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2010

 \ ^
15, 2044
,
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EPIEXOMENA
POOO ...........................................................................
EPIEXOMENA ....................................................................
PAIE .............................................................

7
9
11

BIBIOPAIA ..........................................................................
A HE ......................................................................................
B BOHHMATA .........................................................................
1. ^E .........................................................................
2. ...............................................................................

13
13
15
15
26

EIAH...............................................................................

29

KEAAIO PTO
APXH KAI EEIH TH MOYIKH KATA THN PO
KAI META XPITON EOXH .. 35
) ^H a c
c c .. 35
1. ^H c f E ... 39
2. ^H c e \Ic .. 47
) ^H
c \ \E .. 59
1. a f K .. 59
2. \Ae c \E
c c \I .. 67
3. \Ae c c \I
c B .. 88
4. \Ae c B . 99
) ^H c d c .. 125
) ^H c c c
c 135

KEAAIO EYTEPO
O YXOAIAIKO XAPAKTHPA TH
EKKHIATIKH MOYIKH 145
) ^H c
.. 145
) ^H
c c ... 159
) ^H
f f .. 177
KEAAIO TPITO
O OIMANTIKO XAPAKTHPA
TH EKKHIATIKH MOYIKH .. 193
) ^H c c c ... 193
1) d 193
2) f
d ... 213
) ^H c c e e ... 221
YMEPAMATA .. 231
CONCLUSIONS 235
APAPTHMA ... 239

10

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EM

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PL

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SC

Sources Chrtiennes, sous la

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direction

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EIAH
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d , e f
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70
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44

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B. .., . 40. BAIEIAH, , .., . 8-11 d 15-19.

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45

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75

B. APITOTEH, , .., . 744-747, 1340b14-17: b

e c c b
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46

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79

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47

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d d , PG 56, 97-98. . ,
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B. MEAOY BAIEIOY, ^E e , PG, 29b, 213A.
BEE 52, . 12: e e , e , e
e .

48

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87

B. ANTIOXOY ANTEKTH, PE, d , PG 89, 1749D1752A: ^H d ,

, d , a e ,
A e K , , d
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d , e e K
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d . . , , . 47, . 30.
88
B. BOYPH, , .., . 27: ^H r
, b f \A d f ,
\ A d d
. . .., . 104-105.
89
B. IANNH XPYOTOMOY, E c , ^O. K, .6. EE 3, 230
PG 53, 264: O a , ,
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c .
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r c . B. ANTOPINAIOY, ,
. 98.
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a a () b e a
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49

c d c , d a c
92.
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: ^O e e b e e M d
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92

B. BOYPH, , .., . 107.

B. .., . 102: a d f
\E d \I, b
\Ed a , b
\I d a .
94
B. IANNOY AMAKHNOY, d e f
a , PG 94, 1388B: Er B
X a e . Er
b d d \Ic e ^Ic , L d
d d d d d , L d
. \Aa a b , a b
, .
95
B. E. , 20-21. b M, , c \A, e
F d , d
a d , b Ma
K, a d W .
. APIANOY, , . 124-125. ^H c M
e a ^E , g e a
a . B. BAIEIAH, . , .., . 2, . 82.
, . , . 19-20.
96
b e M. B, Ma c \E. B.
MEAOY BAIEIOY, ^O c , BEE 57, 186:
a \E, M, ,
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93

50

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a e f
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g d e , a a b
.

97

B. IANNH XPYOTOMOY, ^O e PE . PG 55, 662:

Kd , d Fq c . T a
M , b Ma
. . BAIEIAH, . , .., . 2, . 82. . ,
. , .., . 29.
98
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4, . 41-44.
99
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c c . oH , e , b
c . Er e a
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BAIEIAH, . , .., . 5, . 66.
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101
B. BAIEIAH, . , .., . 5, . 65-66.

51

c a c
a d ,
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d b c d c , \ e b
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102

d , , j \
. B. . ., . 103.
103
B. B A, , 14-23. . AYIZAKH, , .., . 393
. APH, oA, .., . 24.
104
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105
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106
B. PHOPIOY EOOOY, IZ, e f
N d e , BEE, 59, 105: T
j ; e
; \A d , d
a .

52

f d c 107. M ^,
a c c b e f , c
, f , b e e , e f
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, b c c , e 108.
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c a e
110.
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111. c a , Ke
107

B. MEAOY AANAIOY, \Ec e M c

, BEE, 32, 27: ^O ,
, e , d e d e
e f , d c c
.
108
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109
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, d \ e d K. Mb e
, a
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110
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d a : H
e e . s ,
; O e F a , \
, ,
. a e , F F
, a F F F e F. O
q d e , \ d e . NIKOHMOY, , . 2,
. 471.
111
B. A, , 16-24. d r U
f f f f , ,
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e Aa e \I \Aa e
B. d Md Aa e K. d

53

, , g d
, e e 112. ^O
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113
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, 9-10. d , a
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c .
115
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, d d
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f f , K, ,
d .
116
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117
B. BAIEIAH, . , .., . 7, . 190: E e e
d a : , , e

54

 d d e
K, d a a 118. a
, g
, d , g ,
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K, , e e
119. O b e e
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120.

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a f f \Aa d Aa d \If
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119
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, a , d d
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120
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d b . ^H e f d
a c . O , a a e
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c , f c j e
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- ,
. O , d
, q e e . O
e e ,
d ( e ), b
d e d e . a e e
. APIANOY, B, .., . 4.

55

Ka a ^Ic
f , a a f c ^Ic d a
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, d 121. Ma e a
\Ie e f
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122.
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121

B. N, 27-29. Kd ^Ic
f f ^Ic
d a d , d
d . d d d e
^Ic d e d e
^I. .
TPEMEA, , .., . 12.
122
B. M A , 55. d e d d
d e e . .
TPEMEA, , .., . 9.
123
d e f f e c e . .
, . , .., . 23.
124
Ac d b .
125
. AYIZAKH, \, .., . 21. \Ae f f
b c , c a
, c f M, f
a c c . B. BAIEIAH, . , .., . 10, . 28.
126
b c r d ,
f f 6, 53, 54 d 66.
127
B. BAIEIAH, . , .., . 10, . 28. . NEF, .., . 35.
128
. . , 3. p ,
. . , 8. f ,
. B. NIKOHMOY, , . 286. . APIANOY,
, .., . 176.
129
. . , 33. F F , ,
.

56

g d e A , e a
e \Ac d e \A130. e A
, . 16, e 106 e f
f \Aa a e c e , e
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d 117 (118) d 135 (136) r d .
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b e e e 132.
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133. Te e f \I,
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\ , e f ^E
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137.
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130

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. d (e ^Ee
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d e e b c
d . a e e . AAOOYOY, \E, ..,
. 76.
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d d . d F
K. . TPEMEA, , .., . 9.
132
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133
B. . , 3-4. . c
c K d ; . , . , .., . 2930.
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B. TPEMEA, , .., . 7, . 3.: O b a
\ d e \I d
, , d \ , e a c
, , e
d .
135
B. ..: O e Hallel, d 113-118
(113-114 d 115-118) d , e .
136
B. ..
137
B. a , 18.

57

a . \ e d \Ag
, d a a
138.
O c d b q
, d . \A , ,
, a d b , b q c
139. e , g d d ,
e a b e c
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, r c d
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r , e
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c c , r
142.

138

B. \A , 5. e c c ,
d .
139
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d \Ie e .
140
B. .., . 9.
141
B. NEF, .., . 35.
142
^H c c e
(nguinoth). B. .., . 35-36.

