The Hollow

Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 112 steps: (low to high) C#-F#-B-E-G#--C#

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·9

Magdalena
Words and Music by Maynard James Keenan and Billy Howerdel
Tune down 1 112 steps: (low to high) C#-Fi-B--.E-.G#-C#

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Gtr, 2: wi Rhy. Fig. I Gtr, I tacet

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pure, _

so

rare

to __

~
fdbk.-----l

,.

HAt

pitcb: A
End Rhy. Fig. 4

Allo

:: ::
n
:; :;

""""~~~~~~
;.;;.--;. n n n n n ..

~.::
:: :: :; :; :; :; :; ;; ;; 'I

:;

:;

:;

:;

:;

:;

:;

:;

:;

..

:;

'I

:;

..

11

II

" " " " " " " " ~.;, t: ~ ~ t: :.: x :.: :.: :.: x :.: :.: :.: -~ ., ., ., .,

-f_

., .,

=s:

:;

:;

.n n
:;

:;

" 11

G5

A5

E5

Chorus F#5

.---.....
I'd sell_

G#5

earth

ly

god - dess.

That

P.M. - - - - - - - - - - - - - - - - - - - - - -

.._;;I

E5

F#5

D#5

E5

.my

self

es

teem

L,

dol - lar
Gtr.2

at

time _

H=~--------------__i

steady gliss. _ -l

steady gliss. - -i

GIr.3

• Touch strings lightly wi L.H. beginning at 5th fret and move towards nut, pruducing natural harmonics.

15

Gu.2 tacet

F#5

G#5

E5

F#5

E5

of

you, __

my __

black

rna

don

na.

P.M.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -I

Outre-Chorus
Gtr. 3: w/Rhy. Fig.4

G5

A5

~i

r
Mm, ES

t
I'd

0 ::J
sell __

E5

It
my

.c>.
soul_

t :J·

"I

0r
and
my

GS

It
self

E
es
ES

AS

0 3
teem_

"1

0
a

41 E
..,
" ~ I'-

FrfpE
at

...--..,

G5

0 I r='":o!
time __ for

r
one E5

A5

It
one

0
J
taste, _

r
one

dol - lar

taste,

GS

AS

I'of

-(J ~

......---;.
my_' __

.,
-

.,
da
len

taste
Gtr.3

you, __

Mag

a.

iI' ~

~:

..

.., ~:~~~~~;~3~~~~~~

.
~
,

'" '"
c

"

~.

;;

~
u

;;

'" '"

.. ., " ." ~ ~ ~ ~ ~ ;; .;; " ~ ~ ~ ~ ~ ~

,

.. .. ..

.. ..

'I

'I

" 'I

'7

'7

'7

:;

:;

.16

Rose
Words and Music by Maynard James Keenan and Billy Howerdel
Tune down 1 112 steps: (low to high) Cfi-F#-B-E-G#-C#

Intro Moderately (acous.) • D add 4 9

Gtr. I

= 120

II

jj.

.I:""""i

mf
wi delay
let ring throughout

..
w

"I'"

...
!
.D.

.
* Chord

..
n

'1

..

. --

..

n
n

.,
e

symbols reflect overall harmony.

1111

Verse Dadd~

~
GIr.l 1111

r
1. Don't 2. Bend
RilrA

dis - turb a - round

r the the

beast, _ wind,_

r the the

tern - p're si - lent

~
-

ment - al ly __
End Riff A

~
n

,.r--,
n

..
e
y

,,--,"

·
* Gtr,
1111
2

n n
w

n
n
w

_no

-.

Riff A1

EndRiIr Al

...

· ·

;
~
n

~ ~
n
n

..
~

,,--,"

"

n
h

• Syntb arr, for gtr. Gtrs. 1 & 2: wi Riffs A & Al

goat,_ blown G

the a

IF
snail bout.

t
A

1f?F
while gain,_
L,

he's_ I'm __

IEf tJ"=(
feed - ing __ tread - ing __ on __

f
the

so __

1111

...
Gtr.2

--

»: ;;;;.::::..

rose. soft
RiffB

Stay and ,*-~---~~ ,*-~-->~

froz light

Io...o.....J
-

en, __ ly __

comp comp

t"

ri ri

1111

,*-~_- - - --~

,*-~

Harm.

