Sp13 Module1 Intro-1C S

CCA architectural analysis antje steinmuller
part c - physical systems

Francis Silagon, David Gastaneta, Arch.Analysis 2011
Renee Chow - San Francisco fabric drawings
Renee Chow - fabric structure, Pueblo Ribera, Charleston, San Francisco
Francis Silagon, David Gastaneta, Arch.Analysis 2011
identifying grain
Amanda Cross, Claudine Chiongbian, Arch.Analysis 2011
Souzan Kachbi, Arch.Analysis 2010
selecting specic aspects
Vanessa Carvalho, Jeff Moody, Arch.Analysis 2011
Architect
City / Location
Year Designed / Built
Area, # Floors, # Units
Belzunge, D. Maurino, G. Millan
Bilbao, Spain
2004/ 2006
sqft., 3 Floors, 84 Units
Module 1 B
Coded Wall Grain

Exploded Plan Diagrams of Long Mid Bar
Base Wall Grain
1st
2nd
3rd
5th
6th
7th
4th
1st
2nd
3rd
5th
6th
7th
4th
Coded Wall Grain Overlay
Base Grain Overlay
Vanessa Carvalho
Je Moody
SCALE: 1:1/32
GROUND FLOOR PLAN
grain geometry
Mark Campos, Arch.Analysis 2010
interpretive diagrams
Mark Campos, Arch.Analysis 2010
Horizontal Grain
Structure
Wall
Glass
Stairs
Vertical Grain
Structure
Wall
Glass
Stairs
Seperation of Living Space
Horizontal Stair Circulation
Floor 2
Floor 3
Floor 4
Floor 5
Floor 6
Floor 7
Floor 8
Floor 9
Floor 10
Level 9
Level 10
Level 8
Level 6
Level 4
Level 3
Level 5
Level 7
Level 2
Void
Corridor Storage
Living Space
Unit stairs
Public Stairs Outdoor Space Living Room
Bedroom Kitchen
Leona Hu / Ivonne Gomez, Arch.Analysis 2012
SECOND FLOOR PLAN
HORIZONTAL
VERTICAL
OCCUPIABLE
SEMIO CCUPIABLE
NOT OCCUPIABLE
Y. GREBYONKINA
K.STEPHENS
DIRECTIONALITY OF THE PROJECT DEFINED WITH VOID SPACES AND PLANAR GRAIN EXTENSIONS
Y. GREBYONKINA
K.STEPHENS
Y. GREBYONKINA
K.STEPHENS
Yuliya Grebyonkina / Karly Stephens, Arch.Analysis 2012
K.STEPHENS
Y. GREBYONKINA
Architect
City / Location
Year Designed
OMA/Rem Koolhaas
FUKUOKA / JAPAN
1991
MODULE 1 C

Vertical grain is picked corresponding to all units orientation to the South West. Void spaces set up a rhytm for
units layout and program distribution where no matter on which level private program is always in
direct contact with void.
When looking at plans and section there is a perception that voids are located on the same axis. Looking at the grain in relation
to the void placement it becomes clear that voids are more scattered rather then aligned. Trying to understand the logic of this
scattering we discovered a new connection between voids. There is an explicit intention to push private program outside of the void
boundary to activate the potential of public spaces.
3D
Yuliya Grebyonkina / Karly Stephens, Arch.Analysis 2012
antje k. steinmuller
BArch Analysis