58

) ^H c
\ \E143

1) a f K

143

c a a d b
c \
d b c c c
c .
e e d b
, e , \-d-,
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. ^H ,
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- 1175 .X.), ) c , c (Round
Notation) j c c (1175 - 1670), ) c c
j (1670 - 1814) d )
(1814 - ). . , \, .., . 48.
AYIZAKH, , . 433-439. ANTNIOY, E, . 87-90.
WELLESZ, History, .., . 246-310. . APIANOY, M, . 19.
APIANOY, \A, . 11. c .
c , c c a a
d , e c
. , \, .., .
47. \Ae f b c c
b r e a a b c
. B. APIANOY, \E, .., . 10. \Ae a

e f . B. APIANOY,
\A, .., . 15, . 22. d j
. . ., . 18, . 27. Er c a
f , a e
b a e , f
b , a a
, d a a c
. M a a a e
,
a , a , b a . B.
APIANOY, \E, .., . 11. c c c a e
, , f e , f
b e . d . NICHOLAS, \,
. 487.

59

^O K r , f
c \E. Ma e Me K
b f T e
144. Ka e c . T, \I b f
T f f 115 118145. Kd
\A, e K,
c c . O
c , q a e
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\A d \ ... (q)
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r , d
144

M. , 30. M. , 26. B. MHTAKH, ^Y, . 39.

AYIZAKH, , . 72. OYPH, ^Y, . 7. APH, o,
.., . 7. PITRA, Hymnographie, . 34. Ka e \I d \
, e , d
, a . E b
e \E .
O e K e \Ig
. e e \I. IOYTINOY
MAPTYPO, e T \I , 106, PG 6, 724A.
e b e \I, K a e Me
e e b d (. , 23-24).
145
B. TPEMEA, , . 7, . 3. McKINNON, Music, . 13. O
c e Orthodox Study Bible,
e e a (. 115-118),
a a e a e e . Ma
c f f 22, 121 (. 21, 2-22). ^O e 22, 22 (. 21, 23),
b c c e ^E , . 2, 12
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. Ka e \I b e
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, c c c d c
d d
, f b e E.
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\A, d K ,
F c ,
d d . O b a
, d e , a d b
Y. B. OSB, . 204.

60

, e 147. d \A
, a c
d \I, ...e q c e e
148. ^ q c c j c
149. d \A
a f \A d ,
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b q , ,
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, f \A s ;
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: T , , r d a
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e , b c a F d a F
147

. , 46-47. . APH, o, .., . 16.

. , 24.
149
B. APH, oA, .., . 16. . McKINNON, Music, .., . 13.
150
. , 25. q d ,
d d e
^Y c b , r a c
. OSB, . 309. . APH, oA, .., . 16.
151
B. IANNAKOOYOY, , . 277: \Ad d
, a ,
! !.
152
A K. , 15. . AYIZAKH, , .., . 74.
, e b , d
e , \ z e , d
, \ z c c . ,
\ f , . 91. PG 23, 1173.
148

61

 , d a a F f .
^O b d e a F b b e e
, a F b d b e d a F a
d a a F f 153.
Kd M. \A, e
\A a b c ,
O b s c e
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, c
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, a d f
154. ^H
a c c d c c
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d 155.
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b c , b s
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a b b , b b
a c e b
a b b e
, a e e d ,
F e . O a e
, \A \A

153

NIKOHMOY, , .., . 1, . 619-620.

MEAOY AANAIOY, e M c
, . PG 27, 40D-41A. . TPEMEA, , . 30.
155
IANNH XPYOTOMOY, ^O c ,
Fq , d e, ,
, e K d e . PG 55, 522.
154

62

, d 156. ^H a
, b a ,
e f r f b f e
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a b a .
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159. ^O a
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a e e b d .
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d a ,
d d ,
d F K161.
156

IANNH XPYOTOMOY, ^O c ,
Fq , d , A,
, e K d . PG 55, 522. B.
A . , 17. B. OSB, . 476.
157
A K. , 26. B. OSB, . 399.
158
B. NIKOHMOY, , .., . 1, . 626-627: a
d f e
O, a a a , i a
c d , d e r , e
a F d a F f .
159
B. .., . 2, . 709: hH d e e
. a F e K
" e " (A K. , 26).
160
. A K. , 40. b d a .
161
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TPEMEA, , .., . 28. YP. . MAKPH, K, HE, . 7, .
783. BAIEIAH, , .., . 7, . 191. APH, o, .., . 12.
OSB, . 450. ^Y , , b

63

B d r
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r e e d a e
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N ^A, c
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\ e b r
d , f , d a
c , d \ c
b A. ^ c
r d j
d , \ a
^A . ^H b a
b a d e , a d b e
d c 163, a 164.
. d . MHTAKH, ^Y, . 41. XPHTOY,
^Y, . 22 . TAH, , . 385-386. ANOYPAKH, \,
. 23-30. AYIZAKH, \, .., . 77. KAPABIOOYOY,
\E, . 199. , , .., . 21. PITRA, Hymnographie,
. 34. TILLYARD, Music, . 8. WELLESZ, History, . 33 . CHR.
HANNICK, Christian Church, music of the early, NGDMM, . 4, . 363.
162
B. NIKOHMOY, , .., . 2, . 471: , , a F d
a , ; e e a F c e e
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, .., . 122, . 174.
163
B. NIKOHMOY, , .., . 2, . 471-472: b
a c , b a a F g
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164
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64

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K. , 16. B. AAOOYOY, \E, .., . 70. YP. .

MAKPH, K, HE, . 7, . 783. AYIZAKH, , .., . 7274. , , .., . 21. APH, A, .., . 12. OSB, .
467. d Egon Wellesz,
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WELLESZ, History, .., . 33 .
166
M. , 6. . ^H, , 13. e y
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167
B. APH, o, .., . 7: ^H e c
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MEMAN, \E, .., . 207. TPEMEA, , .., . 28-29.
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168
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169
B. NIKOHMOY, , .., . 2, . 708-709: \Ec c
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65

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66

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174
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d , . APIANOY,
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176
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67

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177

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d e , d , d e ,
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c .
178
B. ANTNIOY, M, .., . 70.
179
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68

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69

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d j . ANTNIOY, E, .
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c \. \ \ c a
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70

, a c c
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H, PG 67, 689C-692A: b d c c a f
F . \I \A ,
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196
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648B: a F d F \I Xe
. Kd \ b e , ,
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. . AYIZAKH, , .., . 36. . ANAITH K.
XPHTOY, \I , HE, . 6, . 705-715.
197
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71

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B. TPEMEA, , .., . 21.

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181C-184A: d a , d a
, e , d
e a , d \
, a . . TPEMEA,
, .., . 15.
200
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EOPHTOY KYPPOY, \Ec , . III, . T, PG 82,
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, d , d c c
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72

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203
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. , , . 6-10.
206
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AOTOIKAI IATAAI, H, E. PG 1, 1037B. . HM. N.

73

 b , a c
207. Er c ,
f f 208. O
. T, e
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b ,
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A (580-638). O c r , e
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74

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. , 29-32. d . HM. B. OIKONOMIH, , HE, .

11, . 531-533.
211
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AAOOYOY, \E, .., . 77-78.
212
B. AOTOIKAI IATAAI H, I. PG 1, 1108D-1109A.
213
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214
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. 94, 6.
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75

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220
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221
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d , . 59, PG 1, 744AB. (SC 320, . 324): \
d , d
K, b e e , b e . M
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, r a
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. . AYIZAKH, , .., . 36. B.
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, . 54, PG 1, 717CD. (BEE 2, . 50): a , t ,
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76

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.., . 29. Ac c , , r
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77

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225
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. TPEMEA, , .., . 28.
226
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227
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228
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61-62.
229
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, f c a e K,
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c c d c
.
230
B. BOYPH, , .., . 98-99: e a
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, .

