Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 !

"#$4%#$0&07 Education California Institute of the Arts, Valencia, CA '(A in ')sic Composition University of Wisconsin Eau Claire, Eau Claire, WI *' in ')sic Composition, +hilosophy

'ay 009 'ay 007

Residencies, Awards, and Noteworthy Events Featured Artist/Performance: Al,arado Ca,erns and 'ystery -heater .'achine +ro/ect0, (all 0"# Featured Artist/Wor sho!: 1ntimate 2cience .with 'achine +ro/ect0, Alyce 3e Ro)let Williamson 4allery, Art Center College o5 3esign, 2)mmer 0"# A"ard: A2CA+ +l)s, 0" Featured Artist/Performance: 6the w)l5. at Winter(est,7 Los Angeles, CA, " 8"#8" Artist #al : Center 5or 1ntegrati,e Research and 9:hi;ition<s 6art-ech,7 2anta (e, =', 48 !8" Commission: 6possi;le ro)nd.s0,7 5or the w)l5.<s 6Ro)nds7 recording pro/ect, 2pring 0" A"ard: A2CA+ +l)s, 0"" Commission/E$hi%ition: 6store5ront > scopes, circ)its ?inter,ention, in,estigation@,7 commissioned ;y 'achine +ro/ect in response to =ate +age<s recessed store5ront window, 0"" Commission: 6controlled ,oca;)laries,7 5or trio Ao;ayashi, 0"" Featured Artist: 'achine +ro/ectBs 2)mmer C);ilee at -he WalAer Art Center, C)ly "st, 0""D 'inneapolis, '= Featured Artist: 'ECABs 2)nday 2t)dio .with the w)l5.0, C)ly #rd, 0""D Los Angeles, CA Featured Artist: 'ECABs *ig (amily 3ay .with the w)l5.0, C)ne %th, 0""D Los Angeles, CA E$hi%ition: 29'*LA=C9F -he Res)lts o5 (aAt)ra at 2paceCamp 'icro4allery, 'ay !th, 0""D 1ndianapolis, 1= Performance: 4eography o5 Gope Literary Con5erence .with *rendan Gillman and 'iAe Winter0, 'arch "9th, 0""D +oint Reyes, CA A"ard: A2CA+ +l)s, 0"0 Performance/Featured Artist: 4low (esti,al, 2eptem;er %th, 0"0D 2anta 'onica, CA Performance/Featured Artist: C9A1- (esti,al .at R93CA-0, 'arch 4th$%thD Los Angeles, CA &esidency: 122H9 +ro/ect Room8'A-AF Can)ary "#th, 0"0D =ew IorA City, =I &esidency: 2-91'F (all, 009D Amsterdam, =L &esidency: Atlantic Center 5or the ArtsF 2)mmer, 009D =ew 2myrna *each, (L 'cholarshi!: CalArts 2cholarshipF 00& $ 009D Cali5ornia 1nstit)te o5 the Arts 'cholarshi!: Jictoria L)nd 2cholarshipF 00& $ 009D Cali5ornia 1nstit)te o5 the Arts Fello"shi!: *ang on a Can 2)mmer ')sic (esti,al, 00&D =orth Adams, 'A (rant: A2CA+ (o)ndation, 00&D 5or the *ang on a Can 2)mmer ')sic (esti,al E$hi%ition: 2o)ndwalA, 2eptem;er 0th, 00&D Long *each, CA Published Writing Undoin) the 'core .worAing title0, =ew')sic *o: (orthcoming

Faithfully &e*!resentin) the +utside World, =ew')sic*o: C)ne " th, 0"# httpF88www.newm)sic;o:.org8articles85aith5)lly$re$presenting$the$o)tside$world8

Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 ! "#$4%#$0&07 Teaching Experience Art Center Colle)e of ,esi)n, Pasadena, CA (all 0"" to present 3igital -echnology Coordinator81nstr)ctor Coached, assisted, and critiK)ed st)dents in the 'edia 3esign +ractices program on )tiliLing technology in their worA. 3esigned and ran worAshops on ,ario)s topics related to technology and so)nd in design. -eam$ta)ght with8ran worAshops in other 5ac)lty mem;erBs classes, and worAed with colleag)es to creati,ely and e55ecti,ely incorporate electronics, comp)ter programming, etc., into their co)rses. 'anaged the 'aAing La;, a 5ree$5orm electronics8programming worAshop space open to '3+ La; and (ield st)dents. WorAshopsF 9lectronics, 2o)nd .Reaper, 2)percollider0, +rogramming .+rocessing8Ca,a, +ython0, 1ntermediate +rogramming .+rocessing, +ython, openCJ0, Ard)ino, 2ensing 2trategies, 4itG);, +roced)ral 'aAing 2trategies, (ield Recording, We; 2craping Co$teachingF 3eMto)rism .with *en GooAer and 3a,id Leonard0, (all 0"# 2tr)ct)res .with -im 3)r5ee0, (all 0"# A)thoring Critical 'edia .with Anne *)rdicA, -im 3)r5ee, *en GooAer0, (all 0"" to present Comm)nity 2ensing .with 2ean 3onah)e0, 2pring 0" Comp)tation and 'ateriality .with *en GooAer0, 2pring 0" -echnology 5or 2ocial 1mpact .with Chris CsiAsLentmihalyi0, 2)mmer 0" and 2)mmer 0"# 3e,Core .with Ke,in Wingate, -im 3)r5ee0, (all 0" '(A -hesis Ad,ising 0"4F Walton Chi), 2hawn CacAson 0"#F Ceremy 9ichen;a)m, Katie 'iyaAe, Andrew =agata, -anner -eale 0" F A)relia (riedland, 2al,ador Erara Art Institute of -os An)eles, 'anta .onica, CA Ad/)nct (ac)lty 9:perimental 2o)nd 3esign 2pring 0" to (all 0" (oc)sed on e:perimental per5ormance practices, interacti,ity, digital media, so5tware design8programming, instr)ment design, installations, aco)stics, and perception. A)dio -echnology 1 2)mmer 0"" to Winter 0" 9:amined the principles o5 a)dio signals and the eK)ipment )sed to record, process, and distri;)te a)dio content. 2t)dents learned to de,elop an )nderstanding o5 signal Now o5 a)dio systems )sing ;locA diagrams. Also incl)ded a s)r,ey o5 a)dio transmission, manip)lation, and deli,ery systems, as well as e:tensi,e disc)ssions regarding aco)stics. Ad,anced 2o)nd 3esign 2pring 0"" Ad,anced digital signal processing in the 'a:8'2+ programming en,ironment. 1ncl)ded in$depth worA with Olters, additi,e, s);tracti,e, and gran)lar synthesis, as well as programming practices8tro);leshooting techniK)es in 'a:8'2+. Also 5eat)red 5reK)ent presentations8disc)ssions o5 s)ccess5)l implementation o5 so)nd design in selected recordings8Olm, as well as class$wide critiK)e o5 st)dent pro/ects. A)dio 9lectronics Winter 0"" to (all 0" 1ntermediate concepts o5 electronics8circ)itry. 1ncl)ded in$depth worA on constr)cting 2

Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 ! "#$4%#$0&07 synthesiLers, phase$locAed loop systems, and t);e ampliOers. Also incl)ded disc)ssions on ,ario)s topics in electronics theory and strategies 5or diagnosing, and sol,ing, common a)dio$ related electronics pro;lems. A)dio 9lectronics " (all 0"0 to (all 0" *asic concepts o5 electronics8circ)itry as they relate to a)dio. 1ncl)ded in$depth worA on soldering, reading schematics, EhmBs Law, circ)it ;ending, as well as constr)cting chords, contact microphones, ampliOers, and an e:hi;ition o5 3a,id -)dorBs Rain5orest 1J. .achine Pro/ect, -os An)eles, CA 1nstr)ctor 9lectric *odies 2)mmer 0"# +articipants e:plored the electrical characteristics o5 the h)man ;ody while learning a;o)t ;asic principles o5 electronics. ErganiLed aro)nd a series o5 colla;orati,e acti,ities and ;rie5 lect)res, participants learned to constr)ct simple tools that allow them to prod)cti,ely inter5ace with the h)man 5orm in order to o;ser,e, )nearth and disco,er the c)rrent Nowing thro)gh o)r ;odies. 'a:8'2+ 2pring 0"" 1nstr)cted participants on ;asic to ad,anced topics o5 )tiliLing the 'a:8'2+ programming en,ironment. -opics incl)de programming techniK)es, 32+ techniK)es, e:ternal control, and more. -his worAshop intensi,e class 5oc)sed on tailoring this open$ended programming en,ironment to oneBs personal interests, as well as co,ering 5)ndamental topics necessary 5or competent 'a: processing. With *eth 'c')llin. *asic 9lectronics 5or Artists 2pring 0"" 1nstr)cted participants on ;asic concepts o5 electronics and their possi;le implementation in oneBs art practice. +articipants e:perimented with resistors, L93s, and capacitors, and ;)ilt an ampliOer, synthesiLer, and contact microphone. 3a,id -)dorBs Rain5orest 1J Winter 0"0 1nstr)cted participants on the ideas ;ehind 3a,id -)dorBs Rain5orest 1J. 1ncl)ded instr)ction on the constr)ction o5 ampliOers, a)dio o)tp)t trans5ormers, and contact microphones. Also incl)ded in$depth disc)ssion o5 -)dorBs worA, how to approach realiLing Rain5orest 1J, and what maAes a partic)lar e:hi;ition o5 the piece s)ccess5)l. C)lminated in a gro)p e:hi;ition at 'achine +ro/ect. 9lectric 'elon (all 0"0 to present 1nstr)cted participants on the constr)ction o5 contact microphones to create ampliOed, edi;le dr)ms o)t o5 melons. +articipants were enco)raged to e:periment with their edi;le dr)ms prior to cons)mption, and were gi,en ;rie5 lect)res regarding CageBs Child o5 -ree, how microphones 5)nction, and the )se o5 Contact 'icrophones in art and m)sic. At Go)ston (ine Arts (air . 0" 0, *erAeley Art ')se)m .2pring 0""0, Armory Center 5or the Arts .2pring 0""0, and LAC'A .(all 0"00. Contact 'icrophone WorAshop8AmpliOed +arty 2)mmer 0"0 1nstr)cted patrons on the ideas ;ehind Contact 'icrophones, their )se in ,ario)s art 5orms, and their constr)ction. -he worAshop c)lminated in an installation in which participants were in,ited to attach their newly constr)cted microphones to ,ario)s parts o5 a ta;le .Olled with 3

Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 ! "#$4%#$0&07 5ood8drinA0. While ser,ing themsel,es 5rom the ta;le, the contact microphones transmitted the so)nds 5rom the party to a +A. With Cohn +. Gastings. California Institute of the Arts, Valencia, CA 2)percollider # $ -eaching Assistant8-)tor 007 to 009 +ri,ate t)toring8classes to grad)ate and )ndergrad)ate st)dents in the 2)percollider # a)dio programming lang)age. University of Wisconsin Eau Claire, Eau Claire, WI -wentieth Cent)ry -echniK)es $ -eaching Assistant8-)tor 00% to 007 Core theory reK)irement 5or all ')sic ma/ors. 1ncl)ded early twentieth cent)ry composition, serialism, set theory, and minimalism. +ostmodernism $ Co)rse 3esign, 1nstr)ctor, -)tor 00! Core +hilosophy class reK)ired 5or all +hilosophy ma/ors. Co,ered the transition 5rom 9:istentialism to +ostmodernism, incl)ded st)dy o5 Lyotard, *a)drillard, 3errida, and PiLeA. uest !ecturers &hode Island 'chool of ,esi)n, Providence, &I 2pring 0"# 'icro 9:periences La; 4)est Critic. CritiK)ed st)dents< (inal +ro/ect proposals in 2hona Kitchen<s class in the 3igital 'edia program. Art Center Colle)e of ,esi)n, Pasadena, CA 1ntrod)ction to 9lectronics > Ard)ino (all 0" -wo$weeA lect)re and worAshop 5or 4rad)ate 9n,ironment 3esign st)dents in Kenneth Cameron<s Am;ient 'edia > 1nteracti,ity class. *lah ;lah ;lah. Pomona Colla)e, Claremont, CA thresholds (all 0" Lead st)dents in 'arA Allen<s C)nior82enior Art 'a/or 2eminar thro)gh 6thresholds,7 a participatory per5ormance8installation e:ploring silence and the process o5 listening. 2t)dents were g)ided thro)gh ,ario)s acti,ities training them to interact with, and disting)ish ;etween, silences, which c)lminated in a gro)p installation o5 ,ario)s circ)its t)ned to the am;ient characteristics o5 the room. Also in,ol,ed disc)ssion o5 ;asic aco)stics, Cohn Cage, noise, silence, and their relationship in the nat)ral world .with special attention to the K)estion o5 noise poll)tion0. +tis Colle)e of Art and ,esi)n, -os An)eles, CA Circ)it *ending 0"" Lect)re and worAshop co,ering ;asic electronics 5or Artists, as well as an introd)ction to Circ)it *ending, in Adam E,erton<s 'o,ing +arts class. 2t)dents were lead thro)gh a participatory worAshop wherein ;asic strategies 5or circ)it ;ending and possi;le applications across disciplines were demonstrated and disc)ssed. Assisted st)dents in circ)it ;ending a so)nd$ maAing children<s toy.

Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 ! "#$4%#$0&07 California Institute of the Arts, Valencia, CA Wacom -a;let 009 Lect)re on 1nstr)ment 3esign 5or the 1nt)os# Wacom -a;let in 'arA -rayleBs 2)percollider class. University of Wisconsin Eau Claire, Eau Claire, WI 'inimalismF an E,er,iew and Analysis 00% to 007 -wo day lect)re to st)dents in the -wentieth Cent)ry -echniK)es class. 1ncl)ded analysis o5 2te,e ReichBs 6')sic 5or "& ')sicians7 and -erry RileyBs 61n C.7 Cohn CageBs 4B##7 00! Lect)re gi,en to +hilosophy st)dents in the +ostmodernism class. 1ncl)ded a per5ormance o5 the piece on Alto 2a:ophone. EtherF Composition, ')sic -heory, 2a:ophone, and +iano +ri,ate lessons ta)ght to )ndergrad)ate and high school st)dents. 00% to present

Curatorial Experience 9:perimental ')sic Iear;ooA 009 to present Co$5o)nder and c)ratorial8editorial sta55 mem;er 5or this we;$/o)rnal o5 new pieces o5 e:perimental m)sic, the p);lication o5 which coincides with a m)lti$day 5esti,al thro)gho)t the H2, 5or which 1 also act as prod)cer. With 'ichael +isaro . 0090, 2ara Ro;erts . 0"00, 2cott CaLan . 0""0, La)ra 2teen;erge . 0" 0, Eli,ia *locA, and Cohn +. Gastings . 009 Q present0. httpF88www.e:perimentalm)sicyear;ooA.com California Institute of the Arts, Valencia, CA 2o)nding E)t 00& to 009 C)rated8prod)ced this concert series o5 new8in$progress worAs o5 any medi)m. EK Composer C)rated8prod)ced this concert series o5 new m)sic. 00& to 009

Administrative Experience &E,CA#, -os An)eles, CA +);licity and +romotion Assistant 2)mmer 00& to 2pring 009 +romotional worA, e:tensi,e emailing, and we;$posting, o5 CalArts 2chool o5 ')sic e,ents at R93CA-, )nder the s)per,ision o5 La)ren +ratt. California Institute of the Arts, Valencia, CA Composition Coordinator (all 007 to 2)mmer 009 +romotional worA, managed p);licity 5or g)est artist appearances and concerts, pro5essional opport)nities 5or st)dents, and per5ormed ,ario)s administrati,e d)ties 5or the Composition 3epartment )nder 'arA -rayle and 'ichael +isaro. "usic Copyist Experience Changes, !4 pieces 5or ! Garps, ;y Cim -enney Winter 009 to present Copy$editing, archi,ing, transcription, and engra,ing 5or this incomplete set o5 pieces, to lead to 5)t)re p);lication, recordings, and per5ormances. Hnder La)ren +ratt, with 'ichael Winter. 5

Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 ! "#$4%#$0&07 Computer#Technical 2)percollider, 'a:8'2+8Citter, 9lectronics8Circ)it 3esign, +ython, Ca,a, Ca,ascript, +rocessing, Ard)ino, G-'L, 4it, Lin): .H;)nt), 3e;ian, Angstrom0, 9m;edded 2ystems, Rapid +rototyping with Laser C)tters and #3 +rinters, ')sic =otation with Lilypond and 2i;eli)s, 3igital 2ignal +rocessing, 2o)nd 3esign, 9:tensi,e Anowledge o5 'ac E2 "emberships American 2ociety o5 Composers, A)thors and +);lishers .A2CA+0

Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 ! "#$4%#$0&07 Wor$s !ist Unless other"ise s!eci0ed, all durations are indeterminate Electronic 6ar;itrary networAs,7 1nstr)ment 3esign 5or any chaotic so)nd inp)t as chaotic data in 2)percollider #, 0"0 Q present 6ala;aster,7 laptop and radios, commissioned ;y Khali/a Records, 0"" 6)nNowered,7 laptop and radios, commissioned ;y A;sence o5 Wa:, 0"" 6ta;let,7 1nstr)ment 3esign 5or the 1nt)os# Wacom -a;let in 2)percollider # and 'a:8'2+, 007 Q 0"0. 6heap,7 5or Laptop .comprised predominantly o5 sine tone glissandi0 in 2)percollider #, 009 6ash,7 a)dio$,is)al piece 5or Laptop 9nsem;le .comprised mainly o5 Oeld recordings and ,ideo$noise0 in 2)percollider # and 'a:8'2+8Citter, d)rationF "0 min)tes, 009 6p)lse,7 a)dio$,is)al piece 5or Laptop 9nsem;le .comprised mainly o5 p)lse mod)lation and down$sample ,ideos 5rom the +relinger Archi,es0 in 2)percollider # and 'a:8'2+8Citter, d)rationF "0 min)tes, 009 6s)ndrenched,7 5or Laptop .comprised mainly o5 raw data samples o5 E29 applications0 in 2)percollider #, d)rationF & min)tes, 009 6sh)tter,7 5or Laptop in 2)percollider # and 'a:8'2+, d)rationF & Q "0 min)tes, 009 Pieces 6three Leroes .n)m;er #0,7 open, 0" 6thresholds,7 participatory installation8worAshop, 0" 6possi;le ro)nd.s0,7 5or ,oice.s0, commissioned ;y the w)l5., 0" 6=E -1-L9 ?=E A1R@,7 participatory piece, 0" 6li,ing room > acco)trements ?data;ase@,7 participatory piece 5or 5)rnit)re and o;/ects, 0"" 6controlled ,oca;)laries,7 5or trio Ao;ayashi, commissioned ;y trio Ao;ayashi, 0"" 6white space,7 5or one or many radios, 0"" 6+E221*L9 3H2-,7 5or many radios, 0"" 6-ALK RA31E,7 an opera, 0"" 6other cities,7 5or , 0"" 6idle te:t,7 open, 0"" 6apple splitting,7 open instr)mentation, 0"0 6-G9 AR4H'9=-,7 5or separated, 0"0 6CAR31=AL 31R9C-1E=2,7 an o,erlay 5or 4, commissioned ;y 'achine +ro/ect, 0"0 6JAR1EH2 1'+HL292,7 5or 4, commissioned ;y 'achine +ro/ect, 0"0 613L9 CGA--9R,7 open, commissioned ;y 'achine +ro/ect, 0"0 6A 31ARI,7 open, 0"0 6-G9 R9CER3,7 open, 0"0 6g)itar or,7 5or Aco)stic 4)itar orR, 0"0 6,alley,7 5or 9nsem;le with Radios and Ceramic +ots, 0"0 6rails,7 4 pieces 5or Erchestra, commissioned ;y the CalArts Erchestra, 0"0 6.40d)os,7 5or any pair o5 the same instr)ment, commissioned ;y 'achine +ro/ect, 0"0 6snow,7 a c)eing8;lending system 5or ensem;le with radios, commissioned ;y -RA=21-, 009 6processional,7 5or +ianist with +erc)ssion *atterie, commissioned ;y 3anny Golt, 009 6light,7 5or 2oprano 2a:ophone and +iano, 009 6thirst,7 5or Cello S)artet, d)rationF " min)tes, 009 6assem;ly .melodies " and 0,7 5or 9nsem;le, 009 6p)sh,7 5or AmpliOed -r)mpet, commissioned ;y +hilippe *r)nette, d)rationF at least "0 min)tes, 00& 7

