The Hollow
Words and Music by Maynard James Keenan and Billy Howerdel

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© 2000 EMI VIRGIN MUSIC, INC" TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved International Copyright Secured Used by Permission

s. _l 1 IJ " e . " .: . .... 'n' ~ . .. 1. wi Riff A "lJ....... l \ I "7 ---"-__"L r ...... . _.....-It B5 E5 B5 Verse B5 C#5 Gtt.n .s: v v v _" 11 _j{_ v _X n __'i _'1_ _L • - ~ _1 e . w ~ _n v v .) End Rhy.n.. " ~~ n n :.. ~ _. I _n_ . .-.....) "..... ~ 't: 't:.110 -It • C#m7 -. .~ "1 "1 ~ " ..... ......3 (dist.-- -It . in slash) .. Run him like a Gtt..~ 4 ..110 -It . 1 & 2 tacet "... ..l " JO 8va .al_ be-ing.......sn...... . _j£ _i::' ii II ~ it ~ D .._ - --=--no_ con - . r w I I ~ J . . Fig...110 -It ~ . 3.... ~ - ... w • Chord symbols reflect implied harmony. . ~~ ...:.C_ . ~ .. I run_ this sex - u .. ..... ... Gtt.. w .. Run. t.... __ to ca .n. n 7 n ..--. w ~ i::' w n n t. "'----"'f':) • de .. w :...... n mf . " . . . u . ! oJ . 'l 'l .. ..-...I I I I I I I 8 ...... w 6 ~~ .....-r science. _ r in .C#5 IIlJ... I J -L _I I ... 1 I 1 r r •- 'l ...-. ~ ! . _ One mo - tive.to and through the EndRiIIA 1 I J ...... .ter to the Gtr... (cont. ---"---"-- J c -... .- .. RiIIA Gtt.. ~ r .--... . . .. I . J .. e w ~~ Gtrs......sire._.. :.. C r ..-It a ~ heart. blade.l P-' ~ . . It:::!!.... u :. wI ring modulator 11 ... .. 1 xx .

IT 11 4"f :t d 13 4 r n gain._ Jrf = 1(1 F 14 j .:::..::.Fig.Chorus B5 ¥ hol tr. G#5 car _ --------=----- E5 ~ If' _ i E fill • J --I L.2 Ilj 7 7~ ~###'1 fr up G#5 E5 B5 E5 AS == a ij ~#~~. me 8va-------------------·······-----·-·--·--·----·--. and P IS" tern - oL 4~r= r Jtl' G#5 i po - ra " ri - . ~ibI 16 tJ t rg • II[ [f r[ r E [r r rr II" " " " " " 19 19 19 loco I bE I 18 18 Fe 19 f' 16 iT'1 16 16 18 19 19 18 18 " ~~··I ==2 33 F#5 A5 Rby. _ "Feed RiffB me. low.l v A5 (Jllr Scream-in...d I Ei II~ 99 .... " 13 II II 5 .iF J II SO_ EndRiffB j 16 16 16 11 11 13 r- J 11 r r If? f rr 13 13 " r II 13 13 " I.fl- r 16 or] 14 .~ IF . ~.F r f j * C 11 r 11 13 11 11 I. 16 I" 11 11 n 3d9I F#5 AS G#5 =ly __ pac i fy--4 B5 [ f this fI = hun r @r*r - ger - ing r.

Fig._ 10/' J in S -=---- __. ..___. 9:==----=::==-__ =7: Gtr. I I tr 9 11 r 13 E5 [ 9 fJ t ~ 12 14 12 r 9 j ~ . Li .bi I#@ dow_ throw _ t 6r dam .J ~. ( I .f d des.ing -. 2: wI Rhy.- 3 J can ] quer 4 J and II - ing.. 1 C#5 B5 F#5 E5 ¥ f :Ii f] 2.2 divisi . J "'-. 14 13 9 12 12 13 9 H I B5 H 13 18 11 Gtr.. 13 13 11 13 11 F#5 C#5 ._ *E F# E B F# E $###1#l8J vour." _ ltr.Verse Gtr. I ~ r-S J de cir C#5 B5 E5 B5 "f ~###I$3?SjJ Interlude r can - 4 j stant - r ly F con I#J sum j - . =.. 1 ~###I{J] grow.. ~###I ( rfr 11 fJ 12 ~ ~ F 9 j ~ ~.J r of noes ~###I RiffC t 9 rr 11 [ 9 fJ t ~ 12 14 12 r 9 j ~ :::J ~..i ....t ~ "J ~.J I t: r f 9 [ 9 r-i 12 14 End RiIlC ~ .. -=-==IT j des._ in lions _ r I#(j down L t 6 r f 9 J ~ all r a fall . next 8 rneas..._ 'tr. B5 B5 ~#rl ~O~ j dis J f) ere . 1: wI Riff C C#5 F#5 $###' J·=c round j in __ J pF cy -:=----.2 '0 d:==___ "Chord symbols implied by bass..

1 & 2 ff to J £ the ~~##.. 2 tacet ~~3E f f £ F nE F ti r f E F f f t 10 ifF r f iFF ~ E B E "f Bridge Chus2 Bsus2 £FI F~ ~~##. J E b ! • - ..~I . II ~§~ ~ ~ II 4 Ii 8 4 6 I ..'""'r ere all this in .'i#'"f:' F#sus2 E5 .Gtr.. '¥ 7 .-= tr' nt ~ f-r flre_ :~:-:I down. Bri C#sus2 Bsus2 E5 ".. ~ j mf j II f J r ~ Ij 9 2 F#sus2 J F ~I i 9 E...--.-... If - E dle ..des - I~ tion.--... !f ..j . '" F 'Cause F it's Ilf time Gtrs. bring ~ ~ f1 ..

.. ...... -...i .nen-tly fill this ho] -low. ~ J)_ :.-v :.l..: e -..M. . I I• . ......r ~ '......... . .. -...: .i '.. r r IT Long e-nough to ed .. ......... 1 & 2: wI Riff D (2 times) C#sus2 Bsus2 F#sus2 E5 j C#sus2 Bsus2 r---4_ . . . n :.:-':I ~ n .... ....... .t. -...Gtrs... 4 (dist.... ~ 0: " J. .... .. " ~..... .. y II n . . e ~~ P..i 't ~ ..- ..M..ft . .: .. y ~ n .... \7 .... .." . ......... ~ -g -~ n ... . ... ft ... ....'.. n ..... :...... -c- ~ :.'l 'l 0: :.: e...... ... .. ..... y ~ n ~ ..... .. .fy _ and perm-a . mp ---- 1 ...: e :... ~ I . ... "V :. ..l. e Ii :< e E5 " J..._. ~ ~ . 011: > > > ~ P... n ~. . " " " ': " '1 e • .)C 0: n ~ n n -.: .. " e 1 .. 'i' ~ ~ -~ ~ ~ ~ t..) " J. n ..... " • . :.." ..: P. .. .. ~ P.... ~ Gtrs.......... ~ It Err r---4 --. ~ e :. ..... ~~ e :..._.. . :. Ii: ~ " y " ~ -. 1 & 2 IIJ..- ': " :< . I..- :........ .l.... """"'J' ~....l......M. . '011: I . A5 C#5 D#5 011: ~ ~ ~ ~-ft.... mf .- .... 0iIi r r D#5 F#sus2 p 'r ----~ __ E5 -=~ Interlude C#5 fI~ -- -- D#5 E5 A5 C#5 ~ Ott..~ ..M.

." 2.Gtr. _ And :II tern po fa 1y _ pac .##11 r-= fy--- B5 Z::e: =--rr t:\ - II II 11 13 13 13 " "I'Y13 '" '" " II II II ·9 ..in' . F#5 AS . II ES Gtrs. Fig..i fy _ in. 2 (1 3/4 times) i~~ IE1@" II: "Feed AS G#S em me _ ri G#5 E5 F#S AS G#5 E5 B5 lif: here. II II II P. 1 & 2: wi Riff B & Rhy... . 4 tacet .###.-i > > > ! ! ! I I !! Chorus !! II I I I I I I I I I I I 11 1 I I 1:. ES A5 C#5 D#5 E5 "f J]J Scream.. fill me _ up a gain.M.

. ..J ~ n ---= . All Rights Reserved International Copyright Secured Used by Permission .. """ V #-& mp ES ~.1 .~ . in slash) Gtr. ... II . Fig.. ~ n v 0 w n v .------_ r ver - come by your __ ~ GIr.. 'At \ ft • Chord symbols reflect basic harmony. -& - .... _n n v n n n n n n " " " w n w to n n © 2000 EMI VIRGIN MUSIC.... n v . ~ . . INC.." II "" V :-1.Magdalena Words and Music by Maynard James Keenan and Billy Howerdel Tune down 1 112 steps: (low to high) C#-Fi-B--...0 ... ... (cont.0. Verse' ES Rhy.. ES .fII.. - k I r I I r I r I n .fI..) let ring throughout - r I .. n . V __.Fig.2 """ V #-& - - -~ '" " .. I tacet Gtr.-... V ~ mp ._ . fII-' #~""'~ fII- ~ . .u.-- wf heavy reverb & delay .. - - GS J' . GS j 112...• 1.l GIr_2¢~o.. TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC. n n v .~ G5 - in Gtr..u. INC.~ . r - --.. ~- 11. E5 G5 F#5 I 13 13 ~. ~ . n :' ..l -.2 (dist. GIr.u. ft n v ..E-.. V ---= n I -.G#-C# Intro Moderately GIr. GS I ". w rand om fdbk G5 End Rhy. . .l 1I. 1 (clean) • (ES) J = 103 ....

~'.'.J! ...."-" '~ ~ .. G5 .:=? r'.2 'i ........' . EiidRiffB " mf . Fr #J === Jh J est_ of qJ\j J =-al J~ J_ ters.E:~~~.._ IJ I II Ve. I Gtr.~--.. .rse E5 t Riff A r 2.-----_ G5 mov ing_ tern ple.. ..'-""" -- : . ..- I : F. Fig..·::-.._)1 ~. So r=' pure.... M 7:=~.# Gtr.~ ~ 13 i i i Ii ..I o E5 ver - come _ by this _ G5 #4 hol £J. 2: wi Rhy...1 god dess... . F#5 t I r E rare_ that F --r so you_ t r ¥ f 1 j: 3jjjj 3 / 'Ir ~f~ D5 r - wit ness such r (2t Ir all_ C5 earth r ly .Gtr.'.... I tacet E5 ...-.::~...

f1·2: ... F_ v ..--. .I E5 F#5 That I've GIr...... t: t: F_ . Fig. hal GIr.------------------------------------------. v_ r~ . II~"'/"'-:!. 8va------------------------------------------------------------------------------------------. tl r--- ....2 ) ~ ) GIr. ~:---- _--_ '___ --]I _-.. F#5 If my f'r soul..... kiss..'" ~_. 3: wI RiffB IIJ1.-~ . 2 n GIr.. ".. . .-- - -_ . .--------------- --- "_"0" fdbk . f--t----t' 1 1 ._ f'. - .~ 'v GIr.3 F I -... 2lacet ES IIJ1.yond com .1' ~ ~ __. swell #4 E5 E5 fJ2:.~ .. * vol. 1 1 of.r E ___ ~ rr a .. End Rhy..~ '. End Riff A F ." . .)) r'est__ of al J.-=== ~ :...... ~ ..~r--.V fl . v v . v :. ...." _ii 'w....2 IIJI. .. ri J one_ D5 IC taste r of rr you. r for Guitar Solo E5 Rhy..u. _ .. " . . J ~ v :.. ~ . t '" ..2 pi) one _ chance. and my dol-lar at_ time .. trol.D: ----=~ . . .I .--:----: !' /'-" "".... 3: wI Riff B (2 times) Chorus t f I'd P d sell L.3) t ) f'..I GIr. v .... -...t. GS LJ _ II .. . ters..I . n s: V be ... l' . ~ I ~~ ~ f:. GIr._::_ .! n·-----~----~ down fore your -. ___..\ r be - G5 G:.I lost my self con --.._______...pelled to throw this dol ...st- -----mp -e- ===....a. 3 tacet n .lar - F ~ F.. r my IE Mag r rr da . _ DS ¥ D t f IC self f es - rr teem_ "f r a C5 IE rr C5 ---.. v' ... ..-' " . -._ . 2: wI Riff A GIr..GIr. . t II len ... .. _ - DS I C5 I -f'I /LI ~* I. .-. Fig.. F#5 If one c=.-. r ~.