Harm.

Hann.

Hann.------l wi bar

112

..,

..,
pitch:B

.,

.,
B

.,

..,
B

..,

,-

/'

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC AJI Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved International Copyright Reserved Used by Permission

17

,."" ~
mise mis
what lng I my will, ___ will, ___

I __

I__

--EndRiffB

..,

,."" ~

~~-----~
Harm.

~~-----~
~
Harm.

~~-----~
~
Harm.

-~

Harm,

"

pitch: B

~ "

., ~

~ "

"

"

.,

~ "
B

..

Gir.2 tacet 1\

Dadd~
Jj,

1.

2.

am.
am.
GIr.3 (elec.)

II""

mf
• wi dist, & DigiTech Whammy Pedal

~,

..

GIr.l

,.Jj,

RiffC

..
"

I.,...ol

..
~
"

I.,...ol

..
e

I.,...ol

.. .
n

...,

End RiffC

..
"

..
.
10

..

..
n

n
v

.
~

n A
W

."

• Set for One octave above.

Guitar Solo F#Sus4

..,

"""

/~o

~o

i- ~.f=

-f: i- ~

~o

~ .--...,,_

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..
,.

f oW

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1110

...,

1........1

1........1

1........1

Ioo........."j

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•
~ "

Gtr. 1: wi Riff C

Dadd~
Gtr.3
A~

~.

~---t:

~'

~~

~'

~---~
..,

~~~t:~:f!:.
--:;--.'"r

eJ

.
Chorus

..,

,.

..,

Gtr. 2: wi Riff Al (3 times)

N.C.(F#m)
A~

~
All

...,

~'--------~'--------~'--------~'
I am, I will so no long
-

~-.....

11..,

.".

_),-

er.

,## t ~r r [J]
Gtr. 3 tacet

It

~r r tr
lay __
down,

It

wnu..; F#5

1__

~r r [J]
play_ dead_

It

r
play

tr
your

1111
eJ

A5

F#5
r

B5

F#5

AS

F#S DS

doe
Gtr.4 (elec.) Rhy,Fig.l '

in __

--...r
the head

lights _

--...r
locked down .., and

tee - ri

--....

.____.
You're a
End Rhy.

fled. _

IIl1

i""""i

I
I

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I
!

i""""i

I
I

i""""i

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. ___
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Fig. 1

w/dist.

;;
u

~.; ,_

v ~

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u

".

~
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u

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._

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19

,~# r='
deer
1IJ1.

GIr. 4: wI Rhy. Fig. 1

F#5 "f

D __ in

A5

EJ Ip
the

F#5

""'"

head

PF
lights, _

....,

B5

F#5

A5

IF
shot

"f

-==

down

EJ
L,

I[

F#5

and

hor - ri _

t£r
fied._

D5

When

N.C.

..,
push
Gtr.4

comes _

--- --to pull,_

comes _

--- --to

shove,_

comes _

to

step

a _ round_

---

this

".110

.,
n

~K------------------------------------------------------------~
..,

..,

"

~
n

"

..,
.n n n

.,

.,

~
n

"

11.110

N.C.

self

de _ struct _ in' __

.__

.__

--dance_
-r

r
that

-......l

nev

er

would _ 've

fiJI.

..,

<:«

.:,

"

..,
n

..,

~~~~~~
n n n n n

..

.. .. ..

.,
n n

..

..

., ., ..,

.,

GIr. 2: wfRjff B

..,

"JI.
end

-rose, an' I roared _

ed

till

II .110

_;::r~
wI slow phaser

;:::r~ ~~ .,

..,

.,..---r~~~ ~ ~

=
"I

11

11

~
., "
n n

."

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n
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20

fI ~

:---..

r
a

-loud. ___

.
I

.
am,

..
I

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I

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"Jj,
~

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q;r=.t
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r
... ,-

-:J

..
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Interlude
Gtr.l: wI Riff C (2 times) Gtr. 4 tacet

..

