!

!!

%
s
i
h
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e
d
i
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:%
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Edit
Features
2013 Geechee One Award Winners ..... 9
T-Mac: Still On My Grind ...12
Producer Rick Flair..15

G E E C H E E % O N E %%
MAGAZINE%STAFF%

Felicia Rivers
Publisher/Editor In Chief
geecheeonenews@gmail.co
m
843-879-8352

Isaac Hilton
Vice President
intheplug@gmail.com
843-609-3806

Mister Blue

Content
Editors Note 5
MuBiz with Kenneth Love ... 6
HeadPhones
Blackk Boi ...............17
MAG .....18
RIP Lady Mafia .......19
Mugga Man ............ 20
GatorMan ............... 21
Dear Chiina . 22
Beauty of the Month .......... 23

Creative Director
843-628-6384

Allison Hilton
Intern

Contributors
SpecialGift Nab
Lachondria Taylor
Ben Freezy
Jay Mixx
Kenneth Love
Chiina Couture

Geechee One Award Photos taken by Papa

Ratzi

Follow!us:!
!

Covers Designed by: Faazon Graphics

Geechee One is a print publication
published 6 times a year.

2013 Geechee One Magazine,

All Rights Reserved.
Geechee One Magazine, P.O. Box 41114,
North Charleston, S.C. 29423

@geecheeone!
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!!

As a young girl I always wanted to

write. I started writing my own little
novels and short stories in the first
grade. I loved to read, and I had a vivid
imagination. Being that my father was
in the military and my mother was a
school teacher I attended elementary
school in Cuba. I started my own
neighborhood kids club, and I wrote
and put on my own plays during lunch.
When my family moved back to the
states I still remained active in writing
short plays and keeping my head in a
book. Today I can say I am still writing
and I am still following my dream. I feel
that we need more mentors and
people to tell our youth to believe in
their dreams and that one day they
can be a reality. Will you be that
person?
Felicia Rivers
CEO of Geechee One Magazine
@geecheeone
P.S. Please check out the 2013
Geechee One Award Photos throughout
the entire issue! the 2014 Geechee One
awards is scheduled for Sept 20th at
Sterett Hall.

1
2

The Co$t of FREE

MuBiz with Dr. Kenneth Love
Rarely has there been a point in
the music industry--and its
related business processes
from musicians perspectives-whereby the corporate element
of the industry was not
perceived as shaky-baky, at
best, in respect to artists
earning
an
acceptable
income.
Ironically
and
consequently,
commercial
musical artists today spend
much of their time-- in fact most
of their time-- proverbially
beating their heads against the
wall trying to figure out how to
get their loving and adoring fans

to, literally, pay for their

music.
Therefore, it has
become
imperative
that
musical
artists
create
alternative ways to sell their
music.
That alternative creativity must
first begin with musical artists
not only admitting but coming
to
honest
terms
with
themselves that the music
industry as well as how music
fans see and respond to it
today, in particular, has
metamorphosed with no return
to the processes of yesterday
or yesteryear. In short, in an
(continued)

4
3

Lorem Ipsum
industry-wide effort to acquire the
much divided attention of music fans,
so much music has been given away
that many (if not most) people today
feel a loss at paying 99 cents for a
digital download.
I believe the grandfather of this sort
of thinking may actually have begun
with those enormous Columbia
House mail order music giveaways
back in the 1980s. With compact
disc sales ever spiraling to a
bottomless pit, largely due to todays
personal economics, more often than
not, the digital download is as good
as its going to get in the foreseeable
future for most musical artists.
Therefore as I see it, artists have two
main choices in benefiting financially
from their music while eliminating the
co$t of free scenario, which are:
1. Use, at least, a number of your
absolute best singles as giveaways
in their entirety to convince music
fans to take a risk on your complete
release, even if that means their
strictly purchasing the rest of your
music via downloads. And, for your
songs that are, at least, three
minutes in length, why not allow the
listening time to be a minute long, as
opposed to the standard thirty
seconds of listening time that are
generally allocated by online music
distributors. The information in this
paragraph likely works best for NONperforming or touring musicians.
2.
For regularly performing and
touring musicians, however, the
listening times of artists music might
ought to extend to the point of fans
being able to enjoy the entire
repertoire in order for artists to be