II Jl..-------.. ... r-./ ~ r• »t \' - *' --- __ .. .. -~ '~g~ .Gtr.. Fig.-' . ~.J_ -rm rrn emrm rm rm n=n '"' rm n=n emrm II F~5 G#5 E5 F#5 G#5 Jl.-' 1 ." <. r-.. . -e ...... flJl. 2 8va-------------------------------~-----------------------------------------------------------------------------------------------~. 3: wI Rby.. .fI- ~ ---------------------~ . . ~M------------------------------------------------------------------- rrn rrn rrr: n=n nn rm emrrn rrn rrn rfT) rm E5 F#5 G#5 E5 • (cont.P. + . F#5 G#5 E5 F#5 112 Gtr.. .----+.J- .fI-' f~~ fL ~ . .~I .. r-... _ . 1 .--.....----t.. r-.--.... __.." ..~___. r-.~ -~ ~- ." .fI. + .'"' 'fL ..3 Rhy.-.-----fL--!'- ~M------------------------------------------------------------------Bva---------------------------------------------------------------------. 1 - ------ ~.. 1 . . .. . r-._.I~:·t\..r-.Fig. . loco ~ ~ l:l:~-----.~" F----:F' . ~ ... r-. in notation) #~.3 13 .j I 1 .

~... __. .. .~ lA_ _. -" :..--...--.. ~~~ ... 3: wI Rhy. :.." .. ...w ..:" ._. _n_ :..u ." . this prayer so .u '-"- __...:. !'- fL . :: :: :: e e e " " ....'--'".. .. G#5 . :. #:t~~----fdbk.. 3 GIr.:~.. .:. 'w ~~ ..~ .. _ .u _...." ._ fL .. .fL .s __ _j] _ _j] . ...fL' ~ . . -r -s ... . :.... :..... . _n_ :.w .. .f..w f"- .... ~~ e __5_ ij . " pitch: C# GIr..3 " JI Rh y. .. """ .. .....--. ....... f'- ~~... n ..... Fig.: .fL .. .:....~~~~. e e _ij " _ij ~ . e e e " _ij . .2 " JI 'w .. ~ ... If..~~ .. G5 A5 I bear wit = r I ness to this place... "Jl. ... .....u l'.w E5 _-' .. .u '-"- __." .. :..._ fL . .? ~~~~~~ _n_ --"--"_l\_ J:J: " -J: " :: " ~ .u '-"- __.F#5 E5 End Rhy..~ ._ --"- ~:*... :.n: = . :.:.." __...._ fL ..~ . F#5 "lI ..:. '. :.:. . -x. ....._ .. 'l _n.._ E5 . '" _u ... If.:"~~. eJ GIr.. 3 GIr 2 ~lI F#5 .... t: . '~ .... :._" ." 'w . :...'.~ B!D# ." .. 'l n --"_ --"_ --" ... . ... ...n..." 'u '" 'u .w E5 . . . _l\_ :. .~ ..:" .. J:. F' 4 Jg. Fig.- ~ ~._ ..u '-"- __. Bridge G5 A5 ----.

.--.2 at a time _ H=~--------------__i steady gliss. ... a dol .. . :.Gtt.. n :. n n n n n . So -."'~ for - got ...dess. .lar Gtr.:: :: :: :...-i GIr. . :.: :. :. n :. beginning at 5th fret and move towards nut. 'I :.3 • Touch strings lightly wi L.._------------- ---_ --. """"~~~~~~ .H. 15 ... " ~ --~:-.. n n :.ten. . I'd sell_ G#5 earth ly god . _ -l steady gliss. . n " 11 G5 A5 E5 Chorus F#5 . =s: :. -f_ . t: ~ ~ t: :. HAt pitcb: A End Rhy.... :.: :. .M..I ~ E5 F#5 D#5 ~ E5 . 4 Allo ~ :: :: n :.: -~ .-----l ... :.: :... .. ~ long I}.. n :... That P.: x :. 'I n n :.. :.. ..: :. :.. ..---.. ~.. .my self es teem L. _ so rare a to __ ~ fdbk.._....--. pure... n n :... :......- .. 11 u II " " " " " " " " ~.... :. . n :.. 2 racer "llo E5 I G5 A5 E5 ....... pruducing natural harmonics. :.: x :. Fig.n n :.

:. ~ u . GS AS I'of -(J ~ ....... __ Mag - a.. ....--.M...c>.. _ t r one dol . .lar a taste. __ my __ black rna don - na.. . .. Fig.. G5 0 I r='":o! time __ for r one E5 A5 t t It one 0 J taste.. '" '" c " ~...~3~~~~~~ . . soul_ t :J· "I 0r and my GS It self E es ES AS 0 3 teem_ "1 0 a 41 E .Gu..........---.....16 ... .. " . - .... ........ " ~ I'- FrfpE at .... 3: w/Rhy..4 G5 A5 ~i r Mm. ES t I'd 0 ::J sell __ E5 t It my . . P. my_' __ . .2 tacet F#5 G#5 E5 F#5 E5 of you. iI' ~ ~: .. '" '" .. v .-I Outre-Chorus Gtr.. da len taste Gtr. ~ ..... ~:~~~~~.." ~ ~ ~ ~ ~ .3 you... 'I 'I n " 'I n n n n n n n n n n '7 '7 '7 :.. " ~ ~ ~ ~ ~ ~ .

for gtr. t A 1f?F while gain. I J = 120 II jj.) • D add 4 9 Gtr..._ blown G L the a ~ IF snail bout. INC.. Don't 2. n n .turb a . · · ..p're si .l 1111 r 1.. __ ly __ I comp comp - t" ri ri - 1111 ..--.. 1111 Verse Dadd~ ~ GIr.------l wi bar 112 + . ~ Harm. e • g symbols reflect overall harmony. Gtr.. n '1 ..*-~---~~ . 1 & 2: wi Riffs A & Al goat... Bend RilrA dis . ~ n ~ I ~ ~ n n ~ . TOOLSHED MUSIC and TRANSFIXED MUSIC AJI Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC..r--. ~ Hann. Gtrs.... n ..al ly __ End Riff A ~ n .::::.. e y .. . soft RiffB Stay and . B .ing __ on __ f the so __ 1111 .lent - ~ - - ment ..I:""""i ~ mf wi delay let ring throughout ..round r the the beast." · * Gtr. .- /' c © 2000 EMI VIRGIN MUSIC..*-~-->~ froz light Io..ing __ tread . B ..Rose Words and Music by Maynard James Keenan and Billy Howerdel Tune down 1 112 steps: (low to high) Cfi-F#-B-E-G#-C# Intro Moderately (acous.. Riff A1 EndRiIr Al .... -- n ..J - - en. * Chord ..*-~ ~ ~ Harm._ r the the tern . ~ ... 1111 2 n n w ~ n n w ~ _no -. ~ he's_ I'm __ r IEf tJ"=( feed ._ L. pitch:B .. All Rights Reserved International Copyright Reserved Used by Permission 17 ." n " n h • Syntb arr.--. B . ! ...--~ ... w "I'" ..2 -- »: .D. . n ~ . ~ Hann...o.. . rose.*-~_.. _ wind. INC. .

n n v n v .. am. n .... ___ _ I __ I__ --EndRiffB ..2 tacet 1\ Dadd~ Jj. " ... ~.Jj.. . - ~ .. ~ n v ~ n • n A W e .. . " ." J . Guitar Solo F#Sus4 .. n I . .1 J ~ I""""""" J ~ '---I J ~ = "II n n n v _n v ~ " 18 .ol .~.. 2............. RiffC ~ ... Gir. """ ~ . ov • o~ .. ~ " I. . " I.~ ~o ~ .) II"" ~ mf • wi dist. ~ " B . I• •• . ~ am.... GIr. ~ " pitch: B ~ " . 1. ___ will. ..."" ~ ~~-----~ Harm.3 (elec. ." • Set for One octave above..... - .._ _fL. """ /~o ~o i.f= -f: i. ~~-----~ ~ Harm..ol . 1.. -~ ~ Harm.."" ~ mise mis what lng I my will.. GIr.ol ...l .... ~~-----~ ~ Harm. e I.. ~ B ~ " " B " .. f oW e • n..~ f• .. End RiffC . 10 . .. & DigiTech Whammy Pedal .--....

Fig. 2: wi Riff Al (3 times) N.C._ v ~ v "nO u "... ~~~t:~:f!:. . 11.II 10 ~' ~' -... fled...._ ~'." I• . _ IIl1 i""""i I I r--..(F#m) A~ ~ All ... ~'--------~'--------~'--------~' I am. It wnu.l ' in __ --.~ 'U· In . and tee .... ~---t: ~' ~~ ~' ~---~ ..... --:.u . .. .1 r ~ r Ioo... . .1 r ~ 1.. u ~.. Gtr.. ~ .____. .. .1 r ~ 1.... .. Gtr....... ~ 1.. 1: wi Riff C Dadd~ Gtr..ri - - --..## t ~r r [J] Gtr. You're a End Rhy. . ~ ... v v ~ Ii v ~ .r locked down . ~~ F -~ :f!:. I ! i""""i I I i""""i J--o-..u .4 (elec.J .r the head ! - lights _ --.) Rhy.." .... ~ f '"----.'"r eJ ...:... _)..."j n n n n ~ " " " - • ~ " • . 3 tacet It ~r r tr lay __ down.- er. ~ -~' ~~ II.. .. ___ ~ Fig.. I will so no long - ~-.... - ~ " 19 . Chorus ..3 A~ ~......". F#5 1__ ~r r [J] play_ dead_ It r play tr your 1111 eJ A5 F#5 r B5 F#5 AS F#S DS doe Gtr..--. u ~....I> 1110 . 1 w/dist..

.. n ....._ comes _ --.. GIr.:.... an' I roared _ _ ed till I II .~# r=' deer 1IJ1. 2: wfRjff B .. 4: wI Rhy. I ~ " n ~ n ~ n n n " . . n ~ n • ~K------------------------------------------------------------~ ..n n n ....l nev _ er would _ 've I fiJI.._ D5 When F N. ..::r~ wI slow phaser .4 comes _ --. ~ n .. I[ r F#5 and hor ...ri _ t£r fied.110 ~ . Fig.__ --dance_ -r r that -. " n n . end G -rose... .__ . ...... .... n ~ n " ~ 11. n . _ . B5 F#5 A5 IF shot "f P -== down EJ L.C. . <:« . . ~ " ..110 N.:::r~ ~~ .. ~ I self _ de _ struct _ in' __ . .--to pull. ~~~~~~ n n n n n n ~ . n .110 _... n n ~ n ... 1 F#5 "f D __ in ~ A5 EJ Ip the F#5 ""'" head F PF lights..... push Gtr.. GIr..--to shove. . "JI." " '] n / 20 . .. .---r~~~ ~ ~ = "I = 11 = 11 ~ ..C.._ comes _ ~ to step - a _ round_ --- I this ". ... n n ..

.C. 4 tacet .) ::::- -.~-Here I • I . . F#5 f I r' F#5 It f 1 C' gun shy. __ r~ .. play down. F#5 r B5 C' F#5 It A5 rr tyr. ~ .t = 11 ~ .. 4 fI~ will. 21 . ~ ! I ~ . i: ~ Gte...... ~ I . . mar pit . -"~ " 11 = :.. f B5 C~ F#5 F#5 A5 It f so r no F#5 D5 It r tr er. . . ___ . u ..--... ..r=... will long F#5 A5 F#5 f Will It f lay C' It It F#5 A5 f play r F#5 D5 It It r tr this A5 F#5 A5 It f kneel f=' B5 down.. F#5 fiJI.fI ~ :---...::r= will Iam.. D5 .. .i .ful. ~ r a -loud.. dead._ Free Time rose. am.J I Gte.. "Jj. :::r. 30 sec. 1 (3 112 limes) N. I am. ..__. ~ . " .." u n . v .. 11 ~ ~ " u n n ~ o ~ n n n u ~~l Dadd~ Chorus It II It III Gtrs.. . . ~.k --- (strings. 2 fiJI.... I . F#5 r A5 F#5 B5 It am.- -:J ...._ q. ~ .... I ~ . A5 F#5 D5 r F tn . . .2 & 4: wI Riff Al & Rhy. . approx.... r .l: wI Riff C (2 times) Gtr. ~ .J ~ " :i: v ..t ~ ~ ~ " . Fig.._ v . ~ Interlude Gtr..~ -. will.