:::r.. - ~-Here
I

;::r=

will

Iam. __

r~
.,

;t

11

~ .,

-"~ "

11

= :;
11

~ "

n ~

n
u

~~l
Dadd~ Chorus

It

II

It

III

Gtrs.2 & 4: wI Riff Al & Rhy. Fig. 1 (3 112 limes)

N.C.

F#5

A5

F#5

B5

It
am,

f
B5

C~
F#5

F#5

A5

It

f
so

r
no

F#5 D5

It

tr
er,

will

long

F#5

A5

F#5

f
Will

It

f
lay

C' It
It
F#5

A5

f
play

F#5 D5

It It

r tr
this A5

F#5

A5

It

f
kneel

f='
B5

down,

dead,

play

down,

F#5

B5

C'

F#5

It
A5

rr
tyr,

A5

F#5 D5

tn
.

F#5

f
I

r'

F#5

It

f
1

C'

gun

shy,

mar

pit - i - ful._ Free Time

rose,

will,

F#5
fiJI,

~,

D5 .k ---

(strings. approx, 30 sec.)

::::-

-.J

I
Gte. 4 fI~

will,

am.

!
I

.~

-.J

" :i:

"
,

....
u

.;.; .

._

;;

.... ~

..
i:

Gte. 2 fiJI,

..,

. .....__....." u

. ..

.
~
,

21

Judith
Words and Music by Maynard James Keenan and Billy Howerdel D Em7

" •
Drop D tuning, tune down 1 112 steps: (low to high) B-F#-B-E-Gfl--C# 1333

"Sf,

II
111423

Intro Moderately fast Rock

N.C.

J, = 55

"
-.J

(snare)
~.

'Otrs 1 &2 (rust)

.
Gtrs. 1 & 2 tacet Ott. 3 (dist.) II.u.

..
:,

..__...-

;____....-'

-..____::

..
"7

I ....__...-

~~

..__...-

v· • i:,

"7

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0; 0;

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V

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;:

n . ..,

.n 'J' g

:,

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.n

.-;

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I"

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. .

...Composite arrangement

--

--n n

~~

--n
:,

eJ

-P.M.- - - ..

mf

P.M. - - - - ..

wI delay & reverb

.
1I.u. -.J

:,

:,

~'n

----r

..........__..~
grad. bend

:,

-r

-".

. .

.n

~ :,

,-

/'

Verse
D5

E5
---.

D5 E5 F5 E5 D5 ES D5 E5

.
1. You're_

D5 G5

<:s:

such

an_

in

spi

ra-tion

for the

ways that

I will

Ott. 3

II.u. ...'V
112

,-------------------..

-------~ --grad. release

<,

-End Rhy. Fig. 1

-- ,."
/ Gtrs.l & 2 II.u.

I:',

'1

~
v

:,

Rhy.Fig.1

...

"1 ,~,

~~

~M---------------------------------------n

j\

:;

:;

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,I
22

:;

;;

:;

..

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..
u

;
..

:;

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u

;;

:;

;;

:;

:;

:;

:;

i!
v

~ ~

Gtrs, 1 & 2: wI Rhy. Fig. 1 (2 times) Gtr, 3 wI random fdbk., next 6 meas.
l1li'

D5

'J
-

E5

j
ev

J
er

D5

E5

F5

E5

D5

E5

{
to ___

t 1<lJ]·
be.

