Photo 1 Midterm Review 2012 Web

PHOTO 1
MIDTERM REVIEW!
THESE TOPICS WILL BE ON THE EXAM & ARE COVERED IN THIS REVIEW
1. 2. 3. 4. 5. 6. 7. 8. Parts of the Camera Shutter speed Aperture Depth of eld Point of departure Light metering Bracketing Equivalent exposures 9. Film speed 10. Parts of the enlarger 11. Easels 12. Processing lm 13. Darkroom chemistry 14. Principles of Composition
parts of the camera
take-up spool
take-up spool
camera back
take-up spool sprockets
camera back
take-up spool sprockets viewfinder
camera back
take-up spool sprockets viewfinder film compartment
camera back
camera back
pressure plate
camera back
pressure plate rewind release button
camera back
pressure plate rewind release button tripod mount
camera back
pressure plate rewind release button tripod mount shutter
camera back
film advance lever
camera back
film advance lever
shutter button
camera back
pressure plate rewind release button tripod mount shutter shutter speed dial
film advance lever
shutter button
camera back
pressure plate rewind release button tripod mount shutter shutter speed dial hot shoe
film advance lever
shutter button
camera back
film advance lever
shutter button
film rewind
camera back
film advance lever
shutter button
film rewind
lens
camera back
film advance lever
shutter button
film rewind
aperture ring
lens
camera back viewfinder
film advance lever
shutter button
film rewind
aperture ring
lens
camera back viewfinder prism
film advance lever
shutter button
film rewind
aperture ring
lens
camera back viewfinder prism aperture pressure plate rewind release button tripod mount shutter shutter speed dial hot shoe
film advance lever
shutter button
film rewind
aperture ring
lens
camera back viewfinder prism aperture pressure plate rewind release button tripod mount shutter shutter speed dial hot shoe reflex mirror
film advance lever
shutter button
film rewind
aperture ring
lens
camera back viewfinder prism aperture pressure plate rewind release button tripod mount shutter shutter speed dial hot shoe reflex mirror shutter film rewind
film advance lever
shutter button
aperture ring
lens
camera back viewfinder prism aperture pressure plate rewind release button tripod mount shutter shutter speed dial hot shoe reflex mirror shutter film rewind film
film advance lever
shutter button
aperture ring
lens
film advance lever
shutter button
aperture ring
lens
film advance lever
shutter button
aperture ring
2.8
lens
film advance lever
shutter button
aperture ring
2.8
lens
film advance lever
shutter button
aperture ring
2.8
5.6
lens
film advance lever
shutter button
aperture ring
2.8
5.6
lens
film advance lever
shutter button
aperture ring
2.8
5.6
11
lens
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
lens
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens BULB
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8 15
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8 15 30
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8 15 30 60
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8 15 30 60 125
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8 15 30 60 125 250
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8 15 30 60 125 250
500
film advance lever
shutter button
aperture ring
2.8
5.6
11
16
22
lens
1 BULB
2 4 8 15 30 60 125 250
500
1000
shutter speed
What is this?
What is this? shutter speed dial
What is this? shutter speed dial What does it do?
What is this? shutter speed dial What does it do? controls how long the shutter is open - in fractions of a second
What is this? shutter speed dial What does it do? controls how long the shutter is open - in fractions of a second What does shutter speed TECHNICALLY control in your photograph?
What is this? shutter speed dial What does it do? controls how long the shutter is open - in fractions of a second What does shutter speed TECHNICALLY control in your photograph? how long the shutter is open - how much LIGHT gets in
What is this? shutter speed dial What does it do? controls how long the shutter is open - in fractions of a second What does shutter speed TECHNICALLY control in your photograph? how long the shutter is open - how much LIGHT gets in What does shutter speed CREATIVELY control in your photograph?
What is this? shutter speed dial What does it do? controls how long the shutter is open - in fractions of a second What does shutter speed TECHNICALLY control in your photograph? how long the shutter is open - how much LIGHT gets in What does shutter speed CREATIVELY control in your photograph? a sense of MOVEMENT or MOTION
What does the B stand for?
What does the B stand for? bulb
What does the B stand for? bulb What does it do?
What does the B stand for? bulb What does it do? lets you have complete control over shutter speed
What does the B stand for? bulb What does it do? lets you have complete control over shutter speed How?
What does the B stand for? bulb What does it do? lets you have complete control over shutter speed How? press the shutter release once to open the shutter, then a second time to close it
What does the B stand for? bulb What does it do? lets you have complete control over shutter speed How? press the shutter release once to open the shutter, then a second time to close it When would you use this?
What does the B stand for? bulb What does it do? lets you have complete control over shutter speed How? press the shutter release once to open the shutter, then a second time to close it When would you use this? if you want a REALLY long exposure time - maybe to show city lights at night, or the movement of water over a long period of time, etc.
What is this?
What is this? a tripod
What is this? a tripod When do you use this?
What is this? a tripod When do you use this? at shutter speeds of 1/60 or below
What is this? a tripod When do you use this? at shutter speeds of 1/60 or below What happens if you dont?
What is this? a tripod When do you use this? at shutter speeds of 1/60 or below What happens if you dont? it will be blurry and you will be disappointed. I promise.
If you wanted to take a picture of a running man so that the action would be frozen - what shutter speed might you try?
If you wanted to take a picture of a running man so that the action would be frozen - what shutter speed might you try? 1/1000
If you wanted to take a picture of a running man so that the action would be frozen - what shutter speed might you try? 1/1000 What if you wanted to show movement - how would you do that?
If you wanted to take a picture of a running man so that the action would be frozen - what shutter speed might you try? 1/1000 What if you wanted to show movement - how would you do that? 1/30 (blur)
If you wanted to take a picture of a running man so that the action would be frozen - what shutter speed might you try? 1/1000 What if you wanted to show movement - how would you do that? 1/30 (blur)
1/30 & panning (sharper subject, blurred background)
aperture
What is this?
What is this? aperture ring
What is this? aperture ring What does it do?
What is this? aperture ring What does it do? controls the size of the aperture, measured in -stops
What is this? aperture ring What does it do? controls the size of the aperture, measured in -stops A low -stop number = a __________ aperture.