78

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231

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233
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234
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79

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235
B. HMHTPIOY KNTANTINIH, , N, HE, . 11,
. 324-342. AAOOYOY, \E, .., . 85. ANTNIOY,
M, .., . 41.
236
B. APH, oA, .., . 18. , \, . 67.
237
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(260 -336). B. AN. K. XPHTOY, A, HE, . 3, . 92-96.
238
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239
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240
B. KPATOY XOATIKOY, \Ec , . VI, .
H, PG 67, 688CD-689A: O \A, ,
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80

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241

B. KPATOY XOATIKOY, \Ec , . VI, .

H, PG 67, 689AC.
242
d \I X
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243
B. NIK. E. TZIPAKH, X, HE, . 12, . 119-121.
244
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81

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.., . 95. a c c
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d \ . Ac c T
c b e A , b c c , f
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b c ^A T
a e \I X. B. NIKOHMOY, , .., . 291. EP.
. MEKATPOY, T, HE, . 11, . 859-861.
245
c c \E a e T \E
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\E, .., . 90-91. . OOKH . H,
, HE, . 11, . 528-530.
246
B. J. PATINOT, , HE, . 11, . 146-147.
247
B. B. BOTTE, \A, HE, . 2, . 272-274. AN. .
NIKOOOYOY, \A, ^H ^Ec , HE, . 2, . 274276. T. KAOEPOOYOY, \A M, EM, . 1, . 119.
248
. T. KAOEPOOYOY, , EM, . 1, . 537538.
249
B. AAOOYOY, \E, .., . 103.
250
d e \A, e
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83

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P, HE, . 4, . 820-822. AAOOYOY,
\E, .., . 100.
251
. NICHOLAS, \, . 487: e e (f b b
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c b r .
252
B. BOYPH, , .., . 73-75. ^Y d
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c \I a e 13 , a
c , e e . B.
APIANOY, \E, .., . 6, . 2.
253
. NICHOLAS, \, .., . 487.
254
B. , \, .., . 24-25, . 3. ^ c
\. \ d q a
e b b , a
. AYIZAKH, \, .., . 93. ,
\, .., . 50-51. , , .., . 382 .
ANTNIOY, E, .., . 51, . 10. WELLESZ, History, ..,
. 171-179.
255
B. MEMAN, \E, .., . 213.
256
b .
257
B. NIK. E. TZIPAKH, T, HE, . 11, . 865.
258
. , , .., . 396. ANTNIOY, E, ..,
. 50-51 . T. KAOEPOOYOY, Pe M, EM, . 5, .
291-293.

84

( E -560 .X.), c
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259

\ c e P, a e r
. B. YP. . MAKPH, K, HE, . 7, . 784.
MEMAN, \E, .., . 210-211: O e b
- e d e - a
e c c (c memra j c ) d c
c \E. ANTNIOY, E, .., . 50.
260
^H K e e , e
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EOPOOYOY, \A, . 20. , \, .., .
24. YP. . MAKPH, K, HE, . 7, . 784.
c \. \ e e
d . . AYIZAKH, , .., . 78-82.
d Egon Wellesz b
, f a c , a c e
c c c . . WELLESZ, History,
.., . 179-197. , , . 107-108.
261
B. AAOOYOY, \E, .., . 98.
262
Te K d Or c ,
b a a a f . Or a
, b , e
e c e . B. YP. . MAKPH, Or, HE, . 9, .
686-687.
263
B. APIANOY, \A, .., . 9.
264
B. .., . 10. e \A Y e e
d a (\A, X N \A .),
f O.

85

e 265. \E e e
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c M K270. O K
265

B. YP. . MAKPH, Or, HE, . 9, . 687. YP. . MAKPH,

K, HE, . 7, . 785.
266
B. NIK. B. TMAAKH, Pe , HE, . 10, . 914-921.
GUDRUN ENGBERG, Romanos the Melode, NGDMM, . 16, . 139-140.
267
B. ANTNIOY, E, . 63-66.
268
Te r K a , e e
T d c r c . B. N. B.
TMAAKH, \A K, HE, . 2, . 687. ANTNIOY,
E, .., . 54 . d
EgonWellesz a a c
, d b e a c f d
( ). . WELLESZ, History, .., .
198-245. TPEMEA, ^Y, . 279. c \.
\ a a , e
d , r
\ c d .
AYIZAKH, , .., . 77 d 82-84. Tf b
f d b f b e . B.
ANTNIOY, E, .., . 55-56, . 19. MEMAN,
\E, .., . 212-213. d K .
NIKOHMOY, , .., . 286. O a e
^H c M r
e a Ba a d c \ f
Xf d a f f f
K, f r r .
BAIEIAH, , .., . 2, . 82. c \.
\ r d e e .
. AYIZAKH, , .., . 382 .
269
\Ae e e \A K
a E, a d a
d . B. N. B. TMAAKH,
\A K, HE, . 2, . 687.
270
^O M Kg e b d 280 ,
b b e c a d Kc .

86

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a r d e , c b a
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b 273.
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Ka c
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b j , c c c
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271

a e e . MEMAN, \E, .., . 214. ^H c

e e 692, a c T , b
e I e E
a d K. B. ANTNIOY, E, .., . 59.
272
B. MEMAN, \E, .., . 213: a c c
, f (a b d a
b ), e d
c .
273
B. N. B. TMAAKH, \A K, HE, . 2, . 688-689.
ENRICA FOLLIERI, Andrew of Crete (Andrew Hierosolymites), NGDMM, . 1,
. 412. \A K, EM, . 1, . 144-145. T. KAOEPOOYOY,
\A K, EM, . 1, . 144-145. TPEMEA, ^Y, .
279-281. TMAAKH, ^Y, .182-210. ANTNIOY, E,
.., . 57, . 26, d 58 .
274
\ e e a , a c
b j .
Ta a b , a d a
a . B. . EPIOY, Ee , HE, . 5, . 448449. T. KAOEPOOYOY, Ee , EM, . 2, . 157. ^
c \. \ e e r e . .
AYIZAKH, , .., . 84.
275
\ e e a , f r , c
, a a c b
. Ta a b
, a a d a . B. . EPIOY, e
, HE, . 11, . 484. T. KAOEPOOYOY, e ,
EM, . 5, . 529.
276
B. AAOOYOY, \E, .., . 108-109.

87

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^H
a , a e e 277,
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c \O , a q ,
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277

e r e a , f c , a
c c c e c c \I
. B. . EPIOY, e , HE, . 9, . 1187. T.
KAOEPOOYOY, e , EM, . 4, . 585.
278
B. AAOOYOY, \E, .., .109.
279
B. AYIZAKH, \, .., . 15 . ANTNIOY, E,
. 74-77.
280
B. ANTNIOY, E, .., .108.
281
B. .., .110-111.
282
B. BAIEIAH, T, . 10. M c \O
d , a \Aa , a
\A e , (a \A
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K , d \A,
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AAOOYOY, \E, .., . 112-113. MEMAN, \E,
.., . 214. d . , \, .., .
26-27, . 4. d b c c
c . AYIZAKH, \, .., . 14-15 d 94 . WELLESZ,
History, .., . 44.
283
B. AAOOYOY, \E, .., .111.