1st Floor
2nd Floor
3rd Floor
4th Floor
5th Floor
_
X
2.5X
X
X X
X X X
X
2.5X
X
X
X 1.5X 1.5X1.5X1.5X X
3X
2.5X
X
2.5X
3X
X
X X
X
X X X X
2 2
X X X
X X
2 X
_ X _
2
X _XX _XX X
2
_ _XX X __
2
X
2
_ _ X __
2
X
2
_ _XX
X
X __
2
X
X X
2 2
X
2
_ _XX X __
2
X __ X __
X X
2 2
X X X X
X X
X X X 2
X
X X X X X
3X
2
_XX
X
2.5X
3X
3X
2.5X 2.5X
3X 3X 3X
3X X 3X
2.5X
X
X X X X X
X X X X 2X
X
X
2X
3X
2X X
_ _XX
3X
X __
3X 3X
2.5X
3X
2.5X
X 2.5X 2.5X
3X
X
X X
X
3X
X
X X X X X
X
X
X
X
X X X X X X X
X
3X
2
X
X 2X
X
X
X
X X X X X
X X
X
2
X 2.5X 2.5X X
X
X
X _ _XX
2
X __
2
X _ _XX
2
X __
X
_ _ X __
2
_XX X __ _XX
X __ X __
6th Floor
7th Floor
8th Floor
9th Floor
10th Floor
X
3X
X
X
X
X
X
X
6X 3XX 3X
X
X
X
X
X
2X
2X X
3X
X
X
X
XXX XX X X
2X
X 3X
2X 2X 2X 2X 2X 2X 2X
2X 2X 2X
2X
2X
X X X X
X
2X
6X
X X
X X X X
2X
X
X
2X
2X
2X
3X
X
3X
X
X
X X X X
XX
2X 2X
X X
6X 6X
X
X
2X
X X X X
X X
X
X X
X X
X
X X
2X
XX
X
3X
X
X
X 1.5X 1.5X 1.5X 1.5X
2X 2X
X X X X X X
X
X
X
2X
2X
2X 2X 2X
X
X
X
1
st F
l
oor
2nd Floor
3rd Floor
4th Floor
5th Floor
Module 1c: Grain, work by Vincent Nieto and Hugh Vanho (2011) HOUSING TACTICS
teaching

5th Floor
6th Floor
7th Floor
8th Floor
9th Floor
10th Floor
Roof Floor
1st Floor
2nd Floor
3rd Floor
4th Floor
Grains within units
Unit Grains
Corridor Grains
6th Floor
7th Floor
8th Floor
9th Floor
10th Floor
Longitudinal Grain Diagram
1st Floor
2nd Floor
3rd Floor
4th Floor
5th Floor
Module 1c: Grain, work by Vincent Nieto and Hugh Vanho (2011)
Hugh Vanho, Vincent Nieto, Arch.Analysis 2011
dimensional structure
Jaime Bernal / Taylor Fulton, Arch.Analysis 2012

Architect
City / Location

..
. '
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE D:
FACADE/PROGRAM
RELATlONSHlP
Architect
City / Location

..
. '
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE D:
FACADE/PROGRAM
RELATlONSHlP

Architect
City / Location

..
. '
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE C:
vERTlCAL GRAlN SPlNE
drawing sets and techniques
Cassie McDonald / Eduardo Dana, Arch.Analysis 2012
Architect
City / Location
STEVEN HOLL
MIT CAMPUS, BOSTON, MA
1998-2002
204,050 sqft, 10 FLOORS, 350 UNITS
CASSIOPEA MCDONALD
EDUARDO DANA
MODULE D:
FACADE/PROGRAM
RELATIONSHIP
Horizontal grain is agregated with circulaton in order to show how
grain merges into the organic
Architect
City / Location
STEVEN HOLL
1998-2002
CASSIOPEA MCDONALD
EDUARDO DANA
MODULE D:
FACADE/PROGRAM
RELATIONSHIP
With the egregation of plans, we observe a linear distribution of walls
The onion, appears very clearly as a main strategy for spatial distribution.
Architect
City / Location
STEVEN HOLL
1998-2002
CASSIOPEA MCDONALD
EDUARDO DANA
MODULE D:
FACADE/PROGRAM
RELATIONSHIP
Horizontal grain is agregated with circulaton in order to show how
grain merges into the organic
Architect
City / Location
STEVEN HOLL
1998-2002
CASSIOPEA MCDONALD
EDUARDO DANA
MODULE D:
FACADE/PROGRAM
RELATIONSHIP
With the egregation of plans, we observe a linear distribution of walls
The onion, appears very clearly as a main strategy for spatial distribution.

