Professional Documents
Culture Documents
Ellis writes wonderfully about narrative and stories , connecting these to research methods,
primarily to autoethnography as research methode
Now that I got caught up into Carolin Ellis „The ethographic I“: A methodological novel
about authethnography
The deadline was today, but although we meet regularly on Skype (PT, DE, US) to
talk about it and take notes, things didn't really start coming together until last night
- and we got our request for an extension. It clicked once we framed memory in terms
of voice and power. Who's voice is being heard? Whose story is being told? And
whose is being left out? So whose memory is it?
My favourite quote from today came from Robin Usher et al (who clearly don't know
my local universe):
“The quest for a ‘God’s eye view’, a disembodied and disembedded timeless
perspective that can know the world by transcending it, is no longer readily accepted.
What has taken its place is a loss of certainty in ways of knowing and what is known.
What we are left with is not an alternative and more secure foundation but an
awareness of the complexity, historical contingency and fragility of the practices
through which knowledge is constructed about ourselves and the world.” (p. 210)
And these were some of my reflections on memory with this post-modern lens:
******************************
Not only that what is in her blog she doesn’t forget ( and it meets the “technological
correctness” that John and particularly me are lacking, still having boring HTML
pages and using e-mail as the top application on the Internet…..
Brillinat, there I was , sitting in a fast train, crossing Germany once again, but also
crossing different insights:
what I interpreted for weeks as a 1 sudenly tuned out to be an obviuos I in the title of
ellis book
as ellis novel caught me in completely, I found it hard to go analytical about it and try
to find the most important pieces on narrative – I sort of forgot that we are writing a
paper and I should be efficient timewise – but even though again ther eis no draft text
I can show things have fallen into place
narrative is so deeply connected with human experience and memory that it seems
hard to separate these issues
and a surprose: stories hrlp to remember but also they can make you forget the actual
world you are in to temporirily be in Eliis’ses world
if then AFTER reading ellis book Bev’s entry made so much more sence to me it the
felt the twor worlds (reading ellis novel on authoethnography and trying to write a
paper with a set deadline, so always feeling hurried..suddenly faded into one another
Here is what Ellis(2004, 125ff) writes on narrative and stories & memory refering
to lots of other authors
:
• if you are trying to hard to be factual or accurate you might be losing the heart
of the story (123) : Zinsser 1987, 25: “[F]idelity to the facts is no free pass to
the readers’s attention” (in a story)
• Plummer (2001, 401): what matters is the way in which the story enables the
reader to enter the subjective world of the teller – to see the world from her or
his point of view, even if this world does not ‘match reality’
• “There is nothing more theoretical or analytical than a good story” as stories help us
understand our lives” (194)
• Narrative refers to the stories people tell – the way they “organize their experiences
into temporally meaningful episodes” Richardsen 1997, 27
• Narrative is present in short stories, poems, myths, history, paintings, dance, cinema,
novels, social sciences, comics, conversation, music, art, and autoethnography.
Narrative can be both a “mode of reasoning and a mode of representation” (richardsen
1997, 28):
”the logico-scientific mode looks for universal truth conditions, whereas the narrative
mode looks for particular connections between events”