88


f
f
284,

c \E, a
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c \A T , c , d
K c K .
^Y, a a f K, e f f
. .. a e .
PHOPIOY TOY EOOOY, A E e d c
, PG 35, 396A.
285
Ae r d e f , a e a
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B. AAOOYOY, \E, .., . 115. ^
e \I e a g K. e
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e e N b q . d a
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d c c c e f
b d b d
X X. B. . EPIOY, \I ,
HE, . 6, . 1231-1232. ENRICA FOLLIERI, John Damascene, NGDMM, . 9,
. 672-673. T. KAOEPOOYOY, \I , EM, . 2,
. 461-463. ANTNIOY, E, .., . 57, . 26 d . 58.
286
\O d ^I j ^A, e c
c , b M . B.
ANTNIOY, E, .., . 77-80.
287
\O N b b e K e j
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89

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T291.
Ta a d
d . \I
c c
288

B. AN. K. XPHTOY, K M, HE, . 7, . 885.

B. PHOPIOY TOY EOOOY, H a ,
, PG 36, 312A: Xe , Xe
, Xe d , . A K,
. \A a d K M,
e e A K . .
ANTNIOY, E, . 85, . 157. AN. K. XPHTOY, K
M, HE, . 7, . 886.
290
a e K Xe
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B. AAOOYOY, \E, .., . 117-118. AN. K.
XPHTOY, K M, HE, . 7, . 886. K e
K c K Xd \Ic
b q , c c K ( A
K) F F b q A d f .
e e M. Tc
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XPHTOY, K M, HE, . 7, . 886.
291
. T. KAOEPOOYOY, K M j M, EM, . 3,
. 261-262.
289

90

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d b e \Ic (762832) a T, a
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297.
292

B. AAOOYOY, \E, .., . 118-119.

B. TPEMEA, ^Y, . 219. AAOOYOY, \E,
.., . 119.
294
B. ANTNIOY, E, . 73. T. KAOEPOOYOY,
, EM, . 2, . 382-383.
295
e f f r \A, f
c \O. B. BAIEIAH, T, .., . 30-31. AN. K.
XPHTOY, , HE, . 6, . 214. TPEMEA,
^Y, .., . 219. e \E ^H c
g d f K c ^Y , c
d . B. EOPOY TOYITOY, Kg
c , PG 99, 1757A-1780B. b
, b , b , b a
d b a . B. EOPOY TOYITOY, I
, PG 99, 1779B-1812A. ^O ,
e , a e
, : \E e
. ^O b a e . ^E
. K. X
e e . B. AN. K. XPHTOY,
, HE, . 6, . 214. Er c
d f K. B. AN. K. XPHTOY,
, HE, . 6, . 214.
296
T , e c Kc
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d e e , f c . B.
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299. ^O N300.
Ka e Mc \A301,
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303. \A a e
BAIEIAH, T, .., . 11. a e
. TPEMEA, ^Y, .., . 219-231. R. JANIN, \Ic
\A , HE, . 7, . 111-113.
297
, f c c ,
r \A, , K, K, N, d
.
298
\ ,
, a e d , b a
f , . B. R. JANIN,
a , HE, . 6, . 205-206. ANTNIOY,
E, . 73-74. T. KAOEPOOYOY, d
, EM, . 1, . 533-534.
299
B. AAOOYOY, \E, .., . 121.
300
^ , a , g d e
K, a M. ^H
d K, e , b
, b e . B. R. JANIN, a
, HE, . 6, . 206.
301
^O Mc \A f O d d
b , , g
d a . B. T. KAOEPOOYOY, Mc \A,
EM, . 4, . 139.
302
^ M f Tf K
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a M, g d e c , f
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HE, . 8, . 1134. T. KAOEPOOYOY, M (
), EM, . 4, . 115-116.
303
^ e Me e K c
^Y , M
K. B. AN. . NIKOOOYOY,

92

N304, d \Ic ^Y305 (816-886). ^O ,

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\A Y \I, d e
, f a c 306.
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(865-912)307, B, a
a a g 308. A e
e e a d c \E,
, HE, . 6, . 314. T. KAOEPOOYOY,
, EM, . 2, . 388.
304
^ N e , e r
d a b , T .
. T. KAOEPOOYOY, N, EM, . 1, . 470.
305
d . T. KAOEPOOYOY, \Ic , EM, . 2,
. 480-481. \Ic ^Y f
K, a , c
c d e , , g d e
K \A Y. \Ae f
g e e \I. a
. ^Y d
\Ic e \Ic e , d e
^. B. AN. K. XPHTOY, \Ic ^Y, HE, . 7, .
113-115. EOPOOYOY, \A, .., . 34. AN. K. XPHTOY,
\Ic ^Y, HE, . 7, . 114. O d K
\A Y r e e K K
, \I .
306
^O , g d e , f
e M , c .... d
. TPEMEA, ^Y, .., .
241-244. ANTNIOY, E, . 83. T. KAOEPOOYOY,
K, EM, . 6, . 440-441. \Ee e f
, d .
f
e
e

B.
TIOY
KNTANTINOYOE, E B e , PG 102,
577A-584C. B. N. B. TMAAKH, A, HE, . 12, . 27-28.
307
d . T. KAOEPOOYOY, , EM, . 3, .
487-488.
308
. BAIEIAH, T, .., . 14. Ta a a
e b e j e e e \I e ,
e b j e e e .
e e d, a
d . B. I. X. KNTANTINIH,
T , HE, . 8, . 268. ^O d c
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309

B. AAOOYOY, \E, .., . 123.

Ta e e b
b a a , g d b a a .
B. BAIEIAH, T, .., . 33-34. R. JANIN, K Z
, HE, . 8, . 24-26. Constantine VII Porhyrogennetus,
NGDMM, . 4, . 678. Ta , a r
b , e e
B N d e e b B q.
e ^Aa b , e
c c c , g d
. . T. KAOEPOOYOY, K Z
, EM, . 3, . 391.
311
^H Kc , K, K, d \I.
B. ANTNIOY, E, . 77.
312
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310

94

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Kc e e a c e .
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d c ,
d b e e ( e e
E e e ). B. AAOOYOY, \E,
.., . 124-125. EOPOY TZEAKH, Kc , HE, . 7,
. 385-389.
313
^ c e K M K
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314
B. EOPOY TZEAKH, Kc , HE, . 7, . 389. T.
KAOEPOOYOY, K, EM, . 3, . 99-100.
315
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316
B. YP. XPATH, \I , HE, . 6, . 1237-1238.
317
B. AAOOYOY, \E, .., . 127-128.

95

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c c a , d
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318

B. AAOOYOY, \E, .., . 126. Ma

, c a c c c c
, e B Grotta
Ferratta, e e 1004, d e f
f .
319
B. TAOY A. PITOOYOY, N N, HE, . 9, . 337.
AAOOYOY, \E, .., . 126.
320
B. BAIMHPOY BONT, B, HE, . 3, . 919-923.
321
B. AAOOYOY, \E, .., . 128-129. b
a c c
c . B. APIANOY, M, .., . 20.
322
B. AAOOYOY, \E, .., . 131-132. AYIZAKH,
, .., . 110.
323
^H c c c a e
d b T c e

96

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AAOOYOY, \E, .., . 132.
324
c . d
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d c . , \, .., . 28.
325
M c , a a c
a e , e a b
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a c a , e
, e B. B. AAOOYOY,
\E, .., . 139. \A c c M
^A O d , c ,
r . O , g
f , d e d
d e e
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. ^O e
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Ta a c e \I,
e , f . B. .., . 139-140.
326
Te M I a c
(I .) ANTNIOY, M, .., . 36-37.

97

 e f , d c
g e f g f 327. Ta
( d ) e
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^A 329. ^O B
(1222-1258), N, f e e
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330. ^O B a e I d
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327

a a d . \Ae a a a
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A b q . A, b . A, a
\A d a a M c, e A ,
c Te d d a . B.
AAOOYOY, \E, .., . 140-141 . BA.
EYTOKA, K \I, HE, . 7, . 930-931.
328
B. NIKOHMOY, , .., . 286: Ta b d
a , b a Fq , a
\ a \IF, d
, b d ,
b a e e e \I K. B.
EDWARD V. WILLIAMS, Joannes Koukouzeles (Papadopoulos),
NGDMM, . 10, . 218-219. T. KAOEPOOYOY, K
\I, EM, . 3, . 282-283.
329
a c , e b e
b q B, e A K g M.
B, e \Ed d b q . d a . B. .
EPIOY, K, HE, . 9, . 654. T. KAOEPOOYOY,
K, , EM, . 3, . 257-258.
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127

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128

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131

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b e e
\ a f ,
a , e , d e . .
, , . 91.