D5

E5

D5

G5

"1

t"

nev

er,

. choose

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights ReselVed International Copyright Secured Used by Permission

4#fJf
D5

D5

E5

D5

Oh, __

so

c ••

E5

F5

man

----F
E5

--===---

D5

E5

Ie #r
ways E5 D5

D5

E5

D5

G5

y--

for

-- r
J
me E5

L
show D5

r
you G5

to

oJ how

:J

your

E5

D5

E5

F5

E5

D5

AS -----....

has

a - ban

doned_

you. __

Fuck

your

god ___
End Rhy. Fig. 2

~M-------------------------------------------------~

Gtrs. I & 2: wi Rhy. Fig. 2 (3 times)

,i1

D5

E5

D5 E5 F5 J

E5 D5E5

D5 E5

D5 G5

~ ::J

I•

br
in your

tJD
Christ, _ A5 D5 E5

"1

r r r It
he did this. __ E5 F5 E5

A5

D5 E5 ij._

D5 E5 F5 E5 D5 E5

:d

C if J•
all D5 G5

.....--_

You're a - lone

Took

you_

4# F

D5 E5

E'
and

;~r
D5 G5 left_

D5

D5 E5 D5

E5

~
you

~
this

~"

!
F5 E5

:J

br
pray, _ D5 E5 D5

-----..

J•

Ie

-----..

J•

~
taste

tr
of the

A5

had

way.

Still you

ney - er

stray, _

ney - er

D5

E5

E5

D5

G5

ney - er

thought to

ques - tion

why.

It's

~M------------------------------------------------~

Chorus
Gtr. 3 tacet, 2nd time

*D5
II .u. ~.,..

E5
.(II.

4 .(II.

i-----,:.
killed __ killed __

D5

E5

F5

E5

D5

E5

D5

E5

D5

G5

.
some some

otJ

~-~.,..
otJ
o;

not Not

like like
.(II.

you you 1'1-

Riff A

.,.

one. one.

wI reverb

xr

.~.~ ..,
.;;,
'Y

-'OJ
j~

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~~~~

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112

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112

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II

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n

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23

Gtrs. 1 & 2: wi Riff A (2 times)

,jlr r r f~f~
4

D5

E5

D5 E5

F5
4

E5

D5

E5

D5

E5

D5

05

r
a a

E
hate spite -

r
fu1 ful

Ie
spear spear

f
in
in

!
to to

r
his his

r;
side. side.

,.1;
D5
Praise

not not

like like

you you

drove __ drove __

E5

t
the to

..

.,,_

r
who sus

D5

E5

F5

E5

D5

E5

D5

E5

D5

05

f
left

E
you as

r
he

Ie f
down knows and the

r
a - sons

Talk

one Je

Christ

bro - ken
if

par rea

lyzed. why.

r!

~
He

D5 E5
,. Ji, ~ ~

~
all

D5 E5 F5 E5 D5 E5 D5 E5
Ir•

..,
did
GIr.3 llJi,

. --........
you, ___

D505

C5

-F'-'F
~

m m'___
...

it

for

oh.

______F'
wi slide

..,

...

...
••••

...
;;---... ::.c

....

r
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<;

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24

To COda-fit
II~

A5

C5

G5

'* '*
Did it

'*
all

"'for

--'

II

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Interlude ES

O~ ~ 'fI-

fI-

fI-

fI-

R
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if
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37

Interlude
Gte. 1: wi Rhy. Fig. 1 (2 times)
Gtr.3

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Ern7

---- ---let ring- - - - -t

Farnj9

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Frnaj9

......_,_.....
grad. bend

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.
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n

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Guitar Solo
Cadd2

ESIE~

ES/Ab

Cadd2

Dsus2

let ring

oj

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let ring-

-J

let ring- -J

E51E~

Frnaj7
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let ring 114 114 112 1/4

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mf

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let rlng- - - - - -l

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n n II

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38

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w/dist.

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way,

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41

3 Libras
Tune down 1 112 steps: (low to high) C#-Ffl-B~-Efl-G#-C#

Words and Music by Maynard James Keenan and Billy HowerdeJ

Intro
Moderately slow
(viola) 11.11-

J.:::::

48

"*

Rhy.Fig.1 Ott. 1

* Csus2

Em(add9)

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symbols reflect implied harmony. Two gtrs, au. for one (aeons. & clean elec.)