more deeply embraced during their

live performances. With fans utmost
awareness of each song, the
impulse to purchase the actual hard
copy as a compact disc should
automatically be generated by many
fans attending artists concerts.
In summary, today, each artist must
decide on, at least, one of the above
two perspectives and on how he or
she is going to adopt and execute
it. Upon reviewing it, you will note
that each process contains some
degree of psychology built into it in
order to convince the fan to make a
purchase of the music. If I were a
racehorse better I, personally, would
bet on Horse #2 as a winner due to
several factors: 1. the granting of the
music lover to experience the music
in its entirety upfront, 2. the
opportunity for the artist to earn live
performance income by creating a
live performance demand through
the free listening granting of the
music and, 3. the further opportunity
for the live performing artist to sell
the physical compact disc at his or
her performances. Very often, the
co$t of FREE is merely measured in
the event of time.
_____________________________
_________________________
Editors Note: Dr. Kenneth Love is a
writer/author,
Jazz
musician/recording
artist,
and
international
promoter
and
publicist. Learn more about him at
1waypr.com and kennylovejazz.com

Lorem Ipsum

2013%Geechee%One%Award%Winner%List%%
Actress of the Year:
Rena Ms Xxclusive Robinson
Short Film Presentation:
Charleston: Short Film
Photographer: ABigT Flick
Videographer: Quad Dub
Music Video: Count Up by Dirty Dave
DJ of the Year: DJ Kub
Club DJ: DJ Partie Artie
Mixtape DJ: DJ HuggaB
Best New DJ: DJ Fingaz
Community Impact:
Sistas Helping Sistas
Family 2 Family Organization
Gullah/Geechee Angel Network
Mrz Tazz SouthSoundsRadio
Big Girls Rock LLC
KKE Ministries
Palmetto Palace
Writer of the Year: Kimberly Bowman
Poet of the Year: Courtnay The Poet
Clothing Line: Sixteen Seventy
Male Model: James Barrett
Top Model: Diamond Mack
Female Grinder: Courtnay The Poet
Grinder: Anton aka B4L

Hosts: Hollywood and Troy

Hypeman: Britt Bratt
Performer: OSB
Hairstylist: Sharika Harley
Social Club: Port City Diamond Divas
Barber: Slugga
9%

Record Label: Dirty Dollar Ent

Gospel Artist: Ronald Ferguson
R&B Female Artist: Nita Stroman
R&B Male Artist: Unique Riley
Group of the Year: HOGZ
Best New Male Hip-Hop
Artist: Back Boy Sav
Best New Female Hip-Hop Artist:
Grown Lady
Best Female Rap: Artist B.Kiddo
Best Male Rap Artist: Dirty Dave
Club of the Year: Blue Magic
Slept on Artist: Mugga Man
Best Album of the Year:
"Determination" by See
Best Mixtape:
"Respect It or Check It" by Yung
Rome
Song of the Year:
"Money Dance" by Back Boy Sav
Producer of the Year:
Jro of Str8 Drop Productions
Best Street/Promo Team:
Southern Charms
Promoter of the Year:
Patrick Johnson
Best Music Video:
"Count Up" by Dirty Dave
10%

1
2

Lorem!Ipsum!Dolor!

T"MAC:'
Still'on'My'Grind'
GEECHEE ONE: Could you tell people steal a lot of the Charleston
everybody out there who needs to learn style and run with it? Im not calling
a little about T Mac?
any names unless you want to call
some names. You can do that.
T MAC: About me, I'm Mr. ChuckTown! I
been out there, a legend, as a young n***. T MAC: (Laughs) How I knew you were
I've been doing this street thing. Shining going there? To be a hundred with you
and Grindingthat's all I know.
because that's all I know how to be. Baby
took a lot of my stuff! He took a lot of our
GEECHEE ONE: For those who dont slang and my swag. You know, the two
know, you own 263 Records. Whos on watch thing, I been the first one wearing
there right now? I know you rolled with them two watches. Now I wear two, three,
a lot of celebrities in the past. Tell us four of them. He put it out to the world
first. Salute to him, man. He got the first
about that?
dibs on it but in his heart he knows where
T MAC: I was the first one who did a song it originally came from!
with Baby from Cash Money. I used to roll
with them boys back in the G. Right now,
Im rocking with my little brother Young
Scooter and Shyst Red. That's a tight knit
family Im rocking with. As far as 263
Records, I have several already on the
contract, but not on the label. Samo the
Boss man is still on the label.

GEECHEE ONE: Your latest mixtape

you got hosted by your boy Swamp
Izzo. Could you tell everybody about
that connection and how far that has
taken you?