- n u .l & 2 II..J . . .n 'J' g n n :. .__. :. 1 -. . ~""~' .. n . f . n n .u.. f - ~ wI delay & reverb . D5 E5 D5 G5 "1 t" nev er.. 1 (2 times) Gtr. next 6 meas.n ~ :..- . 3 wI random fdbk..J (snare) ~..M..-. mf P. .... . n n n n -r ~ ~ -". 1 & 2 tacet Ott.~. ~M---------------------------------------n j\ :. '1 ~ v :. u ~ .____:: . .__. n :.. -. 0.__... n :. "7 . :. tune down 1 112 steps: (low to high) B-F#-B-E-Gfl--C# 1333 "Sf... 1 & 2: wI Rhy." " 0.... = 55 " -..1 ." / Gtrs. :. v V -"> . n n :.-' -.. 3 II.. - . All Rights ReselVed International Copyright Secured Used by Permission . / .. . .. .I 22 ~ :. -------~ --grad. D5 E5 F5 E5 D5 ES D5 E5 .. INC.. ..__.C...u. . n :. 1I. Gtrs.. "7 I . . .- ~ ~ ~~ . Fig. 'Otrs 1 &2 (rust) ...'V 112 ... :. x i! v ~ ~ ~ e ~ Gtrs. bend n :. E' ~ "" . 3 (dist.. .~ grad. ~~ .Composite arrangement -- --n n ~~ --n :..____.. .. . .. "1 . n :. . n .n . eJ -P. l1li' D5 J 'J - E5 j ev J er D5 J E5 F5 E5 D5 E5 { to ___ Q t 1<lJ]· be..u. :.- /' Verse D5 E5 ---. Rhy.."'t 'J' \l' I" Ie •u . ~ .. .. 1. choose © 2000 EMI VIRGIN MUSIC.Fig.Judith Words and Music by Maynard James Keenan and Billy Howerdel D Em7 " • Drop D tuning.... J.... -End Rhy.. :.. n ~'n - ----r . II 111423 Intro Moderately fast Rock N. I:'..-------------------.. ~ ... You're_ ~ - D5 G5 <:s: such an_ in - spi - ra-tion for the ways that I will Ott..u. INC. v .: n ..- v· • i:..M. TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC.. - :. release <. Fig.) II.

. has a ..:.. one. _ A5 D5 E5 "1 y r r r It he did this. v .--_ ~ j You're a . '" 'OJ' i~ .... ~ wI reverb xr . not Not like like .. ~ n n- 'i II 'i~ / .. _ ney ... r----. 3 tacet.er thought to ques . __ so I c •• p ~ E5 I • F5 J man ----F E5 --===--- D5 E5 Ie #r ways E5 D5 D5 E5 D5 G5 y-- for -...u.. ~ n <. Fig. otJ o. 4 . .. . I & 2: wi Rhy.~ ..~ . .. 2nd time *D5 II .....(II.....~ •• It's It's End Riff A ~~~~ r-v ~~ 112 ~r 112 r ~ '''' -r . _ It's ~M------------------------------------------------~ ~ Chorus Gtr. i-----...er D5 E5 E5 D5 G5 ney .--.lone Took you_ 4# F D5 E5 E' and .~.. J• r Ie -----.~ - - n <.. Fig.". 'Y -'OJ j~ .tion _ why.i1 D5 E5 D5 E5 F5 J E5 D5E5 D5 E5 D5 G5 ~ • ~ ::J I• br in your tJD Christ. you you 1'1- - Riff A ~ . killed __ killed __ D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 . some some otJ ~-~.. ~ .._ D5 E5 F5 E5 D5 E5 :d • j C if J• all D5 G5 .. __ Fuck your god ___ End Rhy. E5 . 2 (3 times) .. one. i~ i"..--- 23 ..er stray.. n ...d.r J me E5 L show D5 r you G5 to oJ how ~ :J • your E5 D5 E5 F5 E5 D5 AS -----. 2 ~M-------------------------------------------------~ Gtrs.(II.ban doned_ you. Still you ney . v v I~ e.~r D5 G5 left_ D5 D5 E5 D5 E5 ~ you ~ this I ~" ! F5 E5 ~ :J br pray.. __ E5 F5 E5 A5 ~ D5 E5 ij.... j J• j ~ taste tr of the A5 had way. . ~.(II.4#fJf D5 D5 E5 D5 Oh.. _ D5 E5 D5 -----.

..> n n V <. ___ D505 C5 -F'-'F ~ m m'___ . n ~ ..... why... n . you. llJi.. OJ ~._. j . Ji./ <..} &2 II Ji.Gtrs." : m m ~.. - . .. v n <. . v :. n <. 1--1 :r (" --. .' n ~ n . r " <. v <... ~.. <... :._ . ~ ~.........ken if par rea - lyzed.." . .-. v n ....~ . V 0.. :.. /I V ~.. '" ~ ~ I." "" '" .Ii <... side. -11-.... r ..~ '" '" .. ..~ ~ ~ or ~'--. did GIr.. .... D5 Praise not not like like you you drove __ drove __ E5 t the to .... side. ! ! I .. ...n V ..---. --.." ..- 24 ...~' n ~ ...Ff:. '" .. • ! ~ . Gtrs.. .f:.. .... " :...n . .3 llJi.....- . " V <..' -F' ... .. ::.jlr r r f~f~ 4 D5 E5 D5 E5 F5 4 E5 D5 E5 D5 E5 D5 05 r a a E hate spite - r fu1 ful Ie spear spear f in in ! to to r his his r..~ AS . II ---f:.. V 0. .. ..on '.1*" ~1*" ..." 'u C5 -F---F . ~ ~.'> \7 'J 'iT ~:. <. r! ¥ ~ He D5 E5 . ...1. . . 112 ~ ... it for oh.. .. in "" .c . " ~ .. n ~ . ~. •••• ... .. ... '" ~ i.. ~ ~ ~ all D5 E5 F5 E5 D5 E5 D5 E5 Ir• ._ r who sus D5 E5 F5 E5 D5 E5 D5 E5 D5 05 f left E you as J • r he Ie f down knows and the J • r a .' . " n :... • ! J J r r r " v <.sons Talk one Je Christ bro .• ! n n n • • ~ /1:...... - .. :. ______F' wi slide . 1 & 2: wi Riff A (2 times) ..

s:»: II . '" ::< .... ~ n iEi=J"1~ P.. ~ ~ ~ - . ~.~ Otr.. n .." '" ..:-----..11/\ /'i:::.~ . -"- 25 .~ /~.M. .___:n .~ ~n n ~ ..:--• A\ ~ In on ..._". ±I •• - Interlude ES O~ ~ 'fI- fI- fI- fI- R .. V .__.. ~M~-~--------------------------------------~ if .. n n n n "" i ... V - " .... P. -:__.---..l II~ . V I> .. _I"' ~ 112 A . -. _.... . ~ .--_~ ~ ~ ~'-.. .._ ......n -::::~..../ ~.. - . n .-.~ ~= r......" ~ Ii <: <: Ii <: Ii <: V r..... n ~ =J .." V '" ..J you.. ~ n " - . =J . V I> i ___.....-.... .fI- fI- fI---- ".: ~~ . ~ . '... . ." ./ ~:::..~.~ V .... "~011:.M. I -'* ~ --'v~ --. V r._ n .J . ~e: .. ~~ g g g'__.. " .--_~ ~ r..-n '*' .. ..-<.. - ..... " .2 II~ ~ -. ..~ ji. I I:::!!!oo --' I V' 112 f"----------.~ n .__..'~r ~~ -. . P..... ~ ..--:.. ~ V I> . .. . ..n ~n - . E --*...~ . V r. . '* '*' .. " .. ... In oh...n ----======--.M.. ~ -:__.. ... or i" .~ ~" ~" O¥ ._..To COda-fit II~ A5 C5 G5 '* '* Did it '* all "'for --' - II :::e: .~ -r Gtr. .

M... ~ _n_ ..n n n n . Gtr...M.M.::::: " ___ 7 ~ P. .....>.. - 26 . 7 ~ P... ~"1~"1~ P... ~ ... _-- s>. ...L1.. ~ Gtr.n -"- _" ~ ... .. . xs.. __r-:-.M...... " ~ . .M. .M. .:'..~. u .. decresc.... ..~ rr :.... ~.. ~ ""IJ . " --"- ~ P. .M.. ..>.. n u "... ~ ...~ oc ... . ~7 P.~O.M. 11.. ~ ... _0" .on .i. t II~ V . ....· ~~ . - n .. ~. - " --"'-'- --~ ~ (cont.. z-sv-" L . P. 112 \ V...... <r-.."7... u . ~ .:-... .. ..... 7 ~ P...M. ~ io . grad.. n .4 II~ V n F F ~ F n:..~ J .a LA'> ..: ..t~~7 P. _n_ -" - .: " N #.-~. ~ . ~ ...____. .M..t ~ .. . .IJ .M..- . I _____ f--------.. . -. .. n _ii n _ii •n i.. in slash) e-" ~ -"- - •-=:::. ..M. . ~ '. e-. .._ _.j. ~:. .. .... ~ - -r ._ . ...II ~~ V - ""IJ ~ __ b.M. " ~ P. . _/ II:!!! I 112 ---Vv b .. _ii _i " "._ _".M..' -"- - _l1 " u " n n .2 II.n wI DigiTech Whammy pedal -"'-"- 2 o~ .. .n. . PM. ~ . . ~ P. ~ ...--.._ ..~-:: b. Gtr. .. . .t ..i:..a: - J. "1 ~ P.. '7' I r-. 112 f ... ~ P.iL n _ii_ _i .: 1/2 .. 0.." ~ ~ n _ii V J --slow & steady gliss.. ... R_" ...3 . .n _n_ _n_ . _i ...~~it: ~ D mf Gtr.. 7 ~ P.. . ~ <r-> 112 -r c .._____.>. IJ . ..____.. 7 ~ P.

. G~.<#... .t . . n ~ . 1 & 2 _II 010 tJ :. .M. " Y Gtrs.. ..!' .. __ --y-ways for --""" me to show you how your "" \YJ II~ tJ Verse E5 .... ...~ . n . .. . 11110 ft ~ .." 'Y . f'- J...W II~ ~ --------....2 --¢l.. P.-.__. I -.'"-.t :.t :. . 2.-i .fL f'- ~ .~E FE F ~ ~ 2 f'- .. ....~ Gtr.. . __. . in notation) II ~ f: £ IE ~ _~ f'- ~ F E_F _F_ .. ..-'Y " ..t :.... .." ..- i it _ i :...... ~~-~~ ~-----~-~'-------(::' so __ -- man _ tJ ..t ..~ #~....r " . . •e 'w - . .--... n :.--. ...... .....I ..t P. ~ CD) J. n ~ .'.... .~~"""'~. ...~. ~. .-t " .. . ___ _-"". .0h.3 .... ~ i :..." ....." . 'w .. .._ . " " ~ " n 27 .~"~ .to .---.GIr..------i . F='F F ~ F . ....... ... ....M. ... I .. "JJ.. :t (cont.'" 'Y .... " 'w .

n :. ----l . ~ ~ -i ~~ P. .' -'.u .. . . . . steady gliss...Whammy Pedal off ..u 'W .M.. :..>.. _1:..__. n . Ii ~ Gtrs. .- -.~.w fill '" it ~ i ~ i ~ ---l ...-~ : I ft --' .. ....3 divisi . _ . to your god.u a .:-fL + / 1 H ... -. ~ - -:. 2 & 3 tacet E5 D5 E5 F5 E5 D5 E5 D5 E5 G5 ~ Pray to your Christ.. n ..... ~ " n .__._.... • .- fill . - " c ~ " i: n '7 . 'ou . Gtr_l -'LII_ --' ~ ..n ...:.-:' . . Nev .-.- P... . . .j. n .:.u .M.~ .er taste * of the Gtr.- ----... .w .>j '1 . ~ ~ rt: .ban-doned ~ --~-~~-----~ you.:. n :.:.!" .n.. ... 1 t -~ ~ . . .._ .______ . . ..M: ~ Gtr.__.4 fllI- -----= ...." ... . ..~ ._ ~ ~ ~ b~ ...__ --_--_ P... ~---~ . 'u -28 ... n .. .j.M...:::=----......... P.'~ .M_ - . .D5 _lLoIIo =--- E5 A5 B5 --' dog . . __. . ....- .:." ..~ . .. .. \. .. \:I '0 'V r. ---l e ~ -. - n -'1 n :j " " n .rna has fI II #~.-i._ .... ~.

-' v . n n :..l&2 "olio ." n =..._ ES FS E5 D5 E5 D5 E5 D5 G5 .tion why. break..M. ~----~ ! n y -i ~ ~ = c 11 n ~ .. n Ii u y " n 29 .. . .. n " 7 n " n .._____ _ . ~ ...er _.. ....'7' I- . . ~ :.--. nev ......3 thought to "olio ['f:----f:_ '-'f:~ ~/ ~~ . . ~ ... .n .er. I They choke "olio .. GIr. x - .....n -H v . . n " n ~ ~ ~.... IJ you. y " ~ .- Glrs.'..... ~ ~ P.._____ _ P... - " n 7. n ~ . on '.- ! n ~ q~ ....---... GIr... r r ~ on ~ a ........M.... alCoda D5 "olio 7+ ES __. . ~ :. ~ " ._____ _ f: f: ~f: " ~... - --______ --i .. _ nev . - n ..... ~ . ~ ~. ..er strain.... '7 . ques . n ~ :.. '....er . E5 D5 E5 F5 E5 D5 E5 D5 E5 G5 ~ Nev .7- v on D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 AS ~~--------------------------------------------------i D. DS r Nev ...S. . .....r _"- .. ..D5 " olio ~ 7+ fruit... ~~"''''~ .._ v ... =....>.