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you you

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End Rhy. Fig. 2

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Ott. 1: wI Rhy. Fig. 2 (3 times)

GS

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© 2000 EMI VIRGIN'MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Riohts Reserved International Ooovrlcht Secured Used by Permission

IIJ1. RJ

Em(add9)

Pre-Chorus Csus2

Gsus2

--W
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Nn, dif - fi Here I
Rhy.Fig.3

cult
am

not to feel ex - pect - ing just

a a
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through;_ through _ it all,

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43

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Interlude
Gir. 1: wI Rby. Fig. 1

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44

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Gtr. 1: wI Rhy. Fig. 3 (3 112times)

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Words and Music by Maynard James Keenan and Billy HowerdeJ
Tune down 1 112 steps: (low to high) C~-F~-B-E-G~-C~

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47

D5
II ~

It.

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it

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05

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• Gtr, wI Riff (3 1: D times)

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kissed you _
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D5

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III
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heal_

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Interlude
Otr. 1: wI Riff B (3 times)

E7!G#
Voc.Fig:...l_---_

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End Voc. Fig. 1

D
You're

II

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Dadd9

Interlude

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V

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,;

..

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'

,;

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V
v

,;

.; ,;
v

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53

Qutro

Half-time feel

D a dd9 " '"' It

.;I

E i.

Gtr. 3 tacec

.-1ii...,.,-...,
The poi

~
_

D5

soned

------Ij" .. .. .. ~

and_

II '"' t

lolo

lI:

-.J

~
n

r-" ,",__i_ -.J

r--

....

lolo +!

~
:: = ...
11

••

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:: ::

::

P.M.- - - - - - - - - - - - - - - - - - - -I

.. ... ..
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n n
n

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..
-i

;:

let ring-

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n __,.. 'n'

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u

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on.

n u

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n
n

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n n

E
lllolo+!

~
hope

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_

D5

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less

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sleep

Otr.l 11,",1'1:

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:: :: "ilt.;. ...t.;. :: :: :: :: ....J' :: :: = :: :: ... ...t_;. ... :: :: ..

"iI P.M. P.M.

P.M. -I

let ring - - ..; - - - - - - - - - - - - - - -

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-i

= :: :: :: "'L;iI :: :: :: :: :: J :: :: :: :: ..
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n
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beau - ty.

C#5

ing

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ll:
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.. ".__." P.M. .. 11 _.... P.M.

lei ring - - - - - - - - - - - - - .:. - - - - - - - - -

P.M. --l

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.

::

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e

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ft

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Thomas
Words and Music by Maynard James Keenan and Billy Howerdel
Tune down 1 112 steps: (low to high) CII-FII-B-E-G#._cjl GIr. 1: Capo III

Intro
SlowlyJ == 86 Em * (C#m)
> I I I

F#7IE
>
I (D#7/C#) >

II
134 ::> ::>

C5

11
"" 134

D5

5f [

Gtr. 1{ acous. ) "JI. -It

>

.r-,

Cmaj9 (Amaj9)
>

II
II

E5

>1"'""""1

-...
"j

...
....
I!.
;;I

"P::>

r
~
u

> let ring throughout

~~r r--~r
>

r
::>
_.c._

r-----u r--r
::>
n
u

>

vr
n I: v u

::>

"
u

"

"

_.c._

_.c._

_.c._

"

* Symbols
Em
>

"

"
--"-

-I:.

..

~:;,u

_.._

in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is ''0'' in TAB. Chord symbols reflect implied harmony.

F#7IE
(D#7/q) > >
::> ::>

(C#m)
GIr.l "JI. ~

Cmaj9 (Amaj9)
>-

r
>-

~~r r__~r
>> >-

I~
~[~
n

rJ

r
::>

r-----u r--r
::> ::>
n .n

~r
n

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u

~
"
u

"
u

"

"
u

"

"
u

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u

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u

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u

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v

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" "

_.c._

"

"

"

• Gtr, 2 (elec.) II JI.

.It

tJ

mf

x,~
wI dist.

v, • Two gtrs. art. for one.

Half-time feel
Gir. 1 tacet GIr 2 ~ .110

1.,2.,3. G5

E5

-It :i

-tl

f~
:; ;;
n

, '::::'/~_ .. __ _
I
~

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_1_
............