Architect
City / Location

..
. '
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE D:
ORGANlC GRAlN
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE D:
ORGANlC GRAlN
Architect
City / Location

..
. '
Architect
City / Location
STEVEN HOLL
1998-2002
CASSIOPEA MCDONALD
EDUARDO DANA
MODULE C:
GRAIN
SECTION
Architect
City / Location
STEVEN HOLL
1998-2002
CASSIOPEA MCDONALD
EDUARDO DANA
MODULE C:
GRAIN
SECTION
Architect
City / Location
STEVEN HOLL
1998-2002
CASSIOPEA MCDONALD
EDUARDO DANA
MODULE C:
GRAIN
SECTION
Architect
City / Location

..
. '
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE D:
PROPORTlONAL
SYSTEMS

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Architect
City / Location

..
. '
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE D:
PROPORTlONAL
SYSTEMS

Architect
City / Location

..
. '
CASSlOPEA MCDONALD
EDUARDO DANA
MODULE D:
PROPORTlONAL
SYSTEMS
Jason Vereschak, Rania Odeh, Arch.Analysis 2011
experimentation
THE DIMENSIONS OF EVERY UNIT ARE BASED ONTHE DIMENSION OF AN OPENING (FRONT DOOR, SLIDING GLASS DOOR) WITHINTHE UNIT.
THIS IS REPRESENTED BY THE DARK BLACK LINE. THIS DIMENSION IS THEN BROKEN DOWN AND AGGREGATEDTO CREATE THE INTERIOR SPACE
OF THE UNITS.
THIS DIAGRAM SHOWS HOW THE DIMENSIONS VARY WITHIN THE HOUSING COMPLEX. FOR THE OUTDOOR CIRCULATION THE
WIDTH OF THE PASSAGE WAY VARIES BETWEEN 4 METERS TO ALMOST 8 METERS. WITHIN THE UNITS THEMSELVES THE SMALL-
EST OCCUPIABLE SPACE IS 7.5 METERS AND THE LARGEST IS 17 METERS.
WITHIN THE UNITS THEMSELVES DIMENSIONS REPEAT IN WINDOWS AND OPENINGS.
ONLY DIMENSION A REPEATS IN TWO DIFFERENT UNITS, AND IT IS THE WIDTH OF THE
OPENING FOR THE GLASS CORRIDOR IN BOTH CASES.
Architect
City / Location
Ryue Nishizawa
Tokyo, Japan
Leah Zaldumbide / Ana Gonzales, Arch.Analysis 2012
THE DIAGRAM SHOWS THAT THE PROJECT CONSISTS OF
2 BARS OF HOUSING UNITS WHICH ARE SEPARATED IN
THE MIDDLE BY A BAR WHICH CONSISTS OF SUPPORT
PROGRAM SUCH AS STORAGE UNITS, STAIRS AND A BATH-
ROOM. IN THE Y AXIS THERE ARE 3 ZONES WHICH DO NOT
CONTAIN ANY BUILT STRUCTURE AND ARE USED FOR CIRC-
ULATION.
DENSITY WITHIN ZONES
AXIS 1
-UNITS
1
3
1
3
1
2
2
3
AXIS 3
-UNITS
AXIS 1
-UNITS
AXIS 3
-UNITS
AXIS 2
-SUPPORT
AXIS 1
-UNITS
AXIS 3
AXIS A
-VOID
AXIS B
-VOID
AXIS C
-VOID
-UNITS
UNDERLYING STRUCTURE SPATIAL ZONES
INHABITED SPACE INHABITED SPACE
VISUAL POROSITY
DOUBLE HEIGHT SPACE
Architect
City / Location
Ryue Nishizawa
Tokyo, Japan
2005
92.3smtot, 77.68 smoor area
# 4, # 6
AXIS 1
-UNITS
AXIS 3
-UNITS
AXIS 1
-UNITS
AXIS 1
-UNITS
AXIS A
-VOID
AXIS B
-VOID
AXIS C
-VOID
1 3
Ar
City / Loc
Ryue Nishizawa
Tokyo, Japan
92.3smtot, 77.68 smoor area
DENSITY WITHIN ZONES UNDERLYING STRUCTURE SPATIAL ZONES
INHABITED SPACE INHABITED SPACE
VISUAL POROSITY
DEPICTED HERE IS THE GRAIN
DENSITY OF EACH AXIS, OR ZONE,
FROM THE PREVIOUS DIAGRAM.
THIS CREATES A BARCODE-TYPE
VISUAL, WHICH CONDENSES THE
GRAIN MORE LINEARLY THAN
THE UNDERLYING STRUCTURE
DIAGRAM.
DEPICTED HERE IS THE GRAIN DENSITY
OF EACH AXIS, OR ZONE, FROM THE PRE-
VIOUS DIAGRAM. THIS CREATES A BARCODE
TYPE VISUAL, WHICH CONDENSES THE GRAIN
MORE LINEARLY THAN THE UNDERLYING
STRUCTURE DIAGRAM.
THE VISUAL POROSITY DIAGRAM SHOWS
THE VIEWS FROM EACH OF THE UNITS'
WINDOWS. IT SHOWS THE LINEARITY OF
THE WINDOWS IN A VOLUME, WHICH ALSO
WORKS AS A PRIVACY DIAGRAM SHOWING
WHERE THE VIEWS OF WINDOWS MEET
WALLS OR OTHER TENANTS' WINDOWS.
THIS DIAGRAM SHOWS THE ALIGNMENT OF THE
UNITS ON THE FIELD. THESE ALIGNMENTS CREATE
ZONES WITHIN THE SITE AND A GRAIN DENSITY.
THIRD FLOOR
SECOND FLOOR
FIRST FLOOR
BASEMENT
THIRD FLOOR
SECOND FLOOR
FIRST FLOOR
BASEMENT
Colin Deckner, Mateen Mortazavi, Arch.Analysis 2011
Student Name
1
1
2
2
1 1 1 1 1
1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1
1 1 1 1 2 2 2 1 2
1 2 2 2 2 2
22 12
1 2
23 13 13
13 13 13 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 2 3 2 3
3 3
2 3 2 3 2 2 2 2 2 22 22 22 22 3 2 3 3 3 3 3 3 3 33 33 3 3 3 3
3 3 3 3 3 3 4
2 2 2 4
4
24
4
4 4 1 1 4 4 4 3 4 4 4 4 4
4 4
4 4 14 14 14 4 1 1 4
14 14
4 5 15
15
15 15 5 5 5 5
5
16 6 26 16
16
16 16 16 16 16 6
6
16 16 16 1 11 11 11 11
11 11 11
1 6 16 6 16 6
6
7
7
7
7 7
7 17
17 17 17 7 7 7 7 7
7
7 7
18 18
18 18 18
8 8 38 8
8
2
2
9 19
19 9 19 1 2 2 2 2 2 2
4 2
2 1 9
19 9 9
9
2
2
0 0
0
0
10 10 10 10
10
10 10
10
10 10 10 1 1 11 1 1 1 0 10 10 10 10 10 10 10 3 3 10 10 10
0 0 20 0
12
1
2
a
1
2
3
4
5
6
7
8
b k l c d e f g h i j
Penthouse
13th Floor
The repetition of the mullions is quite sporatic and moreso closer to the top. on the 7th oor there are only 25 dierent sized panels of glass.