.n ._... . ~ . ~ . ." . n :.. ...'7 . .~ A ..--=::::::::: you._. '" ~ ~ .w 1~1~ ~jfJMvE 112 112 ...~ ~ ~-~--/t:' '.n . "" ... ._... . ~--~ ~ .... " n .w . 1L 1L ~ . A5 - . .'7 ~ . ~ AS '.'17 17 17 17 17 It· tr Did it r all for 1= =..-$-Coda E " JI." /~ fL ....w . ._.. ..n' .._._ oJ F j ..--.n . j' E steady gliss.J 1-0...n .W . 16 16 16 '1" • Hypothetical fret location 30 ...'...._. . ~~ . C5 "~"""'fL eJ ~ fL .. ... I.n . .."" 'WI hW N rrr .. you." :. ----oh.. '. .~ IlL . <l .'7 • ..~ .w /~. .w \ ._ ~ ..n ...w n .n '" ~ .. C5 G5 " . ...n L r ~ n r :. ~ n :. jj ." r~ 'V 'V'V~ '" '" "n . ~ ~ • C'.~" ... Q. n W c:.ft .h n n W n v- tn' - ..W ." 'h .... .h· ." . n in . h I .. C5 ..' .. ~ '" \:1' ... In . .1]~q ...ft •• ::::::::.. .." ... . .~ .. " ~~ ....w .._..~ .

...~ .... . sr-. . ~ . .-. n ... /'~' ~~~ "'EO ..::::---..... •'n n fljj." .~ .~ . • wI random fdbk.. V <.) __ . ./~. . " " -~ _jJ... .. ~ 1Ij1If) --=:::::::--. CS 1Ijj. AS CS --~'(Ah.~ . r~ V .J'~~~~4. Gtr. "' ._ I steady gliss. ~ +! If) w/o slide ." V .... . ... ... . .... ~ f'--/~ ~ ~~ ~ .r.. i" in V J~ V ..b~. • -I...._~--=~ steady gliss. II /~. ...'.3 Em7 fillIf) f'-- »..." vt ..' n n 1 . .. -... .. ~ '-- . .n In i. f'-- ~ ~ ~. .. . ~~ ~ ~ ~'-. '. ~""..dp.~ I~ ow ~ ~" /F' F~ ~ ~ ~" I~ ow . 11 n II ':' l:..... g g ~'-I. I . .. +I. ... I e) wI slide . . e) '1 -F~F GS fllIo /~....3.... . " "."~ " ..•. ~.2.._ . r~ ~ '" vt ..fL -.CS II 110'-'p... n c. /'F' ..n ~ If) .." o- " " . 14.... . V n - "" V <. ... <.." oh. . ~.. II Jj." . .... ~.... ... wi slide '. . ~/ = == I~nn . q · · V V .~... .~ ~ .... * 31 . ..c: . n -· · ~ 1 .." . g g ~'-... n " II '" ' W/ Outro E 11. ....: h: e) 11110 e) /F' F~ ~ ..n ow • -11:.

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.) 2... '> r :.. End Rhy. u I i L r . L Threw threw Rhy. .. . n .. simile on repeat u . I ~ J..Fig. _ gel.. .. au.. wI fingers let ring throughout r- I r- I .11- ~Verse Csus2 GS Dadd~ Bb6 .... 0 '> . All Riohts Reserved International Ooovrlcht Secured Used by Permission . [J§ ~ in of your __ a ___ the_ 'i 4? Dadd~ J.11- J.. 2 (3 times) GS Dadd~ Bb6 Csus2 "P =.01 ...vi . for one (aeons. . .1 Ott. Gsus2 11...::::: 48 "* Rhy.n ~ _. ft e.11- * Chord symbols reflect implied harmony. u "7 D .. ge G5 "f . u n u .. u " .. re fal £ ~~JiJ col len ___ lee an Bb6 Csus2 G5 Dsus ~ Bb6 j~l tion._..~ • End Rhy. '> n r""""" I r- I .. mf 'T" . ._ -"- _U I . 1... u n c u " 4# r:s Csus2 flew see Ott.. .2 II . 0 ~n ~n "7 " on . -" . ___ dy.. .n. . c n ... _n • ~ u ~ . Fig. Ern(add9) Gsus2 • ~ . & clean elec.. ¥ ... .. . •• L.ous . on more your_ be S3 A_ IMd J name eyes t93~ lion.... Ern(add9) Fsus2 • W .ous and you just to . 1 * Csus2 Em(add9) Csus2 . .. Fig.3 Libras Tune down 1 112 steps: (low to high) C#-Ffl-B~-Efl-G#-C# Words and Music by Maynard James Keenan and Billy HowerdeJ Intro Moderately slow (viola) 11. 1: wI Rhy. INC._.. 'L I t . ........ n ~ ~ ~ . e . .. I • r . 1 • .. -r ...>_ n n r- I r .. 2 .. *..o. . . . hind it __ there's ... Fig._ 0 i-L g &l ! '> ft u -"- _1 . . INC._.IR same.Fig.. you you the_ the_ --- ob ob . Two gtrs...._ lij41 J J] down eyes "f ~J J a-mong of a tJ a __ I J.J J with if tJ IJ: I" ~j J J7 back..vi ..J ~n "7 -"-'l . TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC...II_... . n _O n ft Fmaj9 11.. © 2000 EMI VIRGIN'MUSIC. mil tra J> ==-.n . e _n .. .

.. ..J I Ii I W .vi -Lr _ _. 1 "..w .... RJ Em(add9) Pre-Chorus Csus2 Gsus2 --W '1 ~ Nn. Cadd9 IIJ1 RJ -. " '" Em(add9) fiJI. . l. . rom..J '" 'u .. n u .. n .. " u . . .... . .L.. But I _iLJI.... 0 e..... 2._ through _ it all. J 0 .. . .pect .. e.I .... . (lICoda IIJ1 e. dis . me.I .tie bit bit..n .S.ing just a a j lit . u Gsus2 ToCod(l~ Em(add9) Fsus2 Fmaj9 through..ap too ___ Ott. ..J . n D..110 - . '1 .tie lit .. __ right_ see IIJ1 e.....n n n ... .3 - cult am not to feel ex .J "" »r 43 .fi Here I Rhy. " r-<II j -<II . and passed the 0 wound - - ver. . n _'1 u W .Fig...ed but ob - Ii .. . fiJI r'" j . r-- j .n . In see you see nak. -r o n u n u " . __ see. n W .. " " . dif . .n n u .IIJ1. ed. ... ... Fig. u ._ But But I I End Rhy. In • n ~n n . -. n n r--<II ... n .. . 3 look. ous. .."..... .... point much ed_ from __ - mm. don't see . . and you - ..... u ... " . ... Em Em(add9) CSlls2 .J -<II ~ n n :.... .

n e y .. > T ~:i . *~ • !""'- ~ " :: y :: wI pick :: ~ ff . G Db II...... x 0 ... 1: wI Rby. .. I"- of a fal L> c. are doubled next 8 meas.. "7 1.. Oh_ eyes II.. u ~~~ : i : : ~ . i! " •" G Epadd9 '~ <.. vr ~ ~~ o0 ~ .u. " :l j. #".-{j} Coda Em(add9) II'"' Fsus2 • and see . ~~ . e y ..j . . .. :: " . •• L. __ It Ap-pat-ent -ly 42St] _ Em(add9) I Csus2 Em(add9) It noth-ing.ent .. . C e x 0 v e :c ... V #". . ...__ 11'" a. :: :: :: .. be - . X 11 Q " .. :: :: ~ !..... Fig. eyes I"- of a tra ~> ge - dy. " . 'l" " Interlude Gir.. 0 -. #" 'J'- •• s>.. st: ---len ~ . an > - gel. . ~ Ap II.. G Ebadd9 '~ .ly ll· IJ2tQ Csus2 ..3---. " il . > :: : :: '0 e n "7 n ~ "7 ..j n .. ._ . :c . decresc. .p'ar...u. "" _il _......ing all.. 1i?Tp oh _ Csus2 Gsus2 J well.. .. _ 1 )J J ap . 44 .. • • L. r ..' 'Cause I Chorus G - ~~Jj . :: :: :: . noth . .. :: : :: > il . • > v . ..! ':l • Gtrs.. Ab '''': :. ~i ~ 0 . il . ....u... threw 11"'1- •• v .".! . ... )C wr x e . . " .. . :0 -" .. ~> V - vi - ous to_ see '~--> Ebadd9 •• Ap #" #' '''': .. at Gsus2 t. .. 1 Csus2 Em(add9) ¥ well.. ... 11"" '''':..0 ~ .! ..0 " il . :.V ~ 11"'. Ap ~=--.. ~ .. :i ~ ~ . " . .. you II'"' v r ~ u J ~ r .....u. u ~ L> T ~ 0 ~ ... :..... 3 J j J~ 0 ~n IJ. Epadd9 II. 0 . . e y ~ e y ... . > : :: :: ~ : ::: ~ > r ..... " il iii iii ... -the_ through you..-.! ............. ...~ hind_ the what DC L - curs • ~~ > . ~~~ : ... .

. don't. ..... 3 (3 112times) Fsus2 II ... _ you Em Em(add9) ~ don't..._ you don't f: see .Y .. _ • you s>. ..v . . . 0. You Em Em(add9) ~ don't. ~ see ~ me.11 .. n Em(add9) II . n . v n u •• n u v v v .. n.. ~ ~ •• n ~ . 1: wI Rhy. 0. ~ 0. . __ you don't ~ see f'-~ rne. r...eJ • W I • r . n ~ ... V ~ 1 I ' r-I ' r I .. ~ ~ .:-. ~ .2 . tJ you don't __ II . . .. me. .2 (elec. eJ Nn. v .V 0.. don't..) II .'-'"1... /'-.. you you don't.- . .v:.." .. ::----.L.... Csus2 ...-.. -r ' . Gtr. . ~ I I ~ ~ tJ f . n .. . v 0..t ..... :: ~ V .t .' u c' ~ .Outre-Chorus Gtr... don't... n .... 0 u 0 u 0 n . ~. ... you . . V :" u ~ ~ q n I wI dist..i.t Y ..:-. . .l 1111 .. You . n tJ I V n I 'v ..--.. ~ Fi I ..' -r v:. r--"1 rI . tJ .... I .... Em(add9) Csus2 • • s:: don'r.:... . .. ~ ~~ . • ~ J I I -I ~ ... ~ ... ..t V 0.. _---... n 'i " .. ~ 112 I A -' I _1 ~ .' :... n n 0. ... . You c... Fig. Gsus2 Em(add9) ~ see flme.. . ~ v if u v if " - v c' II .. u v' ~ .. Gtr..t ~ ~.. .. I:.t ~ V .. Gsus2 ----.. v n v 0.. .' . n . ...... .".. _ tJ Gtr. ~ t V . v 0. . .& 45 .:.r'" ~ Y ~ ~ .. ~ . don'r..---. n v 0.t .. v.you c>. n 0. . don't.

. ~~ .----. :" " . ~fL~ --'" .esus2 """ ._. a ...Y -~ .. . ~t:\....0 Em(add9) Csus2 #. " " :.~ . ~ ..... . n .~ Fmaj9 t:\ .j ~ I ~ - .. >---.." V 'n ~n ~n on - .. see me ._~.....~ ........ .. r.... .6 " .. ~~~~~ 1>' . :. 4._..110 ...... In 'v V • . V ft ~ ~ ~ ~ . .-.. l:. Gsus2 -..n In .. :. you don't • L..r---. .' . .... ~ .. .. . '~ ..._.u V Em 11". ~ f. " -r ... E' ~ . ' I "I ~ . u ... l:.. " l:.. ~ Gtr.._ at __ Fsus2 • • . ~ ...> f. .110 .~ . :.- ~ ~' n ~~ <...J ~ ." ...' u . """ ~ I ~ I ... t:\ • • • ~ .:=::==---::::~ don't .. l" u ~ l" -..~ . ~~ a ._ ....._ . " ~ Gtr. . .. see You """ .~ ~~ ...l 11......... ..~ ...~ . .... .2 11. a r.. ...._~ Pe e ee e e·__ . ~ ~ u -:. ~ f. ....' v ... ... . ~ t. . . __ -------_. .. ~ all........ .... " ~ <. .. ___ . . e -!. . you don't. ... l" -u I r- .:.... l:.' I r I .:. ~ You #. .. ~ . • ._.' . ..._ ..._ Gsus2 ~..110 .:.. <. ....-<.._-' . 1>.. ~ ~ OJ ~~ ~~ .. __ • ~ - don't. ~ E' Em(add9) 11.n n ~ ..._.. L..> " l:...~ V 1~ V . ---- n " n u n u -v n ..'n .... .. ~ l" u . .. . ..J L. v . . '''' I I _J ... I . ..n ~n ~~ 1>. a .... ~ ~:---=1: x " n ... ~n .... Em(add9) ~ me.... .