Bb5
_k

;.

::::

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l:t

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Bb5

..

::: "11

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~ II ~ ~
;;

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-i

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__ 0

_H_

_;;

_n

~:;

in

"'"

~:;

l'l_

in

""'" ~;;
in D5

II
):

II

Verse
C5
"JI.

1.Hum-ble
-

and

help - less,

less, _

less,

less _

and

learn-ing

to

pray. _

11.110

I
.. .. ..

tJ

>

- >'

~~-----------------------------------------------i
1n

::>

!'.

JX '0"

"

.:; --"- --"- --"- --"- --"- -". ,,'- in

Ii

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved International Copyright Secured Used by Permission

55

II.u.

CS r r on, __

~
for vis
-

DS

Pray-ing

ion,

on,

on_

and

to

show me the

way._

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................
.n

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e e
v

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v

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0

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U·

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oil> -II;

L"

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'U

.i:;
iii

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in

Chorus
D Voc.Fig.l

ES
1""

Esus2

G5

D5
1'" .". 1'"

Bhs

" II-

.,..

.,..
the

&

II.

• ...-..0 ----._'"'

~
Gtr. 3 (elec.)

Show me

way

to

for - give

II II-

r
~

I fro •
., ~
Ii"
U

'-'l_j
~
:;
n

w/dist.

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:; n

---

• .,..'
~
you.

k ~
to

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let

ES

~~
it

it~

--~

Al - low

me

go._

~:

.,

...
n :0-

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n_

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J' ;;

1!

-"
l'

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U

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DS

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ES

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to

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be

fL~

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End Voc. Fig. 1

GS

Al - low

me

for - giv

;;0.-

en

and

.!._ n
u

.,

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-r

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u

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D5

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tJ

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show

.,..
me

.,..
the

B~5

~!:

.,..
to

~,.. II....-rs;
let go.

E5

:::::::::::-.

E5

way

Show

me

the

way

to

for - give_

-" :;
w

/I 011_

tJ

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w

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wJ

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I

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you

and

al - low

me

to

let

it

go.

t ~:

(Ooh.)

tJ~
n n

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Gtr. 2: wI Rhy. Fig. I

D5

Bb5

" ..
tJ Al _ low
Gtr.3

E5

.._

me

to

be

for - giv

---

--

G5

D5

.,..
show

.,.
me

.,..
the

~~

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let

.i;"'.__ ...-0:--

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en,

and

way

to

go. __

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tJ

ft

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w

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57

Bridge

C5

®
3ft

C5

D5

E5

Gtr.~

P.M. - - _,

n
-

Q
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>

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n ~ ~ ~

Iu - mi - nate, >

----n
n

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Jr.

s=-.

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!,

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C5 D5

E5

C5

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n
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-

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C5

D5 E5

)
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I

P.M.-

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and

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mi- nate

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lu

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il - Iu

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:tr.

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s>.

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n

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n

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End half- time feel

C5

C5 D5

E5

)
"~
-.J

3fr

P.M.-

n
s>.

- _,

--the way and_ just

..
pray for you to > show_ me where
c.

n
....I'm to be - gin._

IIJ1

fl.

--' .,
n n

..

..,

•e

.. " .. .
u

-~

.,

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.,

58

Interlude
Gtrs. 2 & 3 tacet

,,~~(C~m)
~
-Gtr.l

Em

F~7IE.
(D~7/C~)

Cmaj7 (Amaj7)

>

>

" ~ ll:
eJ 11fJJ>

,.......,

>~

>

r
.~

~~r r
>
>

> I

r-..

r
>

"

"
u

~ "

"

• "

~'-'r tr r---ur--r
> >
e e

>

>,......,

....-;

>~

"

.
/L
11fJJ

'"
u u

..

"
u

.. ~

>

"
e

"
e

..

"

..

~r
>
e e

~ -"

"

"

"
u

"

(C~m)
"Jlo

Em

F#7IE (D#7/C#)
GIr.4 (elec.)