T MAC: On My Grind Volume 1, Swamp

hosted that. Its been a long time coming
GEECHEE ONE: Do you feel a lot of with me and Swamp. Swamp grew up on
12#

4
3
5

Lorem!Ipsum!Dolor!
(Continued)!
my first album, Shinin &
Big Tymin and he'll tell
you straight out. My first
album inspired him to get
into music. This isnt a
joke. I can pull up a
couple of other magazines
where he said that in his
interviews. He's a real
hundred n*** its been a
long time coming. Til this
day we like best friends.
We talk about personal
stuff. If we don't talk every
day we talk every other
day. That's how real it is
and that's how I feel about
this rap game. I go by
vibes. It was a match
made. So were just
turning up. Its a 263
Hood Rich Affair on the
next joint. It's going to be
real crazy.

So, what I do now is, my

vice president, Jd-Hawg,
I let him deal with the
artists. I dont deal with
artists because I still have
a little bit of that street
mentality.
If
you
disrespect me, then there
are repercussions behind
that. At the end of the
day, its just business and
the people who say that
dont
understand
the
business. I'm probably
the only person who has
publishing contracts that
go along with my label
contracts. Who you know
have
different
management contracts?
I'm probably the only
person in Charleston
really who fully got the
game.

GEECHEE ONE: Some

people say youre sort
of like the Suge Knight
of Charleston. I mean
how do you feel about
that comparison?

J MIX: You had a deal

with Koch. Did you
have a problem getting
away from that deal? Or
you had your lawyers
set up for that?

T MAC: A lot of these

dudes, my homeboys,
rappers in Charleston
don't
understand
the
music business. What I
mean by that is, if you
sign a contract to do
something, then you going
to be held accountable if
you
don't
do
it.
Sometimes they push
these wrong buttons and
they take you and your
business for a joke. They
bring out that wild side.

T MAC: No. Koch let me

go for breach of contract.
They let me go because I
had a group artist. TKoch
signed my whole label.
Koch had 18 Radio
promo dates set out for
them for a hit song with
Waka Flocka. I paid ten
grand for Waka to do a
verse. Then turn around,
Koch really loved the
song. They wanted to get
behind it one hundred
percent. So, they set out

these radio dates. These

guys didn't even get to the
first radio dates, not the first
one! They (Koch) call me
like, T Mac what the hell
going on? These radio
stations calling saying youll
arent showing up. What
can I say? The more I
argue at them lil n***, the
more they run. Its more so
like, I'm f***! Thats why I
don't want to deal with
artists anymore, like that.
Thats why I started back
rapping and doing it myself.
I know what Im going to
do. I know I can show up.
J Mix: Artists also have to
make
themselves
somewhat
of
a
commodity and valuable
enough for somebody to
invest in them. You
developed artists didnt
you?
T Mac: Yes. My problem
was only with one group
who had a name and buzz
already. I spent money on
them. I was making artists
from out the gate. They
didn't have a name and
nobody really knew them. I
invested time and money in
them. It was one artist I put
in four years of craft and
how he rap. I gave him a
name. I developed them. I
did everything for them,
everything! I got my n*** in
every city. You got to go in
the cities and you got to stir
it up. Thats what it
13#

6
7

Lorem!Ipsum!Dolor!

(Continued)!
GEECHEE ONE: I think
that some of the
issues
may
be
because
you
disappeared.
Being
back on the scene, do
you feel that people
should just remember
what you did 15 years
ago?

takes to be noticed in this rap game.

GEECHEE ONE: What can we expect
coming from you in 2014?
T MAC: I got two videos Im about to
shoot and drop in two weeks. I'm going to
shoot one in Charleston and one in the A.
Its new singles and new joints dropping
off the new mixtape. I got the one with
Benzino. This new joint is going to be
crazy. I got Scooter, Jose Guapo, Fresh
and Hog on it. I got the home team, we
just turning up on this new joint. I got a
documentary that is dropping with my
mixtape.
GEECHEE ONE: We were talking about
the GeeChee One Awards, you've been
doing this for a long time, correct?
Basically right now when people think
of say the big names, they calling out
Dirty Dave, Fat Boy, Marly Marl and I'm
assuming you were doing yours longer
than all them is that correct?
T MAC: Yep. Fat Boy was almost this
close to sign to my 263 label, before I was
locked up.