142

\ , d b
. d , a
b , b j d
, a d . a
c , e
d e g j ,
a a a e e
, a c ,
e d j d e
, a b c c
, , a
c .
a a ,
e , a
d c , a
d . r d
b , e e
,
, .

143

144

KEAAIO EYTEPO
O YXOAIAIKO XAPAKTHPA
TH EKKHIATIKH MOYIKH
) ^H c

,
. ^ , f e
a , c c
, e e .
a a a c d
c e e 519. a
a g c
c , c, , e e d
. \Ac c c
a a g ,
a a b a ,
r c 520.
^ K. , a c e
e , ) c
, b c
a e e , d )
c , e 521. B
a q a e e
. \A, b , a
e 522. O K.
519

O a E , Mc
a d , b f . K:
c b . AANOYTOY,
A, .., . 365.
520
^Y d c , a
a , .. e a , b
a c c , c d c
e . a a r , d d
.
521
B. IOYK, O, . 15.
522
^O E q b c
, q d b e e
b \A e

145

, e d
d d
. O d ,
b a , ,
e , e a . Er
f , , . ^H
e
523. ^O K. f d c
, f , a
, f c , c j
c , d e . Tc
c . \Ae e
d , d c
. c c a d
. Te r a e
, e d e e
. d , d b
e 524.
^ r e a , a
b e 525. ^
c r , a
c d , b ,
d f d
. ^ c, e e e
, r , f b f
. d e
a a , a a
a , e ,
e j e , e , e , e ,
e ... K e ,
e e q r .
AANOYTOY, A, .., . 361.
523
EYAEOY EOPOY, f K, HE, . 4, . 522.
524
IOYK, \A, . 10. \A d A. K e
, a b a
e , a a e b c
. O e e , f
, c , e ,
d b e . KOANT, M, .., . 46.
525
. , , .., . 17 .

146

, r
526, , ,
527, , g d 528.
^ c b e d c
526

B. KOANT, M, . 31: ^H c e , f
, a a c r
, e d , f d f
c . b
, a a c , e
T. d . ANTOPINAIOY,
, .., . 11-12. AANOYOY, A, .., . 362-363.
PAUL BRAINARD, Tartini Giuseppe, NGDMM, . 18, . 583-588. KENNEDY,
Dictionary, .., . 178 d 646.
527
K N c
e e j
d , f a , e
e c c
e e d e c , f
, a a d b d b
, f F a ,
f . Kd \ c c
c , f
a j a b d , c j
c , a e c c
, a d e d , e
f c . ANTOPINAIOY, , .., . 103104.
528
^Y , f r , b
e , d , f r ,
d e . B. EYAEOY EOPOY, f
K, HE, \A, 1964, . 4, . 523: ^O c
c c , F c , e
, r d e ,
, , , , c c e
c , r ,
d c c d a .
\A, c r , a ,
e d W e
d d r
. d . ANTOPINAIOY,
, .., . 5-9. .
b d , a
b e e d
d a a .
, , .., . 98.

147

 529, c530 j
531 .
, c
r d . ^ r ,
f a c c d
r e f c . ^ a c
c e e e d . ^ f
d r d
g d
. K r,
. , c
d 532.
^H e e
f . K r,
K. , a , c a e
533. b c
529

c c r , a
a j . B. M. M,
(1874). B. KENNEDY, Dictionary, . 440. ANTOPINAIOY,
, .., . 5-9. O E ,
d b c \
a a j b .. c
, e , c , e , e j c , c
e e e . \Oc r e r
M c Berlioz. ^O c b
b b b : e c
, c c , Mc f b e
a a , f a e .
K a d b , f
M. AANOYTOY, A, . 370.
530
^H c c e e
, b a d b 20 . ^O
e r e c . K
r , B d M. B. KENNEDY,
Dictionary, . 214. . AANOYTOY, A, . 348-349.
531
^O e r d e e c ,
b c , e .
K c c r K. N.
d e . B. KENNEDY,
Dictionary, . 315.
532
B. AKOYH, , . 187.
533
O K-N , a b
a a a d , a

148

 . , e
, d a a
, a c a e
534. O c , , a
a e
d , f
c . a , b ,
e e e e d a
, b c c
e d .

, a e
. \A E a
, a a a
c a
d b c c
, f b a a 535. Ta
a b c , d
e 536.
^O R. McClellan b c
c , ,
d . ^H c
b b ,
r e d e , e
.. ^H c b c ,
c b c c d d
c r c b c g a
c 537. ^O c a e
b b , e c
c , r e e , e
, f e d b ,
\ e d , f e
e c d f
c j , a
, e a b a d b c .
ANTOPINAIOY, , . 102-103.
534
B. EYAEOY EOPOY, K , HE, . 4, . 522.
535
AANOYTOY, A, .., . 379.
536
B. .., . 381.
537
B. McCLELLAN, , .., . 38.

149

e d a , f
e , r e , a a
a d ,
, e , f . hA b e , b
a d b a a c c d
e . ^O c a
e d a a a d
a . \A, e ,
a d e e e
, a a a e e
e .
^H c e .
^Y , b e a
d b b d e
. ^H , f e e ,
e a a c
. E r e a
a a e ,
a 538.
^H c e . Mb
b , a a
e a a a
. E \ f f r c
. O a
b b e e j e . b
f a e
a a , . Ae a
c e c
j c , d
c a . ^O K.
f d c hA c
a ,
a r e d . Ab
b c j
. ^O b b a . ^H
r f c c
539. ^H a
538
539

B. AKAAK, , . 156.
B. IOYK, O, .., . 30.

150

 d a . Ad
, c ,
a d d , f b c 540.
e e d , f c
c d .
d e f
e j b f 541.
c , a a e ,
b .
r e , e
\E. Te b c
c j .
d c c , a a e ,
, e 542 j e
e 543. ^O q , r
e d , r , f b b e
544. d c c , r
, a e , b b d
b . Ab c c c

540

Ae e e b b d c .
O , a ,
c b .
541
c \. \ c ,
a a f e
e f . ^ e d , ,
a , e a c c
, a a g e .
. , \, .., . 81. ^O E
c b b c c r d
. B. AANOYTOY, A, .., . 349.
542
a e e . NGDMM, . 13, . 462-475. a b e oboe d
amore a : E a e , e
e e d e . KENNEDY, Dictionary, ..,
. 458.
543
a e e j cor anglais, (
e a ), . NGDMM, . 6, . 201. \E .
KENNEDY, Dictionary, .., . 148.
544
E , e e , e
e , r e M M. P, e r c
b . Te M M.
Pb e 1928. B. a .., . 82.

151

 q e 545. Mb e e
c e a d e e
.
, a , r
d 546. Mb e
a j a 547, b e
a j 548.
O b c c
f , \ e d .
c c d e e
e , b e
c c . c
b , e d
, a , c a
d c , d b b a e
549.

545

b b , e b c
, d b b e e
, e c . ^O q, ,
c d .
546
d . AANOYTOY, A, .., . 380.
547
B. d b mp (mezzo piano), p (piano), pp (pianissimo), ppp
(pinisissimo), mf (mezzo forte), f (forte), ff (fortissimo), fff (fortisissimo). O
E , e fortissimo c
, , e pianissimo, c
, . AANOYTOY, A, .., . 381.
548
B. d b Largo (f ), Adagio (), Andante (b
e ), Moderato ( ), Allegro (),
Presto (f ). d c
, d . O..
549
^Y d c c , d
c a a d a j e , c
d . b c c
a d a .
r d e
e c ^c , a,
d a () d a (). O
K-N , e e
c c , e e e
c c . B. ANTOPINAIOY, ,
.., . 146-147. AANOYTOY, A, .., . 363.

