Professional Documents
Culture Documents
Helmsman
Vol. 78 No. 058 be formidable
foes but can’t
outlast Tigers
see page 6
by Malcolm Regester
from a student fee. SGA’s Budget tinue to be paid for running the website.
If students want to know how their Activities sponsored by SGA include Thus far, no changes have been made.
money is being spent, they have a legal student travel, frosh camp, SGA’s spring Of the $2,000 spent on Mr. and Mrs. U
right to access SGA’s and SAC’s budgets, elections, a multicultural festival and of M, half funds a scholarship for each,
which are public records. weeklong events for U of M’s basketball and an equal amount is spent on the
Prior to Nov. 22, a budget appeared homecoming. flowers, crowns and supplies given to the
nowhere on SGA’s website, despite the The rest of the association’s budget goes Colin Kidder, sculpture graduate student,
slogan touted last year by the reign- toward executive officer stipends, travel see Budgets, page 4 concentrates as he grinds a metal medium,
bringing his thesis sculpture into form.
Facing
BY ERICA HORTON
News Reporter
Toward the back of the Art Museum of The
the music
University of Memphis on Wednesday after-
noon, a white folding wall blocked students’
view of an upcoming exhibit. Behind the wall,
Erin Jennings prepared 42 new spaces for
11-by-14 photographs, all featuring the naked
human form.
BY ERIN FLOYD The work is part of the museum’s Master of
Contributing Writer Fine Arts student thesis exhibition, “Content
Under Pressure,” which opens Saturday and
Somewhere there’s music, runs through Jan. 8.
How faint the tune. The exhibit features the work of three art-
Somewhere there’s heaven, ists, photography graduate students Jennings,
How high the moon. Kate Wichlinski and sculpture graduate stu-
dent Colin Kidder. All share a central theme
Those who walked through the hall- — examining the way people look at one
ways of the Rudi E. Scheidt Music another.
Building on a recent Tuesday evening “It also came from the pressure we as art-
stopped to listen as Joyce Cobb, long- ists are under to make something good while
time Memphis singer and moonlight- in an academic setting,” said Wichlinski,
ing University of Memphis music whose photos focus on images from her per-
instructor, stood in a classroom practic- sonal life.
courtesy of Joyce Cobb
ing songs for an upcoming gig for an “I tried to instill emotion in mine,” she
audience of one. Students walked a said. “I tried to take portraits of people as
little slower as they passed the door, they really are, to find some core of who are
peeking in to see who was belting out they are.”
lyrics from “How High the Moon,” a Jennings, who already holds a master ’s
signature tune of Ella Fitzgerald. degree in political science with a concentra-
After a few more songs, the unex- tion in film theory, said her art is inspired
pected mini-concert came to a close, Joyce Cobb, U of M instructor in the Rudi E. Scheidt School of Music, by the different ways people view males and
and Cobb was able to sit down to talk regularly performs her catalog of jazz, rock, pop and country covers at females in photos and cinema.
about herself and her career. Cobb said a litany of Memphis venues. Already surrounded by eight of her 4-by-3
her interest in performance began at an lessons at her church, so Cobb got and I remember this total acceptance,” photos of a man and woman naked from the
early age. involved with one of the programs it Cobb said. “That’s really what it’s all waist down, Jennings said she will display a
“I think I was 4, 5, maybe 6 years offered. She decided to start by singing about — being accepted, causing reac- total of 50 nude photographs, all taken using
old in my grandmother’s church in “The Best Things in Life Are Free.” tion, stimulating an audience to rise the digital infrared process.
Oklahoma,” she said. “I performed that song in front of the
Her grandmother taught piano congregation of the church one Sunday, see Music, page 3 see Masters, page 5