at the top of the building there are close to 50 individual panels.
The other thing that gets more sporatic is the column grid. from the base the tower is mainly supported through the central core. Columns
haphazardly line up and misalign to reinforce the idea of stacking the street.
Module 01 d 11
Architect
City / Location
Herzog and de Meuron
Tribeca / Location Here
2008 / In Progress
425,000 sf, 57 Floors, 145 Units
1
1
2
2
1 1 1 1 1
1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1
1 1 1 1 2 2 2 1 2
1 2 2 2 2 2
22 12
1 2
23 13 13
13 13 13 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 2 3 2 3
3 3
2 3 2 3 2 2 2 2 2 22 22 22 22 3 2 3 3 3 3 3 3 3 33 33 3 3 3 3
3 3 3 3 3 3 4
2 2 2 4
4
24
4
4 4 1 1 4 4 4 3 4 4 4 4 4
4 4
4 4 14 14 14 4 1 1 4
14 14
4 5 15
15
15 15 5 5 5 5
5
16 6 26 16
16
16 16 16 16 16 6
6
16 16 16 1 11 11 11 11
11 11 11
1 6 16 6 16 6
6
7
7
7
7 7
7 17
17 17 17 7 7 7 7 7
7
7 7
18 18
18 18 18
8 8 38 8
8
2
2
9 19
19 9 19 1 2 2 2 2 2 2
4 2
2 1 9
19 9 9
9
2
2
0 0
0
0
10 10 10 10
10
10 10
10
10 10 10 1 1 11 1 1 1 0 10 10 10 10 10 10 10 3 3 10 10 10
0 0 20 0
12
1
2
a
1
2
3
4
5
6
7
8
Penthouse
13th Floor
Colin Deckner, Mateen Mortazavi, Arch.Analysis 2011
Module 01 d 11
Architect
City / Location
Herzog and de Meuron
Tribeca / Location Here
2008 / In Progress
425,000 sf, 57 Floors, 145 Units
1
1
2
2
1 1 1 1 1
1 1
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
1
1 1 1 1 2 2 2 1 2
1 2 2 2 2 2
22 12
1 2
23 13 13
13 13 13 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 2 3 2 3
3 3
2 3 2 3 2 2 2 2 2 22 22 22 22 3 2 3 3 3 3 3 3 3 33 33 3 3 3 3
3 3 3 3 3 3 4
2 2 2 4
4
24
4
4 4 1 1 4 4 4 3 4 4 4 4 4
4 4
4 4 14 14 14 4 1 1 4
14 14
4 5 15
15
15 15 5 5 5 5
5
16 6 26 16
16
16 16 16 16 16 6
6
16 16 16 1 11 11 11 11
11 11 11
1 6 16 6 16 6
6
7
7
7
7 7
7 17
17 17 17 7 7 7 7 7
7
7 7
18 18
18 18 18
8 8 38 8
8
2
2
9 19
19 9 19 1 2 2 2 2 2 2
4 2
2 1 9
19 9 9
9
2
2
0 0
0
0
10 10 10 10
10
10 10
10
10 10 10 1 1 11 1 1 1 0 10 10 10 10 10 10 10 3 3 10 10 10
0 0 20 0
12
1
2
a
1
2
3
4
5
6
7
8
Penthouse
13th Floor
Pamela Pascual, Alessandra Marsh, Arch.Analysis 2011
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2
2
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1
"
7
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1
"
2
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"
6'0"
5
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4'9" 4'9"
5
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6'0" 6'0"
5
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4'9"
6'0"
5
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4'9"
6'0"
4'9"
5
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"
6
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1
7
'2
"
6'6" 6'6"
2'11"
1
1
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"
3'-7"
2
2
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1
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2
2
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1
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2
2
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1
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2
2
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1
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2
2
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1
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2
2
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1
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6'-7" 5" 7'-8"
2
2
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6'3" 4" 6"
7
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7
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"
2'9" 2'9"
7
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2'9" 2'9"
7
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7'9"
1
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2'6"
2'9"
4
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5
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2'9"
2'6"
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6'9"
7'9"
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6'9" 5
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6
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2'9" 2'9"
2'9"
2'6"
2'6" 2'6"
2'6"
2'9"
6
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5
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2
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8
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8
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6'9"
