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1. . . , 5 ., '), 1984, . ', . 57


149.
2. J. Derrida, Dissmination, Chicago (C.U.P.), 1982.
Of Grammatology, Baltimore (Johns Hopkins U.P.), 1976. Positions Chicago (C.U.P.),
1971.
: R. Gasche, The Tain of the
Mirror. Derrida and the Philosophy of Reflection, Cambridge, Mass. - London (Harvard U.P.),
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(Suhrkamp), 1985, . VII.
3. Positions, .., . 59 ., 69 . - . Tympan
The Double Session ( : . Kamuf (ed.), A Derrida Reader,
New York (Columbia U.P.), 1991, . 148-168 171-199, ).
4. . , , .., . ' , . 53. - . . ,
, (), 1979, . 44 ., 49 . ( . 108-115 . 305 ). - R. Berthes .. Critique et
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5. J. Derrida, Of Grammatology, .. (. 2), . 160.
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7. F. Bacon, De dignitate et augmentis scientiarum, 2, I.
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9. I. , (1790), Hamburg (F. Meiner), 1974, , 36 (, LVIII
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24

)5

14. J. Derrida, The Double Session, .. (. 3), a. 187,185.


15. J. Derrida, Positions, .. (. 2), . 114.
16.1. , (1788), Hamburg (F. Meiner) 1974, a. 74 (,
110-111 ..)
17. L. Wittgenstein, (, , . ), (), 1977, . 228, -
. .. (, , (), 1985, . 25-41
( , (), 1986, . 90-98.
18. J. Derrida, The Double Session, .. (. 3), . 190.
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Oxford (O.U.P.), 1987:
There are more things in heaven and earth, Horatio, Than are dreamt of In our
philosophy. (1,5, . 174-5) ( in your philosophy).

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1. . W.V.O. Quine: The Roots of Reference, Open Coun. U Salle III., 1973.
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28

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2. - . Frankena, Et/i/'cs (Englewood Cliffs NJ : Prentice-Hall. 1963), 9-10 47-8. -

40

)5

. Howard . Kainz, Ethics In Context (London :


Macmillan, 1988), 116-34.
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. , ; ( : . .
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, .., 72 68 . ,
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, ,

41

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.
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. ,
,
,
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I. , ,

. Foucault
, . . Nietzsche, la gnalogie, l'histoire. Hommage Jean Hyppole,
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Eoxjta

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1. Aldous Huxley: L'art de voir, Paris: Payot 1970, . 36.


2. Aldous Huxley: art de voir, Paris: Payot 1970, . 143.
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5. Hans Belting: La fine dlia storia dell' arte la libert delV arte. Torino: Einaudi 1990,
. 19.
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1991, . 38-39.
7. .. : , :
, . 27.
8. : (/. 1992, . 7475.
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1975.
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Descartes
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66

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. Mersenne ,
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Principes de la Philosophie. , ,
5.

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, Descartes,
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Quantz Carl Philipp Emmanuel Bchai.

Descartes

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68

JMieetoCa

26. Mersenne, 3 1630, .. I, . 108.


27. Mersenne, 4 1630, .. I, . 126.
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1. . Kivy, "Hume's Neighbour's Wife: An Essay on the Evolution of Hume's Aesthetics",


British Journal of Aesthetics, . 23 (1983), . 195-208.
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, Hobbes Hume. . , R.F. Atkinson, Conduct: an
Introduction to Moral Philosophy, Macmillan, , , 1969, . 58-59.
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, , , (vero contigente) (vero necessario),
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Heidegger
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(Der Ursprung des Kunstwerkes)'
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1. . Holzwege.
2.
:
mid, Erluterungen zu Hlderlins Dichtung, Frankfurt 1963".
Holzw, Holzwege, Frankfurt 1963*.
Hum, Uber den Humanismus, Frankfurt 1947.
SuZ. Sein und Zeit, Tbingen 19631".
TK, Die Technik und die Kehre, Pfullingen 19632.
VA, Vortrge und Aufstze. Pfullingen 19673.
Holzw, ..

\) Martin Heidegger

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5. . .. 210-212. . . V/, 2,22, 36-37.
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8. '.,. 9.
9. .
10. Holzw, . 10.
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12. ' ., . 20 . . Ericti Rothacker, Zur Genealogie des menschlichen
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14. 5uZ, 13,.61.
15. Holzw, a. 11.
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17. '.,. 25
18. '., a. 22 ^.
19. '.,. 18.
20. '., . 25.
21.
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22. . ., . 46.
23. . ., . 33.
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31. ' ., a. 53.
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Otto Fr. Bollnow, Rilke, Stuttgart 1956^, . 115.
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39. ' ., . 49.
40. ' ., . 42.
41. Hld, . 42.
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44. Holzw, . 60 .

102

45. '.,. 64.


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48. m/d. . 39.
49. Uo/zw. . 59.
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53. HId, . 35.
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55. HId, . 40.
56. '.,. 38.
57. '.,. 35.
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60.///77, . 521.
61. Hld, . 35 Hum, a. 17.
62. . Jean Wahl, Philosophies of Existence, London 1969, . 7-8.

M.

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, , 1977), . 261 (209): ... '... ' ;'... ", - '...
' '' . 262
(210): ;
, XI .... ( - , , Blaclcwell, 1967).
2. , , ' .
3. Lectures and Conversations on Aesthetics, Psychology and Religious Belief, compiled
from notes taken by Yorick Smythies, Rush Rhees and James Taylor, Cyril Barrett (ed.).
Blackwell, Oxford 1978, . , , 1977,1. 23, . 142.
4. , . ,
. .
5. . . 1S7,9, i4.

