Filmography:

“Ang Panggagahasa kay Fe”

(“The Rapture of Fe”)

LEE, Claudine Marie L.

4CA3
 Cinemalaya Foundation, Inc.
Presents
A Vim Yapan/Alem Chua Production
In cooperation with
Women’s Critics Center

CAST

Irma Adlawan ... Fe Luz David

Tj Trinidad ... Arturo Anne Escoto
Nonie Buencamino ... Dante Manuel Garcia
Joel Molina ... Kapre Maricel Hernandez
Meeyo Candelaria ... Nestor Kenneth Mangiliman
Mercedes Cabral ... Gie Jay-ann Mercado
Jerry Respeto ... Mang Robert Marsha Ocampo
Mory de Guzman ... Mang Lito Jobert Ramos
Fonz Dessa ... Priest Jeffrey Villalobos
Jessica Junio-Demegillo
... Albularyo Writer and Director
Paolo Sanz ... Boy Alvin B. Yapan
Solita Garcia ... Maring
Maren Ortiga ... Isko Executive Producer
Gino Nacianceno ... Ahente Alemberg Ang
Tonce Acejo ... Hanging Ladies Alvin Yapan
Regine Ballesca
Mariel Dionisio Associate Producers
Annie Serrano
Rattan Factory Workers Michael Son
Carol Abad Carlo Chong
Sion Alfonso
Dennis Asuncion Line Producer
Daling Asuncion Mariel Dionisio
Jayson Caligagan
Rosita Caligagan Production Manager
Saro Caligagan Tonce Acejo
Billy David
Doyce David
 Assistant Production Manager Setmen
Regine Ballesca Marco Manalang
Hernan Manny Enteria
First Assistant Director
Shandii Bacolod Make-up Artist
Ray Decena
Second Assistant Director
Ariel Diccion Stylist
Jay Gabor
Second Second Assistant Director
Glenda Ressureccion Wardrobe
Emilie Lanfranco
Director of Photography
Sol Garcia Colorist
Ramil Plofino
Location Manager
Melba Bengco Music
Jay-Ar David Jema Pamintuan
Jeffrey David
Field Sound Recordist
Photographer Atty Mark Locsin
Robert Cruz
Boom
Assistant Photographer Jojo Jamito
Ethel Grace Concepcion Itong Del Pilar

Poster Design Sound Engineer

Joseph Salazar Arnold Reodica

Trailer Concept Music Recorded

Dennis Ortega SQ Film Laboratories

ADR Recordist
Production Designer Lito Esteta Jr.
Gino Nacianceno
Marco Ortiga
 Editor Utility
Ramil Plofino (Video and Audio) Paolo Sanz

Production Assistant Cinemalaya Monitoring Officer

Dave B. Coros Jr. Sharleen Tan
Aaron Cabangis

Co-Producers

Friedrich Ackermann Atty. Anna Liza Bong Oris Meng Tia

Dr. Matthias Ang-Co Allan Popa Weevens Ty
Ackermann Dennis Corteza Joney Pusta May Valdez
Dr. Joseph Aguinaldo Pam Cruz Jerry Respeto Linda Wirth
Sylvia Pagsanjan- Gary Devilles Joseph Salazar Garvin Yao
Aldana Bong Dizon Edgar Samar Kathleen Yao
Engr. Albert Ang Boom Enriquez Benilda Santos Chester Yu
Aris Atienza Ramon Go for Orocan Jeanice See Clarence Yu
Angie Versoza-Ariston Hayae Iman Erich Shih Ateneo Institute of
Christine Bellez Mark Lester Lee Dr. Gerry Syquia Literacy Arts and
Pat Canzarin Genie Lorenzo Carl Tan Practices
Clarissa Chong Tacing Marasigan Jerome Ocampo-Tan International Labor
Augustin Chua Fides Ylan Navarro Kalor Tariman Organization
Jonathan Chua Maria Rowena Ta- Keya Tariman ... other anonymous
Lance Chua Nystrom Jethro Tenorio donors
 SYNOPSIS

The film, “The Rapture of Fe”, circulates around the story of Fe who came back home

from Singapore, where she worked as an OFW for a few months, because the opportunities she

had there were decreasing. Later in the story, you would find out that Fe’s sentiment about

Singapore was that it was more of looking for an escape than making a living. Fe returns to her

husband, a man whom she soon feels to have turned aggressive towards her. Though battered,

Fe simply turns the other cheek which increases the amount of violence she receives. Basket of

fruits appear on the front yard of Fe, closer to her room each day, the first two baskets which

she believed to have come from her husband as a peace offering. Dante, her husband, who was

jealous and suspicious, concluded that she was entertaining a suitor. Fe, being afraid of her

husband’s hostile nature and jealousy, began fearing the basket of fruits as they came.

Fe’s need of an escape, or a mere possibility of one, led her to her former suitor, Arturo

who was the only person Fe suspected of being responsible for the fruits she has been

receiving. However, Arturo was not the one who was sending the baskets. He aided Fe in

searching for the person who was sending her baskets of fruits, and even accompanied her to

the local Albularyo where they learned that she might have a Kapre as a suitor. Fearing both her

husband and her mysterious suitor, Fe suggested that she and Arturo elope, an idea Arturo

found impossible and impractical. Arturo was far too tied to his family and commitments to

consider running away with Fe. The film was open ended and was focused on “who would Fe

choose?” her mysterious, and supposedly fantasy, suitor, her violent husband or her helpless

lover?
EVALUATION