What is this? aperture ring What does it do? controls the size of the aperture, measured in -stops LARGE A low -stop number = a __________ aperture.
What is this? aperture ring What does it do? controls the size of the aperture, measured in -stops LARGE A low -stop number = a __________ aperture. What does aperture size TECHNICALLY control in your photograph?
What is this? aperture ring What does it do? controls the size of the aperture, measured in -stops LARGE A low -stop number = a __________ aperture. What does aperture size TECHNICALLY control in your photograph? how large an aperture - how much LIGHT gets in
What is this? aperture ring What does it do? controls the size of the aperture, measured in -stops LARGE A low -stop number = a __________ aperture. What does aperture size TECHNICALLY control in your photograph? how large an aperture - how much LIGHT gets in What does aperture size CREATIVELY control in your photograph?
What is this? aperture ring What does it do? controls the size of the aperture, measured in -stops LARGE A low -stop number = a __________ aperture. What does aperture size TECHNICALLY control in your photograph? how large an aperture - how much LIGHT gets in What does aperture size CREATIVELY control in your photograph? DEPTH OF FIELD
depth of eld
Depth of Field
/2 /8 /16
Depth of Field the wall of focus
/2 /8 /16
Depth of Field the wall of focus how much (forwards and backwards) of your image will be in focus
/2 /8 /16
Depth of Field
Depth of Field
Depth of Field If you want a great depth of eld, what size aperture should you use?
Depth of Field If you want a great depth of eld, what size aperture should you use? SMALL
Depth of Field If you want a great depth of eld, what size aperture should you use? SMALL Such as?
Depth of Field If you want a great depth of eld, what size aperture should you use? SMALL Such as? /16
If you want a shallow depth of eld, what size aperture should you use?
If you want a shallow depth of eld, what size aperture should you use? LARGE
If you want a shallow depth of eld, what size aperture should you use? LARGE Such as?
If you want a shallow depth of eld, what size aperture should you use? LARGE Such as? /2
point of departure
What are the settings for our point of departure?
/8
/8
125
/8
125
How do we use point of departure?
/8
125
How do we use point of departure? as a STARTING POINT for light metering
/8
125
How do we use point of departure? as a STARTING POINT for light metering Why are those settings our point of departure?
/8
125
How do we use point of departure? as a STARTING POINT for light metering Why are those settings our point of departure? they give you a lot of room to make changes in your aperture and/or shutter speed, in either direction
light metering
Remember that your cameras ROBOT EYE (a.k.a. the light meter/sensor) is not smart enough to guess how you want the picture to come out.
HEY! Im standing right here!
Remember that your cameras ROBOT EYE (a.k.a. the light meter/sensor) is not smart enough to guess how you want the picture to come out.
HEY! Im standing right here!
Remember that your cameras ROBOT EYE (a.k.a. the light meter/sensor) is not smart enough to guess how you want the picture to come out. Meter directly from your subject. Its a good idea to get REALLY CLOSE to your subject, meter, then back up and re-compose the frame. This is always important - but especially if your subject is backlit (has a strong source of light coming from behind it.)
bracketing
What is bracketing?
What is bracketing? taking the same photograph at different exposures
What is bracketing? taking the same photograph at different exposures Why would you do this?
What is bracketing? taking the same photograph at different exposures Why would you do this? to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you
What is bracketing? taking the same photograph at different exposures Why would you do this? to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you How do you bracket?
What is bracketing? taking the same photograph at different exposures Why would you do this? to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you How do you bracket? 1. light meter
What is bracketing? taking the same photograph at different exposures Why would you do this? to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed)
What is bracketing? taking the same photograph at different exposures Why would you do this? to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed) 3. identify the 3 settings you will use when bracketing (the one directly across from the keep, and also one up and one down.)
What is bracketing? taking the same photograph at different exposures Why would you do this? to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed) 3. identify the 3 settings you will use when bracketing (the one directly across from the keep, and also one up and one down.) 4. take the three photographs
How do you bracket?
How do you bracket?
How do you bracket? 1. light meter
How do you bracket? 1. light meter
250 /8
How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed)
250 /8
How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed)
250 /8
How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed) 3. identify the 3 settings you will use when bracketing (the one directly across from the keep, and also one up and one down.) 250 /8
How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed) 3. identify the 3 settings you will use when bracketing (the one directly across from the keep, and also one up and one down.) 500 250 /8
How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed) 3. identify the 3 settings you will use when bracketing (the one directly across from the keep, and also one up and one down.) 500 250 /8 125
How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed) 3. identify the 3 settings you will use when bracketing (the one directly across from the keep, and also one up and one down.) 500 250 /8 4. take the three photographs 125
How do you bracket? 1. light meter 2. choose which setting you want to keep (aperture or shutter speed) 3. identify the 3 settings you will use when bracketing (the one directly across from the keep, and also one up and one down.) 500 250 /8 4. take the three photographs /8 at 1/500 /8 at 250 125
/8 at 125
equivalent exposures
Equivalent Exposures
Equivalent Exposures What are equivalent exposures?
Equivalent Exposures What are equivalent exposures? different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values)
Equivalent Exposures What are equivalent exposures? different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values) Why do they matter?
Equivalent Exposures What are equivalent exposures? different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values) Why do they matter? to help you make use of your CREATIVE controls (depth of eld and the sense of movement) while still getting a properly exposed image
Equivalent Exposures What are equivalent exposures? different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values) Why do they matter? to help you make use of your CREATIVE controls (depth of eld and the sense of movement) while still getting a properly exposed image to help you NOT use a tripod but still get a clear and properly exposed image
USING Equivalent Exposures

