Architectural Newsletter from Lane Architecture + Design
June 2008
ees
Vol 2, Issue 5
Lane Architecture + Deisgn is an architectural firm in Manhattan that specializes in Corporate interiors, Site Feasibility
‘Studies, and High End Residential Design. Our office is pleased to offer our clients and associates with a newsletter that
includes comments from Larry Lane and other experts. This newsletter covers up-to-date news of architecture that can be
applied to every day fe. Our goal is to share our passion of architecture with others,
Larry Lane Meots
the Iron Man
While at Texas Tech, | met the
real Iron Man. Robert Bruno was
one of the architectural
professors there and invited me
to see his sculptural residence
that was stil taking shape on an
overhanging site that looks down
onto a lake in Ransom Canyon,
TX At the time of my
introduction to Mr. Bruno, he was
probably only 33 years old with
years more ahead of him to the
finishing date of_—this,
masterpiece. See the article
inside to lear more about this
artistic man with a passion for
metals and space.
(Continued on page 3)
Quirky Top-Floor
Spaces in Domand for
Officos |
In their ongoing quest for new
ways to maximize revenue in
office buildings, Manhattan
building owners and developers
are creating new rentable space
from top floors once used for
storage or for housing building
equipment.
Not only do new top-floor spaces
generate additional income,
(Continued on page 2)
page 1
Quirky top-Floor
Spaces...page 1 and 2
New Book and an
Interview with a bright
Salting designer: penest
Larry Lang ie we
ng a book in
callaboration — with several
‘exports in the eemmercial real
octato industry. The book will.
(Continued on page 2)Resources
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Quirky Top-Floor Spaces...
(Gootined from page 1)
‘some have high ceilings, interesting views, skylights, and,
‘occasionally, private roof access that make them inereasing]
a
to enhance their company’s image.
Even the inconvenience of having to take a sovond elevator
can be seen as a plus for the right tenant, reports CB Richard
Ellis Vice Chairman Howard Fiddle. "The fact that you hav’
to go by private elevator makes it more exclusive. The fact
that you are on the top floor says something about ego or
branding, and it says something that the views happen to be
botter.” At the same time, landlords and developers are
figuring out how to use even small quantities of air rights.
For example, a newly created 26th-floor space at 250 West
STth Street was ereated using air rights,
Barry Zeller, an executive director of Cushman &
Wakefield, reports that the newly renovated tap floor now
features a sloped wall reaching 22-foot ceilings, a restored
fireplace, and skylights. Still, quirky top floors can have the
fair share of problems. In addition to often lacking
passenger-clevator access, wheelchair accessibility and
access for day-to-day deliveries have been cited as frequent
challenges.
able for tenants on the lookout for unconventional space
Larry Lane's book... cont. trom page 1
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[Next month we will continue some ofthis Interview when wo
discuss the very popular LED lighting.
Visit our new blog at www.LaneArchitecture. blogspot.com
Page 2The Real Iron Man...(from page 1)
Against Interpretation
Robert Bruno's house of welded steel conjures up many
meanings, but it arose without any of them
by Zach Mertice
‘Associate Editor
‘Summary: The stel house artist and sculptor Robert Bruno has ereated is 2
nn-conceptual piece wholy informed by Bruno's own aestetie choices and
dlireston, Its spontaneous, unplanned complexity hints atthe future, the past
‘and (according 10 Bruno) calls to attention the scalar distortion and
prevalence of conceptual thetoric in modem architecture
How do you... eeate singular, personal architecture from a non-conceptual
basis?
For 33 years, Robert Bruno has meticulously designed and built his welded
steel house othe edge of a canyon outside of Lubbock, Tex. But, somehow,
he's not sure how many square feet itis (his guess is 2,700) nl he can't
‘explain the influences that have informed his design’ over these three
decades-despite the fact that the house's otherworldly shape seems
tailor-made for flee association. A brief jaunt through any desigmoriented
mind brings you to: an insect’s carapace, an alien spacecraft, MLC. Escher’s
hallucinogenic maze-seapes, and pethaps Deconsiriction's ongoing War on
the Rectangle,
But Bruno isnt an entomologist, a seienee fietion writer, oF even a
Koolhaas/Gehry acolyte, He's an artist, and nota conceptual one, "This house
doesn't deal with concept at al,” he says. "I'm not trying to have something
re-emerge in the guise of my house."
“The medium isthe meaning
In 1974, while teaching at the architcture school at Texas Tech University in
Lubbock, Bruno completed a large stel sculpture just tll enough to stand
under. He found this space pleasing and decided that it might be nice to live
in such a dweling. This humble and guileless desire isthe only impetus for
the design of his richly complex house, now almost compete
‘The house hitches itself t0 no stylistic wagons and has been spontaneously
designed and revised over the course ofits 33-year construction. "What youre
seeing is 33 years of design, not three months of design and 33 yeats of
labor.” Bruno says, Ihe would have ha to design the house in full init
and then build to this exact standard, "T would feel as if T were works
‘somebody else,” he says. This ia literal dstintion for Bruno. He began the
house when he was @ Young man, age 29. Today he's 62, and the majority of
his years have been Spent working on the house; an open film exposure
documenting his aesthetic developrient and intent.
Architoctuo te the learned gamo, correct and magnificont, of forme aesombld in
the ight.
Le Corbusier
‘Space and light and ordor. Those aro the things that mon nood just ae much ae
‘they nood bread ora plac to sloop.
Le Corbusior
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