152

a , b c
c , r , c
r . c c c
a , d 550. O
, e d
551. K e d a
b c c , c c
g d q, \ e d
e c 552. K q e
550

B. BAIEIAH, , .., . 9-11 d 15-19. ^Y d

, , , ,
e , , d
. B. .., . 21-23. ANTOPINAIOY, , .., . 251, 253.
APIANOY, M, .., . 11. O E
, e , b f
, f a b b , r
, a e . T a
. E e a a r d e . Te a
c d a , b , g r , a
d
, a d d .
AANOYTOY, A, .., . 387.
551
^O e , e r , i c
a r () j (), r
, g d . Ac e e ,
e d , \ e d d
c c \, c b e e
a r j , a , c
, c d
, d e q , c ,
. M , c
, d c d , r r
b ( ), a
r (c ), d a e
. Ae , d d
, b T , c
a c c c c c . .
KITSON, Harmony, . 24().
552
B. EPIAH, M, .., . 4: O b
r ( c ), a d , a f
c c M, e f , z
e (maggiore) d e (minore),
a c
.

153

, a , d
a a j
b , d a
-. ^H c ,
, d d d ,
, c a d
b . O c
c c ,
r a b a
, d e c a
. E a a
e c c ,
j 553.
, e c
c , r
a b c 554. Er
\ \E , F ,
d b e d 555. Te
a f a . O
e ^. , e
a f , f a
556. \A ,
, , d e
. O d
, , ,
d e . K. , e
b e d b b , d
r ,
e 557.
^H c d e .
Ka c j a
b e a d
. \Ae a e
r e e
553

, a a
, e e j j .
554
B. ANTOPINAIOY, , .., . 123.
555
B. BANTOY, E, . 27-40.
556
B. AKAAK, , .., . 153.
557
B. IOYK, \A, .., . 12.

154

, e , a a e a 558.
Xe r e c a
c c d .
Md , a
a a , a berceuse559. Aa
r a , a e a c c
, d a e . \ e d ,
e , b calando, smorzando j morendo560.
E e e
r a
, d 561. O
e \H. , d d
b e c , c
d , g d c
562.
b d b ,
f , d
. ^ c c e d
d 563. c , a d
558

B. AKAAK, , .., . 153.

^O e c c , d . O
c \Ac r cradle lullaby. B. NGDMM,
. 2, . 519: E b j , e
, a a a . B.
KENNEDY, Dictionary, .., . 66: Te b a
d b e e r r e E. 57 c Pb ,
e e (1844). \Ee e e F. Chopin, ,
f berceuse, r F. Liszt, Balakirev, B. Godard, C. Debussy,
M. Ravel, G. Faur, Busoni d Stravinsky.
560
Kd d d d ,
c , : c
(decrescendo j diminuendo), g d
(ritardando, ritenuto j ralletando).
561
Mb c , f f
, . a
c c r , d
. O K-N , c
a d c . B. ANTOPINAIOY,
, .., . 212.
562
B. AKAAK, , .., . 156.
563
B. McCLELLAN, , . 140: O e a , f
, b , , a
559

155

, c , a
e 564. ^H e a c b c c
q a d , d ,
e c d
e e . ^H , c
, e e , d
a b z565. O K.
, , a d c
c , e
c , d c
566. Mb b a , f
, c , d
c e j c
. O ,
c , d c . \
e e e e r , f
a c d . ^H
c b c c r e
b
, b b c a
d a c ,
c d .
564
B. ANTOPINAIOY, , .., . 35.
565
B. McCLELLAN, , .., . 38.
566
^O K. f d e : Ma , f r
c , , a a
. K, g , e , d
a e , d c a . e a c c
, a c c , d \ e ,
d a e , a e .
E , d b ... \Ae e
r e b
d b , a a a
. IOYK, \A, . 11. c
, e b a e
a e , e , e
, d b .
Er a e a b
b a . ^H , c
, r e a q e c c
. e e e b a
b , c e
, a a e , d a c
, c e .

156

, d c . ^O
c c c a c
.
e c c ,
\ c , j
. b c
e d
b d , e
c c d .

157

158

) ^H c
c
^ c b r q j , a b
b 567. ^
b c c b a c
e e .
d a d b
d .
c e
d . e d c r
c e e e .
\ , i
e e , d c , d a
b a , d a f
d , e e . \E ,
e , d a r b c ,
e , e r
b c . Kd , d r d
d , a e
568. Ac c c
\E, c c d c .

567

B. ANTOPINAIOY, , .., . 5. O E
, e a e c Mc
e c b c . AANOYTOY, A,
.., . 349. O e E , i
e d b , c d c M, a
c a c d c d c d
, a Mc d
. \E d c b c c d
, , a d , Mc
c , d c M. O.., . 352. Kd e
: Te , f b c
M, b , f
e f ,
b e e . O.., . 368.
568
^Y d . Ma .. q
^ j . \E ,
r c d , c
, d e . Ae r e e
e , d b e e .

159

^O M. B, c c ,
a a
, c , j d d e
q, b , F b a a
569. ^H c a r e
, a f
. O a d
, a , d
, e d b
d 570. \A M. K .
e c c
, a d a a
e ,
e , \ d
c c d c , a
d c
a a 571. \A c
d d b j , a d
b d ,
r e . Er a e c
a a d , j
, f r
a , e a a
j . Ac c c M. B,
c r a 572.
^H c c b ,
d b b d c

569

BAIEIOY TOY MEAOY, ^E e , PG, 29b,

212B. (BEE 52, . 11). M. B b e
b e , e d c
c d c c , a c
d , a e e e .
B. ANTNIOY, M, .., . 72.
570
e a e c d
a d . b e b e
a d b g d a d
d c c j .
571
APIANOY, B, .., . 3.
572
B. BAIEIOY TOY MEAOY, ^E e , PG, 29b,
212B. (BEE 52, . 11).

160

 g d c
573.
^O M. B c d
e d r .
a b : h
, d a
! O d
a . B b a
, a b a d
574. ^O .
f \E, q
d , f c c d
. Te c c
. \E M. B e b
c , c d
\E e , c c
b c . Mb e e ,
a d b , a
d c c . Ab M.
B c e e e a
. Te r , f b
c d c r a
d , a r b
. ^H , a
, c e , e d e ,
, e , d e , d e
d 575.
^E b e a
d , a d e c c .
O M. B, , c r e
r e c c d
r e c c d
a e ,
d b d a b c
, a a
573

a e e . APIANOY, M, .., . 22.

BAIEIOY TOY MEAOY, ^E e , PG, 29b,
213A. (BEE 52, . 12). B. ANTNIOY, M, .., . 72.
575
B. BOYPH, , .., . 99.
574

161

 c . O d
d e f , b b a
, a a c r c , b
, d c a e 576.
^Y c c
e 577. ^H c c b r
, a , a
578. ^ a , a c
c c . a e
e a a d b K, d
c d b b c
579. ^H r
576

B. MEAOY BAIEIOY, ^E e , PG 29b, 212B.

(BEE 52, . 11). . APIANOY, , .., . 124.
AYIZAKH, , .., . 390.
577
^O E r f a c
c j T d
a c
, f
b , a ,
K r \ , b e e , r
\A, c d e b b e d
. ^Y r r - e \
b d f b e : c . Tc
M d \ c c : d
f r b (e c c a a
c b c \Ac) d a r
, e c . AANOYTOY,
A, .., . 359-360. Ac d c
c , a c e
d d e
c .
578
B. BOYPH, , . 7. APIANOY, , .., . 124.
\A . . e c d , d
a : ^H c , a c d
c d , d ,
d a . , ,
.., . 17. d Egon Wellesz c
c c , a a a
f d . .
WELLESZ, History, .., . 349-362. AYIZAKH, , .., .
375-377.
579
^Y , d d c
,

162

, , c a
a , d e 580,
a f d , a c
581. ^ c
c a e e a e a d e
a c .
c c c
, f a a e f e
e , a d
582. ^
\ a c c
c . ^H c c c
, a a d a e
e , ,
a , g d a d a ,
c c . Ae e e
c . Mb a
c , d c c . \ c c
a a b d
e e . ^H , d
c , a a , a
g d \E d a c
e e e d e a
, a .
580
B. BOYPH, , .., . 76.
581
b b , d ,
. B .. f a e
b e d a a
e a . E, a b e
(), d a a e NH (N). Ac c b
c , a e c
c , d e e e
b d b . g d b d
b .
582
B. a d , f c c
, , , . B. BAIEIAH, ,
.., . 35, d . 38-39. O E e
a c Wagner r :
Mc c (Goethe, Hegel),
c M (Schopenhauer, Nietzsche), a d b
e M, c d d Mc
c . AANOYTOY,
A, .., . 373.