.. ~ .... _ !:'. n ~ n n GIr. v ~. n ..... ~ i....... 11 -.._ dear...p..... .J~ -... ... • 1*- !f. • Two gtrs..' lit. I .._. I'm de E D5 I.....p. drive _ or drag the _ de .... ...... all.~ -. vv :..J 1.. v ....J-~ --I let ring' ._ ...---r I 1/ I v v n :: <. I ... it....Il. you. 1 (dist. 'no v ..' . .~ .......JI-... n 'nO .' -..--------!f. v .....i - = =:= =:=:==:=== == = lit. 4!: E D5 E ~ Gtr.... INC.sion - al. . ..._<ft. . 11 11 11 . ~.p.-.... ... n . ". . """' '"' P. ..mons ~. 2 (dist.... v ~K--------------------------------------------------------------i 11 11 11 ===. n v -.. . ~ 4!: J :::: 20 1 E r--. 1: wi Riff A (3 times) II JI.. .-.-.' •• End Riff A GIr..." ~ -I -. .. TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC... .. r I I I could cure 1__ Gtr. . 11 .t. v I ._.. n ..- P. ~ ~. ~~ lu ...... ! U n n " ... .-.. " v n v n v . ...) ** D5 . .....- n . INC...M.J .....J I r I I -----~ be-lieve L. ._. ~ -I lei ring . ~....2 I I _fL.. 'no . .... •n n lei ring .. D5 I pay 3'times ~ . W for you..~ -.. :: .'"'. Verse ._ I ......J ~lI ==== .....-... .f! Riff A -. ...) . arr...======= 11 ~ 'nO ... I from . ...M.. - !:l' -..-."._ I '" v ~ ~I "..- n ..---.. .... All Rights Reserved International Copyright Secured Used by Permission 47 ....._. ~i _ np wi delay • I • ~ .. n II n 'n' . . coax a trick or - I . n . ... P.. n n . i ~ -. •• . •• Chord symbols reflect basic harmony. n 'n' 1'i n ...J -J' ..M. '" v © 2000 EMI VIRGIN MUSIC... for one .--!: fdbk.l II~. n n ~ . ". A f *9.. .....Sleeping Beauty Words and Music by Maynard James Keenan and Billy HowerdeJ Tune down 1 112 steps: (low to high) C~-F~-B-E-G~-C~ • Intro Moderate Rock Half-time feel GIr..J' ...

.. JI.. . _1 v n .to :.. -.r. I\.. lO oil: I ~ ~ ~ ~ ~ tJ -d- ~ " v '. ~ in ~. ~ v 'l v .-.~ ~ .D5 II ~ E It.. 1 ~ ~ J ~'" ~~~3 B ."' v n 'i v n 'i v' n . ~ '..Ii' I/"A / r ~ ~ ~ v '1 v ... ~------.. ...> . In ~'l -in " v .~. you.000 [_3~ r I ~/ ~ .wak en ing. '.. ..n n.------~'-"~.. 2 meet I\.... . I s: . :.n· .- tru - ly_ thought lllloi tJ '-'.'" ._ sleep - ing beau - ty. You're "..... " ~ '.....i-c'lly heal . . .u "1I011: tJ I\.... ... .~ ..... -----. Jl.... .v '" _\L '''' 'v '.. r""""""'1 ~ ._ ..p.-" v ... " v v " -........ v .j Gtr. . v n 'l "'3 .. .....--...__. 'i .. - . • be . . -in .-. i ~ ~~~ I ~'-'. ~ . 71 ... r I L. 'l...n It .-----..yond a vis -i - -= I ....... ~" V v :~ ..t ::J e ~d v' . '" Interlude Gtr...~ .. ~ r-"1 I r~ .. n '1 v '1."... .p.ii.. .~ - .. I'm II~-II: tJ :. I ----."....!'-... v ii e . I ~~ <. v . Ilo i D5 E7/G~ ~ I could mag . ..~ ·..... . .n ''1 -in . ).n 'l ... .n .:..__ - tJ far RiffB ble_ sign of your a .:. n ~ r--1 ~ ~ I r~ r-- EndRiffB . v v v' "' ~ .. . ..__. ~ - make it right for ~ . i E7/G~ .n I ~ r--.'n ~ . .. n <. . you.'n v - ~. Pre· Chorus I\. v ... .0... .... ._. v n = v 'i " • 48 ... ~..

mp ~~g-------------------------------------l n n n n v 11'111111'11'111'11 :: :: = = = :: =:: '1111'11'1111'1111 :: = :: :: = :: ..--..... .~ -... x " .- n " "'" n ~ n n n E " jj.. T T -.: ft n " w n n n n Verse "'. 9" .n u n Chorus E " Jj...J..M. -II: ----..: :.... --...-... 05 ~---=---- ty..... .. " n __ . ...I -II: E 05 ~ 2. "..J.. -..: .. n " " .. ._. .11 '1 :: ~~ P..&. .w I ' . * " :::::===------. ~ 77 n r> beau- " jj. 9" .J. -... "Jj... ~ ~ . n " .. ...._... ... " ~ P.-i P._. Jj. I right _ if I EndRillD ~ ~K-r--------------------------------------------------------------..... ...M.. .... " 0 - n \. .I 011: e - go... " ~ '.. '1 e ' .. 11 let ring ... P.. --.. -...._ _..' fail RiIlC ~ ....' -..f1o ~ ~ ~ ~ U l} ~ .."-""11 = ======= 11 11 ~11 11 ~11 ... -i ~ f 'II = = = = = :: 'II 'II .......~ . P. "~ ~ n v n u n' u n 'n' v n n n n n n Ii .. _.. . ----.. -.: . n :: n " n .'II 'II :: = - .' v . ....--.....M.. n n ~ •• 'n' 'nO - ...'1 :: :: '1 . n n ..._." 'w .._ eJ '1 :: :: 'II ....'1 :: 11 .. ..' . T T ~ r--1 ~ . n -ar- n --.---.... -11:..-..'I '1 :: :: :: 'II .... Drunk on _ RiffD " .n ~" \7 l~ ..M....mis ....... 'I .. 'ra ~ - ing_ - . P...-..f1o ----. jj. h " --.M.... ~~g-----------------------------------_l " n n w n '"' " . P... ~~--. T ~ T T ". -II: . 05 _ ~ sleep ing --------..: Q " v <: v .. ._. e l} '" '0 ~. " " ft _A 49 . n o· :" - n •• .-----".....11. -= ~ -:in tru .&... P.: :...'0 __._ ----... :: 'II . " .l~ t\ 11 r 1'""""""" ...-..._. -:i. n :. .. n - EndRiITC = 'II ... ~ . :: 'I r--. . " u ... _ ""... n .. - ~ -----r--..'1 :: :: :: 'II . -~ .....ly thought I could make _ it ..... _..11 ' 'II .....--bly to res - cue_ 11.M..__/ T T ...... ~-:i-7J ~ . :" - ..M.M.

..:...-1 '--'W n _n_ I l.:C_------- o-----r· F I __ ~ hope less. yond L. " JI..s ...1... s: .'. 1: wI RiffB (3 times) " JI. 'V -_ ~ .en ing.l_---_ Sleep ing _ beau I~ ty. 1 Ott.. •• ~ 1... V q ._ ...J L.._ _ ..tu'l ...:. far Otr.--. II q ..l -J be - _ a vis -i - ble_ -----. -!!: • I • • L.l . 1 7 D You're II Pre-Chorus wI vee.... . 'V n .... 11: E7/G# _.M.:... . _ .. IE r soned _ and poi Otr. j kissed you _ P. n ~ 'V . __ Interlude Otr.. Fig. i _ End Voc. _ ~ ~ p--p E . D5 one _ more time _ to help you face the night - mare. . III that I could ac . Fig. wI Riff (3 1: D times) E &###1 * Omit J 4 ? da. . n -~ ~ .....-J _. - r sign of your a - wak . DO but _ you're _ '###1 E E ~ far ~ too ~ --~~ £j 30n_ D5 ~ '----"" ~~ ~. last 2 meas.'> '. that 1_ could r ~I \ wake. .ly heal_ you. .... me. ''.s: .. II D5 poi for_ such tl a f} r fool_ to r1D ijr f) think L. s: 50 . 3rd time.._J ~ I _ ~ ~ r-. .:.... 1: wI Riff B (3 times) E7!G# Voc. '###1 J tJ you _ 3 =J~ J from _ your slum ber.. 1: wI Ri=·ff. .• Gtr.J W v' l.... ...Fig:..

)" ... i.. i.son mem- ~ . I n n :.7 :.o... '" ...J • I • l.J • hid .:.fI .." n '" .)" .. '.~ ...--. . v ~ ...".fI' .. in ..j rI .' u y ii U y ii U y ii U n v n .! -. I " v ..... 1 ...."....ing . I. .. .. . '.. :.:.-.. . .....J CiL I........:.. -r e v' " j:' n . ~ =.:.. _v .. ' ~. .. ".._ ..u ... " ~ .t .:'! . ...{n ". ." •• ..-J ~ '--'W y :. '_' i" . ..:.-" r~ ~ ...... .J yond a vis .:... n ~ =... I ..._ r ~ mis .-J . V ii u •• V ii U ~ :...• -.J •• I 1 --... .--. . .. V n ..en - r ing.. ..._jl '" v . n ~ =... ing_ .-. • poi . Far be - _..J W y ii U W y' :.{:. - ~ ~ you.... Fail . Gtr.::c._ " .... ..fI -. sign -----.t ~ " ~ __.. ~ from _ some 0 - ry. \Y 'n ..{:. ~"If 1""""""""1 r-"1 ~ ~Go' I r~ I r---"'I "If "If "If n 1I_jt_ "If "If i ....... ---.. V " '" V _y ii U Y U ii y :. \Y ~ ~ q~ f: ~ ~ ---. ~ . n ~ q n n 51 . n n ~' . ' ~ e " .. I . -It ." V '" V ... IV in ." ....II '"' o!! . . n y !.. ..n \Y {:. . V I ----. .i - ble_ of your a - wak . '" .. V U •• ii U ...n 'u . U L-J L-J ~ ~ . '" .:.._J ~ I h ". .n .." v :~ 1I . L." .:." fl1 fl'---I fl- . n ~ :. '.' U ii ''.. ii u v " ~ ." . IV i:: 1I .. I..7 .. IV :... ri ..-. • L..n ... V ii . o....l " JO o!! ~ :...t :....fort_ II '"'~ . .J l..: .--. ..J ~ b '-"[_.. I .. v .." ..... flI fl'---I fl- r-=:::t. . '" _v_ . . U.'re bly to find a way to com .. n I I..

1 1 .- oe..1 1: 1 ::::::.- ~ e " " ~ ~ " Ii 'i .__ t c " jj.... ..::::::::= .- t 112 ....1 1 J::. " ~ . i'l ":::::::::::::~1: 1 11 ::::::. 2 tacet 11»01:1:--.:::::::::: q...11 1: 1 ::::::.......>" ....-i 1 112 -. A r'l_ .: -" ~ ~ e _.... .....>" " Ii ~ .. 1 ..1 11 1 l~ .... e! A c A GIr........ ~ e ... .... • 1 1 1 11 1 1 111 1 11 1 1 1 1 ~M-------------------------------------------------" ~ ..:::::::::::~ ..1 .. ~ --- Gtr..... .i "» e! . 1 r'l 1: 1 1:. .l II » e! 01:1: ~ ~ 1 ~ ... 1 1- " ~ . 1~ G6 "-~1: 11 ::::::.Interlude GIr....1 II e! » 01:1: ') .II 01:1: End half-time feel Dadd9 Interlude .. A & ••• octaver • ~ •• • •• ~ • • • •• ~ e! mf * wI Leslie " " " '" " " " n n " ~. . 1~ G6 Dadd9 A 11: 1 ::::::..~ 01:1: r--:• ... v ... 01:1: r'1 V 1: 1 1:::.. " :.....>" 1 " ~ .. e " " 'i " 'i ~_ u " ~ 52 ... ~ e --: ~ " ~ 'i .-... 1 11 1 lei ring ......._ :.....>".. 1: 1::::::. D • --":::1 ....-i 1 1: 1 11 11 let ring . e ~ .....) II ... * Octaver set to double one octave above.3 (dist..