Lets say you are asked to shoot a photograph of a pinwheel in motion, for the OMG its SPRING!!! issue of a local magazine.

Lets say you are asked to shoot a photograph of a pinwheel in motion, for the OMG its SPRING!!! issue of a local magazine. You nd a pinwheel that is moving, and your cameras light meter tells you that you should use 1/500 and /2. This is the picture you get:


/2 and 1/500 sec

/2 and 1/500 sec

Youre really happy with the exposure (the range of light and dark values) but it totally doesnt show motion. Like at all.

/2 and 1/500 sec

Youre really happy with the exposure (the range of light and dark values) but it totally doesnt show motion. Like at all. What should you do?
/2 and 1/500 sec

What setting was responsible for freezing the motion of the moving pinwheel?
/2 and 1/500 sec

What setting was responsible for freezing the motion of the moving pinwheel? shutter speed
/2 and 1/500 sec

What setting was responsible for freezing the motion of the moving pinwheel? shutter speed What could you do to create the sense of motion in your photograph?
/2 and 1/500 sec

What setting was responsible for freezing the motion of the moving pinwheel? shutter speed What could you do to create the sense of motion in your photograph? lower the shutter speed
/2 and 1/500 sec

/2 and 1/500 sec
Since you got the EXPOSURE right, that means youre happy with the relationship between your settings, you just need to use a lower shutter speed such as perhaps 1/30 sec.