2
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1
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7'9" 7'9"
1
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2
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2'9"
6
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5
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2
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2'9"
2'6"
2'6" 2'6"
2'9"
2'6"
1
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"
2'9"
7'-7"
2
2
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"
6
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1
1
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8
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2
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6
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5
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2
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7'9"
6'9"
2
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"
1
1
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"
7'-2"
12'-10"
7
'4
"
8'0"
6
'-3
"
12'-10"
3'7"
4
'-3
"
3'2"
10'10"
3
'6
"
2'9"
6
"
9
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"
3'-1" 7'9"
8'0"
8'0"
9
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"
3'0"
2
2
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"
9
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"
1
1
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0
"
7'-2"
1
2
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"
4'6"
6'-11"
1
0
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1
"
5
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"
1
3
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1
2
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"
1
4
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1
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1
8
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4
3
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3
2
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1
1
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2
3
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1
8
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1
4
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1
6
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1
8
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4
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"
6'0"
2'3" 6'-8"
4
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"
6'3"
5
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"
5'0"
4'6"
9
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"
1
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"
2'0" 4'6"
7'-1"
1
2
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"
7'-2"
1
2
'4
"
4'-5"
1
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"
1
'3
"
4'6"
1
2
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"
6'-11"
1
1
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0
"
7'-1"
1
0
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1
"
11'0" 11'0"
1
0
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0
"
1
0
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0
"
2'3"
4
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6'0"
6'-8"
4
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"
6'3"
5
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"
5'0"
4'6" 4'6"
9
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"
9
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"
4'6" 4'6"
4
'6
"
6'0"
2'3" 6'-8"
4
'6
"
6'3"
5
'-1
"
5'0"
3
'6
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'9
" 11'0"
4'-5"
1
1
'1
0
"
7'2"
6'-11"
1
2
'1
"
1
0
'1
1
"
3
2
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"
1
0
'-1
0
"
1
0
'-1
0
"
3
2
'-2
"
1
0
'1
1
"
7'3"
1
2
'4
"
2
7
'3
"
6'9"
4'-7"
11'0"
10'2"
9
'-1
"
4'6"
8
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" 7
'9
"
4'-7"
5'0"
6'0"
4
'6
"
6'3"
6'-8" 2'3"
4
'6
"
5
'-1
"
9
'8
"
7'-5"
3'0"
3'0"
5
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"
2
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"
3
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"
6'-10"
7
'-1
0
"
8
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"
1
'-1
0
"
1
3
'6
"
4'-6"
7
'9
"
4'-6"
6
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"
4'4" 10'6" 9'6" 10'3" 10'9" 8'6" 2'-1" 3'3"
9'-10" 3'0"
13'-4"
14'0" 14'0" 14'0" 13'-8" 12'-8" 14'0"
91'10"
8'-7" 3'3" 2'6" 2'6" 2'0" 6'3" 2'6" 8'-11" 3'3" 2'6" 2'6" 6'-7" 4'9" 2'6" 4'6" 4'3" 3'-2"
