERM WITH YOU, RICHARD. BESIDES,

WHY WOULD I ‘KILL’ YOU WHEN YOU HAVE ALL OF MY ANSWERS?

SAMAEL PAUSES AND SOME REALLY EERIE MUSIC PLAYS. HE WALKS

OVER TO THE TEMPLE GOONS WHO BROUGHT RICHARD AND JACK IN, AND
WHISPERS SOMETHING TO THEM. WE THEN SEE A CUT SHOT, ALSO
INSIDE THE TEMPLE, GABRIEL AND HIS FOUR MEN HAVE ENTERED. WE
SEE THEM MOVING UP VERY SLOWLY, AS WE HEAR SAMAEL SPEAKING IN
HIS ‘CHAMBER’, WE NOTE THAT THIS MEANS THEY ARE CLOSE BUT NOT
IN THE SAME ROOM. WE CUT BACK TO SAMAEL IN MID THOUGHT, THE
TEMPLE GOONS THAT BROUGHT IN JACK AND RICHARD ARE NOW ABSENT.

SAMAEL: (LOUD, ANGERED, TO RICHARD)I WANT YOU TO TELL ME WHY

I CAN’T GET IN THAT ROOM, RICHARD. IF YOU REFUSE, THEN I’M
GOING TO START KILLING THESE PEOPLE.
 16
SAMAEL REACHES TO HIS SIDE, AND PULLS OUT A LONG, SILVER,
MENACING KNIFE. HE TURNS TO JACK SHEPHARD.

SAMAEL: YOU, JACK. YOU’RE THE KEY, SO YOU KNOW THE PLAN, TOO.

RICHARD: (UNCHARACTERISTIC ANGER) I TOLD HIM NOTHING.

SAMAEL: (DISBELIEF) RIGHT? YOU DIDN’T TELL THE “KEY” TO YOUR

WHOLE PLAN, THAT HE WAS THE KEY? YET YOU BROUGHT HIM ALONG
LIKE HE WAS YOUR RIGHT HAND MAN? YOU’RE PARADING HIM AROUND
THE UNDERGROUND TUNNELS, WHAT ELSE DID YOU TELL HIM ABOUT
THIS PLACE, RICHARD?

RICHARD SITS SILENT, JACK IS BOTH WORRIED AND DUMBFOUNDED,

THIS GUY LOOKS JUST LIKE LOCKE BUT IF HE HAD ANY DOUBT
BEFORE, HE NOW IS CERTAIN THAT HE’S NOT. SAMAEL IS THEN SHOWN
WITH A BIG GRIN ON HIS FACE AS HE LOOKS BEYOND JACK, A CUT TO
BEN LINUS, LOOKING IN THE SAME DIRECTION.

BEN: (WORRIED) WHAT ARE YOU DOING? WHAT IS THIS?

THE CAMERA SWOOPS OVER TO SHOW THE TEMPLE GOONS BRINGING IN

KATE AND CLAIRE, BOTH TIED UP AND WITH CLOTH RESTRAINTS IN
THEIR MOUTHS, THEY ARE ‘EMOTIONALLY COMPLAINING’ AND
AGITATED. THIS IS SOME TENSE STUFF RIGHT HERE. JACK IS SHOWN,
EMOTIONAL. VERY. A SHOT OF KATE’S FACE AND HER MUFFLED
‘COMPLAINTS’ HE LOOKS OVER AND SEES CLAIRE FOR THE FIRST TIME
IN YEARS. JACK LOSES IT, HE’S CRYING AND ANGRY.

JACK: (IRATE, TO SAMAEL) WHAT IS THIS, YOU SON OF A BITCH?

BEN: (OFFSCREEN, REALLY WORRIED) THIS WAS NOT IN THE CARDS!

SAMAEL TURNS TO BEN AND JUST GIVES HIM AN ANGERED LOOK. HE

WALKS OVER NEXT TO THE GIRLS AND HOLDS UP THE KNIFE.

SAMAEL: (DETERMINED) IF YOU AND RICHARD AREN’T TALKING, THEN

WHO’S GOING TO BE FIRST, JACK? YOUR SISTER OR YOUR LOVER?

JACK IS OVERCOME WITH ANGER AND EMOTION.

JACK: LET THEM GO, TAKE ME INSTEAD!!!

SAMAEL: (SMILES) OKAY THEN. I JUST NEEDED TO HEAR YOU SAY IT.

SAMAEL STEPS FORWARD AND THEN PLUNGES THE KNIFE INTO JACK’S
STOMACH. CLAIRE AND KATE INSTANTANEOUSLY LET OUT VERY LOUD,
MUFFLED SCREAMS. JACK FALLS TO HIS KNEES.

LOST
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