Cmaj7 (Amaj7)

~~~~

---

t:--~'-..._
-! ~n

eJ

wI clean [one, chorus, delay & slide

let ring - - - - - - - -

-!

let ring - - - - - - - - - - - - - .n
•n

." .~
Gtr.l
" Jlo

.n 'u

on In ,~

.• "

.~

in ,u

...

In

.....

> -It

> I I

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J

> I I

>

>

>

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r
>

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>
u

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u

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u

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e
u

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e e
U

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e
U

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r
u

e
U

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u

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u

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u

Interlude Half-time feel

Gtrs, I & 4 tacet wI additional Bkgd. Voc., ad lib. (till end)

N.C.

Con-neet

to

you.

P.M.-

-l

P.M.

P.M.

P.M.

P.M.

P.M. - -l

59

2.

(Andyou

can't

be

lieve.) _

Can

nect

to

you.

P.M.

P.M.

P.M.

P.M.

P.M.-

-l

P.M.

P.M.

P.M.

P.M.

Outre G5fE
II;lo

...---... _

fL'

~.ft..

__ ,.--..,. ___

..

._,
Re II~ -.I

------_
11 111 P.M. P.M.

N.C.

~
can

re

= = ~<:s = ; 0 = = ; -:s = , <:s = -~ = = ~_. , 0 = = .0

11 11 11 11 11 P.M. P.M. P.M. P.M. P.M.-l

= -,- =
11 P.M.

-, = =:~~~ -:s = -:0 = = 0

11 '-" P.M .
-~

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_

nect,

nect_

to

you.

•
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:; = = ~~ = 0
11 PM.

11

P.M.

~0 = = ;:0= =.~~
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P.M.-

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E5

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e

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e

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60

Renholder
Words and Music by Maynard James Keenan and Billy Howerdel
Tune down 1 112 steps: (low to high) C#-F#-B-E-G#-C# Gtrs. 1 & 3: Capo ill

Intro Moderately * GIr.

J = 94

C7sus#4 •• (A7sus#4)
Riff A

"

1 (12-slr. acous.)

II •• 134 132

(Dsus4)

(D)

(A)

111

EndR;ItA

pp
fade in let ring throughout
"'P ~

...
.a.

n
w

...

. ...

.. "

...
n
n
n

• Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Cap oed fret is "0" in TAB. Chord symbols reflect implied harmony,

Verse
GIr. 1, wI Riff A (11 times)

C7sus#4 (A7sus#4)

'~I!I! ==

F r';;=:;t

J () In

r
r

IF T

I"-::::=::::-

la-----

,~~ , 'I~
~'!. FEE
*GIr.2
" I

I r"

IT'

qr

Iria
r

,--"I

DI

r
Interlude C7sus#4 (A7sus#4)

r----I

GIr. 1: wI Riff A (7 times)

8va- - - - - - - - - ~ - - - ~- - - - - - - -1-

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -;: - - - :.: - - - - - - -1- - - - - - -;.-

- - - - - - - - - - - - - --

r
~"

~"

.r ......

,...
'v

.n

.n
.",

• Piano au. for glr.

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EM! VIRGIN MUSIC. INC. All Riphts Hessrved International CoPvriQht Secured Used by Permission

8va IL I I
jj..

jj.

-.J

~~

..,

,.

."

I J

jj..

I I

~.,

..~

~"

...

..

.."

1•

." .,

."

.~
,'>

Interlude
Gtr. 2 tacet

(Dsus4)
Gtr. 3 (acous.)

~oJ •
mf
loco

(D)

~o
~~.
#

Ott. 2 " I

8va ------

---------------

----

---.

*G tr. 4

p-

-.J

1'> ;);

.n

~n

Gtr, I

RiffB

" ..,

I
n

I
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v

.,
- ____
n
v ""i

End RiffB

RiffC

End RiffC
I

~
lei ring ________

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--~
n

., ~
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I
n n
n v n
U

..
n

- - - - - - - - - - - __ - ___

let ring - - - - - - - - - - - - - - - - - .;
~

.,
n

n n
v

.,

~
n

~
n

n
U

.n

n
U

n n

• Violin arr. for gtr.

Gtr. 1; wI RiffB

Gtr. 1; wI Riff C

Gtr. 3 tacet

Dsus4

io----J·
Gtr 4
" I

iJ·
.p...

N.C.

io
b~ -------#-

~~-."-"'n

~~
;,

-.J

in

..;

on

Gtr. 4 tacet Gtr.l

Outro C7sus~4 (A7sus#4)

Play

4 times & fade

"
-.J
:j

I
:j

"P
n n

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Thinking of You
Words and Music by Maynard James Keenan and Billy Howerdel

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Voc. Fig. 1 liJlo End vee, Fig. 1