T MAC: No. My thing is

this I don't want a
m****** to give me s***
my whole life I go get it.
When I walk in the room
you ain't got no choice
but to look at me. Now I can tell you this, I
put God first through anything. When I
walk in that room I got the light shining on
me. Youre going to see me. So that's just
the way it is. Bosses when they walk in the
room they stand out.
Shout out to the GeeChee One Awards. I
heard it was a success. Felicia you know I
support you. Sorry I didn't show up. You
know I support you. I had a funeral to go
to. Let me close out and give my shouts.
Shout out to the CHUCK and all the artists
out there man. Youll keep grinding man.
You know, get your money up. Find you a
backer or whatever you got to do to get
where you got to get at. Shout out to
GeeChee One. Shout out to my little
brother Shyst Red. GeeChee South. Shout
out to Augusta. Flock O you already know
what it is. Shout out to blog radio. I thank
y'all for the interview. Everything mix! My
whole 263 team. The JD Hawg, all my Gs
with me, camera man and all. Shout out to
The Streetz, If I missed you, its on me,
man. I give you a hug when I see you. I got
to keep it 100. That's it! God got me! We
flying, lets go!
14#

1
2

Producer:)Rick)Flare)
Name: Rick Flare
Location: Columbus, Ohio, by way of Charleston,
SC.
Twitter: @RFBeatArkitekz
Title: Producer
How long have you been a producer: 10 years
Name of studio you work in: Arkitekt Studios
Geechee One: What made you decide to become
a producer?
Rick Flare: I was initially a rapper for a good 12
years before I became a producer. My first
performances were in the church. I would sing
songs like Robin and Operator by Willie and
The Gospel Keynotes. I think my first performance
ever I was either four or five years old. We didnt
have cable at the time, so my uncle would record
all of the videos from Yo! MTV Raps for months at
a time, then he would bring it to our house. Thats
how I got into hip-hop. Then as time went on I had
a family, and I just didnt have the time to record
and put forth full effort in to rapping like I needed to
in order to become successful. I was just playing
around with beats at the time, and a few people
were feeling them here and there, and it slowly
became a full time gig.
Geechee One: What made you decide to take on
the name Rick Flare?
Rick Flare: It was a joke at first. We were in the
studio talking about wrestlers if they were rappers,
and we kept thinking of random names, and then
the Rick Flare name came up, and I recorded a
few songs as a joke, and it stuck.
Geechee One: We have checked out some of
your beats on tracks with Kween Katt, Lady Slim,
and MegaBucks who else have you worked with?
Rick Flare: Ive worked with a few artists over the
years. As far as name recognition, the biggest
name that actually jumped on one of our beats
would probably be The Game. Im a part of a
production team called The Beat Arkitekz, and we
all were grinding, and making placements, and
figured it would work a lot more effectively so a few
of us linked up. One of the first placements we
landed as an outfit was this artist named Big Wy
from the Relativez. They are pretty big on the
West Coast. They have probably sold about 500k
independently. So he heard one of the beats we
had, and shot it to the Game and he was feeling it

so he got on it. Two of the artists I really liked

working with was Chyna White and Mr. ServOn simply because of so much knowledge
they had to share. Points, publishing,
contracts, I obtained a
lot of knowledge from those dudes. Mitchy
Slick and Glasses Malone are two artists that
also got on some tracks. I wasnt expecting
the Mitchy credit, but Mega Bucks and Slick go
back. So Bucks shot him the track and he
jumped on it. That was a real good look for us.
Geechee One: Some people say that track is
all about the Beat. Do you believe that?
Rick Flare: No, I do not believe that at all, and
heres why. As a producer, you have to do a
lot when it comes to just production. Its not
just making the beat, but in certain situations
you have to quarterback the song, or the
album sometimes. The beat can be the
hottest beat in the world, but a takes the artist
to bring life to the beat. The artist can be the
greatest of all times, but it takes the producer
to give him life. Its a mutual effort I believe. I
think if the artist and the producer are both
willing to listen to each other, the tracks have a
chance to come out good.
Geechee One: Do you love your city?
Rick Flare: Of course I do, very much so. I
just really want to see someone get in the
door. Once someone gets in the door, the
floodgates will open. Ill give you an example
of what I mean. I dont know if you remember
but around 99-2001 there was this movement
going on in Canada. You had artist like
Choclair and Kardinal Offishall who made
great strides, but they didnt get the door fully
open, but cracked it enough. A few years
15)

