HaZira Performence Art Arena presents

2012

Artistic Director
Guy Biran
Throughouttheyears,theZiratMahol(DanceArena)Festivalhasturnedintoabrandname
fordanceinJerusalemawonderfulchallengewhichwearehappytosharewithyou,the
audience.Itcompelsustoconfrontconceptsthatareindangeroflosingtheirvalidityevery
year,andrenewthemincreation,discourse,andlearning.
Tome,thisistheessenceof"newdance",ofnewtheater,andofanynewart:examiningagain
andagain,ineachandeverycreation,thelanguage,theessenceitaspirestoexpress,andthe
positioninwhichitplacesthecreatorandtheobserver.
The Arena continues to be a unique platform which encourages new work in the Israeli
dancesceneingeneralandtheJerusalemsceneinparticular,strivingtogeneratedeepand
invigoratingdiscussioninthepublic.
Noveltyasavalueinitselfisapresumptuousandproblematicaspirationwhichwetryto
avoid,throughasincerewishtodevelopandexpand,andbyemphasizingourintentionof
communicatingwiththeaudience.
Weattributegreatimportancetonurturingyoungartists,toaccompanyingworksinprogress
and exposing them in appropriate events, such as this festival, to which we are pleased to
welcomeyoutoday.
IwishtothankallthebravepartnersofthisvoyageIrisandMia,theArenastaff,aswell
asofcourseallthewonderfulcreators.Andtoyou,kindmembersoftheaudience,wewisha
newandenjoyableviewingexperience.

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Idea, Research, Model

Mia Habib, Iris Lana
ZiratMahol(DanceArena)FestivalisthestageoftheNewDance2012project,whichaffordsa
lookattheworksofyoungandbolddanceprofessionals,afterasixmonthsartisticallyguidedwork
process,includingpracticalworkshopsandconceptualencounters.
Mahol Hadash (New Dance) supports developing choreographers whose artistic works have an
!"#$%&'( &)( &*+( ,*'-%.!/( +0,+1%+$.+( !$2( &*!&( )"( 3)4+3+$&5( %$( &+13-( )"( .)$.+,&( !$2( 1+-+!1.*6( 7*+
lively mainstream Israeli dance scene tends to emphasize body, style and stage aesthetics. Mahol
Hadashpronouncedlystrengthensanadditionalaxisofthedanceandchoreographyworld,namelya
.)$#891!&%)$!/(!$2(.)$.+,&9!/(2%-.9--%)$()"(&*+(2!$.+(3+2%936
Weviewtheprojectinthecontextofanaccumulativeglocal(globalandlocal)movement,which
aspirestocreateadiscourseofdanceandaboutdance,connectingtheoryandpractice,academic
thinkingandphysicalexperienceamovementwhichplacesthepossibilitytoaskquestionsatthecore
ofthechoreographicwork.Thequestionsandthetheoreticalandphysicalresearcharethetoolswhich
1+#$+(!$2(./!1%"'(%$&+$&-:,!--%)$-:%2+!-5(!$2(.1+!&+()&*+1(3)2+-()"(),+1!&%)$(;*%/+(1+<+0!3%$%$8(&*+
productionpracticesofadanceevent.
WeattributegreatimportancetodialogueandtoexchangingideaswiththeIsraeliandEuropeandance
community.PresentonthelaunchingprojectpanelwereHillelKogan,TamarBorer,RotemTashach,
LeoLerousse,OmerKriger,GuyBriller,andRonenEdelman(Israel).Inthesecondmeeting,Arkadi
Zaides(Israel)spokeabouttheprocessofcreatinghisworkSheket(silence),andinanotherencounter
theparticipantsgavebrieflecturesontopicsfromtheirresearch.WehostedaQuestionsWorkshop
.)!.*+2(='(>%1!*(?)%8*+/(@19&3!$$(!$2((A%&!$(A"1!&(BC-1!+/<@+/8%93D(;*%.*(-988+-&+2(&)(1+"1+-*
modesofthoughtandconversation,aworkshopledbyPeterPleyer(Berlin)whichdealtwithdifferent
3+&*)2-()"(+0,/)1%$8(=)2'(!$2(3)&%)$5(!(;)1E-*),(/+2(='(A*92(F!1!-*(BG+19-!/+3<@+1/%$D(&)(2+4+/),
aperformanceprojecthestartedinMaholHadash2011,andapresentationofworksinprogresswith
&*+(2!$.+(3!E+1-(>*!1)$(H9.E+13!$<I+%-+1(!$2(J)&+3(7!-*!.*(BC-1!+/D(!-(1+4%+;+1-6
Dancetodayestablishesacomplexdebateofaesthetic,ethical,politicalandculturalissues,andin
thiscontextourfestivalgueststhisyearareGillieKleiman(UK),whoraisessocialquestionsabout
=)2'( %3!8+K( L+.%/%+(M/1),<>.*3%2&( BF+$3!1ED( ;*)( &!.E/+-( ,)/%&%.!/( %--9+-K( !$2( N)$%.!( O%//+&&+
(Germany),whoworkswithinamultimediaapproach.Theinternationalconnectionsareimportant
toaninspireddiffusionofnovelideaswhichmayhelpthecreatorsexpandtheirhorizonsintheirlocal
workandintheirdealingwiththecomplexIsraelireality.
We( ;%-*( &)( &*!$E( )91( ,!1&$+1-5( &*+( ?1+%=918( 7*+!&+15( ;%&*( ;*%.*( ;+P4+( +-&!=/%-*+2( !( &*1++<'+!1
partnership.Amongotherthings,thetheateroffersprojectparticipantsaresidencyandperformances
inFreiburg.OurthanksalsogotototheTanztageFestivalofBerlin,acooperationestablishedby
AnatDanieliandArkadiZaides,formerArtisticDirectorsofNDP.Wewouldalsoliketothankthe
AmericanCentreinJerusalemforhostinguswiththetheoreticalmeetings
ThanksalsototheHaziraforenablingtheprojectandthefestival,andthankstotheparticipantsfor
theircourageintakingaleapintotheunknownwithus,andinsistingondancethatisnewandrelevant.