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73

Brefia
Words and Music by Maynard James Keenan and Billy Howerdel
Tune down I 112steps; (low to high) C#-F#-B-E-G#-C#

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Over
Words and Music by Maynard James Keenan and Billy Howerdel

Ii
1 32

Tune down 1 112 steps:

(low to high)

C#-F#-B-E-G#-C#
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oc

Guitar Notation Legend

Guitar Music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes.

DAD
RHYTHM SLASHES are written above the staff. Strum chords in the rhythm indicated. Use the chord diagrams found at the top of the first page of the transcription for tne appropriate chord voicinqs. Round notahaads indicate single notes. THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into measures. Pitches are named afterthe first seven letters of the alphabet. TABLATURE graphically represents the guitar fingerboard. Each horizontal line represents a string, and each number' represents a fret. HALF·STEP BEND: Strike the note and bend up 1/2 step.

®®

open 3fr

11

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Strings: high E
B n

LJ

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_A

low

A E

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4th string, 2nd fret 1st & 2nd strmgs open, played together

I: u

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open 0 cho rd SLIGHT (MICROTONE) BEND: Strike the note and bend up 1/4 step.

WHOLE·STEP BEND: Strike the note and bend up one step.

~.

GRACE NOTE BEND: Strike the note and immediately bend up as indicated.

BEND AND RelEASE: Strike the note and bend up as indicated, then release back to the original note. Only the first note is struck.

PRE·BEND: Bend the note as indicated, then strike it

r-~

VIBRATO: The string is Vibrated by rapidly bending and releasing the note with the fretting hand.

WIDE VIBRATO: The pltch is varied to a greater degree by vibrating with the frelling hand.

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HAMMER·ON: Strike the first (lower) note with one finger, then sound the higher note (on the same string) with another finger by fretting it without picking.

PULL-OFF: Place both fingers on the notes to be sounded. StriKe the first note and without picking, pull the finger off to sound the second (lower) note.

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LEGATO SUD E: Strike the first note and then slide the same fret-hand finger up or down to the second note. The second note is not struck.

SHI FT SLIDE: Same as legato slide, except the second note is struck.

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TRilL: Very rapidly alternate between the notes indicated by continuously hammering on and pulling off.

TAPPING: Hammer ("tap") the fret indicated with the pick-hand index or middle finger and pull off to the note fretled by the fret hand.
II

NATURAL HARMONIC: Strike the note while the fret-hand lightly touches the string directly over the fret indicated.

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PINCH HARMONIC: The note is fretted normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack.

Harm. II II

PICK SCRAPE: The edge of the pick is rubbed down (or up) the string, producing a scratchy sound.

MU FFLED STRINGS: A percussive sound is produced by laying the fret hand across the string(s) without depressing, and striking them with the pick hand.

PALM MUTING: The note is partially muted by the pick hand lightly touching the string(s) just before the bridge.

RAKE: Drag the pick across the strings indicated with a single motion.

TREMOLO PICKING: The notels picked as rapidly and continuously as possible.

VIBRATO BAR DIVE AND RETURN: The pitch of the note or chord is dropped a specified number of steps (in rhythm) then returned to the original pitch.

VIBRATO BAR SCOOP: Depress the bar just before striking the note, then quickly release the bar.

VIBRATO BAR DIP: Strike the note and then immediately drop a specified number of steps, then release back to the original pitch.

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SBN 0-634-02084-6

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