4
3

)
later, Drake starts to make his push, and he
opens the door not just for Toronto, but all of
Canada. I think the same thing is happening
with Charleston. You had dudes who started it
like Skip Ski and MC Double D, I would guess
you could say they found the door. Then you
had dudes like The Phlava, and the Carolina
Pathfindaz who knocked on the door. T-Mac
and 263 Records turned the knob. Pachino
Dino, Mista Taylor, Marly Mar and Dirty Dave
have opened the door, now its just someone
getting in. We have tons of talent rap and
production wise. Whether its Jro from Str8
drop, TwinD, or 40 oz, we have very diverse
producers. Rap wise theres damn near too
many to name. St. 6, B-Kiddo, Big D, B-Kill,
Mugga Man, Mega Bucks, $ee, Free Gram
Weezy, Mally Racks. I think we have a lot of
talent. I think the only thing we are lacking, but
you are seeing more of is actual unity. Thats
what I always ask an artist I produce for who
isnt from Charleston, and the one thing I notice
is they have unity, and willing to take a base hit
so the next man can have a grand slam. An
example of this is Mike Jones. Still Tippin
wasnt his song, Slim Thug already had that
song recorded, and he gave it to Mike
Jones. That song was what Houston needed
for resurgence and it got them back on the
map. I think if we had a lot more unity, it would
speed up the process of the city finally getting
is recognition. Once that is done, its just
staying focused, and staying prayed up through
The Most High in Yashayas name.
Geechee One: As a producer do you feel that
Charleston has its own style of music or do you
feel that too many people are copying styles
from other cities?
Rick Flare:Damn, thats a hard question. What
I can say is it is a yes and no question. See,
Charleston has never had a particular sound or
a style. I remember when NYC ran rap and we
were wearing jerseys with Timbs, and everyone
was rapping over sampled beats. I also
remember when Cash Money blew up and
everyone started wearing Soulja Rees with
white t-shirts. I think now we are starting to find
our footing as far as originality. You have
dudes like Pachino Dino, B-Kill, and Killa Skip
who are just doing this real grimy cutthroat type
music that no one has really heard in a while. I
think it fits the city a lot. If you travel, and run in
to dudes who have been to Charleston, we
have a reputation for being a wild city, so I think
that music goes well with the reputation and
that the sound has not been visited in damn
near twenty years. I think if we did that music,
and the videos and images depicted that, it

would work well around the south and the

west coast.
Geechee One:What would you say would
be that Charleston sound if you think we
have one?
Rick Flare: Id say the first person I heard,
that I know the sound didnt have a
distinctive influence was Twin D. When
Pachino Dinos album came out I remember
me and my cousin riding around to it and I
had never heard a sound like that from
Charleston. You could tell it was keyboard
heavy, but it wasnt just two instruments,
and a drum track. It was layers of
sound. So yeah, TwinD. Ill stick with that
answer.
Geechee One: Are there any other hidden
talents you may have that we should know
about?
Rick Flare: Well I am a writer and a
cook. Before I took rap real serious, I had
this dream of being a writer. So in school I
got a few awards for writing. Its something
Im still in to. Im a semester away from a
degree, so once I get this degree, I may
pursue a bachelors in Journalism, but
Journalism is a broad field, so I have to
really sit down and figure out if Im going to
be in to sports writing, screenplays, or just a
plain newspaper journalist. Ill figure it out
hopefully soon. When it comes to the
cooking, I worked in restaurants for a good
10 years before I moved away to Ohio, so
cooking is something I am decent at. So if
production doesnt work, and that degree
isnt making any money, Ill be in someones
kitchen staff pulling tickets (laughs).
Geechee One: What are the top 5 songs
you have produced
Rick Flare: Mega Bucks feat. Mitchy Slick
No Matter What, St. 6 Stackin, HBM feat.
Mook Montana Glorified Life, Huey What
You On, and Big Lunny feat. Glasses
Malone Gangsta Life.
Geechee One: How can our readers get in
contact with you?
Rick
Flare:
Hit
me
on
Twitter. @RFBeatArkitekz. Thank yall for
the press. I greatly appreciate it. Prayers
to the Most High.