6
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3
"
6
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0
"
8
'-
8
"
4
'-
2
"
5
'9
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1
2
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2
"
8
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8
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8
'9
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8
'-
9
"
8
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8
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"
8
'5
"
8
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"
8
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8
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2
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1
1
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2
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"
1
9
'-
6
"
3
'9
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3
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1
2
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7'9"
8
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"
2'9" 2'9" 3'6" 3'6" 2'9"
2'9"
2'9" 7'9" 3'6"
2'9"
3'-8"
2'9"
4
4
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"
116'11"
2'9"
6'-10"
2
8
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3'6"
2'9"
7'9"
6'6"
7'3" 7'9" 2'9"
6'11" 6'-10" 7'2"
13'10" 12'10" 14'0"
6'6"
88'-8"
3'3" 2'3" 3'3" 7'-2"
14'0" 14'0"
2
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6'6"
8
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3'-2" 3'-11" 6'11" 3'-1" 7'-2"
14'0"
7'-2"
5
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"
9
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5
'-
1
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9
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5
'-
1
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9
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5
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1
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9
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5
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1
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1
2
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1
0
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1
1
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9
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9
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4
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1
5
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7
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1
0
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"
1
0
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1
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1
5
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1
1
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2
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1
1
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1
0
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1
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1
4
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5
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4
4
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8
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7
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3
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3
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1
0
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2
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1
3
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4
0
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6
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Lorcan OHerlihy Architects
West Hollywood, California
Summer 2009
16,000 SF, 4 stories, 11 Units
Formosa 1140
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City / Location
Year Built
Lorcan OHerlihy Architects
West Hollywood, California
Summer 2009
16,000 SF, 4 stories, 11 Units
Formosa 1140
VISUAL POROSITY THROUGH
BUILDING IMMEDIATE SKIN
VISUAL POROSITY THROUGH THE
ENVELOPE SYSTEMAND SKIN
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Sp13 Module1 Intro-1C S

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CCA architectural analysis antje steinmuller

part c - physical systems

Coded Wall Grain

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