I. . .Interlude GEr...! " " ~ -: .. i'1 :t ~:t 1 :t: \ ~~~ ~ ~ ~ :t: :t 1:::::::::===~~ 1 1::. .. ...! ~ -: ... n G6 Dadd9 A ~ r-- rI 1 lei ring ..: 1 1- P.... c '" "" lI: '] .M.. ~ .. 0 .! ~ --. A ~ .....::::::::: ~ '" Interlude n • • fL - Gtr..-~ ~ ~ -':t: A . v . ..." ~ mf v * wI Leslie & octaver " " " " n . -: II -: .. 2 tacet II""l±--... -... . ...-- ~ =.. r--- oe.::::--.! ~ -.: * Octaver set to double one octave above. " " " " " ~ .::. it ~ ~ .J l oJ =:::::::::..: -: ... l± .. :1 1 1 ..i II .. -: ..: ..r II jl........ . ~ II .> II --.... .j r--- r--- r--~ 1 :1 ~ ~ =: .n ~" " ~ n n . 1: r'I 1~1 r--- ~ :t~ :...........: '. e -: ..) Dadd9 II "" l± .. A c A ~ [') r--- oe.. .11 : :1~:1 II 110 l± ... 52 . -: " II . • ---"::1 1 1 1: 112 1 t ~ ~-~~ G6 112 + ... .. --:.! " v ~. 1: r'I 1~1 r-- ~ 1: 1 r--- [') oJ r-1 ~ 1: 1~1 1 1 -1 :::::::...::::::~........ -: II .. ...-l [') iI 1 let ring --l :t 1 J -......._ 1 1 -". . .. ...- ~ ...! ~ ~ ~ .... .._..3 End half-time feel (dist.-...-1 :1 -.

..- ::..... V " .. 0:. .n n ....... '" ::.. .....~ " .n n ... . ..~...r:..- . .. n " b b b - r-~ ~ e V it' '" V v ~ ..n .... ' 7 2 it' .- n n n n " v V 0:. ' . ........ ..11 qt l '" V t t V I:::::: V .! n v n .flo - ......~ .. n n n ~~ .... V -:t ~ 1 1 7 2 v .- '. ...~ A . n " " " V 0:.n ~ A . " " ::.' D "JI.n A !'- . 1 ~ 1 1 ~ V ~ ~ .. -':::::..... .... ~ . r: ::. ... :t ~ :t :t " Ii .. olio of!: . .. 1 • • ------:1 :t :t ~ :t :t P. ... :.....-... n _..- V " V V 2 2 2 2 " . n . :t 1 ~ ~ '" V '" ::.. .- . . -I -II ~ .n A I'- • •• • • .! olio of!: ~ ~~~ 1'-1'- .M... " . G • • • !'- • !'- ..... ...-IIJ ~K----------------------------------------------------------------_ n V 0:.. " v i:! V e V v ..~ ~ H V ~ ~.. .. :'\ J ....... .fIo .n .' . .. ... .....n ~n n n n n ..n n n v n ...l c _II e.... ..... '" r:: ~ " " 0:.M. n I'- ..~. n n 0:. . i:! ~ 1 :t .. .. V . P...... n ~n ..flo ~ ~ ~ !'- .. .. V f) A ~ ~ ~ V ~ :..M. 2 V " V V C ..... ...- 7 " r: . . r:: v ~' ... 'i ~ " - ::... " ' .... n n n ..flo ~ I'- ~ I'- . q ~ ' .-. :t --... v " q 53 . v n I"""'- r--- :t :t ... ...... n . ..~ .n n . :.. n ~ v . ' .. .- IIJI. .. --=i:t :t :t 1 :t :t qJ 1 J::::: P.vA 'VA i"n ~~ ~~ . . .. '" V ..n 06 wI delay n n n v n .~ r-- ...c " Jlo.... .. ... . . . .. 1 1 1 1 '" ... V 2 7 v ..... n ....... ......... .. ... .... " JI.. ~ " '.. . _ii ... :..... b ..._ • • .n ...........- .....- 1 :t ~::::: P.. Ir V " V 0:... .. 0:..~ .- . ......: .~ V ~ V v -" 7 2 v ::.. . ...M... . .. ... v r--- 1 1 1 " _v i:! V r--- 1'1 ... ..- 7 2 " ~.~ ~" n ~ n ~ n ~ n n '" n ~ n ~ n ~ ..- I'- e.....- •• ~ ~ !'- ~ .- • ...... " .-... . . '" ' . .. ~ .

". _ E ~ sleep Otr. "iI P..A_ -...J... . II lolo lI: D5 .... u . :: ... :: :: :: n n n :: .J less -----...1l............-... ." .iI :: :: :: :: :: J :: :: :: :: . ._. .--. u _It ..t_. ...... ~ and_ II '"' t lolo lI: -........ U n n n n " n ........_ ---. :.. i.-. ... . ".. 3 tacec .. _ D5 -.. 11 _. n.. " .l 11.. u . u -"'"I.. .n......±I . _n... :: :: :: :: :: :: :: :: :: .' u x u n .J ..... -l -i = :: :: :: "'L......."... e • " n - . 11 P.. -I let ring .. . .. . .. .--.. .. The poi ~ _ D5 ~ soned ------Ij" ..j ~ ......... 'n' n .. ... ~ ii u n _01 . E C#5 ing r I . Gtr.J n n ~ n r-" .__. n u .M... ....Qutro Half-time feel D a dd9 " '"' It .__..M... "Ij- ...... ~ -i ....I E i.. __-:ji: . n ~ .....1l.__i_ -. . ---"* ... .... -r-.... :: :: "ilt... u n A~· . ll: ...........--.M.__...... . P.. ~ n n E lllolo+! ~ hope .M.-.... 'n' u . ..........-----.-.. 'n' . 11 •• . lei ring . .. u :. . n .J..J ...... u .. .. n ..J' :: :: = :: :: . . ... n.. -i .... u n u n ....~ P..M.... ..".- P.M. .... .. --l ..""iI P... ... .-. .. ~ - .... . -...M...".-I .... . :: :: :: "iI ..... ..-..M. u _It _}{ n ..t. :: :: :: . "Jl......... ft " u n n " n .. -J -.. ... .........M.." P.M.:. 'n' n __. :... :: :: :: :: . "iI I .... .... lolo +! ~ :: = .--.--.. "..-1ii...---.-. n ~ beau .---. :: :: . :: :: :: P..--.. "iI "... ... P... w n n n u " .1'1: .' on._ . u n . Ij- . n •. "iI.. 'n' il n 'n' . ....ty..... P.J r-- .' u ..: let ring- -------------------- ..- "iI . . ...--.

_ _a_ i:.... art.. . INC.-".. >-._ _.7 ..in v Ii c 0 © 2000 EMI VIRGIN MUSIC. for one.".c.n ~. • Two gtrs. Capoed fret is ''0'' in TAB.less.--".:._ _.I "P::> r ~ u > let ring throughout ~~r r--~r > r ::> _.>' ~~-----------------------------------------------i 1n ::> !'.. " u .. n " ~ :. n ~ .3.._ r-----u r--r ::> n u > vr n I: v u ::> ! " u ~ " " ~ ~ _. l:t 1 _1_ Bb5 .. " " u " " u ~ u _.Thomas Words and Music by Maynard James Keenan and Billy Howerdel Tune down 1 112 steps: (low to high) CII-FII-B-E-G#.. P. .... "j ~ .._ ~ in parentheses represent chord names respective to capoed guitar... Chord symbols reflect implied harmony. 2 (elec. _n n .M.--". Bb5 _k . I!... Cmaj9 (Amaj9) > II II E5 ~ ~ >1"'""""1 -. ) "JI. F#7IE (D#7/q) > > ::> ::> (C#m) GIr........ r less. --".c... 1 tacet GIr 2 ~ ...n ~r n " u ~ " u " u . '::::'/~_ . r less _ r and learn-ing to pray...~ wI dist.. . _ 11. .. in D5 II ): n II Verse C5 "JI. .Hum-ble - and help . __ _ I ~ D5 1 _1_ ....._ " * Symbols Em > ~ " " --"- -I:. ~ i:. .. C Half-time feel Gir.110 1. . . G5 E5 -It :i -tl f~ :.". ~:.. JX '0" 0 0 " n . T :::: 4.u _.- " ~ :s '".. . . ::: "11 ~.'..... .._cjl GIr. _.. in "'" ~:. Symbols above reflect actual sounding chords. 1{ acous.. 1: Capo III Intro SlowlyJ == 86 Em * (C#m) > I I I F#7IE > I (D#7/C#) > II 134 ::> ::> C5 x 11 "" 134 D5 5f [ Gtr..c. ... _ r less. All Rights Reserved International Copyright Secured Used by Permission 55 ..It tJ mf x. ~:.r-. TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC. tJ > . -It > . INC. v. '[... u " v " " " - _.l "JI. ~ 1...) II JI..110 I .._ " " " • Gtr. ~ :s . ~ II ~ ~ . ~ Cmaj9 (Amaj9) >- ~ r >- ~~r r__~r >> >- I I~ ~[~ n r J ~ ~ ~ rJ r ::> r-----u r--r ::> ::> n .- -i :... _0_ __C __ 0 _H_ _.2.--".. l'l_ in ""'" ~..c. ..--"..c.

..... - n n n l!_ u _l! !L ~ n _ " ~ - n l!_ _n_ >..~-..in U· ..'tnt ~~ P..~ _.. e e v .u.. • • .. ~~ P..u....giv - . iii '" ~:.._ ~: ~ v r ~ .. 'U . J' .. 1 GS Al .. :So .u. Ii ~ :::::::::~ . ~ ~ 0 v " . .. .. - ~ ..'_ :::=::~ 11 P. '"-' ... l.give II II- r ~ I fro • .. ~~.. ~...--1 ~ :::::=:! :. ~ to .. 0 0 ~ e ~ ~~~ "ee 0 ~ . r on_ r and to show me the way.. CS r r on._ II. _~ . the & II. _A n \ r:-i ..... c .~\ .._ 'lrI' . 11"'-----. k ~ to ._..n . n :' n l:' OJ _"Ii a . Ii _"-- ?_ if :.M....-.---. _-II.. n --- • .... ..M..... . ii U _~ GS ".n .. be ~ fL~ fL . '::=::' ..._.. ~~... ~ ._ n u . 3 (elec.. '-'l.. oil> -II.... n u " :. qt::=: = P.. P. .M. .. n w/dist.._ in _An in '-""".. 1! n -" l' >.....l ES 1"" Esus2 G5 D5 1'" ._ -"._.. in . v I . Fig.u.~~ _c_ .i:.. _i -r n __.. :. __ ~ for vis - DS ~ Pray-ing ion.... . n :0- q ~ n_ ... n .M. ~ u .....Fig. e e ~ e ~ " .. let ES ~~ it it~ --~ Al .:..... ~ ___ .. on..._::.... e ~ ..". in Chorus D Voc. - n " n U ~ n U ..2 IIII- r • . wJ~ I __:.. U _l! .M. . B~S ES .n: n_ :t .....::::... if -~ .._ '. _O l! u . ...~---.low me for . 0 _" _R I. Rhy_Fig.0 ----....l II.. ..: I .. .~.. ..i:..J :. II.._ n . n 1! n n _'l_ Gtr._ '... i:.0. . L" _. = q. wJ ==-----~ -!- ......_ n ..:-. ...!. - :._ 'U . 1'" Bhs " II- . :.. ~ v I fr_ • ........ .. 11 L'''' I:...~ End Voc.".__. _O ~ ~ R i .II.u. > \ I . ~ Ii" U ~ '-'l_j ~ :./ _It u.it ~ ~ ~ .low me go. ..~ ~ .._'"' ~ Gtr.--l .- en and ~ ~ .) Show me way to for .' ~ you.. DS ..-i . i: U . rI ...