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Ophelia is not Dead

Gillie Kleiman
OpheliaisnotDeadisaprojectoftheinternationaldanceartistscollection
Embassyof.Morethantenartistsofthegrouphavecreatedaworkofthesamename.
Opheliaisafatgirlcabaret.Theshowaintovertilthefatladysings.
GillieKleimanisadancemakeranddoerbasedintheUK.Herworkincludestheproductionofperformances,
&+0&-5(!$2(+4+$&-K(*+1(-)/)(!$2(.)//!=)1!&%4+/'<3!2+(;)1E(*!-(=++$(,1+-+$&+2(&*1)98*)9&(&*+(VW(!$2(!.1)-A91),+6((>*+(1+.+%4+2(!(#1-&(./!--(@M(BR)$-D("1)3(&*+(V$%4+1-%&'()"(>911+'5(;!-(!(1+.%,%+$&()"(&*+(XYYZ(2!$.+IA@
scholarship,andheldanAHRCstudentshiptoundertakeanMAinPerformanceandCreativeResearchat
RoehamptonUniversity,whichshecompletedwithdistinctionin2011.Gilliehasworkedinarangeofeducation
andcommunitycontextsformorethanadecade,andmoonlightsasanArtisticAssessorforArtsCouncilEngland.

Length:20Min
Photographer:ZuzannaBrzozowska
Supportedby:EuropeanCulturalFoundation

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VIRUS
Tom Schneider, Monica Gillette, Jens Dreske

Inspired on a stock trader in quarantine by playwright Albert

Ostermaier

Virusisasolomultidisciplinaryperformancebringingtogetherdance,text,live
.!3+1!<;)1E(!$2(,1+<1+.)12+2(4%2+)6(M$(%$&1%.!&+(,+1")13!$.+()"(!(-%&9!&%)$(;*+1+
oneknowstheyneedtochangetogetoutsideofaviciouscycle,onlytodiscoverthey
won'tbeabletoachievethechangebecausetheyaretoogoodatdoingwhattheydo.
MonicaGillette(California)isadancer,performerandvideoartistcurrentlybasedinGermany.Has
workedwithJohannesWieland,NoemieLafranceandJoachimSchloemer.SheispartofSweet&Tender
Collaborations,aDanceWEBscholarshiprecipient,andpartofthedanceensembleatTheaterFreiburg.
TomSchneider(Germany)isamusiciananddirector.WorkedinproductionsatTheaterBasel,Theater
Heidelberg,TheaterOsnabrck,amongother.WorksatTheaterFreiburgasadirector,composerand
musician,developingmultidisciplinaryprojects.
JensDreske(Germany)isastagedesignerandvideoartist.WorksatTheatreFreiburgdeveloping
stageandcostumedesigns,videoinstallationsandmusicalenvironmentswithseveraldirectors,
choreographersandperformers.

Length:50Min
Photographer:StineMarieJacbson
SupportedbySophiensaeleBerlinandTanzfabrikBerlin

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READY, AIM -Schtzen

Cecilie Ullerup Schmidt
Choreographyandperformance:CecilieUllerupSchmidt
Soundandlights:MatthiasMeppelink
SchtzenmeansinGermantoprotect,butalsogunner.InthetrilogySchtzen,
L+.%/%+(+0!3%$+-(&*+(-%8$%#.!$.+()"(=+!1%$8(!13-5(*);(;+!,)$-(!""+.&(!$2(.*!$8+
&*+(=)2'6(>.*[&U+$(.)4+1-(&*1++(,*!-+-\(,1+,!1!&%)$5(#1+(!$2(1+/+!-+6(M(1+-+!1.*(&*!&
.)3=%$+-(&*+(1+8+$+1!&%4+(')8!5(1+/+!-+(&+.*$%]9+5(&!%(.*%(5(-*))&%$8(&1!%$%$8()"(@+1/%$<
SchtzengemeinschaftandtrainingfordronepilotsattheUSNevadaControlStation.
RELEASEwillbedevelopedandperformedinIsraelthissummer.
CecilieUllerupSchmidt(%-(!(F!$%-*(,+1")13+15(.91!&)1(!$2(;1%&+1(%$(&*+(#+/2()"(.9/&91!/(.1%&%]9+(!$2
philosophy.StudiedLiteratureinCopenhagenandAppliedTheatreStudiesinGiessen.WorksinDenmark,
GermanyandSwitzerland,collaboratingwithMatthiasMeppelink,MonsterTruck,ChuckMorrisand
deufert+plischke.TeachesattheInstituteforArtandCulturalandisartisticresearchassociateatHZTBerlin.
MatthiasMeppelinkisaGermanmusicianandlightdesigner.StudiedattheInstituteforApplied
TheatreStudiesinGiessen.FoundingmemberoftheperformancegroupMonsterTruck.Collaborates
withBorisNikitin,MarcelSchwald,SusanneZaun.

Length:25Min

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