Casey Thomas Anderson www.caseythomasanderson.com casey.thomas.anderson@gmail.com 974 W. Kensington Rd, Apt. 9 Los Angeles, CA, 900 ! "#$4%#$0&07 6ocean .;)ilding "0,7 5or "% ')sicians, d)rationF at least "0 min)tes, 00& 6carry the water 5rom the ;ottom o5 the ocean,7 5or 'i:ed 9nsem;le, commissioned ;y the *ang on a Can 2)mmer ')sic (esti,al, d)rationF at least 7 min)tes, 00& 65ades8cross$5ades,7 5or Jario)s ')sical 2ettings, 00& Q .present0 6and i will shine the Nashlight, and i will ;e the s)n,7 5or +iano .with or witho)t 9lectronics0 and at least 4 1nstr)mentalists, d)rationF 0 Q %0 min)tes, 007 $ 00& 6m)sic 5or smoAestacA hearts,7 5or 'i:ed 9nsem;le, d)rationF "%F00 Q #%F00, 007 6oceans, ocean,7 5or 2tring -rio, d)rationF 7 min)tes, 007 6dancing a;o)t architect)re,7 5or 2olo *ass -rom;one, d)rationF ! min)tes, 00! 6how to sell so)l,7 5or +iano, d)rationF 7 min)tes, 0048rewritten 00! %nstalled 6inside o)t,7 microphones, speaAers redistri;)ting am;ient so)nd inside o)tside .and ,ice$a$ ,ersa0, in progress 6wind chimes,7 solar powered wind8am;ient noise ampliOer.s0, in progress 6store5ront > scopes, circ)its ?inter,ention, in,estigation@,7 participatory installation 5or electronics .inside a space0 and contact microphones .o)tside0, commissioned ;y 'achine +ro/ect in response to =ate +age<s recessed store5ront window, 0"" 6,alley,7 Radios, Large Resonant 2pace, 0"0 6K)arters,7 Laptop, Large Resonant 2pace, 009 Q 0"0 6paper speaAers ."0,7 (o)r +anels .sticAs, twine, and rice paper0, +ieLo 3ri,ers, and Laptop, 00& Text 6=E -1-L9 ?A++L193 'A-9R1AL2@,7 Oeld notes8scores8essays8dra5ts8con,ersations, 0"" Q present "edia#%nteractive 6Corpse *l)dgeon,7 inter5ace design 5or the li,e action ,ideo game, with 2cott CaLan and Cason *rown, 0" 6@asAMgertr)de .the n)m;er one so)rce 5or 4ertr)de 2tein ;ased ad,ice0,7 twitter;ot, 0" &iscography 6possi;le d)st,7 media, insert la;el here, H2A, 0" 6Cage<s 4randchildren,7 C3, 9dition Wandelweiser, 39, insert year here 6mothlight,7 C2, Khali/a .Ahali/a04 0, H2A, 0"# 6solo8many,7 C2, -ape Room .-RK7"#0 0, H2A, 0"# 6! g)itars,7 L+, with -homas WinceA and Collections o5 Colonies o5 *ees, -a;le o5 the 9lements .-E9$L+$9 0, H2A, 007 6segni,7 L+, with -homas WinceA, Gometapes .G-0#00, H2A, 00! all m)sic p);lished ;y a "ave !ress