/2 and 1/500 sec
Since you got the EXPOSURE right, that means youre happy with the relationship between your settings, you just need to use a lower shutter speed such as perhaps 1/30 sec. Use an Equivalent Exposure chart to gure out what aperture to use with 1/30 sec so that you have the same EXPOSURE that you had with 1/500 sec.

Use an Equivalent Exposure chart to gure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.



/2 500

/2 500

500
/2
/2 500

500
/2
250
/2 500

500
/2
250
125
/2 500

500
/2
250
125
60
/2 500

500
/2
250
125
60
30
/2 500

1000 500
/2
250
125
60
30
/2 500

1000 500
/2
250
125
60
30
15
/2 500

1000 500
/2
250
125
60
30
15
/2 500

1000 500
/1.4 /2
250
125
60
30
15
/2 500

1000 500
/1.4 /2
250
/4
125
60
30
15
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
30
15
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
15
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500
/11 30

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500
/11 30

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500
/11 30

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500
/11 30

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
these images are equivalent exposures
/2 500
/11 30

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500
/11 30

1000 500
/1.4 /2
250
/4
125
/5.6
60
/8
30
/11
15
/16
8
/22
/2 500
USE A TRIPOD
/11 30
lm speed
Film Speed
Film Speed refers to the level of light in which you can photograph
Film Speed refers to the level of light in which you can photograph What changes?
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO?
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO? scales we use to measure lm speed
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO? scales we use to measure lm speed LOW speed lm has _______ silver particles.
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO? scales we use to measure lm speed SMALL LOW speed lm has _______ silver particles.
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO? scales we use to measure lm speed SMALL LOW speed lm has _______ silver particles. it can be only used in situations that have HIGH levels of light
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO? scales we use to measure lm speed SMALL LOW speed lm has _______ silver particles. it can be only used in situations that have HIGH levels of light HIGH speed lm has _______ silver particles.
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO? scales we use to measure lm speed SMALL LOW speed lm has _______ silver particles. it can be only used in situations that have HIGH levels of light HIGH speed lm has _______ silver particles. BIG
Film Speed refers to the level of light in which you can photograph What changes? the size of the silver particles What is ASA/ISO? scales we use to measure lm speed SMALL LOW speed lm has _______ silver particles. it can be only used in situations that have HIGH levels of light HIGH speed lm has _______ silver particles. BIG it can be used in situations that have LOWER levels of light
You can think about lm speed like little light sponges. Or like pixels.
You can think about lm speed like little light sponges. Or like pixels. LOW speed lm has _______ pixels.
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels.
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels.
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels)
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time HIGH speed lm has _______ pixels.
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time BIG HIGH speed lm has _______ pixels.
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time BIG HIGH speed lm has _______ pixels.
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time BIG HIGH speed lm has _______ pixels. high light-sensitivity
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time BIG HIGH speed lm has _______ pixels. high light-sensitivity high contrast
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time BIG HIGH speed lm has _______ pixels. high light-sensitivity high contrast high visibility of grain (pixels)
You can think about lm speed like little light sponges. Or like pixels. SMALL LOW speed lm has _______ pixels. low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time BIG HIGH speed lm has _______ pixels. high light-sensitivity high contrast high visibility of grain (pixels) needs less light or time
parts of the enlarger
Parts of the Enlarger
lamphouse
lamphouse
{ {
lamphouse
{ {
bellows
lamphouse
{ {
bellows
lamphouse negative carrier goes here bellows
{ {
{ {
{ {
height adjustment knob
{ {
moves EVERYTHING up and down
{ {
{ {
ne focus
{ {
ne focus
moves the bellows up and down
{ {
ne focus easel goes here