16)

HEADPHONES:
Black Boi

I decided to
pursue acting
because I wanted to
expand my horizon.
I wanted to be
looked at as an all
around threat. I
always looked up to
Denzel Washington,
Forest Whittaker,
and Idris Elba.
Never thought about
if I wasnt going to
be any good at it
because I feel that
would be like putting
a limit on my talent.
I feel like the only
way to find out if
you can is to do it.
Twitter:
@bishopdrippa

17#

HEADPHONES:
MAG
MAG CD REVIEW:
New artist MAG makes his debut release with his project
"Animal Planet". Mag comes off in the paint with the track
"Hex These Haters", letting his haters know that is how they
r getting dealt with. Mag also gives us a couple of freestyles
from his "Sucker Free Flow" series with some clean verses.
Then he slows it down a little bit with Loosin My Mind".
Which is a laid back track that puts you in your zone. Tracks
like "Killing 'Em" & "My Addiction" hold the project together
well with a little more energy. These tracks highlight MAG's
delivery well.
Reviewed by: Jay Mixx
Get your mixtape reviewd by Geechee One Magazine.
Email us at intheplug@gmail.com

18#

HEADPHONES:
RIP Lady Mafia
Written by:
Lachondria
Taylor

LADY MAFIA
from Hour Glass
to Levitate
Magazine. With
tracks like "Ice
Cream", "Baby
Boy", & "We
F**** Round(off
dat Rocko We'n
Going Steady)",
you see why
she calls herself
Lady Mafia. Not
just a pretty
face the music
tells a whole
nother story.
The hustle and struggle of a female artist making noise and
checking folks with her lyrics at the same damn time. Don't
let the smooth look fool you. Born and raised in Eadytown,
S.C., A HOMETOWN HERO Kizzy ' Lady Mafia' Jones was
and forever be a force to be reckoned with. So hit the
YouTube and type in Lady Mafia and her tracks will come
up and you will see what I'm talking about.
REST IN PEACE LADY MAFIA.
19#

HEADPHONES:
Mugga Man Da
Realist
#

2013 Geechee One Awards

Slept on Artist of the Year
What do you feel that the Carolina entertainment industry is
missing?
Unity. The love for real music. Everybody seems to be
settling for trap music instead of reality.
How do you feel about winning Slept on Artist at the 2013
Geechee One Awards?
It felt good to
accept the
award. Just
getting
noticed in a
city with a
100+ artists is
big to me.
Thanks to the
family,
friends, and
fans who
voted for me.

Twitter: @muggaman843
20#

ASK$
CHIIN
Advice'
A$

Dear Chiina,
I have a boyfriend but I also like this other guy. I dont know
what to do about that situation and I need some advice.
Signed So Confused.

Column'

Dear So Confused,
Are you sure you're in love with your boyfriend? Sweetheart you
may love your boyfriend but you're most definitely not in love
with him anymore! When you're in love with your partner every
other man is invisible. You need to make a decision babe. Who
do you really care about? Are you just with your man because
he's convenient and you guys have been together for a minute?
Do you really love this other guy? Is he worth your current
relationship? Either way you need to let one of them go
because you're leading them on. Somebody will get hurt in this
equation. Let's pray that it's not you. On another note never
leave someone you love, for someone you like. With that being
said good luck boo.

Dear Chiina,
After being in a relationship for two weeks I want to tell my
man that I want to take it to the next step. What do you think I
should do?
Miss Two Weeks.
Dear Miss Two Weeks,
The best way to tell him you want to go to the next step is to just
say it. No need to beat around the bush, but you most definitely
need to think before you say you want to get more serious. I
believe in lust not love at first sight. Two weeks is a short period of
time to get serious with someone you most definitely don't want to
get yourself hurt be mindful of your own heart good luck
sweetheart.
!

22"

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Beauty of the Month:

Whitney Campbell aka Aqua Jezelle
Location: Florence, SC
Likes: Spending time with my
children and family and friends,
modeling and networking.
Dislikes: Negative People and
Haters
Goals: To become the first plus
size video vixen. I want to become
a plus size model as well as break
into acting to prove that size does
not matter when you have God
given talent, faith and drive.
Twitter: @aquafina843
Booking: Contact my manager
Chevey @askchevey@live.com
oraquajezellexxx@gmail.com.
If you are interested in being the next beauty of the month in Geechee One
Magazine please email us at intheplug@gmail.com.
23"

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2

!
You can nominate your picks by going to Geecheeonemagazine.com or by filling
out the Official Ballot below. WE WILL NOT ACCEPT PHOTO COPIES!!!
Mail to: Geechee One Awards, PO Box 41114, North Charleston, S.C. 29423

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