163

a b c a
, a c .
\ \ c c a
c f d , d
e , a c d
, d e 583. Ae r d
, f d d
e a c \
c 584. d e f f
f c \ c c
d b , a a d c
. ^H , e
A d \E , a a
a , d a a , d a
e 585.
^H d , f
c \ c , e e
, a 586. a
583

. , , .., . 424 . . WELLESZ, History,

.., . VIII.
584
^O d a e K. E
e e e , c .
oH , f e K . a
f d e
. r a a , i
a , . B. MIXAHIH, M, . 37.
585
B. AYOYTINOY, \E, .., . 128-129: O a
c b , d e , d e a
, a , d a F a
, c e , d c , \ f
a a F. E , d a e ,
d e .
586
a a c
b e . Ta
c c \ \E, r
e b d . B. APIANOY,
, .., . 19. ^O a e c
, , . \A,
, e , e a
a a , e , c
c c d c c .
ANTNIOY, E, .., . 49. d . : . .
, , HE, . 5, . 449. MHTAKH, ^Y, . 76 .

164

 c r e e
d d . O c

c
c

d
a
587, g d a a 588. a
d c d
. a a c
, b d 589 e
a e b b d a
e e . T a
, d a a , e e
a d a e , f e e
590.
a d a
, e a b j
a d d e . e
K e . e e
j b d d
d e . e Ke j
b c d
a ^ a a . ^E
a e
d . O a a
d , d d ,
a c a , a
e a r e c , a
TPEMEA, ^Y, . 45-47. AXOY, M, . 23. TMAAKH,
^Y, . 55 .
587
a a c b
e f .
588
a a a c b f
f .
589
c . r
c . e e b d e e
( e e )...,
. , \, .., . 34.
590
e d c d d
, , d , r c a
, a d a e e . ^Y
a a (a) .
d , a , e e . B.
APIANOY, \A, .., . 12. BOYPH, , .., . 6.

165

 d e e , a .
O , a e \E
d a ,
, d , r, a a
a a d a c d
f , r b
, b c , e
c \E. K e
r
d c . O \E,
e e , g d c c
c , r ,
a e , f r
c \E. Mb c , f
c , a
c c c c .
^O e , a a r a d c
c j , e c e
a d a , g
d a c a a
d a e 591. Ta d
c , a
a e d
. Mb a a e a
e c , c a ,
d 592. b e a r
a , a r
d a .
^H c
\ \ b a b a
591

B. BOYPH, , .., . 98.

b a a r , a a j a .
c \E r
, , c \E b
d , a b
. ^H . . , c e a a
\E e a b ,
c \E
, , q d c
, b . (B. c e A
). B. APIANOY, , .., . 7, . 5.
592

166

 j a b c
. a a
e a e ,
\ e d b a c d c
. Ta a , d a d
, b
b b j , c
c . Ab b b
c c . b r
d , , b d
b , b
, a d
a . ^H c
c c , b b c \
\, r f e c , b e b
, d a
a a , a a e ,
e a , e b c
\ \c c . ^H , b
b c c , r ,
d c a ,
a , d e b c d
c c a ,
, d , , b
d b d a
a a c d , a
a a d a e 593. \ ,
d a a d c c c j a a
,
. b b , \ ,
r d , c
593

B. EPIAH, M, . 5-6: c r b
, a , e d ,
F . b r c d
, c , a
, e d \ ,
F d F, c r ,
a c , d
, a d
c d .

167

c , d e a b d
a c a
. ^H \ c
c e , c
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. , d d d \E,
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d . . APIANOY, M, ..,
. 8.

213

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214

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215

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216

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740

B. EOPHTOY KYPOY, ^E PN , PG 80, 1996C:

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B. PHOPIOY NYH, E c c , B, PG 44,
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217

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horribile audire, d d
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B. APIANOY, , .., . 10. ^Y d
a c c e e
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c . \ e e , a a a ,
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a , e e , c c
. d . WELLESZ, History, .., . 311-324.
AYIZAKH, , . 442. . APIANOY, , .., . 33,
. 32.
746
^H \E e d
a c f . B.
APIANOY, M, .., . 22.
747
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B. APIANOY, , .., . 11.

218

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750
c , c \. a d b
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219

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B. OYIH, .., . 81.

B. .., . 65-66: ^H c a r
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119. . , , .., . 86-88.
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221

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M. , 36.
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222

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B. XAPAAMOY, X, .., . 151.

223

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759
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A, .., . 21. B. PEPAKH, , . 13 .

224

^ d r
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f ,
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760. e e d a
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d f ,
a e e
E.O.K.A. 1955-59 c K. hA b e
e , e e d a ,
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b a , a
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, a , d a a , a

760

^O . e a , a
a a c . B.
APIANOY, , .., . 11. David Nicholas, e
(a e ) e e ,
b a b b b d
a . NICHOLAS, \, .., . 487.
761
a e e . IAMANTOOYOY, \O, . 23-45.
762
B. IANNOY, E, . 12: Kd a
a a , a , d d a
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763
. , , .., . 126-127.

225

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764

B. APIANOY, , .., . 19-22, . 17. BOYPH,

, . 6-16.
765
^O c X. B, a a , d
e a a e , a : hA
d e , d
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e . BANTOY, B, . 215.
. e f a a j
e d b r e e a c
\ d e . , , .., . 100 .
766
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a d a e

226

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e b b ,
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r a c c , a a c
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e . OYIH, .., . 60.
767
B. APIANOY, , .., . 11.
768
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769
B. APIANOY, , .., . 17, . 12.
770
. d \ \
, c , f e
, ,
, . , ^,
. 41.

227

 d a , a e 771. ^H
c c d a b
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c b
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F . d
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, \ f c c
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, .., . 44-45.

228

 a a a b
f . \ e c
B, a e ,
a a b a a
773.

773

^H c b e ,
e . ^O , a e c ,
r a a e a a
d a a e c c
. B. BANTOY, , .., . 66: a a F
c , a d
d . . , \, . 185.