{ {
ne focus easel goes here

the easels
Easels
Easels This is a ________ easel.
Easels This is a ________ easel. CONTACT
Easels This is a ________ easel. CONTACT It is used when making:
Easels This is a ________ easel. CONTACT It is used when making: contact sheets
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms This is a __________________ easel.
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms PRINTING / MASKING This is a __________________ easel.
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms PRINTING / MASKING This is a __________________ easel. It is used when making:
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms PRINTING / MASKING This is a __________________ easel. It is used when making: enlargements from negatives
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms PRINTING / MASKING This is a __________________ easel. It is used when making: enlargements from negatives It helps your prints have:
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms PRINTING / MASKING This is a __________________ easel. It is used when making: enlargements from negatives It helps your prints have: neat, white borders
Easels This is a ________ easel. CONTACT It is used when making: contact sheets pinhole positives collage negatives photograms PRINTING / MASKING This is a __________________ easel. It is used when making: enlargements from negatives It helps your prints have: neat, white borders regular sizes
processing lm
Loading Your Film: What goes into the changing bag?
Loading Your Film: What goes into the changing bag? tank (including lid & post)
Loading Your Film: What goes into the changing bag? tank (including lid & post)
Loading Your Film: What goes into the changing bag? tank (including lid & post) 2 reels
Loading Your Film: What goes into the changing bag? tank (including lid & post) 2 reels
Loading Your Film: What goes into the changing bag? tank (including lid & post) 2 reels can opener
Loading Your Film: What goes into the changing bag? tank (including lid & post) 2 reels can opener
Loading Your Film: What goes into the changing bag? tank (including lid & post) 2 reels can opener your lm
you dont need scissors!
Processing Your Film (the condensed version)
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________.
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________. DEVELOPER
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________. DEVELOPER You mix developer using a 1:1 ratio (one equal part of each) of _______ and __________.
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________. DEVELOPER You mix developer using a 1:1 ratio (one equal part of each) WATER of _______ and __________.
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________. DEVELOPER You mix developer using a 1:1 ratio (one equal part of each) concentrated DEVELOPER WATER of _______ and __________.
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________. DEVELOPER You mix developer using a 1:1 ratio (one equal part of each) concentrated DEVELOPER WATER of _______ and __________. Developer is dependent on ______ and _____________.
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________. DEVELOPER You mix developer using a 1:1 ratio (one equal part of each) concentrated DEVELOPER WATER of _______ and __________. Developer is dependent on TIME ______ and _____________.
Processing Your Film (the condensed version) 1. The 1st chemical to go into your tank is ____________. DEVELOPER You mix developer using a 1:1 ratio (one equal part of each) concentrated DEVELOPER WATER of _______ and __________. Developer is dependent on TIME TEMPERATURE ______ and _____________.
Processing Your Film (the condensed version) 2. The chemical to go into your tank is ____________.
nd 2
Processing Your Film (the condensed version) 2. The chemical to go into STOP BATH your tank is ____________.
nd 2
Processing Your Film (the condensed version) 2. The chemical to go into STOP BATH your tank is ____________. What does stop bath do?
nd 2
Processing Your Film (the condensed version) 2. The chemical to go into STOP BATH your tank is ____________. What does stop bath do? arrests the developing process
nd 2
Processing Your Film (the condensed version) 2. The chemical to go into STOP BATH your tank is ____________. What does stop bath do? arrests the developing process What can you substitute for stop bath?
nd 2
Processing Your Film (the condensed version) 2. The chemical to go into STOP BATH your tank is ____________. What does stop bath do? arrests the developing process What can you substitute for stop bath? water
nd 2
Processing Your Film (the condensed version) 3. The 3rd chemical to go into your tank is ____________.
Processing Your Film (the condensed version) 3. The 3rd chemical to go into your tank is ____________. FIXER
Processing Your Film (the condensed version) 3. The 3rd chemical to go into your tank is ____________. FIXER What does xer do?
Processing Your Film (the condensed version) 3. The 3rd chemical to go into your tank is ____________. FIXER What does xer do? removes unexposed silver from the lm
Processing Your Film (the condensed version) 3. The 3rd chemical to go into your tank is ____________. FIXER What does xer do? removes unexposed silver from the lm Fixer is the only chemical that cannot EVER be...
Processing Your Film (the condensed version) 3. The 3rd chemical to go into your tank is ____________. FIXER What does xer do? removes unexposed silver from the lm Fixer is the only chemical that cannot EVER be... poured down the drain
Processing Your Film (the condensed version) 4. Water wash!
Processing Your Film (the condensed version) 5. The 4th chemical to go into your tank is ____________.
Processing Your Film (the condensed version) 5. The 4th chemical to go into PERMA WASH your tank is ____________.
Processing Your Film (the condensed version) 5. The 4th chemical to go into PERMA WASH your tank is ____________. What does Perma Wash do?
Processing Your Film (the condensed version) 5. The 4th chemical to go into PERMA WASH your tank is ____________. What does Perma Wash do? Perma Wash is like soap for your lm - it removes the xer and other gross things
Processing Your Film (the condensed version) 5. The 4th chemical to go into PERMA WASH your tank is ____________. What does Perma Wash do? Perma Wash is like soap for your lm - it removes the xer and other gross things
Processing Your Film (the condensed version) 7. The chemical to go into your tank is ____________.
th 5
Processing Your Film (the condensed version) 7. The chemical to go into PHOTO FLO your tank is ____________.
th 5
Processing Your Film (the condensed version) 7. The chemical to go into PHOTO FLO your tank is ____________. What does photo o do?
th 5
Processing Your Film (the condensed version) 7. The chemical to go into PHOTO FLO your tank is ____________. What does photo o do? photo o prevents water spots from forming on your negatives, similar to that stuff at the end of a car wash or in your dishwasher
th 5
Processing Your Film (the condensed version) Woooo look at your lm!
Maybe I need to fix these longer...
darkroom chemistry
sink
sink
developer
sink
developer
sink
stop bath
developer
sink
stop bath
developer
sink
xer
stop bath
developer
sink
xer
stop bath
developer
sink
water
xer
stop bath
developer
sink
water
xer
stop bath
developer
sink
water
what do I do?
xer
stop bath
developer
sink
water
what do I do?
xer
stop bath
developer
develops the paper (oxidizes silver)
(pH 11 or 12 = base)
sink
water
what do I do?
xer
stop bath
stops the developing
(low pH = acid, neutralizes the developer)
developer
sink
water
what do I do?
xer
stabilizes the image
stop bath
developer
(removes unexposed silver from the paper)
sink
water
what do I do? cleans the print
(washes off all the chemicals)
xer
stop bath
developer
sink
water
xer
stop bath
developer
how long?
sink
water
xer
stop bath
developer
how long?
1 1/2 minutes (90 sec)
sink
water
xer
stop bath
developer
how long?
30 sec
sink
water
xer
stop bath
developer
how long?
5 minutes
30 sec
sink
water
xer
stop bath
developer
how long?
5 minutes
5 minutes
30 sec
sink
water
xer
stop bath
developer
how long? I should be replaced when...
5 minutes
5 minutes
30 sec
sink
water
xer
stop bath
developer
5 minutes
5 minutes
30 sec