:. w . Fig."'. ..:. " . D qi::-:::. me .. the ~~ 1. :.~ . show .._ 11 v .. II.... 2: wI Rhy. .. ~ ..i:.giv --- -- - G5 D5 .. _i ... you and al . " v :..u...-0:-- E5 I I en... :.. i:. ... " n . :.-rs._.. n n i! _. 57 .:.. let . ... '" . II .. X w . tJ .__ . :..n .. ~ n n :.. :. _.....Bkgd. __ " .'---> > '---' ... 11 it ~ 'JP.. w ~ OJ :. w /I 011_ ~ ~ ~ ~ tJ .give_ -" :.. " . .. n n D5 " :. " C tJ n ft i! _i! w :.n :.. . . me . ..-. tJ Al _ low Gtr.. n w .. let go. w :. :. ... . . .': n n w _if_ :...... ... w r Ifrr -... ~ > v ~'--->'---- s.3 E5 . :. .M. . Voc. ~. I D5 . . ~ . n n n C :.:. ~.. oj:. n w C . :. . ft .. .low me to let it go.__..) ~ tJ~ n n ... w r • ... _... Bb5 " .: X Gtr. . n 'I PM..Y_ ~''''': :. oj....= 'I P. I fr J oJ .. . w " :... n :.. :... 1 D5 " . .-l .. ~" .u. and way to go.M.. :. II. "'--'.. '!rW . tJ _ . .u.M. _._.. :. l! " n v w e ... D E5 way Show me the way to for .... "...____' it ~ . :.n III .i:. n w .. _o... .. 11 '"' .' '!rW tJ~ '::.J »>" P. .u...-l :... ':::::=::' :. the B~5 ~!: .. ..--~ Esus2 G5 B~5 E5 wJ I -- G5 ~ ~ ~ -!~ I -II ..... = q~~._ _'1 ..: wI vee. :. :.i. :. . w . I r:i .. l! :. w :. v . t ~: (Ooh. Fig.. II. ...._ I r:i_ "-. n i~ n _v n :.. E5 :::::::::::-.. show . w ft " c ft n n w C 'i C " :.. to ~...." ~ . x ..._ me to be for ..» . -s :.

~ _n .M.time feel C5 ® C C5 D5 E5 ) "~ -.... ~ ... ~ -. n n n . ~ P. .. ._ IIJ1 fl..- n s>... ~ .._. n . n • • - ® 3fr C C5 D5 E5 ) -me. .. u -~ . . !.n . - .. . > ) ~ n ~ ~ ~ Iu .J .. n - Q •• )-) ).. .nate > • ~ ~ lu mi.. " .M.J .n "" .._.. :.M..... --the way and_ just .mi ._.~~ -.nate.nate il . ...• s>. ~ .Iu "II :tr..J i1 - 3fr P. > ----n n ) " II Jr... n n n .n .~ P. n .... n ~ n n .I'm to be . s=-..J . . C5 ® C C5 D5 E5 C5 ) . ~ n n End half.. ~ .. • . •e ~ . > ~~ -.M..00 '-> ~ .. n ..J ) ) 3fr P.- n Q)__ . ... " .. n n ..gin. " . ~ --' .~ -.... pray for you to > show_ me where c. > .. mi... n n 58 . .Bridge C5 ® 3ft C C5 D5 E5 Gtr... . . !._. and . > ) "" I ) P. !.

...M..~ ...." ... .. delay & slide let ring . P.. .l " Jlo .. e e U e .. r u e U " " " u " u " u e u Interlude Half-time feel Gtrs....... >~ > r .- -l P.-..) Cmaj7 (Amaj7) ~~~~ ~ --- ~ ~ t:--~'-.M.• " ..-.~~(C~m) ~ -Gtr.. ~ > " e " e .....--.. chorus.- -! let ring .M. In . P._ -! ~n eJ wI clean [one.. " ..n •n .. Con-neet to you.. " u .. >~ ... e U ..C....... " ...... 2 & 3 tacet . .4 (elec. /L 11fJJ '" u u .-l 59 . ~" u .~ in ..... P.M...u .~ Gtr. (till end) N. r > " " u .. ad lib. u " ...... Voc... ~r > e e ~ -" " u " " u " (C~m) "Jlo Em F#7IE (D#7/C#) GIr. J > I I > > I > >~ .. >.M. P... P.. I & 4 tacet wI additional Bkgd. (D~7/C~) Cmaj7 (Amaj7) > > " ~ ll: eJ 11fJJ> ..n 'u on In . ~ " ~ " ....l Em F~7IE. eJ r > ~~r u r > u > > " u ~ " " ...~ ~~r r > > I I I > I r-. • " ~'-'r tr r---ur--r > > e e I > >. > -It > I I >.. • • ~ " ~~rUt r-----u r--r > > '-' > > e u ~ " :... .M.Interlude Gtrs..

_.110 -.r - P. -. .. P. Re II~ -. ~~ = .: . .. -:s = .M.M...M.... G51E N.:r ..... = = ~~ = 0 11 PM. " .. ~ " .C.M. ~ . n ~~ :....~ ... .. • 11. N.M.M.: :.M .: :.~ = = ~~ 11 111 P.. P.M. (Andyou can't _ be lieve.. 0 = = .C. u n u .: ~ !! j!' " ...2. -.: . '-" e ~ P.M.M.. . = .M.. 11 '-" P.M. <:s = -~ = = ~_.- n -ar- . 1.) _ Can nect L to _ you.= 11 P. 0 = = . P. ~<:» = e !! P. Outre G5fE II.M..M. n n G51E II. = ~~ = = . ....M._.- -l P.M...- ~ -l ~0= = ~~ = = ~=0 11 '1 P.---. -rr :c. P.I :.---. -~ ~~ P.. e 111 P... .. _":...M. P.. --.-i .I ------_ 11 111 P.. ~ .M. n . u ::..i:: n . r - ~. --. P. . ~0 = = .: !! -~ - ft n ft n u . P.M. P.. 11.. "" -er- .. .-l ~ . U n n .- n !: !: --. " " :0:§:' ~ .--.lo -.M.M. n n :.... ~ P..M.ft.M.I -=-::.M. . ~ can re _ _ = = ~<:s = .C.- ~ . n " n - " .M. .M. ~ ~ :.M. ___ .. P.M.0 11 11 11 11 11 P. n :.M. 111 P..M. 11 P... ....- 60 .M.lo ...- .. __ . =::J~ it ~ P...T .~~ 11 P.110 2. P.. = =:~~~ -:s = -:0 = = 0 11 '-" P.:0= =... P. G51E NC. 11 '--' P.. P. ::- !! ~ . . .: .M. u n .M. nect_ to you.: .. ~ :C' ft -u n n ~ ~ :r . .. . "¥_ ~ ~ :. P.-l ~ .-l = -. P.. :::::::--can _ nect. -. N. ~ :< . E5 . _ fL' ~.

.....-. Verse GIr.. • Piano au....... n • Symbols in parentheses represent chord names respective to capoed guitar..... ..... FEE *GIr..".~...... 1: wI Riff A (7 times) 8va.. . 'I~ ~'!. © 2000 EMI VIRGIN MUSIC.......... n n n . 1... for glr...=:...~ . .. 1 & 3: Capo ill Intro Moderately * GIr..n ..... Symbols above reflect actual sounding chords.. 'v ...: . ..... TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EM! VIRGIN MUSIC. " n ..2 " I I r" IT' qr Iria r . INC... n w ......-- r ~" I I I ~" ....~~ . acous..........:...) II •• 134 132 (Dsus4) (D) (A) 111 I I EndR.n .--"I DI r Interlude C7sus#4 (A7sus#4) E E E F r----I GIr....... .- .....: .. Cap oed fret is "0" in TAB.t J () In r r IF T J r I"-::::=::::- r I la----- I . All Riphts Hessrved International CoPvriQht Secured Used by Permission .........-1- . wI Riff A (11 times) C7sus#4 (A7sus#4) '~I!I! == F r'..ItA pp fade in let ring throughout "'P ~ I .. ..... .. INC.-1.Renholder Words and Music by Maynard James Keenan and Billy Howerdel Tune down 1 112 steps: (low to high) C#-F#-B-E-G#-C# Gtrs.. Chord symbols reflect implied harmony...a. J = 94 C7sus#4 •• (A7sus#4) Riff A " 1 (12-slr.-.r ..

"-"'n • • ~~ ." I J jj... # Ott... ...p. .. --~ n .. 4 tacet Gtr.____ n v ""i End RiffB RiffC ~ End RiffC I ~ lei ring ________ ~ . n -. n n n n v . D N..___ let ring .n n U . for gtr....) ~oJ • mf loco I (D) ~o ~~.. ~ .. ~ " . n n • Violin arr....J :j I I I I :j I I "P n n 0" ....J ~~ .~ .. ..." 1• ..... 4 p- -. . I *G tr. 62 . .'> Interlude Gtr. 2 tacet (Dsus4) Gtr. .. 3 tacet A Dsus4 io----J· Gtr 4 " I iJ· .J in ... _ . n .).. 1. ~ ""i I n n n v n U I ! J ~ ... wI RiffB Gtr....n ~n Gtr. .. Gtr. io b~ -------#- ~~-. -.....~ ~" ~ . wI Riff C Gtr.8va IL I I jj.l Outro C7sus~4 (A7sus#4) Play 4 times & fade " -.." H ..__ . 1. n n on 0 Gtr.C... _ • I jj. 3 (acous. I RiffB " .J 1'> .... I n I :j v . ~ n ~ n n U n ... ." . • I I ~ ~. H .... n ~ n n u " u " U ... 2 " I 8va ------ --------------- ---- ---..

. ! · arr.. ... '-' .C5 D5 A5 Gtr... for Perfect 4th below ** Bass for gtr. All Rights Reserved International Copyright Secured Used by Permission 63 .... 'n' . 2 . •••• ---G5 G5 type2 A5 C5 134 13 II 134 (~): t tt :(\~__. . n :. c ... mf RilIA b~~... . "II . ~ -2112 _.. [:::j.... . .------.l .* Gtr... Mr.....) ...w t-... '.. ~.. ~ tt Set ..n ..~. jl I!.n .II simile On repeat ·..._ RiIIB .. .... A ." . "JI./'to -: .-. .) "JI....------. · . n ~ :... ------- ~ ~.-' "7 'n' J~ ..a. .n. INC..i: .. . ~.___..n n . ~ C5 D5 A5 g' C5 D5 AS C5 . I V I V . in '"': in . wI DigiTech Whanuny pedal & delay · · • Gtr.... ..... ... I I . * Synth. ~ _it. . #~ b.in . INC. _.: ."... far gtr.w . . • . 1 (dist.... _....... Thinking of You Words and Music by Maynard James Keenan and Billy Howerdel Tune down 1 112 steps: (low to high) ell~F#~B-E-DlIell Intro Moderately fast J = 152 tN. TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC.w Rhy.. ?--on simile on repeat · · GIr... © 2000 EMI VIRGIN MUSIC... 3 (dist.Fig........4 "II eJ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~:. V I •n . ~ ~ n ~ <I r- r r " n ~ t Chord symbols reflect implied harmony. - cJ rrp simile an repeat steady gliss.. .."""7'""":!"I":"..C.. ~f • in .

v .-----..._ ·3112 -#~~ = - _).. I --' ¥ I ~ b.-VI r=-... JiL . I ..'1'~ r J . I ....- r=-..--' '"'. ~ I~ n n ~ . * «.. ~" JiL v iii. 112 WI ..~ ow ~ . . .:» ~ ~ * ~ -.. r n ~ ~ n _" " _') -".. . I~~\ 'I .n...1'1.J A ·n ~ ..<I. til..c.. " . .-I-t.....s: on .c.n ... 112 .. - . \ in..C . 'w •n ov .. ~ .~.--.... . --'_:: ~ -...-----. ~ " 0.D5 A5 F5 E5 C5 D5 A5 C5 D5 A5 .:..{1'~ .J. ll\~~~------W =_t_ _t I f steady gliss...n. ~~ ~ «:» ..... - e ~ 64 .n.J. ..:t. .n. ~' ~~-----..jj. I II I . ~ ":J... II I ..J.1I. v " .. -. .

. 112 +--. 1. tr·J. __ ¥ D = 1 Sleep - 65 .: V ~ ~ ~--c V c " u .s .) ---- =- f?~1 ~ Un - .9-. LI = - -~----~~ . ." " ' . '" .2: wI Riff A (2 times) N.n IIIJ. _E....._ 'n'112 +--. · · H"11. V v' q n v n v <: n v <: n /n' v 0.._.# r j ~p:sJ a J ble 11 fJf r to_ J this l~pCf2?.. I ~ .n End Riff A ~~. -= less._..---~ ~ ~~ *" .3 & 41acet Gtr.j im lose 14£21 age... .110 . n 0. <.-i v v P. <. 11. hI . -" <.- I~ . ... <. <.. Fig. (Eh.110 LI -3112 ~~ . AS D5 A5 C5 D5 A5 C5 D5 '""'.__ . 1 ----~ ~ ! hI l . IIJI.1. I I End Rhy.n.... r=-. " 'on' 11..v..i- Verse Gtrs..110 LI 2..'n.--------/1~~~~ . .I «:» . ~ -.. 1. 112 . <. F ing_ J all 1 j ~~~r#r=' a lone J and I~F rest - J.9- . n e · " w .~ ~ ~ rake .S... v 0.n.on. ~ ~ ~ it v ~ ~ ~-. '~I .." :' <. -3 112 11. .. Ly - ~----g~ .." ... EndRiffB e. .C.