To . ;

113

6.
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, , . ,
. ; , .
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, ' , "Autonomy and Death of the Arts", Philosophical
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, 192,212.





! .
. ^, 19
20 (. Loos, De Stijl, Bauhaus, Le
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( 1920 ,
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Deco, .. . ; .. , 19-20 :
, /, 1986, . 140 |. . : .. , , , , . : , /, 1983,
.7|.
2. . , 20
, , 1977.
3. (Congrs International d'
Architecture Moderne), 10 , 1928 1956
, , . S.
Giedion, Raum, Zeit, Architektur, Ravensburg, 1964, . 420 |.

123

4. . .. , 19-20 ... . cit., . 193 .


5. . ,
. (....) "
, . . Hoesli : . Hoesli, Architexte, Druck Reprozentrale E.T.H.,
Honggerberg, a.x. . 56 |. : Entwerfen lehren. : Werk,
Bauen + Wohnen, Nr. 3/1983. Hoesli
, : Tatigkeitslisten, Platzbedarfsstudien, Nutzungssystemdiagramm
(NSD), Raumsystemdiagramm (RSD), ein Bauwerk... gestaltet wird.
, .
.
, . Hoesli Grundkurs ...,
. . Kramel. Kramel
(der Bereich der Gestaltung),
: wir versuchen die Form des Baues aus der Logik der Konstruktion herzuleiten. .
H.E. Kramel, Die Lehre als Programm, G.T.A./E.T.H.Z., Zuerich, 1988, . 11.
6. . R. Scruton, The Aesthetics of Architecture, Princeton, N.L, 1979, . 58.
7. ... Form follows function has become spiritually insignificant: a stock phrase... Form is
predicated by function but, so far as poetic imagination can go with it without destruction,
transscends it... Wright : Form and function are one, : ... nor any more scientific than sentient... . F.L. Wright,
The Future of Architecture, Horizon Press Inc., N. York, 1963, . 234.
8. . M. Kiemle, Aesthetische Probleme der Architectur unter dem Aspekt der
Informationsaesthetik, Quickbom, Verlag Schnelle, - 1967, 1960.
9. (Sign, Zeichen) . . . Kiemle, op. cit. . 15: Ohne Kommunikation
gibt es keine menschliche Gesellschaft and ohne Zeichen keine kommunikation... Das
wesentliche des Zeichens besteht darin, dass es... einerseits auf Gegenstaende und Relationen
der realen Objecktwelt, anderseits auf Bedeutungen, d.h. Bewusstseinsfunktionen verweist...
Ch. Morris (Foundation of the Theory of Signs, Internat. Encyclopedia of
Unified Science, Band 1 Nr. 2; Univ. of Chicago Press, Chicago 1938, . 1960, . 6) :
) ( )
) ( )
) ( ).
10. . , Kiemle, op. cit., . 55 .
11. . . Kiemle, op. cit., . 110 .
12. . . , . , , , . II, /, 1993, . 270.
13. , , . . , - , . , 17/1935, . 464 . .

124

(), , 33-36/1937. . ,
, , 1984, . 193 *. ) *
,
<) .
14. bit (= binary digit =
). . . Kiemie, op. cit., . 23 |.
15. , , : 1) Kurashiki (. Kenzo Tanze,
), 2) Tyrone Guthrie,
Minneapolis, Minnesota (. R. Rapson) 3) Buenos Aires
(. S. Elia, P. Ramos Agostini Clorido Testa. , , 160 130 bits . .
. Kiemie, op. cit., . 99 |.
16. Le Corbusier, Le Modulor, 2 , Boulogne - sur - Seine, 1948-SS.
17.
, : Neo-Art-Nouveau, Neo-Gaudi, Neo-De Stljl,
Neo-Expressionismus, - . Decorativismus, Folklore, Plasticity,
Adhocismus, Metaphorismus, Situationismus, New Brutalism, Neo-Manierismus, LateRationalism, Realismus, Relativismus, Kontextualismus, Regionalismus, Empirismus, Show Functionalism. Konzeptualismus, Stnikturalismus, Metabolismus, .. . .. , 19
,... . cit., . 198.
18. . . Hoesli, Architexte, op. cit., . 61: So sieht man kleine selbstdeklarierte Eliten.
Die Architekten wissen voneinander, aber sie sind voneinander getrennt... und bewegen sich
wie Auserwaehlte iii einer selbsgeschaffenen Realitaet, welche vom Rest der Gesellchaft getrennt ist
wie eine Insel in Meer...
19. R. Venturi, Complexity and Contradiction in Architecture, New York, 1966. . .: , . . , ,
1979.
20. , . Ch. Jencks, Modem
Movements in Architecture, (Penguin Books), Harmondsworth, 1973

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France, 1968, . 15-29.
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6. , , , , - ' , ,
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'Diaspora', the provinces and the exiles have supplied what the centre could not so easily
produce: Cavafy in Egypt, Kalvos in Exile, Tsaloumas in Australia and Seferis who could not
have existed without Smyrna or without France. So I suppose it is normal for Papangelou to
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, . , 1987, . 9,
. 11).
18. Breyten Breytenbach, : I've a split mind about the notion of exile... It's a very sterile
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Wole Soyinka, . ;
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Museum of Modern Art^.
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. Charles Jencks 3.32 .. s 15
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192

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197

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. Jencks
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\| Andreas Huyssen
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