if I am a brown color
sink
water
xer
stop bath
developer
5 minutes
5 minutes
30 sec
if I am a dark purple color

sink
water
xer
stop bath
developer
5 minutes
5 minutes
if I get cloudy when you drip hypo check in
30 sec

sink
water
xer
stop bath
developer
5 minutes N/A
5 minutes
if I get cloudy when you drip hypo check in
30 sec

sink
principles of composition
Principles of Photographic Composition
1. 2. 3. 4. 5. 6. 7. 8.
Light Rule of Thirds Using the Edges of the Frame Frame Within a Frame Line Point of View Fill the Frame / Cropping Pattern / Texture
Principles of Photographic Composition:
LIGHT
RULE OF THIRDS
RULE OF THIRDS
USING THE EDGES OF THE FRAME
FRAME WITHIN A FRAME
LINE
POINT OF VIEW
FILL THE FRAME / CROPPING
PATTERN / TEXTURE
YAY! YOU DID IT!

email me with any questions you might have! caroline_sturges@hcpss.org

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PHOTO 1

parts of the camera

take-up spool sprockets

take-up spool sprockets viewfinder

take-up spool sprockets viewfinder film compartment

take-up spool sprockets viewfinder film compartment

take-up spool sprockets viewfinder film compartment

pressure plate rewind release button

take-up spool sprockets viewfinder film compartment

pressure plate rewind release button tripod mount

take-up spool sprockets viewfinder film compartment

pressure plate rewind release button tripod mount shutter

take-up spool sprockets viewfinder film compartment

pressure plate rewind release button tripod mount shutter

film advance lever

take-up spool sprockets viewfinder film compartment

pressure plate rewind release button tripod mount shutter

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

camera back viewfinder

film advance lever

take-up spool sprockets viewfinder film compartment

camera back viewfinder prism

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment

film advance lever

take-up spool sprockets viewfinder film compartment