229

230

YMEPAMATA
a c ,
a .
1. ^ c c a d e .
r b c , a
c e .
^ c , q , e
, e e a
d e d b .
2. , e c d \ d c
, a e , c
d c . a a
. c ^ e c c ^ j d
c b e d b , c
d c . , a
a c . \ a ( c
d a ) c , e , f f
, e . ^ c , e c
^, e d e .
3. \c r e \,
f c a . c
c c a c \
. ^ d b f d e
c e \.
, d b
c c . d c
c c
, g c
a e e .
4. b c , a e .X. , d
c \
a c c (b e b c c ),
e . O
a b c d c
, a f . E
231

d \E d d ,
, e , . Mb e
e f f e e a
e d .
a e
c \. \I e c
c c e , d c
e e r.
\ b d d c c c
. b
a , , d
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c . \ , d ,
,
,

d
,
b c .
^ \ a c K
e e , b b c
c , b ,
r a e e . ^H
\E K e
, a c K
\ c b ,
c . d d
e j . \Ee e d b ,
d d , b e c
. \
b .
5. ^H c c e
b . \A d b
f e . O c c
b c , b
i . Ae e e
a d c c c , ,
, c
r a
c c . a c c c
a b a
c c c b b . ^H
d b e j b e
232

, b
. ^Y e , b
e . O a
d b e , b e e
c . ^ a c
\ e a
f f .
6. ^H c c d c e
. e a
, c a ,
f a , a
a . ^H
e e c c
d c . K j q r b a
, d c c a
. Te d e c e
f d a a a
. ^H c b d , d
c . r
c .
7. ^ , b c , f
, d b c c
d e . e e a
, e . ^H
e a c c
e , e b a
a c \. ^H
c , ,
c c , d e b
c d . \ c c a
, , d ,
, b d b .
8. ^H c c r a
. a
e f f a d a
\E. ^ r
, , a d . O
233

 a a , e
c d . ^H
\E a b ,
a f e . Er
a , a c
c e , a
e .
b c c c
b r c
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a c c c
, c e
d f d .
^O r a c c
c . e a
c r d
- . e r
, ,
d b c c . ^
a d b
( b , b .)
a c . ^H c
b a a , a
a e f d a .
O a , a a
b , g d
a . d
a a , b
e c c .
^H c c a e
f d e ,
e b a a a
. ^
b
b e c d c ,
f c c .

234

CONCLUSIONS
Summarizing all that has been dealt with in the present essay,
we end up with the following conclusions.
1. Music exists in a general sense in nature and in man. It is
strongly related to the Creation of the world, during which Angels
offer hymns to the Creator.
Also the music of nature itself, the sound of waters, the rustle
of the leaves, the warble of birds teach man how to turn his vocal
capabilities into melody as well.
2. Ancient peoples, living in lands beginning from China and
stretching upto India and Egypt, originally make use of rhythm,
which is then improved to melody and harmony. At the very initial
steps of this development the first musical instruments are being
made. In Ancient Greece, even earlier than Homers time, music is
associated with the epic and the musical instruments, like the harp
and the lyre. Various instruments are, thus, exploited for worship
purposes, during wars, at the Olympic Games and in theatrical
performances. Music takes on as far back as ancient Greek times, a
pedagogical and recreational character.
3. Extremely obvious is the use of music in Israel, as clearly
stated in the books of the Old Testament. The ode referring to the
Passage through the Red Sea has a central position in worship.
Davids hymns and psalter constitutes the most descriptive
expression of music in Israel. In general, various instruments are
being used, while during synagogues the nly musical expression is
performed by men vocals. The existence of ritual music is quite
apparent during New Testament period as well; the Lord instructs
the use of chanting right after the Last Supper.
4. With the termination of the persecutions, during the 4th
century, at which time the Church focussed on the revival of its
organizational structure, the Fathers started using music (in
conjuction with ecclesiastical poetry) as a strong means for fightingoff the various heresies. Already the heretics have dressed-up their
falsified dogmas with voluptuous and hedonistic music, in order to
attract the faithful. That is why the Church Fathers counteracted
235

using popular melodies accompanying the hymns, in an effort to

protect the faithful from being led astray by heretics.
During the 8th century, the use of the eight-tone musical
system is entrenched in church life. St. John Damascene expurgates
from ecclesiastical music improper foreign elements and modifies
chanting into a simpler form.
Moreover, byzantine monasteries and monks of that era
gained reputation as guardians of the ecclesiastical chanting. A great
number of monks established schools at which both monks and
laymen were being taught the art of chanting. In parallel, quite a
number of members of the higher clergy, even a few Emperors,
were engaged in the composition of ecclesiastical hymns.
With the fall of Constantinople, the Church has taken up a
more decisive role regarding the ecclesiastical music, by further
involving it in its pastoral activities, as pulpit preaching had shown
considerable reduction. During Ottoman rule, the church of
Constantinople has provided for the sound operation of the
patriarchical faculties, where chanting was taught. A good number of
composers belong to the lower and higher clergy. Next to the
chanting schools, various music institutions had been established,
the purpose of which was the preservation of the tradition in
ecclesiastical music. Also holy worship was enriched by new tunes.
5. Woman in Judaic worship chants during several
ceremonies outside the temple and jointly with men inside it.
However, it is considered certain that during synagogues she does
not participate in chanting since she is not even considered as a
member. This fact has repercussions on Christian ceremonial acts
since, as we know, the influence of the Judaic synagogue on the
formation of Christian ritual was determinative during the early
Christian period. During Christian period we come accross to
references in the Fathers writings, which talk about the
participation of woman in joint chanting during worship. She is said
to chant either along with the whole of the congregation or in the
chanters choir, however never on her own. In Church tradition we
find no references regarding an institution for women chanters, as
we certainly do for the deaconesses. The Apostoles seem to have
allowed women to chant in mass as a means to prevent them from
garrulity. There are several reasons why the Church is reluctant in
allowing woman taking place in the chanters choirs.
236

6. Music may influence man in a negative and a positive way

also. Deep inside the collective human unconcious there lie
mankinds life experiences, acquired through the ages. Amongst
these intimate archetypes one can trace a number of music tones or
hearings. The influence of sound on mans psychism is two-fold: on
a conscious and unconsious level. Each musical gamut or melody
carries with it certain hearings, which bring about equivalent
feelings to the listeners soul. Even during the embryotic stage and
early infancy, man seems to react to sounds coming from the
surroundings. Music affects people of all ages and contributes to the
healing of psychosomatic illnesses.
7. In addition to pleasant feelings, music is able to cause
several other benefits to mans body and soul. Lyrics are, of course,
of most prime importance. The use of a variety of melodies (tones)
during church ceremonies activates the attention of the faithful, as
they are not all involved in the chanting. Due to the simplicity and
directness of the orthodox ecclesiastical music it can easily
penetrate into the listeners soul and can further stimulate the
elements of prayer and rependence. On the contrary, western music
is very demanding on technical and musical skills both for the
performer and the listener.
8. Ecclesiastical music is a pastoral tool. Faith and doctrines
and, in general, the whole teaching of the Orthodox Church can be
expressed through its extolling and chanting. The latter must
therefore be a concern not only to chanters but to ministers as well.
Pastors are called upon to develop their charismas so as to edify the
flock and give glory to God. Church ministry has to come up with
ways by which young people can be drawn near to the lectern. It is
also her duty to see to the dispelling from ecclesiastical music of all
those exogenous elements, which distort its traditional character.
Efforts to slur byzantine chant with european music were not
successful in arousing feelings of mistagogue during worship.
Pastors in parishes must place as a target the participation of the
faithful in the chanting, since, when performed jointly, it fosters
feelings of love and equality between pastors and flock.
The Bishop is the main person in charge of pastoral activity
in the diocese. The promotion of byzantine/ecclesiastical music is
237

one of priests ministry duties. To this direction, the establishment

of choirs, the organisation of lectures, meetings and conferences
having as subject the art of chanting, are most essential. The use of
choirs in priests ministry activities (visits to various foundations,
parish happenings, etc.) is an appropriate pastoral tool. The art of
chanting must not, however, be confined within the limits of parish
life, but it should also be taught by experienced instructors and at
school. Pastors should also provide for the publication of music
books, which will include various lessons on the art of chanting and
songs of Christian content. In parallel they may make use of the
mass media in an effort to promote the Greek Orthodox music
tradition. Ecclesiastical music may also be used in missions,
especially when a skilful combination with the local musical
characteristics is produced. Todays experimentation in adjusting
religious poetry to modern musical melodies does not fit in with the
decency and mystagogy, which should be present in religious music.

238

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