J J J ..-. sweet ."'"'"j r--1 ~ .. u ____ 11 ______ rev .mis .. 05 r~~=~ f A5 F5 1__ E5 .::. un . to the C5 Tug-gin' a vis .:-- ..&joE' ~p~r less_ J un BtJilF a ble r J to I~r fa - J ==-= eus oj J j on 'f D' 'I an - ...~ 2k A5 4i ..vi! that makes _ that 05 It J ._ It Spent and sweat-in' with that look on your face _ like Chorus Half-time feel Spent and sigh-ing with that look in your C5 IIJI. ~ know_ so ~ well. .bout a lit ._ D5 F5 E5 C5 D5 It r F de r r r r I j• r light .. ._ C5 "f nJ Tug-gin' a D5 l beat "f J.. ~ ~ ~ ing. _ C5 D5 A5 C5 D5 C5 D5 A5 C5 D5 A5 1#. ~ . eye. ~. [ IIJI. .__ -------------- &. = j.der . Gtr. J J .tie e .stand C5 "f Some.mis . " ... =-.a .. .ed with a new C5 D5 A5 E r--p AS F ing? "f So un .thm to r IE the C5 05 A5 I • r~r r in_ AS ~ rl~ head.4: w( Riff B (2 times) C5 05 ur A5 A5 FFF rhy . ~ " ii ~ I': :j: t: I': """" ~ e I': " I': e l' ~ ~ ~ n 66 .. J ~ ~ sight of you Iy jng. ~ :."""~-..) *Gtr.a ble C5 noise _ D5 AS C5 05 A5 '#J JJ I was J = J) Jhear - It AS t£} J..... .talc .. ~ • Doubled throughout " ...--__ .ble ~dt sound _ C5 ------. G5...el - .. .if73EJ=r y J £jJj l thing __ but r E #r your J sur I~[ ren 9 4 £ti J~ der.. u P. .. .1 un . J . ~ . ~ ~ -~ ~ . J I J J ~~ J J _Jj eye..-----.M. ~ ~ -~ - -.tak .ion that's my_ @# J J j ....thing a .

~ " l' u = . 'W ~n = 'II IX "ow u . . .. Fig.._ C5 D5 W a A5 AS C5 P beat i tJ to the vis .. :.. i: u 'iI ~ ~ ~ ~ . CS r-. X I! ~ 'iI Sur . " :.. . :. . :. . I! - ~ ~ ~ ~ :. C5 D5 AS C5 of the E5 1ft cs AS r f~p f in __ A5 my de . . D5 AS C5 D5 A5 tJ ~ - 11. D5 A5 :::: = 'II :. """"e :... . 2 (2 times) 4$ t 8J r f f f 2.._- .u.. D5 i:.--:::::::" p I! :) 'iI = :i :i .__ 1Y _____ .. ~ . ~ . D5 A5 tJ Sur .A5 fI~ "T .--F5 - '" " i:.ren flJj. ing. .._ -End Rhy.ren der... 67 .:::::::::: = .ren - der.. a - . ~ I: :. 3: wi Rhy.ion that's D5 Tug-gin' 4#6 f f r::t£1J2r sight of you ly ... Yeah. . ..:Jl~ i head. ..der .L!. ~ ~'~ ... .._____ 1Y _____ 1Y _____ ..... "7 n U U ~ U ~ . .. 2 2. n ~ " D5 fI . C5 ~ " . . :. . .... 1Y End half-time feel tJ flJj.. ~ ~ "7 U .....Fig.stand r=~f - i ing. Fig... Fig.--.. . .. ~ ~ ~ ~ ... - E5 C5 C5 D5 AS der.._ tJ~ = "7 'II ~ ~ . :.. = ~ ~ ~ ~ ~ - " I: '0 n u u ... U ~ Verse GIr..2 AJj..light . .C.... ----- ~.. u " ~ :. D5 A5 C5 D5 A5 CS ~ ....L!'!.. ~ .. --~ ~ ~ 'n' sweet sur. l' ~ 'iI ~ = ~ :i ~ I: ~---p I! :) r-.u.11tJ .rw IX "ow u tJ ~ ~:::~ :.n :. n . ~ n ~ :.~ I! = .'0 ~ .. ~ ." . :.._ It So E±J f f f f Iff a t new un . Tug-gin' the D5 A5 rhy ... ~ ... _____ . . ~ 1AJI. FS G5 n ---n ----t:>~. .. :. I: . .... AS " i:. I: n . 1: wi Rhy. :.r-. :.. " '0 n " ~ ~ ~ ~ .. ~ :i . tion.. 1 (2 times) C5 Rhy. :. ~ 'II = ~ i:... ~ .thm F5 to N. .ed with C5 D5 . D5 AS tJ . I:: "ow u In IX u '" ~n In IX 'G u 'cl' W " I! :) Gtr.. U ~ ~ n U U ~ ~ U ~ ~ ..

=* :.tak ... ji n ~ n ~ ... ~ x 0........ :.ing your Half-time G5 • ~ " . Gir. . ----:~'v'~ f------~ . ...~.: ''. ~ 0.ren - der ...-~~~~ . 1' . like_ your Spent and sweat .. ~ .~ ..... C5 D5 I. :. ~ . .a . . :.. 3 . ii tion.. :. . C5 D5 A5 C5 D5 A5 F5 E5 C5 D5 un ...J on ~:. ~ " <Ie Ii :.- -------'.. .. ~ ~ . _____ ----- rev .. .. It _ I was hear .... " _...l. _".n ._ eyes...' - f1' _~__ i!t: a A5 .. n C5 fiJI...- .n 'n- In ~n ''...n . =* ~ =* =* ~:::~/ :... . n 'l " " W :.el ~ - a . "" :. F5 II ~ ? C5 .. " . :. . .. .- In w ~n 'ow ~- "" ~ 1_"-"'~ " Ii :.----. :..L.... sweet rev ...tak . = "11 u~u .- ~---~ //1 -~~ ~ ~ ~ " :.bout a lit . ~ 112 n ..J I.l.-- ... . =* " :.... F EJ f eye.- ::. Some. . .... In ''.._ sound A5 I __ jknow _ C5 t1f A5 C5 fEEl so well. :... sur . n n " :....C5 D5 A5 C5 D5 AS C5 DS A5 C5 I. :...a .ing...ing with that .. :.. 68 . n " " :... :....0-""". :. .-0' G5 sweet -'I.. ..QO'-'_~ ~ i!~ ~ r--..... . ~ u . w :.. :.. ... :a=: ~ .. ~ .. ~'-/~~..._.tie e ... II ~ ~ _r-... . E±1 Chorus PP feel f f Iff with that look on D5 AS t f ::f face _ .. .~ .w.mis . I D5 AS look in fr -----.~ tion.. Sweet II ~ :..~:=::~.. _n v " :..el i"'i i"'i 1""0-.n' 'v.. .u.... .. - :. ~ .# f ._.. Spent and sigh . .. ~ ...bIe noise _ ..bIe ---... ...ing. r--I ~... A~5 G5 A5 ~ r--..thing a .:. . :. e- .... .Fig.. G5 -&. .. .... .... ''.__ = "11 u . .mis . Rhy.. :.. L. r .vil that makes _ that _ un .

4 (14 times) Gtr. l.. Rhy. Fig.. --0 End half-time feel -----=====:--. . IIJIo tJ . ... :. Fig.. 5 (dist) mf wI chorus & flanger 112 69 .. think-ing.. 1 (7 112 times) Gtt. ~ ~ ? E . G5 ""'"________r--..::_ ~ -- q !:'----~:± - End Rhy.: wI Voc..F5 fJ JIor.J. ..~.I ~ _r- f:: f:: tw _____ ' _____ ~----::d: _ '0' .J. Fig... 4 . E X ? pitch: F F Interlude G5 Voc. . l! X .. fdbk.. Fig.. . ~~ .. think-ing of you.. .~ 'l. r--. think-ing of you. End Rby.. :. •E ¥ ~ ~ " e X E X X ~ ~ " ? " e X ? '" E l. 3 fJ.. think-ing.. Fig. .. Fig. 1 ~ Think-ing of you.I. 1 liJlo End vee. . Voc. ~ l.' In ~X 'n~ w In ~n ~n JX w .. . . Fig.: ~---sweet. fdbk. think-ing of you.I..J = 'iI .J l.----=~:---'0' _____ ' ____ ~:---... .. l. 4 .~ 1:1 '<i' w In IX 'o¥ w E n ~ ._-..~. . :. 1: w/Rhy. X ~ ~ i! X " x l.." '. :.

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_. 2: wi Rby..J II I Eb Bb7(no3rd) - FrnJAb GIt. ~. . • Piano arr. ...Fig. 1: wI Riff A " -.. 1 tacet Gte..._.. .. n Fm " I eJ ~ be fore.... u .. 1: wi Riff A El>S Bb7(no3rd) FrnJAl> Bl>71F(no3rd) II eJ •• Bl>71F(no3rd) I Been o -I 0 - ver. ** Chord symbols reflect basic harmony. I GIr.. --- -~ II_ I . for gtr. ~ .. Fig. .. eJ c ~ .J 7 I -:. 1 been 0 ver __ -.J.l j_ I I eJ mf w/fingers T ~ let ring throughout .---. Been o . u e . 1 Bb71F(no3rd) Ebs I I ~ this be End Rhy. u .ver_ ------ this ~ fJ. :t_ . GIt.. I c ~ u Interlude GIt." I -. " I - and 0 - ver. u :s . Fig.... . 2 II I Rhy. -:: n ~ u . . V 83 ... .

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StriKe the first note and without picking. VIBRATO BAR SCOOP: Depress the bar just before striking the note. II NATURAL HARMONIC: Strike the note while the fret-hand lightly touches the string directly over the fret indicated. Harm... RAKE: Drag the pick across the strings indicated with a single motion.. then release back to the original note. BEND AND RelEASE: Strike the note and bend up as indicated.. Each horizontal line represents a string.. ®® E G open 3fr 11 ~. WIDE VIBRATO: The pltch is varied to a greater degree by vibrating with the frelling hand.''' ~. played together ~ I: u .. and each number' represents a fret.. LEGATO SUD E: Strike the first note and then slide the same fret-hand finger up or down to the second note. t-----.. then strike it r-~ VIBRATO: The string is Vibrated by rapidly bending and releasing the note with the fretting hand. SHI FT SLIDE: Same as legato slide.. :.. . pull the finger off to sound the second (lower) note.... w/bilt---. WHOLE·STEP BEND: Strike the note and bend up one step... PRE·BEND: Bend the note as indicated. open 0 cho rd SLIGHT (MICROTONE) BEND: Strike the note and bend up 1/4 step. . ~"'''' . and in rhythm slashes. then release back to the original pitch. and striking them with the pick hand. ~.. TAPPING: Hammer ("tap") the fret indicated with the pick-hand index or middle finger and pull off to the note fretled by the fret hand. _-I _ -I 87 . MU FFLED STRINGS: A percussive sound is produced by laying the fret hand across the string(s) without depressing. VIBRATO BAR DIP: Strike the note and then immediately drop a specified number of steps.. TREMOLO PICKING: The notels picked as rapidly and continuously as possible. II II PICK SCRAPE: The edge of the pick is rubbed down (or up) the string.. except the second note is struck. PALM MUTING: The note is partially muted by the pick hand lightly touching the string(s) just before the bridge. ~ PULL-OFF: Place both fingers on the notes to be sounded. Pitches are named afterthe first seven letters of the alphabet. :._. THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into measures. producing a scratchy sound. DAD RHYTHM SLASHES are written above the staff. Round notahaads indicate single notes. Only the first note is struck.. HALF·STEP BEND: Strike the note and bend up 1/2 step.: i'i. T PINCH HARMONIC: The note is fretted normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack. then quickly release the bar. GRACE NOTE BEND: Strike the note and immediately bend up as indicated.~ HAMMER·ON: Strike the first (lower) note with one finger. in tablature. TABLATURE graphically represents the guitar fingerboard. tr .. =----. Strum chords in the rhythm indicated. ------- TRilL: Very rapidly alternate between the notes indicated by continuously hammering on and pulling off.Guitar Notation Legend Guitar Music can be notated three different ways: on a musical staff.. The second note is not struck. n «J Strings: high E B n LJ 'T" _A low A E . _"c 4th string. 2nd fret 1st & 2nd strmgs open. Use the chord diagrams found at the top of the first page of the transcription for tne appropriate chord voicinqs. then sound the higher note (on the same string) with another finger by fretting it without picking. VIBRATO BAR DIVE AND RETURN: The pitch of the note or chord is dropped a specified number of steps (in rhythm) then returned to the original pitch. .

~<u.!!~ SBN 0-634-02084-6 111111111111111111111111 ~ 73999 66136 1 .s.$19.

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